"Deep" | ||||
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Promotional single by Nine Inch Nails | ||||
from the album Lara Croft: Tomb Raider – Music from the Motion Picture | ||||
Released | 2001 | |||
Length | 4:06 | |||
Label | Elektra | |||
Songwriter(s) | Trent Reznor | |||
Producer(s) |
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Nine Inch Nails singles chronology | ||||
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"Deep" is a song recorded by American industrial rock band Nine Inch Nails for the soundtrack to the film Lara Croft: Tomb Raider (2001). Because this is a promotional single, it has never been featured with its own official halo and the song "Deep" has never been released on any Nine Inch Nails album, or on any halo-numbered release, although it has its own video directed by Enda McCallion.
Despite its only release on the soundtrack for Lara Croft: Tomb Raider , the music video for "Deep" is completely unrelated to the film. The video features Trent Reznor as a bank robber who, together with a woman, steals two boxes from the national mint. They believe these boxes contain cash, but instead contain a highly toxic dye, which sprays all over them when they (separately) attempt to open the boxes. Rushing to warn each other, their cars collide head on. The narrative occurs in reverse order during the video, with the car accident at the beginning and the decision by the thieves to retrieve the boxes (to "make a withdrawal") at the end.
Reznor has made it clear in numerous interviews that he was disappointed by how the video turned out. [1]
Chart (2001) | Peak position |
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US Alternative Airplay ( Billboard ) [3] | 18 |
US Mainstream Rock ( Billboard ) [4] | 37 |
And All That Could Have Been is a double album by American industrial rock band Nine Inch Nails, released on January 22, 2002, by Nothing and Interscope Records. The live album contains music recorded during the Fragility v2.0 US tour in 2000. Disc one is a live album of most of the band's normal set list of the time, while disc two contains a studio album titled Still, containing "deconstructed" versions of previous Nine Inch Nails songs and some new material. The double DVD set, sold separately, includes video recordings of the songs performed on the CD, as well as additional song performances and footage from the tour.
Pretty Hate Machine is the debut studio album by American industrial rock band Nine Inch Nails, released by TVT Records on October 20, 1989. Production of the record was handled by NIN frontman Trent Reznor and English producer Flood, among other contributors.
Things Falling Apart is the second remix album by American industrial rock band Nine Inch Nails, released by Nothing Records and Interscope Records on November 21, 2000. It is the companion remix disc to the band's third studio album, The Fragile. The U.S. promotional CD single for "Into the Void" is also labeled as "Halo 16". "10 Miles High" is the only song that was a B-side to a Nine Inch Nails single to be included on the album, though the version on this release differs from the album/B-side version. It was only released on the vinyl version of The Fragile, while appearing as a B-side to the band's 1999 single "We're in This Together".
"Down in It" is the debut single by American industrial rock band Nine Inch Nails, released on September 15, 1989. Taken from the band's debut album Pretty Hate Machine, it was the first song ever written by frontman Trent Reznor.
"Into the Void" is a song by American industrial rock band Nine Inch Nails from their third studio album, The Fragile, released in 1999. It is the album's third single and saw release early 2000. A music video was directed by Walter Stern and Jeff Richter.
"We're in This Together" is a song by industrial rock band Nine Inch Nails released in 1999. It is the 15th official Nine Inch Nails release and is a single for the album The Fragile. It was released as a three-disc single.
"Head Like a Hole" is a song by the American industrial rock band Nine Inch Nails, released as the second single from the group's debut album, Pretty Hate Machine.
With Teeth is the fourth studio album by American industrial rock band Nine Inch Nails, released by Nothing Records and Interscope Records on May 3, 2005. The album was produced by Nine Inch Nails frontman Trent Reznor and long-time collaborator Alan Moulder. It also features contributions from musician Dave Grohl and future band member Atticus Ross.
"Closer" is a song by American industrial rock band Nine Inch Nails, released as the second single on their second studio album, The Downward Spiral (1994). Released on May 30, 1994, it is considered Nine Inch Nails' signature song and remains one of their most popular hits. Most versions of the single are titled "Closer to God", a rare example in music of a single's title differing from the title of its A-side. The single is the ninth official Nine Inch Nails release, making it "Halo 9" in the band's official Halo numbering system.
"Happiness in Slavery" is a song by American industrial rock band Nine Inch Nails from their extended play, Broken (1992). It was released in November 1992 as a promotional single from the EP. The song takes its title and refrain from Jean Paulhan's preface to Pauline Réage's 1954 erotic novel Story of O. "Happiness in Slavery" peaked at number 13 on the US Billboard Modern Rock Tracks chart.
"Hurt" is a song by American industrial rock band Nine Inch Nails from its second studio album, The Downward Spiral (1994), written by Trent Reznor. It was released on April 17, 1995, as a promotional single from the album. The song received a Grammy Award nomination for Best Rock Song in 1996. In 2020, Kerrang and Billboard ranked the song number two and number three, respectively, on their lists of the greatest Nine Inch Nails songs.
"Starfuckers, Inc." is a song by American industrial rock band Nine Inch Nails from their third studio album The Fragile. Although the song does not have an official halo, an edited single was distributed with exclusive radio edits and a video for the song was produced.
"Wish" is a song by American industrial rock band Nine Inch Nails from their debut EP Broken (1992). It was released in 1992 as a promotional single from the EP. The drumming on the track was performed by Martin Atkins.
American industrial rock band Nine Inch Nails have released 11 studio albums, one live album, three remix albums, two compilation albums, six extended plays, 20 singles, 10 promotional singles, four video albums and 31 music videos. Nine Inch Nails has also contributed to numerous film soundtracks as well as the soundtrack to the video game Quake.
"Capital G" is a song by American industrial rock band Nine Inch Nails from their fifth studio album, Year Zero (2007). It was released on June 11, 2007 as a limited-edition nine-inch vinyl in the United Kingdom, serving as the album's second and final single.
"Discipline" is a song by American industrial rock band Nine Inch Nails from their seventh studio album, The Slip (2008). It was released on April 22, 2008 as the only single from the album. It is the band's first single since severing its ties with Interscope Records and publishing music independently.
"The Perfect Drug" is a song by Nine Inch Nails written for the David Lynch film Lost Highway. It was released in 1997 on the Lost Highway soundtrack as well as a single from the score. Remixes of the song were released as an EP, "The Perfect Drug" Versions.
"Piggy" is a song by American industrial rock band Nine Inch Nails from their second studio album, The Downward Spiral (1994). It was written by Trent Reznor, co-produced by Flood, and recorded at Le Pig. It was released in December 1994 as a promotional single from the album. The song is known for being Reznor's only live drumming performance.
Bad Witch is the ninth studio album by American industrial rock band Nine Inch Nails, released by The Null Corporation and Capitol Records on June 22, 2018. It is the last of a trilogy of releases, following their two previous EPs Not the Actual Events (2016) and Add Violence (2017). As with the previous releases in the trilogy, it was produced by frontman Trent Reznor and Atticus Ross, making it the band's first studio album since 2007's Year Zero to not be co-produced by the long-time collaborator Alan Moulder, who is credited with mixing the album.
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