Russell Mills (artist)

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Russell Mills is a British artist who was born in Ripon, Yorkshire, England in 1952. He has produced record covers and book covers for Brian Eno, the Cocteau Twins, [1] Michael Nyman, David Sylvian, Peter Gabriel, and Nine Inch Nails. [2]

Contents

As a recording artist, he has collaborated with many musicians, for example David Sylvian, Ian McCulloch and Peter Gabriel. He has released three CDs with his recording project Undark, one of them on the British ambient label Em:t Records. The last, Pearl + Umbra was released on Bella Union, to very respectable reviews.

Mills was Visiting Tutor (until 2012) at the Royal College of Art, [3] Visiting Professor at the Glasgow School of Art. [4]

Emergence as music packaging designer

In the 1980s, Mills began receiving commissions to design record album covers and associated packaging. Stylistically, his work at this time became much more abstract, abandoning figurative representation in favour of symbolic allusions. He regularly treated the canvas as a sculptural plane, with materials such as metals, powders, bones, feathers, beeswax, fabric, wires, animal skins and papers embedded in thick paints and pastes. Works of this period generally occupy the entirety of the canvas with little or no "negative space" left.

Notable album covers include:

An analysis of the symbolic meaning of the elements used to create the cover for Roger Eno's Between Tides appears in the 1999 book 100 Best Album Covers, edited by Storm Thorgerson and Aubrey Powell (of the design group Hipgnosis.)

Mills is also the co-author of the 1986 book "More Dark Than Shark" with Brian Eno, the book being a collection of interviews with Eno and Mills's artistic interpretations of the lyrics to songs off Eno's first four solo albums.

Work with Nine Inch Nails

Russell Mills worked with Nine Inch Nails in 1994–1997 and again in 2012–15.

In 1994, he was commissioned to create the entire visual world of The Downward Spiral , beginning with the artwork for the album's cover and booklet, and extending to all of the associated singles (including March of the Pigs and Closer to God ), the remix collection Further Down the Spiral , the 1997 video cassette compilation Closure , the 2004 Deluxe Edition and DualDisc re-releases of The Downward Spiral, (which was accompanied by several new Mills compositions downloadable from the Nine Inch Nails website), [5] and various promotional materials.

These interrelated works contain Mills' heaviest use of organic materials to depict a sense of fragility and decay. [6] Animal skeletons, sets of teeth, blood, feathers, and dead insects are liberally embedded in the canvases. In some pieces, materials have been affixed and then exposed to water or chemical elements, so that their decay is literally imprinted on the surface of the artwork.

In 2012, work began on the cover art for the album Hesitation Marks , released in 2013, and subsequently an art book called Cargo in the Blood, [7] [8] released in December 2015.

Advent of digital design in

From the later 1990s to the present, Mills' work has again evolved to a new style, made possible by the advent of computer design applications such as Photoshop. The "collage" aesthetic is still frequently seen, but now in a virtual/digital form, with many abutting and overlapping semi-transparent images, often cropped into crisp, aligned rectangles.

Mills still uses hand-drawn or -painted imagery, but as often as not it is scanned into the computer and treated as another malleable collage element. Images of water and sky are frequently seen, and a cooler color palette often prevails (in contrast to an earlier reliance on earth tones).

Negative space is still a rarity in Mills' compositions. It is worth noting that many of the musicians who choose Mills as an illustrator compose music that is "ambient" to varying degrees. Many of the album covers visually reflect this, in that they can be viewed quickly for an overall emotional impression, while intense perusal reveals many painstakingly layered details.

Notable album covers from 1995 to the present include:

Music

In addition to soundtracking several multimedia exhibits (see below), Russell Mills has released two albums to date:

Both albums originated from Mills "collecting sounds" from musicians, many of whose albums he has illustrated. He then collaged the organic and electronic sounds into ambient pieces (with one or two vocal "songs" per album), with varying degrees of collaboration with the originating artists.

Featured contributors to Undark(aka "Undark One: Strange Familiar"):

Featured contributors to Pearl + Umbra:

Multimedia soundtracks

Still Moves | one
  • Between Two Lights [1994] – 20:48
  • Soundings [1995] – 15:29
  • Looming [1996] – 7:33
  • Measured in Shadows [1996-97] – 22:19
  • Still Moves [1999] – 17:45
  • Mantle (Sonic Boom Catalogue Edit) [2000] – 7:02
  • Mantle (Extended Edit) [2000] – 31:05
Still Moves | two
  • Republic of Thorns [2001] – 31:12
  • Cleave | Soft Bullets [2002] – 48:15

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References

  1. ↑ Moira Jeffrey (12 March 2001). "When solo artists meet their match". Herald Scotland . Retrieved 22 July 2010.
  2. ↑ Will Hermes (24 September 1999). "The Fragile: Nine Inch Nails". Entertainment Weekly . Retrieved 22 July 2010.
  3. ↑ "Home". Rca.ac.uk. Retrieved 2 July 2020.
  4. ↑ "The Glasgow School of Art". Gsa.ac.uk. Retrieved 2 July 2020.
  5. ↑ "Russell Mills - NinWiki". Nin.wiki. Retrieved 2 July 2020.
  6. ↑ "Russell Mills Committere". Russellmills.com. Retrieved 2 July 2020.
  7. ↑ "Russell Mills || media". Media.russellmills.com. Retrieved 2 July 2020.
  8. ↑ "Nine Inch Nails and Russell Mills to publish art book". Completemusicupdate.com. Retrieved 2 July 2020.
  9. ↑ "Still Moves | three, by Russell Mills and Mike Fearon". Slowfusesound.bandcamp.com. Retrieved 2 July 2020.
  10. ↑ "RUSSELL MILLS | » Still Moves | One". Russellmills.com. Retrieved 2 July 2020.
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