| "Dandy" | ||||
|---|---|---|---|---|
 West German picture sleeve | ||||
| Single by the Kinks | ||||
| from the album Face to Face | ||||
| B-side | "Party Line" | |||
| Released | Late 1966 [lower-alpha 1] | |||
| Recorded | 9 June 1966 [2] | |||
| Studio | Pye, London | |||
| Genre | Pop [3] | |||
| Length | 2:10 | |||
| Label | Pye | |||
| Songwriter(s) | Ray Davies | |||
| Producer(s) | Shel Talmy | |||
| The Kinks Europeansingles chronology | ||||
| ||||
"Dandy" is a 1966 song by the Kinks, appearing on their album Face to Face .
"Dandy" was only released in Britain and America on the Face to Face album. However, it was released as a single in continental Europe, where it charted, reaching #1 in Germany, #2 in Belgium #3 in the Netherlands and #6 in Austria. In some countries, (such as Norway) "Dandy" was flipped with "Party Line" (also from Face to Face) as the A-side.
AllMusic's Stewart Mason said of "Dandy" that "Davies delivers the lyrics, about a neighborhood lothario, with just the right mixture of disgust and admiration; his slyly witty vocals are truly what makes the song. Musically, the tune harks back to the music hall tradition of George Formby; Dave Davies' guitar is so trebly and clean that it sounds like a ukulele – or perhaps an electrified rubber band – and the gently swinging tune sounds like it could have been an old vaudeville hit. 'Dandy' is a charming, slightly subversive, gem." [4] Stephen Thomas Erlewine, also from AllMusic, noted "the music hall shuffle of 'Dandy'" as a "wonderful moment" from Face to Face. [5]
'Dandy' was a regular feature of the Kinks live act from 1966 to 1969 but was dropped thereafter.
| "Dandy" | ||||
|---|---|---|---|---|
 US picture sleeve | ||||
| Single by Herman's Hermits | ||||
| from the album There's a Kind of Hush All Over the World | ||||
| B-side | "My Reservation's Been Confirmed" | |||
| Released | September 1966 [6] | |||
| Recorded | August 1966 [7] | |||
| Studio | De Lane Lea, London | |||
| Genre | Pop | |||
| Label | MGM | |||
| Songwriter(s) | Ray Davies | |||
| Producer(s) | Mickie Most | |||
| Herman's Hermits singles chronology | ||||
| ||||
"Dandy" became a hit single in North America in 1966 as recorded by fellow UK group Herman's Hermits in that same time frame, reaching #1 in Canada on the RPM national singles chart [8] and #5 in the US on the Billboard Hot 100. [9] It also made #3 in New Zealand. This version was not released as a single in the UK.
When comparing the Kinks' original version of "Dandy" to Herman's Hermits' cover, Stewart Mason of AllMusic said, "Herman's Hermits would have the US hit with Ray Davies' 'Dandy,' but the Kinks' own version, from 1966's masterful Face To Face, is far superior to Peter Noone's charming but gormless rendition." [4] Cash Box called the Herman's Hermits' version "a delectable item." [10]
The Rockin' Vickers also released "Dandy" as the A side to a 1966 single. (Their main claim to fame was that Lemmy was a band member before his stint with Hawkwind and his formation of Motörhead.) British singer Clinton Ford also released a version of the song as a single in the same year.
The Kinks' Pye Records label mate David Garrick included the song on his 1967 album "A Boy Named David", as well as a live version on the 1968 German release "David Garrick and the Dandys - Blow-Up Live".
| Chart (1966–67) | Peak position |
|---|---|
| Austria (Ö3 Austria Top 40) [11] | 6 |
| Belgium (Ultratop 50 Flanders) [12] | 3 |
| Belgium (Ultratop 50 Wallonia) [13] | 14 |
| Germany (Official German Charts) [14] | 1 |
| Netherlands (Veronica Top 40) [15] | 3 |
| Netherlands (Single Top 100) [16] | 2 |
| Chart (1966–67) | Peak position |
|---|---|
| Australia (Kent Music Report) [17] | 14 |
| Canada Top Singles ( RPM ) [18] | 1 |
| Denmark (Danmarks Radio) [19] | 4 |
| New Zealand ( Listener ) [20] | 3 |
| US Billboard Hot 100 [21] | 5 |
Face to Face is the fourth studio album by the English rock band the Kinks, released on 28 October 1966. The album marked a shift from the hard-driving style of beat music that had catapulted the group to international acclaim in 1964, instead drawing heavily from baroque pop and music hall. It is their first album consisting entirely of Ray Davies compositions, and has also been regarded by critics as one of rock's first concept albums. Davies' blossoming songwriting style became increasingly observational and satirical, commenting on English culture, social class and the music industry.
Something Else by the Kinks, often referred to simply as Something Else, is the fifth studio album by the English rock band the Kinks, released on 15 September 1967 by Pye Records. The album continued the Kinks' trend toward an eccentric baroque pop and music hall-influenced style defined by Ray Davies' observational and introspective lyrics. It also marks the final involvement of American producer Shel Talmy in the Kinks' 1960s studio recordings; henceforth Ray Davies would produce the group's recordings. Many of the songs feature the keyboard work of Nicky Hopkins and the backing vocals of Davies's wife, Rasa. The album was preceded by the singles "Waterloo Sunset", one of the group's most acclaimed songs, and the Dave Davies solo record "Death of a Clown", both of which charted in the UK top 3.
Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, or simply Lola, is the eighth studio album by the English rock band the Kinks, released on 27 November 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. Musically Lola Versus Powerman is varied, described by Stephen Thomas Erlewine as "a wildly unfocused but nonetheless dazzling tour de force", containing some of Ray Davies's strongest songs.
"A Well Respected Man" is a song by the British band the Kinks, written by the group's lead singer and rhythm guitarist Ray Davies, and originally released in the United Kingdom on the EP Kwyet Kinks in September 1965. The song was released on the album Kinkdom in the United States. It was also released as a single in the US and Continental Europe.
"Lola" is a song by the English rock band the Kinks, written by frontman Ray Davies for their 1970 album Lola Versus Powerman and the Moneygoround, Part One. The song details a romantic encounter between a young man and a possible cross-dresser or trans woman, whom he meets in a club in Soho, London. In the song, the narrator describes his confusion towards Lola, who "walked like a woman but talked like a man", yet he remains infatuated with her.
The Kinks were an English rock band formed in London in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
"All Day and All of the Night" is a song by the English rock band the Kinks from 1964. Released as a single, it reached No. 2 in the UK on the Record Retailer chart and No. 7 on the US Billboard Hot 100 chart in 1965. The song was included on the Kinksize Hits EP in the UK and the Kinks' second American album, Kinks-Size (1965).
"Sunny Afternoon" is a song by the Kinks, written by frontman Ray Davies. The track later featured on the Face to Face album as well as being the title track for their 1967 compilation album. Like its contemporary "Taxman" by the Beatles, the song references the high levels of progressive tax taken by the British Labour government of Harold Wilson, although it does so through the lens of an unsympathetic aristocrat bemoaning the loss of his vast unearned wealth. Its strong music hall flavour and lyrical focus was part of a stylistic departure for the band, which had risen to fame in 1964–65 with a series of hard-driving, power-chord rock hits.
"Tired of Waiting for You" is a song by the English rock band the Kinks. It was released as a single on 15 January 1965 in the UK and on 17 February 1965 in the US. The single reached number one in the UK and number six in the US. It then appeared on their second studio album, Kinda Kinks. It was the group's highest-charting single in the US - tied with "Come Dancing", which achieved the same chart position eighteen years later in 1983.
"Dedicated Follower of Fashion" is a 1966 song by British band the Kinks. It lampoons the contemporary British fashion scene and mod culture in general. Originally released as a single, it has been included on many of the band's later albums.
"Set Me Free" is a song by Ray Davies, released first by the Kinks in 1965. Along with "Tired of Waiting for You", it is one of band's first attempts at a softer, more introspective sound. The song's B-side, "I Need You", makes prominent use of powerchords in the style of the Kinks' early, "raunchy" sound. "Set Me Free" was heard in the Ken Loach-directed Up the Junction, a BBC Wednesday Play which aired in November 1965; this marked the first appearance of a Kinks song on a film or TV soundtrack.
"Till the End of the Day" is a song by the Kinks, written by Ray Davies and released as a single in 1965 and later on their album The Kink Kontroversy. It centres on a power chord, like many of the group's early hits, and was similarly successful, reaching number eight in the United Kingdom and number 50 in the United States, spending eight weeks or more in each chart.
"Dead End Street" is a song by the British band the Kinks from 1966, written by main songwriter Ray Davies. Like many other songs written by Davies, it is to some degree influenced by British Music Hall. The bass playing was partly inspired by the "twangy" sound of Duane Eddy's guitar. It was originally released as a non-album single, but has since been included as one of several bonus tracks from the Face to Face CD. The song, like many others by the group, deals with the poverty and misery found in the lower classes of English society.
"Mister Pleasant" is a song recorded by British rock group the Kinks in 1967, written by Ray Davies.
"Days" is a song by the Kinks, written by lead singer Ray Davies, released as a single in 1968. It also appeared on an early version of the album The Kinks Are the Village Green Preservation Society. It now appears as a bonus track of the remastered CD. On the original Pye 7N 17573 label, the name of the song is "Day's" owing to a grammatical error.
"Ev'rybody's Gonna Be Happy" is a song by Ray Davies, released as a UK single by the Kinks in 1965. As the follow-up to the number-one hit "Tired of Waiting for You", and having their previous three singles all chart among the top two, it was less successful, reaching number 17. It broke a run of what would have been thirteen consecutive top-ten singles in the UK.
"Come Dancing" is a 1982 song written by Ray Davies and performed by British rock group the Kinks on their 1983 album State of Confusion. The song was inspired by Davies' memories of his older sister, Rene, who died of a heart attack while dancing at a dance hall. The lyrics, sung from the perspective of an "East End barrow boy," are about the boy's sister going on dates at a local Palais dance hall.
The Dandy(EP) by Herman's Hermits is the band's sixth EP and was released in Great Britain by EMI Records, in 1966. This EP recording was produced by Mickie Most, who produced records for such groups as The Animals, Donovan, Suzi Quatro, and The Jeff Beck Group.
"Starstruck" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song was recorded in July 1968. The song was issued as the album's lead single in continental Europe in November 1968 and in the United States in January 1969. The European release was accompanied by a promo film shot in Waterlow Park, Highgate. The song failed to chart anywhere besides the Netherlands, where it reached No. 13 on the Veronica Top 40 and No. 9 on the Hilversum 3 Top 30.
"Party Line" is the opening track from the Kinks' 1966 album, Face to Face. The songwriting is credited to Ray Davies. On one of the earliest covers of the album, the song is credited R.Davies - D.Davies.
