| Year | Artist | Album | Notes |
|---|
| 1984 | The Wolfgang Press | Scarecrow EP | Production and guitar |
| The Wolfgang Press | Water EP | Co-production |
| The Wolfgang Press | Sweatbox EP | Production and engineering |
| 1985 | Dif Juz | Extractions | |
| Felt | Primitive Painters / Cathedral single | Production on track No. 1 "Primitive Painters" |
| Felt | Ignite the Seven Cannons | |
| The Wolfgang Press | The Legendary Wolfgang Press and other Tall Stories | Production and engineering |
| 1986 | Harold Budd | Lovely Thunder | Mixing on track No. 5 "Flowered Knife Shadows (For Simon Raymonde)" |
| Felt | The Ballad of the Band EP | Production on track No. 3 "Candles in a Church" and No. 4 "Ferdinand Magellan" |
| 1987 | The Gun Club | Mother Juno | |
| Edwyn Collins | Don't Shilly Shally EP | |
| Various artists | Lonely Is An Eyesore | Production on track No. 7 "No Motion" by Dif Juz |
| A R Kane | Lollita EP | |
| Mory Kanté | Yé ké yé ké EP | Engineering on track No. 1 "Yé ké yé ké (The Afro Acid Remix)" |
| Felt | Final Resting of the Ark EP | Production on track No. 2 "Autumn", No. 3 "Fire Circles" and No. 5 "Buried Wild Blind" |
| 1988 | Harold Budd | The White Arcades | Engineering on track No. 2 "Baltus Bemused By Color" and No. 4 "The Real Dream of Sails |
| The Gun Club | Breaking Hands EP | |
| Heavenly Bodies | Rains on Me EP | Recording of track No. 1 "Rains on Me (Extended Mix)" and No. 2 "Rains on Me (Short Version)" |
| 1990 | Lush | Mad Love EP | Production and engineering |
| Chapterhouse | Sunburst EP | Production on track No. 1 "Something More" |
| Big Hard Excellent Fish | The Imperfect List single | Recording |
| Various artists | Alvin Lives | Production on track No. 1 "Chirpy Chirpy Cheep Cheep" by Lush |
| Lush | Gala | Production on track No. 4 "Deluxe", No. 5 "Leaves Me Gold", No. 6 "Downer", No. 7 "Thoughtforms", No. 14 "Hey Hey Helen" and No. 15 "Scarlet (New Version)" |
| 1991 | Chapterhouse | Whirlpool | Production on track No. 3 "Autosleeper" and No. 9 "Something More" |
| Lush | Black Spring EP | |
| Lush | For Love EP | Production on track No. 1 "For Love" |
| 1992 | Lush | Spooky | |
| Ian McCulloch | Lover Lover Lover EP | Production on track No. 3 "Ribbons & Chains" and No. 4 "Birdy" |
| Ian McCulloch | Mysterio | Production on track No. 9 "Vibor Blue" and No. 10 "Heaven's Gate" |
| Various artists | Volume Five | Production and engineering on track No. 4 "Wildfire" by Fuel and track No. 6 "Help Me Lift You Up" by Macbeth, guitar and bass on track No. 6 |
| 1994 | Fuel | Timeless EP | Production and guitar on track No. 1 "Butterfly Knife" and No. 5 "Wildfire" |
| 1995 | Various artists | The Event Horizon Psi | Production, mixing, guitar and atmospheres on track No. 5 "Half Light" by Aether |
| 1997 | The Bitter Springs | Absence Makes the Hair Grow Blonder EP | Mixing of track No. 1 "Absence Makes the Hair Grow Blonder" at September Sound |
| Guy Chadwick | This Strength EP | Production and mixing |
| 1998 | Guy Chadwick | Lazy, Soft and Slow | Production and mixing |
| Yu-Ra | Innocent Time | |
| Yu-Ra | Beyond The Pale | Production and guitar |
| Guy Chadwick | You've Really Got a Hold on Me | Production and mixing |
| Yu-Ra | Snow Doll | |
| 1999 | Dif Juz | Soundpool | Production on track No. 9 "No Motion" |
| Russell Mills & Undark | Pearl & Umbra | Co-mixing and additional guitar |
| Yu-Ra | Remember EP | Production and mixing |
| 2000 | Various artists | Outlandos D'Americas – Tributo a Police | Additional instrumentation and mixing (at September Sound) on track No. 8 "Sol Invisible" by Lucybell |
| The Wave Room | Love Medicine | Mixing and guitar |
| 2001 | Rothko (band) | In The Pulse of an Artery | Mastering |
| Yu-Ra | Kumo EP | |
| Lift to Experience | The Texas-Jerusalem Crossroads | Co-mixing |
| 2002 | Al Brooker | Quixotic | Mastering |
| 2003 | Aeriel | So Warm EP | |
| Ulan Bator | Nouvel Air | Mixing and mastering |
| 2005 | Sophie Barker | Earthbound | Production on three tracks and co-written two of them |
| Amber Smith | Hello Sun / Blue Eyes Digital single | Mixing on track No. 1 "Hello Sun" |
| 2006 | Amber Smith | RePrint | Mixing |
| Mahogany | Connectivity | Mixing of track No. 3 "Supervitesse (Robin Guthrie Mix)", No. 8 "Renovo", No. 10 "My Bed is My Castle", No. 12 "Supervitesse (Extended Mix)", No. 13 "My Bed is My Castle (feat. Lucy Belle Guthrie)" and No. 14 "Domino Ladder Beta (feat. Robin Guthrie)" |
| 2007 | Broaddaylight | The Bell Jar EP | Mastering |
| Annie Barker | Mountains and Tumult | Production, mixing and instrumentation |
| Manual | Lost Days, Open Skies And Streaming Tides | Production, mixing and writing on track No. 9 "Marbella" |
| Apollo Heights | White Music for Black People' | |
| 2008 | Resplandor | Pleamar | Production, engineering and mixing, additional guitar and bass on track No. 3 "Raindrops" |
| Apollo Heights | Everlasting Gobstopper EP | Production on track No. 3 "Angel Heart (Robin Guthrie Version)" |
| 2009 | Broaddaylight | Stars Out EP | Mastering |
| 2010 | Dark Orange | Clouds, Paperships And Fallen Angels | Mastering |
| Heligoland | All Your Ships are White | Production and mixing |
| 2011 | Annie Barker | ... For a Better Place | Production and guitar |
| Sealight | Dead Letters EP | Mixing and mastering |
| 2012 | Heligoland | Bethmale EP | Mixing and mastering |
| 2013 | Broaddaylight | Anniversaries and Reunions | Mastering |
