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"Moving Pictures" | ||||
---|---|---|---|---|
Single by The Kinks | ||||
from the album Low Budget | ||||
B-side | "In a Space" | |||
Released | 28 September 1979 (UK) [1] | |||
Recorded | January – June 1979 | |||
Genre | Pop rock, disco | |||
Length | 3:47 | |||
Label | Arista | |||
Songwriter(s) | Ray Davies | |||
Producer(s) | Ray Davies | |||
The Kinks singles chronology | ||||
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Low Budget track listing | ||||
11 tracks
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"Moving Pictures" is the final track on The Kinks' 1979 album Low Budget . Like the other ten tracks on the album, it was written by Ray Davies.
The lyrics of "Moving Pictures" focus on how life passes people by. It laments on how life is "always moving" and that "nothing in life is a permanent fixture". It then goes on to analyze life in general, with lines such as "we live, we die, no one knows why" and " life can sometimes not be very nice, but then you make your choice so you must pay the price." It then warns that "Life is only what you make out so make the verses rhyme and all the pieces fit, there isn't any time to make much sense of it, it soon fades away." It also makes mention of racial problems, with the line "black girls, white girls oh what a mixture, looking as pretty as a picture."
The track, like "(Wish I Could Fly Like) Superman" (the lead single from Low Budget ), attempts a disco feel, with a steady drum beat opening the song. Also, like most Kinks tracks, Ray Davies handles the lead vocal, which is double tracked at certain points during the track. Like the bulk of the album, Moving Pictures was recorded at the Power Station, a studio located in New York City. [2]
As per the credits given on Low Budget. [2]
"Moving Pictures" was released as the second U.K. single from Low Budget , backed with "In a Space", a track also from Low Budget . [3] [ deprecated source ] It was not considered commercially successful, as it did not make a dent in the charts.[ citation needed ] The single was not released in either the United States or Continental Europe.
The track was considered "blandly reflective" by Rolling Stone. [4] According to author Johnny Rogan, he described the track as a perspective of life seen through the eyes of an “impermanent film”. [5] When released, Melody Maker described the track as "an amiable, proficient shuffle, but the lyrics hardly approach the timeless elliptical acuity of 1960s material like 'Fancy' or 'Wonder Boy '". [1]
Something Else by the Kinks, often referred to simply as Something Else, is the fifth studio album by the English rock band the Kinks, released on 15 September 1967 by Pye Records. The album continued the Kinks' trend toward an eccentric baroque pop and music hall-influenced style defined by frontman Ray Davies' observational and introspective lyrics. It also marked the final involvement of American producer Shel Talmy in the Kinks' 1960s studio recordings; henceforth Ray Davies would produce the group's recordings. Many of the songs feature the keyboard work of Nicky Hopkins and the backing vocals of Davies's wife, Rasa. The album was preceded by the singles "Waterloo Sunset", one of the group's most acclaimed songs, and the Dave Davies solo record "Death of a Clown", both of which charted in the UK top 3.
Arthur or the Decline and Fall of the British Empire, often referred to simply as Arthur, is the seventh studio album by the English rock band the Kinks, released on 10 October 1969. It was the first Kinks album to feature bassist John Dalton, who replaced Pete Quaife after the former’s departure. Kinks frontman Ray Davies constructed the concept album as the soundtrack to a Granada Television play and developed the storyline with novelist Julian Mitchell; the television programme was never produced. The rough plot revolved around Arthur Morgan, a carpet-layer, who was based on Ray and guitarist Dave Davies' brother-in-law Arthur Anning. A stereo version was released internationally with a mono version being released in the UK, but not in the US.
The Kinks were an English rock band formed in London in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the top 10 in the United States.
"Shangri-La" is a song written by Ray Davies of the Kinks. The song appeared on the 1969 concept album, Arthur. The song's inspiration can be traced back to when the band visited the Davies brothers' sister, Rose, and her family in Australia, the "designed community" that the family lived in serving as the initial lyrical inspiration. The song's highly ironic lyrics comment on British class society while portraying Arthur, the album's ill-fated protagonist, and his empty life in the suburbs. The musical aspects of the song both reflect and comment on the mood of the lyrics.
Low Budget is the eighteenth studio album by English rock group the Kinks, released in 1979. It was their first to feature bassist Jim Rodford who would remain with the group until their disbandment in 1996. Following the minor success of their 1978 album Misfits, the band recorded the majority of the album in New York rather than London. Unlike the more nostalgic themes of many Kinks albums prior to Low Budget, many of the album's songs allude to contemporaneous events. Musically, the album is a continuation of the band's "arena rock" phase, resulting in a more rock-based sound and more modern production techniques.
"Wonderboy" is a song by the English rock band the Kinks, written by Ray Davies. It was released as a non-album single in April 1968. It stalled at number 36 in the UK charts, becoming the band's first single not to make the UK Top Twenty since their early covers.
"You Still Want Me" is a single by the Kinks released in 1964. It was their second record, and failed to chart upon release, threatening the band's deal with Pye Records. However, the massive success of the band's next single, "You Really Got Me", ensured their tenure with Pye would continue until 1971, when they shifted to RCA.
"Love Me Till the Sun Shines" is a 1967 song by the English rock band the Kinks. Appearing on their album Something Else by The Kinks, it was, unlike most of the band's songs, written by guitarist Dave Davies.
"Wicked Annabella" is a song by the English rock band the Kinks from their 1968 album, The Kinks Are the Village Green Preservation Society (1968). Written by Ray Davies, it was recorded by the Kinks in July 1968. The song is Dave Davies's only lead vocal contribution on the album. It is one of several character studies on Village Green, recounting the wicked deeds of the local witch as a warning to children. Employing an eerie tone, its lyrics are darker than the rest of the album and have been likened by commentators to a dark fairy tale.
"Ev'rybody's Gonna Be Happy" is a song by Ray Davies, released as a UK single by the Kinks in 1965. As the follow-up to the number-one hit "Tired of Waiting for You", and having their previous three singles all chart among the top two, it was less successful, reaching number 17. It broke a run of what would have been thirteen consecutive top-ten singles in the UK.
"Come Dancing" is a 1982 song written by Ray Davies and performed by British rock group the Kinks on their 1983 album State of Confusion. The song was inspired by Davies' memories of his older sister, Rene, who died of a heart attack while dancing at a dance hall. The lyrics, sung from the perspective of an "East End barrow boy", are about the boy's sister going on dates at a local Palais dance hall.
"Picture Book" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song's lyrics describe the experience of an ageing narrator flipping through a photo album reflecting on happy memories from "a long time ago". Recorded in May 1968, its cheerful sound is defined by the jangle of an acoustic twelve-string guitar and a disengaged snare drum. In continental Europe, the song was issued as the B-side of the album's lead single, "Starstruck", in November 1968. The same single was issued in the United States in January 1969, though it failed to appear in any charts.
"Polly" is a song by the English rock band the Kinks. It was released on a non-album single in April 1968, as the B-side to "Wonderboy". Written and sung by bandleader Ray Davies, the song was recorded in March 1968 during sessions for the band's 1968 album The Kinks Are the Village Green Preservation Society. Ray was initially inspired by the character Polly Garter in Dylan Thomas's 1954 radio drama Under Milk Wood, though his resulting character does not share anything with Thomas's besides the same name. The song is one of the few Kinks recordings from the late 1960s to possibly feature real strings, as arranged by David Whitaker.
"(Wish I Could Fly Like) Superman" is a song written by Ray Davies that was first released on the Kinks' 1979 album, Low Budget. The song, inspired by Superman: The Movie, employs a disco beat and lyrics that describe the singer's wish to be like the fictional character Superman. The song's disco style was created as a response to Arista Records founder Clive Davis's request for "a club-friendly record", despite Ray Davies' hatred of disco.
"Drivin'" is a song written by Ray Davies of the Kinks which appeared on that group's 1969 concept album Arthur . It was released in the UK as the first single from the album, but failed to chart.
"Starstruck" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song was recorded in July 1968. The song was issued as the album's lead single in continental Europe in November 1968 and in the United States in January 1969. The European release was accompanied by a promo film shot in Waterlow Park, Highgate. The song failed to chart anywhere besides the Netherlands, where it reached No. 13 on the Veronica Top 40 and No. 9 on the Hilversum 3 Top 30.
"Berkeley Mews" is a song by the English rock band the Kinks. It was released on a non-album single in June 1970, as the B-side to "Lola". Written and sung by bandleader Ray Davies, the song was recorded in early 1968 during the sessions for The Kinks Are the Village Green Preservation Society (1968). The title references a small street in London, while the lyrics recount a one-night stand. Influenced by the music of the 1940s, the song employs a heavier production than was typical for the band's 1968 work.
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Then Now and Inbetween is a promotional compilation album by the English rock band the Kinks. Reprise Records issued the album in July 1969 to journalists, radio program directors and disc jockeys in conjunction with the "God Save the Kinks" promotional campaign, which sought to reestablish the Kinks' commercial status in the US after their four-year ban on performing in the country.
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