Tour by David Bowie | |||||||
Location |
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Associated album | 1. Outside | ||||||
Start date | 14 September 1995 | ||||||
End date | 14 October 1996 | ||||||
Legs | 3 | ||||||
No. of shows | 99 | ||||||
David Bowie concert chronology | |||||||
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The Outside World Tour was a tour by the English rock musician David Bowie, opening in September 1995 and lasting over a year. The opening shows preceded the release of the 1. Outside album which it supported. The tour visited stops in North America and Europe.
The US leg of the tour was supported by Nine Inch Nails as part of their extended Self Destruct Tour, who segued their set with Bowie's to form a continuous show. Morrissey was the support act for the entire European leg, but withdrew from the tour after nine dates. On some US dates, Prick opened before Nine Inch Nails, and on some occasions, Reeves Gabrels performed songs from his album The Sacred Squall of Now in addition to performing with Nine Inch Nails and David Bowie.
An official live recording from the tour, Ouvrez le Chien (Live Dallas 95) was released in July 2020, and another, No Trendy Réchauffé (Live Birmingham 95), was released in December 2020.
In a 2012 Rolling Stone reader's poll, the tour (pairing Nine Inch Nails with Bowie) was named one of the top 10 opening acts in rock history. [1]
Bowie released his album Outside in late September 1995, having recorded it from early 1994 through early 1995, [2] for which this tour was named. It was Bowie's first solo tour since he retired his hits during the 1990 Sound+Vision Tour, and his first performances on stage since The Freddie Mercury Tribute Concert in 1992. [3] Initial tour rehearsals were held at the Complete Music Studios in New York before moving to the Mullins Center, where Nine Inch Nails joined the rehearsal. [4]
Of the material for this tour, Bowie said, "We're going to play some older material, sure, but not obvious things. I found, while rehearsing for the [Outside] tour, that older songs I haven't played for years suddenly fit in with this new material quite well – things like ... "Joe the Lion." So I'm quite looking forward to it." [5] Other songs from Bowie's back catalog that he performed during the tour include "Scary Monsters (and Super Creeps)", "Look Back in Anger", "Andy Warhol" and "Breaking Glass". [6]
Bowie said of why he chose to tour with Nine Inch Nails, "I personally did like the combination of NIN and me, but my fans didn't. Bad luck!! It also was an extremely young audience, between about 12 and 17 years old. My starting point was simply: I've just made an adventurous album, what can I do now to turn the concerts as adventurous. Looking at it in that way, it seemed logical to confront myself with the NIN audience. I knew it would be hard to captivate them by music they never heard, by an artist whose name was the only familiar thing." [7]
Trent Reznor has gone on record numerous times as being heavily influenced by David Bowie, [8] and further collaborated with Bowie by remixing "The Hearts Filthy Lesson" and later on 1997's "I'm Afraid of Americans" single. When asked in 1995 if his album Outside was influenced by Nine Inch Nails, Bowie answered, "the band that I was actually quite taken with was three guys from Switzerland call The Young Gods ... I’d been aware of them previous to knowing about Nine Inch Nails." [9]
For the tour, Bowie went with a modest stage design ("some banners, some mannequins") and avoided the theatrical presentation like his previous Glass Spider Tour in 1987 and Sound+Vision Tour in 1990. [6] The stage "resembled a building site, with paint splashed crumpled sheets draped about", and included an old fashioned table and chair in one corner, onto which Bowie would occasionally climb during shows. [4] Above the stage, a neon sign displayed the phrase "Ouvrez le Chien", a partial lyric from Bowie's 1970 song "All the Madmen", which he repeated in his 1993 song "The Buddha of Suburbia". [10] During the US portion of the tour, an additional neon sign hung above the stage displayed phrases like "Strange Ko", "Noise Angel", "Man Made" or "Street Volva" that changed nightly. [4]
Bowie had a few outfits for the tour which varied between the European and US shows, and included three jackets designed by Alexander McQueen. [4] [11]
Bowie opened an interview for the tour with USA Today on the opening day of the tour, on 14 September 1995 with the question "How do you commit commercial suicide? Well, you do this: play songs from an album that hasn't been released yet, and complement it with obscure songs from the past that you've never done on stage." [12]
American industrial rock band Prick opened some nights on the US leg, [4] and for some shows, Gabrels would perform songs from his then-new album The Sacred Squall of Now. [13] During the tour, as Nine Inch Nails reached the conclusion of their performance, the two bands played together with both Nine Inch Nails and Bowie and his band performing "Subterraneans", "Hallo Spaceboy" and "Scary Monsters (and Super Creeps)", followed by two Nine Inch Nails songs "Reptile" and "Hurt" after which Bowie continued with his own set alone. [8] A review of the opening night of the tour said that "Moving from NIN to Bowie was like moving from Kansas to Oz. Instead of the stark white stage light beating down like investigation lamps, the stage became awash in color and texture." [14] The same review acknowledged that the shift in music puzzled some in the audience, but overall called the show "an impressive body of new music, splendidly delivered". [14] A review of the following night in Mansfield, Massachusetts was unkind, saying that by the end of the set, "Bowie proved he was not up to sharing the stage with NIN, yet insisted on dragging out his overlong performance to its embarrassingly self-indulgent end." [4]
Early in the tour, the "almost 100% Nails audience" provided a challenge to Bowie, who said "In those first weeks, we had to adjust emotionally to the fact that we were going to be challenged every night to get in sync with what people were coming to the show for. But then you start to recognize that if you're going to continue, you'd better enjoy what you're doing. The more we did that, the more it communicated to the audience. That's how it went from survival to being a good tour." [15]
Bowie signed copies of his album at a local record store while in New York on 26 September 1995. [4]
Morrissey was slated to be the opening act of the European tour, but he suddenly and unexpectedly quit just before the Aberdeen Exhibition Centre performance on 29 November 1995. [16] The support slot was filled on later dates by The Gyres, Echobelly, Placebo, Electrafixion (with Ian McCulloch) and a variety of local bands.
After the 20 February 1996 show in Paris, the band took a break until June, but when the shows resumed the band did not include George Simms, Pete Schwartz or Carlos Alomar. [4] Shows from this "Summer Festivals" leg often included yet-to-be-released tracks from Bowie's upcoming Earthling album. [4]
The Kremlin Palace Concert Hall performance on 18 June 1996 was recorded and a 50-minute broadcast was later shown on Russian Television. Other television coverage included the entire 22 June Loreley Festival performance on German TV ( Rockpalast ) and excerpts from the Phoenix Festival performance on 18 July broadcast on British TV with BBC Radio broadcasting a six-song selection from the performance. One song from this performance, "The Hearts Filthy Lesson", was released on the live CD LiveAndWell.com (1999/2021). The Tel Aviv and Balingen dates were both broadcast on FM radio in their respective countries. [17]
Ouvrez le Chien (Live Dallas 95) | ||||
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Live album by David Bowie | ||||
Released | 3 July 2020 | |||
Recorded | 13 October 1995 | |||
Venue | Starplex Amphitheater, Dallas Texas USA | |||
Label | Parlophone | |||
David Bowie chronology | ||||
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The 13 October 1995 show, recorded at the Starplex Amphitheater in Dallas Texas, was released on music streaming platforms as David Bowie Ouvrez le Chien (Live Dallas 95) in July 2020 [18] and on CD and vinyl on 30 October 2020. [19] The streaming release includes two live songs recorded at the Birmingham performance as well. [20] Ouvrez le Chien charted at #32 on the UK albums chart. [21] "Ouvrez le Chien" is a partial lyric from Bowie's 1970 song "All the Madmen", which he repeated in his 1993 song "The Buddha of Suburbia". [10] This release is part of the 6-album set Brilliant Live Adventures . [22]
No Trendy Réchauffé (Live Birmingham 95) | ||||
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Live album by David Bowie | ||||
Released | 20 November 2020 | |||
Recorded | 13 December 1995 | |||
Venue | National Exhibition Centre, Birmingham England | |||
Label | Parlophone | |||
David Bowie chronology | ||||
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The 13 December 1995 performance at the National Exhibition Centre (Hall 5) in Birmingham, England, billed as the Big Twix Mix Show with Alanis Morissette, Lightning Seeds and Echobelly as support acts, was filmed by BBC TV with excerpts broadcast at a later date. Two songs from this show, "Under Pressure" and "Moonage Daydream", were released as b-sides on Bowie's "Hallo Spaceboy" (1996) single [20] as well as part of the Ouvrez le Chien release. In late 2020, it was announced that Bowie's show, in its entirety, would be released as No Trendy Réchauffé (Live Birmingham 95) on 20 November 2020. The show contains two performances of "Hallo Spaceboy"; one was intended as the video for the song's official single, but that plan was cancelled after the Pet Shop Boys remixed the single instead. [23] Bowie biographer Nicholas Pegg called the release "bloody marvellous. Tight, urgent, muscular renditions of Scary Monsters, Hallo Spaceboy, The Voyeur, Oxford Town. Possibly the best band he ever had." [24] "No trendy réchauffé" is a partial lyric from the song "Strangers When We Meet", which is included in the setlist for this show. The release is part of the 6-album set Brilliant Live Adventures . [22]
No Trendy Réchauffé hit number 43 on the Scottish album charts. [25]
Encore:
Date | City | Country | Venue | Attendance |
---|---|---|---|---|
North America | ||||
14 September 1995 | Hartford | United States | Meadows Music Theatre | 30,000/30,000 |
16 September 1995 | Mansfield | Great Woods Arts Center | 19,000/19,000 | |
17 September 1995 | Hershey | Hersheypark Stadium | 30,000/30,000 | |
20 September 1995 | Toronto | Canada | SkyDome | 46,000/46,000 |
22 September 1995 | Camden | United States | Blockbuster Center | 25,000/25,000 |
23 September 1995 | Burgettstown | Star Lake Amphitheater | 23,000/23,000 | |
27 September 1995 | East Rutherford | Meadowlands Arena | 40,000/40,000 | |
28 September 1995 | ||||
30 September 1995 | Cuyahoga Falls | Blossom Music Center | 23,000/23,000 | |
1 October 1995 | Tinley Park | New World Music Theatre | 28,000/28,739 | |
3 October 1995 | Auburn Hills | The Palace of Auburn Hills | 20,000/22,000 | |
4 October 1995 | Columbus | Polaris Amphitheater | 20,000/20,000 | |
6 October 1995 | Bristow | Nissan Pavilion | 25,000/25,000 | |
7 October 1995 | Raleigh | Walnut Creek Amphitheatre | 20,000/20,000 | |
9 October 1995 | Atlanta | Lakewood Amphitheatre | 18,000/18,900 | |
11 October 1995 | Maryland Heights | Riverport Amphitheatre | 20,000/20,000 | |
13 October 1995 | Dallas | Starplex Amphitheatre | 20,000/20,000 | |
14 October 1995 | Austin | South Park Meadows | 16,000/17,000 | |
16 October 1995 | Denver | McNichols Sports Arena | 17,000/18,500 | |
18 October 1995 | Phoenix | Desert Sky Pavilion | 20,000/20,100 | |
19 October 1995 | Las Vegas | Thomas & Mack Center | 14,700/15,300 | |
21 October 1995 | Mountain View | Shoreline Amphitheatre | 22,500/22,500 | |
24 October 1995 | Tacoma | Tacoma Dome | 23,000/23,000 | |
25 October 1995 | Portland | The Rose Garden | 19,490/21,000 | |
28 October 1995 | Inglewood | Great Western Forum | 35,000/35,000 | |
29 October 1995 | ||||
31 October 1995 | Los Angeles | Hollywood Palladium | 3,450/3,700 | |
Europe | ||||
14 November 1995 | London | England | Wembley Arena | 50,000/50,000 |
15 November 1995 | ||||
17 November 1995 | ||||
18 November 1995 | ||||
20 November 1995 | Birmingham | National Exhibition Centre | 30,000 | |
21 November 1995 | ||||
23 November 1995 | Belfast | Northern Ireland | (Re-scheduled for 5 December 1995) King's Hall - Played Zenith de Paris (MTV EMA) performed The Man Who Sold The World | |
24 November 1995 | Dublin | Republic of Ireland | Point Depot | 13,000/13,000 |
26 November 1995 | Exeter | England | Westpoint Arena | 7,500/7,500 |
27 November 1995 | Cardiff | Wales | Cardiff International Arena | 12,500/12,500 |
29 November 1995 | Aberdeen | Scotland | Exhibition Centre | 8,500/8,500 |
30 November 1995 | Glasgow | Scottish Exhibition and Conference Centre | 10,000/10,000 | |
3 December 1995 | Sheffield | England | Sheffield Arena | 26,000/26,000 |
4 December 1995 | (Cancelled) Sheffield Arena | |||
5 December 1995 | Belfast | Northern Ireland | King's Hall | 6,540/6,974 |
6 December 1995 | Manchester | England | (Re-scheduled) Nynex Arena | |
7 December 1995 | Newcastle upon Tyne | Newcastle Arena | 11,000/11,000 | |
8 December 1995 | Manchester | Nynex Arena | 21,000/21,000 | |
13 December 1995 | Birmingham | National Exhibition Centre (Hall 5) (Big Twix Mix Show) | 15,000/15,000 | |
17 January 1996 | Helsinki | Finland | Helsinki Ice Hall | 8,200/8,200 |
19 January 1996 | Stockholm | Sweden | Globe Arena | 16,000/16,000 |
20 January 1996 | Gothenburg | Scandinavium | 14,000/14,000 | |
22 January 1996 | Oslo | Norway | Spektrum | 9,700/9,700 |
24 January 1996 | Copenhagen | Denmark | Valby-Hallen | 15,000/15,000 |
25 January 1996 | Hamburg | Germany | Sporthalle | 7,000/7,000 |
27 January 1996 | Brussels | Belgium | Vorst Forest Nationaal | 8,000/8,000 |
28 January 1996 | Utrecht | Netherlands | Prins Van Oranjehall | 6,000/6,000 |
30 January 1996 | Dortmund | Germany | Westfalenhalle | 16,000/16,000 |
31 January 1996 | Frankfurt | Festhalle | 13,500/13,500 | |
1 February 1996 | Berlin | Deutschlandhalle | 10,000/10,000 | |
3 February 1996 | Prague | Czech Republic | Sportovni Hala | 15,000/15,000 |
4 February 1996 | Vienna | Austria | Stadthalle | 16,000/16,000 |
6 February 1996 | Ljubljana | Slovenia | Hala Tivoli | 6,000/6,000 |
8 February 1996 | Milan | Italy | Palatrussardi | 8,479/8,479 |
9 February 1996 | Bologna | Palasport Casalecchio | 5,271/5,271 | |
11 February 1996 | Lyon | France | Halle Tony Garnier | 17,000/17,000 |
13 February 1996 | Geneva | Switzerland | SEG Geneva Arena | 9,500/9,500 |
14 February 1996 | Zürich | Hallenstadion | 11,000/11,000 | |
16 February 1996 | Amnéville | France | Le Galaxie | 12,000/12,000 |
17 February 1996 | Lille | Zénith de Lille | 6,000/7,000 | |
18 February 1996 | Rennes | Salle Expos-Aeroport | 3,000/3,000 | |
20 February 1996 | Paris | Palais Omnisports de Paris-Bercy | 19,095/19,095 | |
Total | 1,040,925 / 1,050,958 (99%) | |||
Date | City | Country | Venue | ||
---|---|---|---|---|---|
Asia | |||||
4 June 1996 | Tokyo | Japan | Nippon Budokan | ||
5 June 1996 | |||||
7 June 1996 | Nagoya | Century Hall | |||
8 June 1996 | Hiroshima | Kousei Nenkin Kaikan | |||
10 June 1996 | Osaka | Osaka-jo Hall | |||
11 June 1996 | Kitakyushu | Kousei Nenkin Kaikan | |||
13 June 1996 | Fukuoka | Fukuoka Sunpalace | |||
Europe and Middle East | |||||
18 June 1996 | Moscow | Russia | Grand Kremlin Palace | ||
20 June 1996 [a] | Reykjavík | Iceland | Laugardalshöll | ||
22 June 1996 [b] | Sankt Goarshausen | Germany | Freilichtbühne Loreley | ||
23 June 1996 [c] | Lisbon | Portugal | Passeio Marítimo de Alcântara | ||
25 June 1996 | Toulon | France | Zénith Oméga de Toulon | ||
28 June 1996 | Halle | Germany | Freilichtbühne Peißnitz | ||
30 June 1996 [d] | Roskilde | Denmark | Darupvej | ||
1 July 1996 | Athens | Greece | Leoforos Alexandras Stadium | ||
3 July 1996 | Tel Aviv | Israel | Yarkon Park | ||
5 July 1996 [e] | Torhout | Belgium | Achiel Eeckloo Rockweide | ||
6 July 1996 [f] | Werchter | Festival Park Werchter | |||
7 July 1996 [g] | Belfort | France | Presqu'île de Malsaucy | ||
9 July 1996 | Rome | Italy | Stadio Olimpico | ||
10 July 1996 | Fontvieille | Monaco | Chapiteau de l'Espace Fontvieille | ||
12 July 1996 [h] | Alt Camp | Spain | El Pla de Santa Maria | ||
14 July 1996 | Sankt Pölten | Austria | Grabung Domplatz | ||
16 July 1996 | Rotterdam | Netherlands | Rotterdam Ahoy | ||
18 July 1996 [i] | Stratford-upon-Avon | England | Long Marston Airfield | ||
20 July 1996 [j] | Balingen | Germany | Messegelände Balingen | ||
21 July 1996 | Bellinzona | Switzerland | Piazza del Sole | ||
North America | |||||
6 September 1996 | Philadelphia | United States | Electric Factory | ||
7 September 1996 | Washington, D.C. | Capital Ballroom | |||
13 September 1996 | Boston | Avalon | |||
14 September 1996 | New York City | Roseland Ballroom | |||
4 December 1995 | Sheffield | Sheffield Arena | Poor ticket sales |
15 June 1996 | Saint Petersburg | Palace Square (White Nights Festival) | Sponsor pulled out of the show |
From The Man Who Sold the World
From Hunky Dory
From The Rise and Fall of Ziggy Stardust and the Spiders from Mars
From Ziggy Stardust: The Motion Picture
From Aladdin Sane
From Diamond Dogs
From Low
From "Heroes"
From Lodger
From Scary Monsters (and Super Creeps)
From Tin Machine II
From Outside
From Earthling
Other songs:
Earthling is the twenty-first studio album by the English musician David Bowie, released on 3 February 1997 through RCA Records in the United Kingdom, Virgin Records in the United States, and Arista Records/BMG in other territories. Mostly self-produced by Bowie, it was primarily recorded from August to October 1996 at New York City's Looking Glass Studios. Bowie composed the tracks with Reeves Gabrels and Mark Plati, who are credited as co-producers, with Mike Garson, Gail Ann Dorsey and Zack Alford providing overdubs later.
"I'm Afraid of Americans" is a song by the English musician David Bowie, released as a single from his album Earthling on 14 October 1997 through Virgin Records. The song was co-written by Bowie and Brian Eno and originally recorded during the sessions for Bowie's 1995 album Outside; this version was released on the soundtrack of Showgirls (1995). The song was then remade during the sessions for Earthling, featuring rewritten lyrics, overdubs and transposed verses. An industrial and techno track, it presents a critique of America through the eyes of a stereotypical "Johnny" and is characterised by drum patterns, synthesisers, various loops and vocal distortions.
Outside is the twentieth studio album by the English musician David Bowie, released on 25 September 1995 through Virgin Records in the United States and Arista Records, BMG and RCA Records in other territories. Reuniting Bowie with the musician Brian Eno following the late 1970s Berlin Trilogy, the two were inspired by concepts "outside" the mainstream, such as various outsider and performance artists. Recorded throughout 1994, the experimental sessions saw Bowie conceive a world where "art crimes", such as murder, pervade society. The resulting Leon project initially faced resistance from labels due to its uncommercial nature. The project's bootlegging led to additional sessions in 1995 to revise the concept and record more commercial material, inspired by a diary Bowie wrote for Q magazine.
Tin Machine II is the second and final studio album by the Anglo-American rock group Tin Machine, released on 2 September 1991 through Victory Music. The band, composed of David Bowie, Reeves Gabrels on guitar and brothers Tony Fox and Hunt Sales on bass and drums, respectively, recorded it in Sydney, Australia in late 1989 at the conclusion of the Tin Machine Tour. After Bowie completed his solo Sound+Vision Tour in late 1990, recording resumed in Los Angeles, California until March 1991. The production was handled by Tin Machine and Tim Palmer, who produced their debut studio album (1989), with additional production by Hugh Padgham on "One Shot". While the album musically retains a hard rock sound, the songs are more melodic compared to its predecessor, with lyrics focusing on love.
"Joe the Lion" is a song by David Bowie in 1977 for the album "Heroes". It was produced by Bowie and Tony Visconti and features lead guitar by Robert Fripp.
"The Hearts Filthy Lesson" is a song by English musician David Bowie from his 20th studio album, Outside (1995), and issued as a single ahead of the album. Released in September 1995 by Arista, BMG and RCA, it showcased Bowie's new, industrial-influenced sound. Lyrically, the single connects with the rest of the album, with Bowie offering a lament to "tyrannical futurist" Ramona A. Stone, a theme continued in subsequent songs. The song is also meant to confront Bowie's own perceptions about the ritual creation and degradation of art. Its music video was directed by Samuel Bayer and was so controversial that it required a re-edit for MTV. The song appears in the end credits of the 1995 film Seven.
"Breaking Glass" is a song by the English singer-songwriter David Bowie. It was co-written by Bowie, bassist George Murray and drummer Dennis Davis in September 1976. Originally a track on Bowie's 1977 album Low, a reworked version of the song was a regular on the Isolar II Tour. A live version from that tour was used as the lead track on a 7-inch EP to promote his second live album, Stage in 1978. The EP reached number 54 on the UK Singles Chart in December 1978.
"Scary Monsters (and Super Creeps)" is a song by the English singer-songwriter David Bowie, released as the title track of his 1980 album Scary Monsters (and Super Creeps). It was also issued as the third single from that album in January 1981. Coming as it did in the wake of two earlier singles from Scary Monsters, "Ashes to Ashes" in August 1980 and "Fashion" in October the same year, NME critics Roy Carr and Charles Shaar Murray labelled its release another instance "in the fine old tradition of milking albums for as much as they could possibly be worth". The song was subsequently performed on a number of Bowie tours.
"You Belong in Rock n' Roll" is a song by Anglo-American hard rock band Tin Machine, released ahead of their second album in August 1991. The song was the band’s first release on Victory Records, which was distributed by London Records in the UK.
"Baby Universal" is a song by Anglo-American hard rock band Tin Machine, released as the second single from their Tin Machine II album in October 1991.
"Strangers When We Meet" is a song by English musician David Bowie, originally recorded for his 1993 album The Buddha of Suburbia. In 1995, Bowie re-recorded the song for his 20th studio album, Outside (1995), and this version was edited and released in November 1995 by RCA as the second single from the album, paired with a reworked version of Bowie's 1970 song "The Man Who Sold the World". The double A-side reached number 39 on the UK Singles Chart. In Sweden, "Strangers When We Meet" peaked at number 56 in 1996.
"Moonage Daydream" is a song by the English singer-songwriter David Bowie. It was originally recorded in February 1971 at Radio Luxembourg's studios in London and released as a single by his short-lived band Arnold Corns in May 1971 on B&C Records. Bowie subsequently re-recorded the song later that year with his backing band the Spiders from Mars—Mick Ronson, Trevor Bolder and Mick Woodmansey—for release on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The re-recording was co-produced by Ken Scott and recorded at Trident Studios in London in November 1971. The re-recording is a glam rock song that uses melodic and harmonic hooks, as well as percussion and guitar influenced by heavy metal. On the album, the song directly introduces the character Ziggy Stardust, who describes himself as a bisexual alien rock superstar who will save the Earth from the impending disaster described in the opening track "Five Years". It features saxophone played by Bowie and a guitar solo and string arrangement by Ronson.
"Look Back in Anger" is a song written by English artists David Bowie and Brian Eno for the album Lodger (1979). It concerns "a tatty 'Angel of Death'", and features a guitar solo by Carlos Alomar.
"Hallo Spaceboy" is a song by the English musician David Bowie from his 20th studio album, Outside (1995). It originated as an instrumental by Reeves Gabrels called "Moondust", which Bowie and Brian Eno stripped down and used to form the final track. An industrial rock and electronica number influenced by the Pixies and Nine Inch Nails, the song contains a hypnotic sound, with synthesisers, loops and distorted guitar lines. Lyrically influenced by Brion Gysin, the song contains images of apocalypse and continues the androgynous conundrums of former Bowie songs such as "Rebel Rebel".
"Bring Me the Disco King" is a song written by David Bowie in the early 1990s, and recorded three times, although only the last recording was released, as part of Bowie's Reality album in 2003. A remix was also released in 2003 as part of the Underworld movie soundtrack.
A Reality Tour was a worldwide concert tour by the English singer-songwriter David Bowie in support of his 2003 album Reality. The tour began on 7 October 2003 at the Forum Copenhagen, Denmark, continuing through Europe, North America, Asia, including a return to New Zealand and Australia for the first time since the 1987 Glass Spider Tour. At over 110 shows, the tour was the longest tour of Bowie's career. A heart attack in late June 2004 forced the cancellation of some dates near the end of the tour. Bowie retired from performing live in 2006, making this tour his last.
A Reality Tour is a DVD released in 2004 of David Bowie's performance at Point Theatre in Dublin, Ireland in 2003 during the A Reality Tour.
The Earthling Tour was a 1997 concert tour by English musician David Bowie, in promotion of his album Earthling. The tour started on 7 June 1997 at Flughafen Blankensee in Lübeck, Germany, continuing through Europe and the Americas before concluding in Buenos Aires, Argentina on 7 November 1997.
Michael David Garson is an American pianist, who has worked with David Bowie, Nine Inch Nails, St. Vincent, Duran Duran, Free Flight, The Smashing Pumpkins, Melissa Auf der Maur, CSS and The Pretty Reckless.
Brilliant Live Adventures [1995–1999] is a box set by English musician David Bowie, released incrementally throughout late 2020 and early 2021 as a series of six live albums taken from various concerts performed in support of Outside (1995), Earthling (1997) and Hours (1999). Named after the Hours song "Brilliant Adventure", the box set contains a mix of edited single shows and compilations from multiple concerts.