Face to Face is the fourth studio album by the English rock band the Kinks, released in October 1966. The album marked a shift from the hard-driving style of beat music that had catapulted the group to international acclaim in 1964, instead drawing heavily from baroque pop and music hall. It is their first album consisting entirely of Ray Davies compositions, and has also been regarded by critics as one of rock's first concept albums. Davies' blossoming songwriting style became increasingly observational and satirical, commenting on English culture, social class and the music industry.
Arthur , often referred to as just Arthur, is the seventh studio album by the English rock band the Kinks, released in October 1969. Kinks frontman Ray Davies constructed the concept album as the soundtrack to a Granada Television play and developed the storyline with novelist Julian Mitchell; the television programme was never produced. The rough plot revolved around Arthur Morgan, a carpet-layer, who was based on Ray and guitarist Dave Davies' brother-in-law Arthur Anning.
Kinks is the debut album by the English rock band the Kinks, released in 1964. It was released with three tracks omitted as You Really Got Me in the United States.
Kinda Kinks is the second album by English rock band the Kinks, released in 1965. Recorded and released within two weeks after returning from a tour in Asia, Ray Davies and the band were not satisfied with the production. The single "Tired of Waiting for You" was a #1 hit on the UK Singles Charts.
The Kink Kontroversy is the third studio album by the English rock band the Kinks, released on 26 November 1965 in the United Kingdom and in March 1966 in the United States, where it was the first American Kinks album to feature an identical tracklist to its UK counterpart. It is a transitional work, with elements of both the earlier Kinks' styles and early indications of the future direction of Ray Davies' songwriting styles. The liner notes were written by Michael Aldred.
"Where Have All the Good Times Gone" is a song written by Ray Davies and performed by the Kinks. It was released as the B-side to "Till the End of the Day," and then on their album The Kink Kontroversy.
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
Sleepwalker is the sixteenth studio album by the English rock group, the Kinks, released in 1977. It marked a return to straight-ahead, self-contained rock songs after several years of concept albums. It is the first album in what critics usually call the "arena rock" phase of the group, in which more commercial and mainstream production techniques would be employed. The album also marks the last appearance of bassist John Dalton, who left the band during the recording sessions. Dalton plays bass on all songs on the album save for "Mr. Big Man". The lineup of the Kinks would be trimmed down significantly in 1977 following the album's release, as the brass section and backup singers were removed and the band returned to a standard rock band outfit.
"Wonderboy" is a song by the English rock band the Kinks, released as a single in 1968. It stalled at number 36 in the UK charts, becoming the band's first single not to make the UK Top Twenty since their early covers. Despite this, it became a favourite of John Lennon of the Beatles, and, according to Ray Davies in his autobiography, X-Ray, "someone had seen John Lennon in a club and he kept on asking the disc jockey to play 'Wonder Boy' [sic] over and over again." Kinks guitarist Dave Davies praised the song, saying, "'Wonderboy' was a big one for us although it wasn't a hit. That was one song we really felt something for." However, bassist Peter Quaife's opinion towards the track was low, later stating that "[I] hated it ... it was horrible."
"Autumn Almanac" is a song written by Ray Davies and recorded by the rock group the Kinks in 1967. "Autumn Almanac" has since been noted for being an "absolute classic", "a finely observed slice of English custom", and a "weird character study", and praised for its "mellow, melodic sound that was to characterize the Kinks' next [musical] phase..." Some have placed this and other Davies compositions in the pastoral-Romantic tradition of the poetry of Wordsworth, among others.
"Susannah's Still Alive" is a song by Dave Davies, released for his second solo single. The recording featured all of the Kinks' members as his backing band. It was a hit but it did not live up to the expectations of Davies' last single "Death of a Clown", which was a Top 5 hit. It failed to chart in the US, but was a significant success in Europe, reaching #10 in the Netherlands, #27 in Germany, #18 in Belgium and #18 in Sweden. Although it was never featured on an LP, its B-side "Funny Face" was included on the Kinks' 1967 album Something Else by the Kinks.
"Set Me Free" is a song by Ray Davies, released first by the Kinks in 1965. Along with "Tired of Waiting for You", it is one of band's first attempts at a softer, more introspective sound. The song's B-side, "I Need You", makes prominent use of powerchords in the style of the Kinks' early, "raunchy" sound. "Set Me Free" was heard in the Ken Loach-directed Up the Junction, a BBC Wednesday Play which aired in November 1965; this marked the first appearance of a Kinks song on a film or TV soundtrack.
"Till the End of the Day" is a song by the Kinks, written by Ray Davies and released as a single in 1965 and later on their album The Kink Kontroversy. It centres on a power chord, like many of the group's early hits, and was similarly successful, reaching number eight in the United Kingdom and number 50 in the United States, spending eight weeks or more in each chart.
"I'm Not Like Everybody Else" is a song written by Ray Davies and first recorded by the Kinks in 1966 and released that year as the B-side of "Sunny Afternoon". The lead vocal is sung by Dave Davies, with occasional parts vocalized by his brother Ray, the band's usual lead singer. The song is a defiant anthem of non-conformity. It has been covered by various artists, notably the Chocolate Watchband in their 1968 rendition of the song.
"Dead End Street" is a song by the British band the Kinks from 1966, written by main songwriter Ray Davies. Like many other songs written by Davies, it is to some degree influenced by British Music Hall. The bass playing was partly inspired by the "twangy" sound of Duane Eddy's guitar. It was originally released as a non-album single, but has since been included as one of several bonus tracks from the Face to Face CD. The song, like many others by the group, deals with the poverty and misery found in the lower classes of English society.
"Wicked Annabella" is a song by English rock band the Kinks, appearing on their 1968 album The Kinks Are the Village Green Preservation Society. The song was written by main songwriter Ray Davies, although sung by lead guitarist Dave Davies in a rare departure from tradition.
"Plastic Man" is a song written by Ray Davies and recorded by the Kinks in 1969.
Polly, sometimes mislabeled as Pretty Polly, is a song by British rock group the Kinks. It was released as the B-side of their 1968 single "Wonderboy". "Wonderboy" peaked at number 36 on the UK Singles Charts, becoming the first major Kinks single since 1964 to be a relative commercial failure. It also peaked at number six in The Netherlands.
"Starstruck" is a song by the English rock band the Kinks from their sixth studio album, The Kinks Are the Village Green Preservation Society (1968). Written and sung by Ray Davies, the song was recorded in July 1968. The song was issued as the album's lead single in continental Europe and the United States, with an accompanying promo film for the European release shot in Waterlow Park, Highgate. The song failed to chart anywhere besides the Netherlands, where it reached No. 13 on the Veronica Top 40 and No. 9 on the Hilversum 3 Top 30.
"She's Got Everything" is a song written by Ray Davies and released by English rock band the Kinks. It first appeared as the B-side of the Kinks' 1968 single, "Days".
