 | This article possibly contains original research .(May 2008) |
| A Reality Tour | ||||
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| Video by | ||||
| Released | 19 October 2004 | |||
| Recorded | 22–23 November 2003 | |||
| Venue | Point Theatre (Dublin) | |||
| Genre | Rock | |||
| Length | 145:42 | |||
| Label | Columbia | |||
| David Bowie chronology | ||||
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A Reality Tour is a DVD released in 2004 of David Bowie's performance at Point Theatre in Dublin, Ireland in 2003 during the A Reality Tour.
The set list includes tracks spanning Bowie's 30 plus years in the music business, from The Man Who Sold the World (1970) all the way to Reality (2003), along with collaborations such as "Sister Midnight" (with Iggy Pop; originally from The Idiot (1977)) and "Under Pressure" (with Queen; released as a single in 1981 and later found on Hot Space the following year). There is a bit more focus, however, on tracks from the albums released since the Earthling World Tour in 1997, Heathen (2002), and Reality, whose tracks constitute 10 of the 30 songs performed.
Albums with no appearance included the cover album Pin Ups (1973), Never Let Me Down (1987), the albums produced with the band Tin Machine ( Tin Machine (1989) and Tin Machine II (1991)), and Black Tie White Noise (1993). Aladdin Sane (1973) also made no concert appearance in the video, although songs from the album appeared on the tour.
A notable inclusion into the performance was the set of three songs from The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972) as the final encore. Though Bowie had performed the pieces many times through his career, the pieces had not been toured since 1978 when the live interpretations were featured on the Stage album released that same year.
The interpretations presented often a heavier and more complex sound than those of the album releases to suit the band for which the Reality album had been written; a more dynamic "Rebel Rebel" which later saw a release as a bonus track was arranged as an opener which included notably some audience participation and Bowie finishing his performance with the Irish phrase "Tiocfaidh ár lá", which means "Our day will come". Use of audience vocals appear in a number of tunes, including "All the Young Dudes" (from All the Young Dudes (1972) by Mott the Hoople; recorded for the Aladdin Sane album in 1972 and released in mono sound on The Best of David Bowie 1969/1974 (1997); won't see a stereo release until the 2014 album Nothing Has Changed , in which Bowie's voice was somewhat out of range to sing the chorus, and "Life on Mars?", which the audience faithfully sang along to.
The track listing for this concert by DVD chapter is as follows (NOTE: All songs are written by David Bowie except where noted.):
The film was a relatively straightforward presentation of the performance in Dublin Ireland, with footage of all the musicians in Bowie's band as well as the lighting/staging effects used, such as the large platforms onstage, the hanging head tree branches, and the artistic footage played on the background video screens. Several different angles were used of Bowie onstage including cameras placed behind Bowie as well as cameras from the audience, and footage was also included of backstage preparations for the performance during the opening, intermission, and ending credits.
Artistic effects were often used as well, amongst them colour distortions (most notably during "Ashes to Ashes") the altering of footage speed (in the opening before "Rebel Rebel"), and rhythmic repetition of footage (the thrashing in "Hallo Spaceboy"). Many were simply embellishing, although some blurred the staging and caused the music to become desynchronised with the musicians. Some interludes into the background footage were used, such as an artistic film of a forest during "The Loneliest Guy" and an introductory clip from The Uncle Floyd Show to "Slip Away" to provide context for the lyrics.
The film was lit by Tom kenny Bowies Designer and programmed by mark cunniffe and has been edited from its original concert appearance; the two sets performed in Dublin on 22 and 23 November do not match entirely with the set from the film. Bowie's signature greeting to every city during the tour, "Hello... you crazy motherfuckers" was not included in the film.
| Chart (2004) | Peak position |
|---|---|
| Australian DVDs [1] | 14 |
| Austrian Music DVDs [2] | 1 |
| Belgian Music DVDs [3] | 3 |
| Danish Music DVDs [4] | 7 |
| Dutch Music DVDs [5] | 4 |
| German Albums [6] | 59 |
| Irish Music DVDs [7] | 1 |
| New Zealand Music DVDs [8] | 9 |
| Norwegian Music DVDs [9] | 1 |
| Swedish DVDs [10] | 1 |
| US Music Videos [11] | 5 |
| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA) [12] | 3× Platinum | 45,000^ |
| France (SNEP) [13] | Platinum | 20,000* |
| Germany (BVMI) [14] | Gold | 25,000^ |
| United States (RIAA) [15] | Platinum | 100,000^ |
* Sales figures based on certification alone. | ||
The Rise and Fall of Ziggy Stardust and the Spiders from Mars is the fifth studio album by the English musician David Bowie, released on 16 June 1972 in the United Kingdom through RCA Records. It was co-produced by Bowie and Ken Scott and features Bowie's backing band the Spiders from Mars — the guitarist Mick Ronson, the bassist Trevor Bolder and the drummer Mick Woodmansey. It was recorded from November 1971 to February 1972 at Trident Studios in London.
"The Jean Genie" is a song by the English singer-songwriter David Bowie, originally released in November 1972 as the lead single to his 1973 album Aladdin Sane. Co-produced by Ken Scott, Bowie recorded it with his backing band the Spiders from Mars − comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. According to Bowie, it was "a smorgasbord of imagined Americana", with a protagonist inspired by Iggy Pop, and the title being an allusion to author Jean Genet. One of Bowie's most famous tracks, it was promoted with a film clip featuring Andy Warhol associate Cyrinda Foxe and peaked at No. 2 on the UK Singles Chart.
Reality is the 24th studio album by the English musician David Bowie, originally released in Europe on 15 September 2003, and the following day in America. His second release through his own ISO label, the album was recorded between January and May 2003 at Looking Glass Studios in New York City, with production by Bowie and longtime collaborator Tony Visconti. Most of the musicians consisted of his then-touring band. Bowie envisioned the album as a set of songs that could be played live.
"Suffragette City" is a song by the English singer-songwriter David Bowie. It was originally released in April 1972 as the B-side of the single "Starman" and subsequently appeared on his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972). The song was later reissued as a single in 1976, with the US single edit of "Stay" as the B-side, to promote the compilation album Changesonebowie in the UK. Co-produced by Bowie and Ken Scott, it was recorded by Bowie at Trident Studios in London with his backing band the Spiders from Mars, consisting of Mick Ronson, Trevor Bolder and Mick Woodmansey, at a late stage of the album's sessions. The song was originally offered to English band Mott the Hoople, who declined it and recorded Bowie's "All the Young Dudes" instead. It is a glam rock song that is influenced by the music of Little Richard and the Velvet Underground. The lyrics include a reference to Anthony Burgess' novel A Clockwork Orange and the lyric "Oooohh wham bam, thank you, ma'am".
Heathen is the 23rd studio album by the English musician David Bowie, originally released in Europe on 10 June 2002, and the following day in America. His first release through his own ISO label, it reunited Bowie with producer Tony Visconti for the two's first full-album collaboration since 1980. Recording took place at New York studios from August 2001 to January 2002 and featured guest musicians including Dave Grohl and Pete Townshend. Two tracks, "Afraid" and "Slip Away", evolved from Bowie's shelved Toy project, while three were covers of songs by Pixies, Neil Young and the Legendary Stardust Cowboy.
"Rock 'n' Roll Suicide" is a song by the English singer-songwriter David Bowie, originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars on 16 June 1972. Co-produced by Ken Scott, Bowie recorded it with his backing band the Spiders from Mars – comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. It detailed Ziggy's final collapse like an old, washed-up rock star and, as such, was also the closing number of the Ziggy Stardust live show. In April 1974 RCA issued it as a single.
"Five Years" is a song by the English musician David Bowie, released on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Bowie and Ken Scott, it was recorded in November 1971 at Trident Studios in London with his backing band the Spiders from Mars − comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. As the opening track on the album, the song introduces the overarching theme of the album: an impending apocalyptic disaster will destroy Earth in five years and the being who will save it is a bisexual alien rock star named Ziggy Stardust. While the first two verses are told from a child narrator's perspective, the third is from Bowie's, who addresses the listener directly. As the track progresses, it builds intensity, before climaxing with strings and Bowie screaming the title.
"Moonage Daydream" is a song by the English singer-songwriter David Bowie. It was originally recorded in February 1971 at Radio Luxembourg's studios in London and released as a single by his short-lived band Arnold Corns in May 1971 on B&C Records. Bowie subsequently re-recorded the song later that year with his backing band the Spiders from Mars—Mick Ronson, Trevor Bolder and Mick Woodmansey—for release on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The re-recording was co-produced by Ken Scott and recorded at Trident Studios in London in November 1971. The re-recording is a glam rock song that uses melodic and harmonic hooks, as well as percussion and guitar influenced by heavy metal. On the album, the song directly introduces the character Ziggy Stardust, who describes himself as a bisexual alien rock superstar who will save the Earth from the impending disaster described in the opening track "Five Years". It features saxophone played by Bowie and a guitar solo and string arrangement by Ronson.
"Hang On to Yourself" is a song written by the English singer-songwriter David Bowie in 1971 and released as a single with his band Arnold Corns. A re-recorded version, recorded in November 1971 at Trident Studios in London, was released on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The main riff is representative of glam rock's influence as a bridge between 1950s rock and roll, specifically rockabilly, and the punk to come; it draws on rockabilly influences such as Eddie Cochran, in a way that would influence punk records such as "Teenage Lobotomy" by Ramones.
"Ziggy Stardust" is a song by the English singer-songwriter David Bowie from his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Bowie and Ken Scott, he recorded it at Trident Studios in London in November 1971 with his backing band the Spiders from Mars—comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. Lyrically, the song is about Ziggy Stardust, a bisexual alien rock star who acts as a messenger for extraterrestrial beings. The character was influenced by English singer Vince Taylor, as well as the Legendary Stardust Cowboy and Kansai Yamamoto. Although Ziggy is introduced earlier on the album, this song is its centrepiece, presenting the rise and fall of the star in a very human-like manner. Musically, it is a glam rock song, like its parent album, and is based around a Ronson guitar riff.
"Panic in Detroit" is a song written by the English singer-songwriter David Bowie for the album Aladdin Sane in 1973. Bowie based it on his friend Iggy Pop's descriptions of revolutionaries he had known in Michigan and Pop's experiences during the 1967 Detroit riots. Rolling Stone magazine called the track "a paranoid descendant of the Motor City's earlier masterpiece, Martha and the Vandellas' "Nowhere to Run"".
"Hallo Spaceboy" is a song by the English musician David Bowie from his 20th studio album, Outside (1995). It originated as an instrumental by Reeves Gabrels called "Moondust", which Bowie and Brian Eno stripped down and used to form the final track. An industrial rock and electronica number influenced by the Pixies and Nine Inch Nails, the song contains a hypnotic sound, with synthesisers, loops and distorted guitar lines. Lyrically influenced by Brion Gysin, the song contains images of apocalypse and continues the androgynous conundrums of former Bowie songs such as "Rebel Rebel".
Ziggy Stardust and the Spiders from Mars is a 1979 British documentary/concert film by D. A. Pennebaker. It features English singer-songwriter David Bowie and his backing group the Spiders from Mars performing at the Hammersmith Odeon in London on 3 July 1973, the final date of his Ziggy Stardust Tour. At this show, Bowie made the sudden surprise announcement that the show would be "the last show that we'll ever do", later understood to mean that he was retiring his Ziggy Stardust persona.
A Reality Tour was a worldwide concert tour by the English singer-songwriter David Bowie in support of his 2003 album Reality. The tour began on 7 October 2003 at the Forum Copenhagen, Denmark, continuing through Europe, North America, Asia, including a return to New Zealand and Australia for the first time since the 1987 Glass Spider Tour. At over 110 shows, the tour was the longest tour of Bowie's career. A heart attack in late June 2004 forced the cancellation of some dates near the end of the tour. Bowie retired from performing live in 2006, making this tour his last.
The Heathen Tour was a 2002 concert tour by the English singer-songwriter David Bowie in support of his album, Heathen, and was also notable for the performances of all songs from the 1977 Low album.
The Outside Tour was a tour by the English rock musician David Bowie, opening in September 1995 and lasting over a year. The opening shows preceded the release of the 1. Outside album which it supported. The tour visited stops in North America and Europe.
The Earthling Tour was a concert tour by the English musician David Bowie, in promotion of his album Earthling, released in 1997, The tour started on 7 June 1997 at Flughafen Blankensee in Lübeck, Germany, continuing through Europe, North America before reaching a conclusion in Buenos Aires, Argentina on 7 November 1997.
The Mini Tour was a small-scale concert tour by the English singer-songwriter David Bowie including his performance at the Glastonbury Festival on 25 June 2000 and a concert at the BBC Radio Theatre, BBC Broadcasting House, London, on 27 June.
Ziggy Stardust is a fictional character created by English musician David Bowie, and was Bowie's stage persona during 1972 and 1973. The eponymous character of the song "Ziggy Stardust" and its parent album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), Ziggy Stardust was retained for Bowie's subsequent concert tour through the United Kingdom, Japan and North America, during which Bowie performed as the character backed by his band The Spiders from Mars. Bowie continued the character in his next album Aladdin Sane (1973), which he described as "Ziggy goes to America". Bowie retired the character in October 1973 after one final show at The Marquee in London.
 | This article includes a list of general references, but it lacks sufficient corresponding inline citations .(February 2010) |
