| "Two Sisters" | ||||
|---|---|---|---|---|
 B-side label of US single | ||||
| Single by the Kinks | ||||
| from the album Something Else by The Kinks | ||||
| A-side | "Waterloo Sunset" | |||
| Released | 26 July 1967 [1] | |||
| Recorded | February 1967 [2] | |||
| Studio | Pye, London | |||
| Genre | English folk [3] | |||
| Length | 2:01 | |||
| Label | Reprise | |||
| Songwriter(s) | Ray Davies | |||
| Producer(s) | Ray Davies | |||
| The Kinks USsingles chronology | ||||
| ||||
"Two Sisters" is the third track from the Kinks' 1967 album, Something Else by the Kinks . The song was written by Ray Davies.
In "Two Sisters", the singer compares sisters Sybilla and Priscilla. Sybilla is a swinging, single "wayward lass", while Priscilla is a married housewife. Priscilla is tired of facing "the drudgery of being wed", with her being said to be "so jealous of her sister." The singer compares how "Sybilla looked into her mirror; Priscilla looked into the washing machine" and how "Sybilla looked into the wardrobe; Priscilla looked into the frying pan." Priscilla then "threw away her dirty dishes just to be free again [and threw away] her women's weekly magazines just to be free again and put the children in the nursery just to be free again." However, upon seeing her children, she "decided she was better off" than her wild sister. She's "no longer jealous of her sister."
The two characters in the lyrics of "Two Sisters" (Sybilla and Priscilla) were inspired by Ray Davies and his brother, Dave Davies. [4] [5] Ray was more introverted (and was the only one of the two married) while Dave was a party animal who was very outgoing. This clash of personalities was often the cause of many band in-fights, which would come out in their songs (ex. "Dandy", which is often thought to be about Dave).
Dave made up for both of us, he was the youthful, fun-loving one. 'Two Sisters' is quite accurate, in the sense that one had all the freedoms - one brother stays in, and the other goes out and has fun. And one resents the other for the ability to do it. But in the end, look what I've got...
— Ray Davies [4]
"Two Sisters", sung by Ray Davies, is notable for its use of harpsichord (which was also used in the song "Village Green", a song recorded around the same time, but saved for The Kinks Are the Village Green Preservation Society ). It was also the first time strings were used in a Kinks track. [5]
"Two Sisters" saw release in May 1967, on both the French EP, "Mister Pleasant", and as the American B-side of "Waterloo Sunset". Later that year, it appeared on the album Something Else by the Kinks . The track has since appeared on Picture Book .
AllMusic's Stephen Thomas Erlewine said that the track was "allegorical" and a "stunner".
Although never a regular part of their live set, the group did perform the song (live vocals over backing track) on the BBC2 TV show Colour Me Pop in July 1968.
According to band researcher Doug Hinman, [6] except where noted:
The Kinks
Additional musicians
Something Else by the Kinks, often referred to simply as Something Else, is the fifth UK studio album by the Kinks, released in September 1967. The album continued the Kinks' trend toward an eccentric baroque pop and music hall-influenced style defined by Ray Davies' observational and introspective lyrics. It also marks the final involvement of American producer Shel Talmy in the Kinks' 1960s studio recordings; henceforth Ray Davies would produce the group's recordings. Many of the songs feature the keyboard work of Nicky Hopkins and the backing vocals of Davies's wife, Rasa. The album was preceded by the singles "Waterloo Sunset", one of the group's most acclaimed songs, and the Dave Davies solo record "Death of a Clown", both of which charted in the UK top 3.
The Kinks Are the Village Green Preservation Society is the sixth studio album by the English rock band the Kinks. Released on 22 November 1968, Village Green is regarded by commentators as an early concept album. A modest seller on release, it was the band's first studio album which failed to chart in either the United Kingdom or United States, but was lauded by contemporary critics for its songwriting. It was embraced by America's new underground rock press, completing the Kinks' transformation from mid-1960s pop hitmakers to critically favoured cult band.
Arthur , often referred to as just Arthur, is the seventh studio album by the English rock band the Kinks, released in October 1969. Kinks frontman Ray Davies constructed the concept album as the soundtrack to a Granada Television play and developed the storyline with novelist Julian Mitchell; the television programme was never produced. The rough plot revolved around Arthur Morgan, a carpet-layer, who was based on Ray and guitarist Dave Davies' brother-in-law Arthur Anning.
"The Village Green Preservation Society" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by the band's principal songwriter Ray Davies, the song is a nostalgic reflection where the band state their intention to "preserve" British things for posterity. As the opening track, it introduces many of the LP's themes; Ray subsequently described it as the album's "national anthem".
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
"Shangri-La" is a song written by Ray Davies of the Kinks. The song appeared on the 1969 concept album, Arthur. The song's inspiration can be traced back to when the band visited the Davies brothers' sister, Rose, and her family in Australia, the "designed community" that the family lived in serving as the initial lyrical inspiration. The song's highly ironic lyrics comment on British class society while portraying Arthur, the album's ill-fated protagonist, and his empty life in the suburbs. The musical aspects of the song both reflect and comment on the mood of the lyrics.
"Wonderboy" is a song by the English rock band the Kinks, released as a single in 1968. It stalled at number 36 in the UK charts, becoming the band's first single not to make the UK Top Twenty since their early covers. Despite this, it became a favourite of John Lennon of the Beatles, and, according to Ray Davies in his autobiography, X-Ray, "someone had seen John Lennon in a club and he kept on asking the disc jockey to play 'Wonder Boy' [sic] over and over again." Kinks guitarist Dave Davies praised the song, saying, "'Wonderboy' was a big one for us although it wasn't a hit. That was one song we really felt something for." However, bassist Peter Quaife's opinion towards the track was low, later stating that "[I] hated it ... it was horrible."
"You Still Want Me" is a single by the Kinks released in 1964. It was their second record, and failed to chart upon release, threatening the band's deal with Pye Records. However, the massive success of the band's next single, "You Really Got Me", ensured their tenure with Pye would continue until 1971, when they shifted to RCA.
"Wicked Annabella" is a song by the English rock band the Kinks from their 1968 album, The Kinks Are the Village Green Preservation Society (1968). Written by Ray Davies, it was recorded by the Kinks in July 1968. The song is Dave Davies's only lead vocal contribution on the album. It is one of several character studies on Village Green, recounting the wicked deeds of the local witch as a warning to children. Employing an eerie tone, its lyrics are darker than the rest of the album and have been likened by commentators to a dark fairy tale.
"Ev'rybody's Gonna Be Happy" is a song by Ray Davies, released as a UK single by the Kinks in 1965. As the follow-up to the number-one hit "Tired of Waiting for You", and having their previous three singles all chart among the top two, it was less successful, reaching number 17. It broke a run of what would have been thirteen consecutive top-ten singles in the UK.
"Picture Book" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song's lyrics describe the experience of an ageing narrator flipping through a photo album reflecting on happy memories from "a long time ago". Recorded in May 1968, its cheerful sound is defined by the jangle of an acoustic twelve-string guitar and a disengaged snare drum. In continental Europe, the song was issued as the B-side of the album's lead single, "Starstruck", in November 1968. The same single was issued in the United States in January 1969, though it failed to appear in any charts.
"Village Green" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by the band's principal songwriter, Ray Davies, the song was first recorded in November 1966 during the sessions for Something Else by the Kinks (1967) but was re-recorded in February 1967. Both the composition and instrumentation of "Village Green" evoke Baroque music, especially its prominently featured harpsichord played by session keyboardist Nicky Hopkins. Unlike most of the band's late 1960s recordings, it employs real orchestral instruments, including oboe, cello, viola and piccolo, as arranged by English composer David Whitaker.
"Polly" is a song by the English rock band the Kinks. It was released on a non-album single in April 1968, as the B-side to "Wonderboy". Written and sung by bandleader Ray Davies, the song was recorded in March 1968 during sessions for the band's 1968 album The Kinks Are the Village Green Preservation Society. Ray was initially inspired by the character Polly Garter in Dylan Thomas's 1954 radio drama Under Milk Wood, though his resulting character does not share anything with Thomas's besides the same name. The song is one of the few Kinks recordings from the late 1960s to possibly feature real strings, as arranged by David Whitaker.
"Drivin'" is a song written by Ray Davies of the Kinks which appeared on that group's 1969 concept album Arthur . It was released in the UK as the first single from the album, but failed to chart.
"Stop Your Sobbing" is a song written by Ray Davies for the Kinks' debut album, Kinks. It was later covered by the Pretenders as their first single.
"Animal Farm" is a song by the English rock band the Kinks from their sixth studio album, The Kinks Are the Village Green Preservation Society (1968). Written and sung by Ray Davies, the song was recorded in March 1968. Musically an example of pop, the song features a noticeably larger sound than the others on Village Green, accomplished through it being recorded in a larger studio space as well as heavy reverb added to its drums, percussion and tack piano. The song is one of the few Kinks recordings from the late 1960s to possibly feature real strings, as arranged by David Whitaker.
"Berkeley Mews" is a song by the English rock band the Kinks. It was released on a non-album single in June 1970, as the B-side to "Lola". Written and sung by bandleader Ray Davies, the song was recorded in early 1968 during the sessions for The Kinks Are the Village Green Preservation Society (1968). The title references a small street in London, while the lyrics recount a one-night stand. Influenced by the music of the 1940s, the song employs a heavier production than was typical for the band's 1968 work.
"Johnny Thunder" is a song by the English rock band the Kinks from their sixth studio album, The Kinks Are the Village Green Preservation Society (1968). Written and sung by Ray Davies, the song was recorded in March 1968. Davies was inspired to write the song after seeing the 1953 film The Wild One, basing it on Marlon Brando's character Johnny as well as on a classmate Davies admired as a child. A rock song, its recording features a countermelody played by Dave Davies on electric guitar, wordless vocal harmonies and one of the album's few instances of a single-tracked vocal by Ray.
"Monica" is a song by the English rock band the Kinks from their sixth studio album, The Kinks Are the Village Green Preservation Society (1968). Written and sung by Ray Davies, the song was recorded sometime between late 1967 and May 1968. The song features congas and a syncopated rhythm, indicating Davies's continued interest in calypso music. Its lyrics are a serenade for a prostitute and were partly inspired by Dylan Thomas's radio drama, Under Milk Wood (1954), though Davies kept the lyrics deliberately subtle to avoid a radio ban. Retrospective commentators have disputed the song's level of thematic cohesion with the others on Village Green.
Then Now and Inbetween is a promotional compilation album by the English rock band the Kinks. Reprise Records issued the album in July 1969 to journalists, radio program directors and disc jockeys in conjunction with the "God Save the Kinks" promotional campaign, which sought to reestablish the Kinks' commercial status in the US after their four-year ban on performing in the country.
