Looking to depart from the distorted production of their previous album,The Downward Spiral (1994),the album features elements of ambient and electronic music within a wide variety of genres. The album continues some of the lyrical themes from The Downward Spiral,including depression and drug abuse. The album notably contains more instrumental sections than their previous work,with some entire tracks being instrumentals. The Fragile is also one of the band's longest studio releases,clocking in at nearly 1 hour and 45 minutes long. The record was promoted with three singles:"The Day the World Went Away","We're in This Together",and "Into the Void",as well as the promotional single "Starfuckers,Inc." and an accompanying tour,the Fragility Tour,which spanned two legs. Several accompanying recordings were also released,including a remix album,Things Falling Apart (2000),a live album,And All That Could Have Been (2002),as well as an alternate version of the record,The Fragile:Deviations 1 (2016).
Upon release,critics applauded the album's ambition and composition,although some criticized its length and perceived lack of lyrical substance. However,in the years following its release,it has come to be regarded by many critics and listeners to be among the band's best work. The album debuted at number one in the U.S. to become the band's first chart-topper,and was eventually certified double platinum by the RIAA.
Writing and recording
The Fragile was an album based a lot in fear, because I was afraid as fuck about what was happening to me... That's why there aren't a lot of lyrics on that record. I couldn't fucking think. An unimaginable amount of effort went into that record in a very unfocused way.
The Fragile was produced by Trent Reznor and Alan Moulder at Nothing Studios in New Orleans. There were some personnel changes within Nine Inch Nails after the Self-Destruct tour, which saw drummer Chris Vrenna replaced by Bill Rieflin and Jerome Dillon, the latter of whom would become Nine Inch Nails' full-time drummer until late 2005. Charlie Clouser and Danny Lohner contributed occasional instrumentation and composition to several tracks although the album was predominantly written and performed by Reznor alone. The Fragile was mixed by Alan Moulder and mastered by Tom Baker. The packaging was created by David Carson and Rob Sheridan.[2]
Over a year before the album's release, Reznor suggested, perhaps with intentional or dismissive misdirection, that the album would "be irritating to people because it's not traditional Nine Inch Nails. Think of the most ridiculous music you could ever imagine with nursery rhymes over the top of it. A bunch of pop songs."[4]
"About 10 years ago or so I locked myself away in a house on the ocean, and I tried to... I said I was trying to write some music. Some of which wound up on The Fragile. But what I was really doing was trying to kill myself. And the whole time I was away by myself, I managed to write one song, which is this song. So when I play it I feel pretty weird about it, because it takes me back to a pretty dark and awful time in my life. It's weird to think how different things are now: I'm still alive, I haven't died yet. And I'm afraid to go back to that place because it feels kind of haunting to me, but I'm going to go back. I'm going to get married [to Mariqueen Maandig] there."
—Reznor, on the origins of the song, "La Mer", at a 2009 performance in Mansfield, MA.[13]
Described by Reznor as a sequel to The Downward Spiral—an album with a plot detailing the destruction of a man—The Fragile is a concept album dealing with his personal issues, including depression, angst, and drug abuse. His vocals, for the most part, are more melodic and somewhat softer, a departure from his harsh and often angry singing in previous works. However, several music critics including Reznor noticed the lack of lyrics on the album.[14][1]The Bulletin interprets it as an industrial rock album about "fear and loathing that could compete with Pink Floyd's The Wall".[15] In some ways, The Fragile is a response to The Downward Spiral. Reznor compared the lyrical content of the two albums:
I wanted this album to sound like there was something inherently flawed in the situation, like someone struggling to put the pieces together. The Downward Spiral was about peeling off layers and arriving at a naked, ugly end. This album starts at the end, then attempts to create order from chaos, but never reaches the goal. It's probably a bleaker album because it arrives back where it starts — (with) the same emotion. The album begins "Somewhat Damaged" and ends "Ripe (With Decay)".[14]
The song "I'm Looking Forward to Joining You, Finally" is credited in the album's booklet as "for clara", suggesting that the song's topic, like "The Day the World Went Away", is about Reznor's grandmother, Clara Clark. [citation needed]
Fight Club author Chuck Palahniuk singled out "The Wretched" for comment: "I remember being amazed when I first heard this... This wasn't just ennui: this was an active, aggressive, angry lack of caring. It's not 'Let's kill ourselves'; it's 'Let's kill each other'... It's not rock 'n' roll and it's not classical. It's something in between."[16]
According to a CIA document entitled Guidelines for Interrogation Methods the song "Somewhat Damaged" was one of 13 songs played to detainees at Guantanamo Bay, supposedly as a means of torture.[17]
Packaging
Cover of an instrumental version of The Fragile, and the original full photograph of the waterfall
The cover artwork was designed by David Carson. A section within his book Fotografiks[18][19] reveals that the top section of the album cover is from a photo of a waterfall and the bottom section is from a closeup photo of the inside of a seashell. Carson elaborated on this further in an image on his website:
[The] back [cover] was going to be the front until the last moment. Trent changed it saying 'it was kinda irritating' yet something about it we liked so maybe it fit the music. Front cover flowers I shot outside of Austin, Texas. The 1 hour place called and said they messed up and used the wrong chemicals and the film was ruined. I said 'lemme see 'em anyway'. This is how they came out. Cover image is a waterfall in Iceland and a seashell in the West Indies.[20]
Promotion
On September 10, 1998, at the 1998 MTV Video Music Awards, a thirty-second teaser trailer was shown on television to promote the then untitled album.[21] It would be more than a year before the album was finally released.[21]
The first single, "The Day the World Went Away", was released two months before the album. "Into the Void" and "We're in This Together" proved to be the album's most successful singles. The B-side "Starfuckers, Inc." was released on the album as a track at the last minute [citation needed], and served as a promotional single for The Fragile.
In support of The Fragile, the Nine Inch Nails live band reformed for the Fragility tour. The tour began in late 1999 and lasted until mid-2000, spanning Europe, Japan, New Zealand, Australia, and North America.[22] The tour consisted of two major legs, labeled Fragility 1.0 and Fragility 2.0. The live band lineup remained largely the same from the previous tour in support of The Downward Spiral, featuring Robin Finck on guitar, Charlie Clouser on keyboards, and Danny Lohner on bass guitar.[23][24] Reznor held open auditions to find a new drummer, eventually picking then-unknown Jerome Dillon.[25]
Nine Inch Nails' record label at the time, Interscope Records, reportedly refused to fund the promotional tour following The Fragile's lukewarm sales. Reznor instead committed to fund the entire tour himself, which quickly sold out. He concluded that "the reality is, I'm broke at the end of the tour", but also added, "I will never present a show that isn't fantastic."[26]
The tour featured increasingly large production values, including a triptych video display created by contemporary video artist Bill Viola.[27]Rolling Stone magazine named Fragility the best tour of 2000.[28]
In 2002, the tour documentary And All That Could Have Been was released featuring performances from the Fragility 2.0 tour. While making the DVD, Reznor commented on the tour in retrospect by saying "I thought the show was really, really good when we were doing it",[29] but later wrote that "I can't watch it at all. I was sick for most of that tour and I really don't think it was Nine Inch Nails at its best."[30]
Reissue
On September 21, 2009—the tenth anniversary of the album's release—a Nine Inch Nails official Twitter update hinted that a deluxe 5.1 surround audio reissue of The Fragile was in the works and was scheduled for a 2010 release.[31]
During an interview with The New York Times that was broadcast on January 7, 2011, after questioned about the album Reznor explained:
The Fragile is weird because when it came out it felt like everyone hated it to me, and now it feels like it's everyone's favorite album, fan-wise. I was probably going to save this for some other announcement, but Alan Moulder's spent a couple of months restoring all the multitracks, prepping for a surround mix, and we plan on doing that this spring, and I'm not sure when it's going to come out but it's just something I'd like to get done and there's no record better than that to get surround mixed. It has to be Alan Moulder, and we both look back at that record – I've just spent some time with him now, he's still a very good friend of mine – and the experience of doing it in the bound that we had in literally two years, every day working together on that, was one of the best times in our lives. I think, in hindsight, I should have had [The Fragile] two single records, much Radiohead style with Kid A and Amnesiac, recorded at once, broken into two digestible chunks. Hey, it is what it is, but I thought about going back, redoing bits that I would mess around with to see how it would be if I were to do that record now, but I don't know if I should phase. Sometime this year expect something to come out surround-wise.[32]
While on tour in 2014 in Australia and New Zealand, Reznor was interviewed by a local reporter and was quoted about the reissue stating:
Yeah, we've done a lot of the work for that. Really what it's come down to is with all the other stuff going on, the Fragile thing in particular, I want to make sure I get it right. You know, we've mixed everything in surround, it sounds amazing, we have a great package ready to go. I just stumbled across 40-or-so demos that are from that era that didn't turn into songs, that range from sound effects to full-fledge pieces of music, and I kind of feel like - something should happen with that. And I think it has something to do with that package, and I just need the bandwidth to kind of calmly think about it, and decide how much effort I want to devote into that and what to do with it. I have a lot of ideas that could eat up immense amounts of time and I'm trying to weigh out - just think it through. I don't want to pull the trigger on something and go, 'Man, I should have done it in this way.' And I just haven't had a chance to be in a calm place where I can think it through completely and make that decision.[33]
"The Fragile occupies a very interesting and intimate place in my heart. I was going through a turbulent time in my life when making it and revisiting it has become a form of therapy for me. As an experiment, I removed all the vocals from the record and found it became a truly changed experience that worked on a different yet compelling level. The Fragile: Deviations 1 represents Atticus and I embellishing the original record with a number of tracks from those sessions we didn't use before. The result paints a complimentary but different picture we wanted to share."
— Reznor, in a press release for The Fragile: Deviations 1[34]
In June 2015, an instrumental version of the album was released to Apple Music.[35] This version of the album also includes alternative versions of "The Frail", "Just Like You Imagined", "Pilgrimage", "La Mer", "The Mark Has Been Made", and "Complication", the instrumental version of "The Day the World Went Away (Quiet)", an extended version of "+Appendage", a demo version of "10 Miles High" called "Hello, Everything Is Not OK", and two previously unreleased tracks from The Fragile ("The March" and "Can I Stay Here?")
In 2017 a reissue of the vinyl version of The Fragile was released, alongside an expanded, instrumental version, titled The Fragile: Deviations 1. This version of The Fragile contains all songs in either instrumental or alternate formats, and combines them with newly released songs written and recorded during the sessions for The Fragile. Deviations 1 consists of a one-off 4×LP pressing.[36]
The Fragile received generally positive reviews from contemporary critics.[44]Mojo called it "an impressively multi-textured, satisfyingly violent sonic workout",[45] and Alternative Press found it "nothing short of astounding".[46]Edna Gundersen of USA Today called it "meticulously honed and twisted to baffle, tantalize, disarm and challenge the listener", and wrote that "the coats of polish ... can't camouflage Trent Reznor's perverse and subversive paths to musical glory."[9]Ann Powers of Spin called the album "a good old-fashioned strap-on-your-headphones experience".[11]Jon Pareles of The New York Times wrote that, although he "doesn't approach suicide as he did on" The Downward Spiral, "Reznor can hide in the studio and piece together music that's as cunning, and disquieting, as his raw anger used to be."[6]Will Hermes of Entertainment Weekly viewed that, even "if [Reznor's] emotional palette is limited, it remains broader than any of his metalhead peers", and that, "right now, hard rock simply doesn't get any smarter, harder, or more ambitious than this."[10]Robert Hilburn of the Los Angeles Times wrote that, despite its length, "this is a profoundly challenging and moving work that strikes at the hollowness of most contemporary pop-rock with bullwhip force."[40]The Guardian's Adam Sweeting praised it as "a fearsomely accomplished mix of monster riffing, brooding melodies and patches of minimalist soul-searching".[39]Rolling Stone writer Rob Sheffield felt that the album's "excess is Reznor's chosen shock tactic here, and what's especially shocking is how much action he packs into his digital via dolorosa."[12]
In a negative review, Pitchfork's Brent DiCrescenzo panned the album's lyrics as "overly melodramatic".[42] John Aizlewood of Q felt that it is "let down by Reznor's refusal to trouble himself with melody and by some embarrassing lyrics".[47]NME's Victoria Segal panned its music as "background" and accused it of "chas[ing] 'crossover'", with "grey rock sleet masquerading as a storm beneath a haze of 'experimental' textures."[41] Scott Seward of The Village Voice facetiously commended Reznor for "once again ... pioneering the marriage of heavy guitars, moody atmospherics, electronic drones and beats, and aggressive singing. Just like Killing Joke 20 years ago."[48]Village Voice critic Robert Christgau was even less receptive: "After six fucking years, genius-by-acclamation Trent Reznor delivers double-hoohah, every second remixed till it glistens like broken glass on a prison wall. Is the way he takes his petty pain out on the world a little, er, immature for a guy who's pushing 35? Never mind, I'm told—just immerse in the music. So I do. 'Dream job: emperor,' it says. 'More fun than death by injection.'"[38]
The Fragile was included on several magazines' "end-of-year" album lists, including The Village Voice (number 14), Rolling Stone (number four), and Spin (number one).[citation needed] In a retrospective review, The Rolling Stone Album Guide (2004) gave it three-and-a-half out of five stars and wrote that, as "NIN's monumental double-disc bid for the art-rock crown, The Fragile sounds fantastic from start to finish, but there aren't enough memorable tunes underneath the alluring surfaces."[8]AllMusic editor Stephen Thomas Erlewine offered similar criticism, writing that "Reznor's music is immaculately crafted and arranged, with every note and nuance gliding into the next — but he spent more time constructing surfaces than songs. Those surfaces can be enticing but since it's just surface, The Fragile winds up being vaguely unsatisfying."[37] In 2005, The Fragile was ranked number 341 in Rock Hard magazine's book The 500 Greatest Rock & Metal Albums of All Time.[49] But, even if initial reception was mixed, the album has gotten a cult following from Nine Inch Nails fans. In 2016, Exclaim! listed The Fragile at number two on their "Essential Albums" list for Nine Inch Nails, citing it as their most ambitious work and "a tragic if not stunning portrait of depression."[50]Pitchfork would later reassess the album in their review of the album's 2017 "Definitive Edition", with a score change going from 2.0 to 8.7, describing it as Reznor's "magnum opus... The Fragile scrapes the sky like never before."[51]
The Fragile debuted atop the Billboard 200 with first-week sales of 229,000 copies, earning the band their first number-one album on the chart.[54] The album fell to number 16 the following week, becoming the largest drop from number one at the time.[55] On January 4, 2000, the album was certified double platinum by the Recording Industry Association of America (RIAA),[56] and by May 2005, it had sold 898,000 copies in the United States.[54]
Steven Hyden of The A.V. Club writes that Reznor developed Nine Inch Nails from its role as a prominent rock act and by the time he finished recording The Fragile, alternative rock's overall popularity declined with several of Nine Inch Nails' contemporaries being disestablished or displaced by newer bands. Hyden also attributes the album's commercial performance to the rise of file-sharing on the Internet, which deviated from the alternative rock movement's emphasis on "fetishized vinyl" and "music festivals as peaceful places for young people to commune and dream of better futures."[57]
Track listing
CD
All tracks are written by Trent Reznor, except where noted
This release is identical to the CD pressing, with the exclusive addition of "+Appendage" attached to the end of "Please".
Side 1.A
No.
Title
Writer(s)
Length
1.
"Somewhat Damaged"
Reznor
Lohner
4:31
2.
"The Day the World Went Away"
4:33
3.
"The Frail"
1:54
4.
"The Wretched"
5:25
5.
"We're in This Together"
7:16
6.
"The Fragile"
4:35
7.
"Just Like You Imagined"
3:49
Total length:
32:03
Side 1.B
No.
Title
Writer(s)
Length
1.
"Even Deeper"
Reznor
Lohner
5:48
2.
"Pilgrimage"
3:31
3.
"No, You Don't"
3:35
4.
"La Mer"
4:37
5.
"The Great Below"
5:17
Total length:
22:48
Side 2.A
No.
Title
Writer(s)
Length
1.
"The Way Out Is Through"
Reznor
Hillebrandt
Clouser
4:17
2.
"Into the Void"
4:49
3.
"Where Is Everybody?"
5:40
4.
"The Mark Has Been Made" (includes a hidden intro to "10 Miles High")
5:15
5.
"Please (+Appendage)"
6:19
Total length:
26:20
Side 2.B
No.
Title
Writer(s)
Length
1.
"Starfuckers, Inc."
Reznor
Clouser
5:00
2.
"Complication"
2:30
3.
"I'm Looking Forward to Joining You, Finally"
4:13
4.
"The Big Come Down"
4:12
5.
"Underneath It All"
2:46
6.
"Ripe (With Decay)"
6:34
Total length:
25:15 1:46:26
Vinyl / 2017 Definitive Edition
This release of The Fragile contains the songs "10 Miles High" and "The New Flesh" (both of which were later released as part of the "We're in This Together" and "Into the Void" singles, dependent on territory.) "The Day the World Went Away", "The Wretched", "Even Deeper" and "La Mer" are all extended mixes, while the opening and closing of each side eliminates the crossfading between songs found on the CD and cassette versions, due to the nature of the vinyl medium. Finally, "Ripe" was shortened by removing the conclusive "(With Decay)" portion of the song. All of these changes made for the vinyl carry over to the Definitive Edition pressings, released digitally in 2016 and on vinyl in 2017.
The Fragile: Deviations 1 is an alternate version of The Fragile that contains all of the original songs in either instrumental or alternate forms, and combines them with newly released tracks written and recorded during the sessions for The Fragile. Deviations 1 consists of a one-off, limited edition four-LP pressing that was not made available on CD.[36]
Critical reception
Neil Z. Yeung of AllMusic recommended that fans listen to and understand the original album first before delving into Deviations 1.[58] Ultimately, he said that the release "serves as both a sonic time capsule and a reminder of one of NIN's most rewarding and underrated efforts."[58] Writing for Pitchfork, Sean T. Collins found Deviations 1 interesting but simultaneously perplexing, saying "Far too many of Deviations' freshly vocal-free songs sound like karaoke versions rather than instrumentals that can stand on their own. The result is a listening experience that outstays its welcome on a song-by-song basis, let alone over the course of its massive 150-minute running time."[59]
Steve Duda – marching percussion, programming and production on "Pilgrimage"; chorus on "Starfuckers, Inc."; violin on "Ripe (With Decay)"; additional sound design
Mike Garson – piano on "Just Like You Imagined", "The Way Out Is Through" and "Ripe (With Decay)"
Danny Lohner – guitars on "Somewhat Damaged", "Just Like You Imagined", "Even Deeper", "The Great Below", "Where Is Everybody?" and "Complication"; drum programming and synthesizers on "Even Deeper"
Denise Milfort – vocals on "La Mer"
Kim Prevost – backing vocals on "Into the Void"
Porter Ricks – keyboards, programming and synthesizer
The Downward Spiral is the second studio album by the American industrial rock band Nine Inch Nails, released on March 8, 1994, by Nothing Records in the United States and Island Records in Europe. It is a concept album detailing the self-destruction of a man from the beginning of his misanthropic "downward spiral" to his suicidal breaking point. The album was a commercial success and established Nine Inch Nails as a reputable force in the 1990s music scene, with its sound being widely imitated, and the band receiving media attention and multiple honors.
Nine Inch Nails, commonly abbreviated as NIN, stylized as NIИ, is an American industrial rock band formed in Cleveland in 1988. Its members are the singer-songwriter, multi-instrumentalist and producer Trent Reznor and his frequent collaborator, Atticus Ross. Reznor was previously the only permanent member of the band until Ross was officialized in 2016. The band's debut album, Pretty Hate Machine (1989), was released via TVT Records. After disagreeing with TVT about how to promote the album, the band signed with Interscope Records and released the EP Broken (1992). The following albums, The Downward Spiral (1994) and The Fragile (1999), were released to critical acclaim and commercial success.
Michael Trent Reznor is an American musician. He came to prominence as the founder, lead vocalist, multi-instrumentalist, and primary songwriter of the industrial rock band Nine Inch Nails. The band's line-up has constantly changed, with Reznor being its only official member from its creation in 1988 until 2016, when he added English musician and frequent collaborator Atticus Ross as its second permanent member.
And All That Could Have Been is a double album by the American industrial rock band Nine Inch Nails, released on January 22, 2002, by Nothing and Interscope Records. The live album contains music recorded during the Fragility v2.0 US tour in 2000. Disc one is a live album of most of the band's normal set list of the time, while disc two contains a studio album titled Still, containing "deconstructed" versions of previous Nine Inch Nails songs and some new material. The double DVD set, sold separately, includes video recordings of the songs performed on the CD, as well as additional song performances and footage from the tour.
"The Day the World Went Away" is a song by American industrial rock band Nine Inch Nails, released on July 20, 1999, as the lead single from their third studio album The Fragile (1999). The song was the band's first top-forty hit on the US Billboard Hot 100, peaking at number 17, which remains their highest-ever position on the chart.
"We're in This Together" is a song by industrial rock band Nine Inch Nails released in 1999. It is the 15th official Nine Inch Nails release and is a single for the album The Fragile. It was released as a three-disc single.
With Teeth is the fourth studio album by the American industrial rock band Nine Inch Nails, released by Nothing Records and Interscope Records on May 3, 2005. The album was produced by Nine Inch Nails frontman Trent Reznor and long-time collaborator Alan Moulder. It also features contributions from musician Dave Grohl and future band member Atticus Ross.
Tapeworm was an American side project of Nine Inch Nails which existed in various forms from 1995 to roughly 2004. Tapeworm never released any recordings, but was frequently referenced in interviews. The band started as a side-project between Nine Inch Nails frontman Trent Reznor and live-band members Danny Lohner and Charlie Clouser. Through the years the group expanded and evolved numerous times to include artists such as Maynard James Keenan, Atticus Ross, and Alan Moulder, effectively turning the project into a supergroup. After many years of rumors and expected release dates, Reznor announced the end of the project in 2004.
"Starfuckers, Inc." is a song by American industrial rock band Nine Inch Nails from their third studio album The Fragile. Although the song does not have an official halo, an edited single was distributed with exclusive radio edits and a video for the song was produced.
Nine Inch Nails, an American industrial rock band fronted by Trent Reznor, has toured all over the world since its creation in 1988. While Reznor—the only official member until adding Atticus Ross in 2016—controls its creative and musical direction in the studio, the touring band performs different arrangements of the songs. In addition to regular concerts, the band has performed in both supporting and headlining roles at festivals such as Woodstock '94, Lollapalooza 1991 and 2008, and many other one-off performances including the MTV Video Music Awards. Prior to their 2013 tour, the band had played 938 gigs.
Year Zero is the fifth studio album by the American industrial rock band Nine Inch Nails, released by Interscope Records on April 17, 2007. Conceived while touring in support of the band's previous album, With Teeth (2005), the album was recorded in late 2006. It was produced by Trent Reznor and Atticus Ross, and was the band's first studio album since 1994's The Downward Spiral that was not co-produced by long-time collaborator Alan Moulder. It was the band's last album for Interscope, following Reznor's departure the same year due to a dispute regarding overseas pricing.
Ghosts I–IV is the sixth studio album by the American industrial rock band Nine Inch Nails, released by The Null Corporation on March 2, 2008. It was the band's first independent release following their split from longtime label Interscope Records in 2007. The production team included Nine Inch Nails frontman Trent Reznor, studio collaborators Atticus Ross and Alan Moulder, and contributions from Alessandro Cortini, Adrian Belew, and Brian Viglione.
"Discipline" is a song by the American industrial rock band Nine Inch Nails from their seventh studio album, titled The Slip (2008). It was released on April 22, 2008 as the only single from the album. It is the band's first single since severing its ties with Interscope Records and publishing music independently.
The Slip is the seventh studio album by the American industrial rock band Nine Inch Nails, released on May 5, 2008, digitally on the Nine Inch Nails website, and on CD on July 22 by The Null Corporation. It was their second release in 2008, following their sixth album Ghosts I–IV, released two months prior. The album was produced by frontman Trent Reznor with collaborators Atticus Ross and Alan Moulder.
Two months before the release of their fifth full-length album, Year Zero, industrial rock band Nine Inch Nails began a new tour, officially called Performance 2007. The tour initially started off as a 'best-of' tour but later transformed into a direct Year Zero support tour.
"Mr. Self Destruct" is a song by American industrial rock act Nine Inch Nails. It was released on March 8, 1994. Written by frontman Trent Reznor, co-produced by Flood and recorded at Le Pig in 1993, it is the opening track of The Downward Spiral (1994), and predicts the album's "ugly" aesthetic and mostly "angry" tone. The song also gives a lyrical background of the album's protagonist. Its title is a reference to the eponymous opening track from British new wave duo Soft Cell's 1984 album This Last Night in Sodom.
Hesitation Marks is the eighth studio album by the American industrial rock band Nine Inch Nails, released on August 30, 2013, by The Null Corporation and distributed by Columbia Records in the United States and Polydor Records elsewhere. It was the band's first release in five years, following The Slip (2008), as well as their only release on Columbia. Like previous albums, the album was produced by frontman Trent Reznor alongside longtime collaborators Atticus Ross and Alan Moulder. To date, this is the most recent Nine Inch Nails album to be co-produced by Moulder.
Not the Actual Events is the third extended play (EP) and tenth major release by the American industrial rock band Nine Inch Nails. It was released physically on December 23, 2016, under Trent Reznor's own label The Null Corporation, while those who had pre-ordered received a download link a day early. The second Nine Inch Nails EP of original material following Broken (1992), it marks longtime collaborator Atticus Ross's first appearance as an official member of the band. The digital pre-orders included a "physical component" that was shipped in early March 2017. The EP is the first in a trilogy released in 2016–2018, preceding Add Violence (2017) and the band's ninth studio album Bad Witch (2018).
Add Violence is the fourth EP and eleventh major release by the American industrial rock band Nine Inch Nails. Issued through the Null Corporation and Capitol Records on July 19, 2017, it is the second in a trilogy of releases, following the EP Not the Actual Events (2016) and preceding the band's ninth studio album Bad Witch (2018). It was produced by Trent Reznor and Atticus Ross.
↑ "ALBUMS/EPS". NIN.com. Archived from the original on March 3, 2012. Retrieved March 6, 2012. Note: "info" must be selected for each release to verify
↑ Haynes, J.; Archibald, J.F. (2002). "The Bulletin, Volumes 6314–6317". The Bulletin. Vol.6314–6317. ISSN1440-7485. The tour was promoting The Fragile, an industrial-rock odyssey of fear and loathing to rival Pink Floyd's The Wall.
↑ Saraceno, Christina and Austin Scaggs (June 8, 2001). "NIN Doing Fragility DVD". Rolling Stone. Archived from the original on April 16, 2008. Retrieved February 1, 2008.
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