David Bowie was an English singer-songwriter and musician who started his career as a member of a band called the Konrads, under the name David or Davie Jones, in 1962.[1] Since starting his solo career in 1964, his solo band has gone under many names, including, the Hype, Arnold Corns, the Spiders from Mars and Tin Machine. At the time of his retirement from solo live performances in 2004, his band included himself on vocals, guitars, stylophone and harmonica, Earl Slick on guitar, Gerry Leonard on guitar, keyboards and vocals, Gail Ann Dorsey on bass guitar and vocals, Sterling Campbell on drums, Mike Garson on piano and keyboards and Catherine Russell on keyboards, percussion, guitar and vocals.
"The Lower Third" redirects here. For the music venue, see 12 Bar Club. For television overlay, see lower third.
Bowie formed his first band, the Konrads, in 1962 at the age of 15 under his birth name David Jones. Konrads playing guitar-based rock and roll at local youth gatherings and weddings, the Konrads had a varying line-up of between four and eight members. Bowie's childhood friend, George Underwood among them,[1] as well as drummer Dave Crook and guitarist Neville Wills. Later members of the Konrads included drummer Dave Hadfield, bassist Rocky Shahan and vocalists Roger Ferris and Christine & Stella Patton, He left the Konrads after disagreements over musical styles while recording.[2]
Following the Konrads he was a member of a trio called the Hooker Brothers, or Dave's Reds and Blues with Underwood on guitar and harmonica, Bowie (still under the name Davie Jones) on vocals and saxophone and drummer Viv Andrews. This band existed from July to November 1963.[3] He started his solo career in with the single "Liza Jane" which was credited to Davie Jones with the King Bees,[4][5] a band which included Jones and Underwood and also lead guitarist Roger Bluck, bassist Dave Howard and drummer Robert Allen.[6]
Jones next band was the Manish Boys which included Johnny Flux on guitar, Paul Rodriguez on tenor saxophone and trumpet, Woolf Byrne on baritone saxophone, Bob Solly on keyboards, John Watson on bass guitar and Mick White on drums. Jones left this band in February 1966, this band released the single "I Pity the Fool" which featured Jimmy Page on lead guitar.[7]
Jones joined a band called the Lower Third in early 1965,[8] the band included Denis "Tea-Cup" Taylor on lead guitar, Graham Rivens on bass guitar and Les Mighall on drums. Mighall later left the band and was replaced by Phil Lancaster. The band fell apart later that year.[9] Jones changed his stage name to David Bowie to disambiguate himself from Davy Jones on The Monkees.[10] Under his new moniker, he started a band called David Bowie and the Buzz, in 1966, the core members of the Buzz were bass guitarist Derek "Dek" Fearnley, keyboard player Derek "Chow" Boyes, and drummer John "Ego" Eager,[11] with earlier guitarists being John Hutchinson[12] and Billy Bray. The band later broke up in November of the same year.[13] The Lower Third contributed to Bowie self-titled debut album in 1967, alongside session musician Big Jim Sullivan.[14][15]
In early 1967 Bowie joined The Riot Squad, which consisted of Bowie (vocal, guitar, mouth-harp), Rod "Rook" Davies (lead guitar), Brian "Croak" Prebble (bass, vocals), Bob Evans (tenor saxophone, flute, vocals), George "Butch" Davis (keyboards) and Derek "Del" Roll (drums).[16] The band broke up later that year after recording several songs including a cover of the Velvet Underground's "I'm Waiting for the Man".[17]
Producer Tony Visconti both toured and recorded with Bowie at various times since 1968.
Following his stint with The Riot Squad, Bowie formed folk influenced trio Turquoise, with himself, Hermione Farthingale, and former Misunderstood guitarist Tony Hill in September 1968.[19] The band was later renamed to Feathers following Tony Hill being replaced by former Buzz guitarist John "Hutch" Hutchinson, and later to just David Bowie & Hutch after Farthingale's departure.[19]
Bowie released his second self-titled album in 1969, the album included Junior Eyes members, guitarists Tim Renwick (who also played woodwind) and Mick Wayne bassist John "Honk" Lodge and drummer John Cambridge, other musicians who played on this album were, guitarist Keith Christmas, keyboardist Rick Wakeman, bassists Tony Visconti (who also played woodwind and was the producer) and Herbie Flowers, harmonicist Benny Marshall and cellist and arranger Paul Buckmaster.[20][21] The members of Junior Eyes also performed with Bowie on the Dave Lee Travis Show in October 1969, prior to the albums release, the recording was also released on Bowie at the Beeb in 2000.[18]
In January 1970 Bowie played on Scottish TV show Cairngorm Ski Night, with producer/bassist Tony Visconti, and percussionist Tex Johnson.[22] Bowie's next backing band was called the Hype, it included originally included guitarist Mick Ronson, bassist Tony Visconti and drummer John Cambridge.[23] This line-up appeared on The Sunday Show introduced by John Peel in February 1970 and on Sounds of the 70s: Andy Ferris in April 1970,[18] before Cambridge was replaced by Mick "Woody" Woodmansey, this line-up appeared on Bowie's third album The Man Who Sold the World with Ralph Mace on Moog. The band was occasionally joined by Mark Pritchett on guitar. one performance on In Concert with John Peel was billed as David Bowie and friends and also included Pritchett, backing vocalists George Underwood, Dana Gillespie and Geoffrey Alexander and also bassist Trevor Bolder.[18] All performances were included on Bowie at the Beeb.[18]
Bowie's next backing band included guitarist Mick Ronson, bassist Bolder and drummer Woodmansey from his David Bowie and Friends band. The band was also augmented by pianists Rick Wakeman and Tom Parker, for some shows each. The then unnamed band was later named the Spiders from Mars and was going to included Wakeman but he declined and joined Yes.[24] The band contributed to Bowie's album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, the band was later augmented by various pianists in 1972, including Nicky Graham,[25]Matthew Fisher,[26]Robin Lumley[26] and Mike Garson[27] (who would be a long-time member of the Bowie band). Into 1973, the band was later augmented by Garson, backing vocalist Warren Peace, rhythm guitarist John Hutchinson and saxophonists Ken Fordham and Brian Wilshaw,[28] this line-up contributed to the album Aladdin Sane in 1973, alongside backing vocalists Linda Lewis and Juanita "Honey" Franklin.[29][30] Most musicians from the Spiders From Mars contributed to Bowie's musical, The 1980 Floor Show in October 1973,[31] and his album Pin Ups in the same month.[32][33]
Bowie's Diamond Dogs, featured keyboardist Mike Garson, bassist Herbie Flowers, drummers Ansley Dunbar and Tony Newman and guitarist Alan Parker.[34][35] For the Diamond Dogs Tour in 1974, he employed an entirely different band with only Garson and Peace being retained.[36] Other members included keyboardist Michael Kamen, guitarist Earl Slick, saxophonists David Sanborn and Richard Grando, returning bassist Herbie Flowers, percussionists Tony Newman and Pablo Rosario and new backing vocalist Gui Andrisano,[37] this tour band existed between June to July and featured on the live album David Live, in September the band was expanded with new guitarist Carlos Alomar (who played alongside Slick and also acted as musical director), bassist Doug Rauch and drummer Greg Errico,[37] as well as backing vocalists Ava Cherry, Robin Clark, Anthony Hinton, Diane Sumler and Luther Vandross.[37]
Between October and December a tour called The Soul/Philly Dogs Tour, the band included new members Willie Weeks (bass) and Dennis Davis (drums) with Kamen, Rauch, Errico and Andrisano departing.[37] Various musicians from this tour contributed to Young Americans, as well as a guest appearance from John Lennon.[38][39] Bowie's next album, Station to Station (1976), included touring members Carlos Alomar, Earl Slick, Dennis Davis and Warren Peace, as well as George Murray (bass guitar), Roy Bittan (piano, organ) and Harry Maslin (melodica, synthesiser, vibraphone, baritone sax).[40][41] Bowie's new tour, Isolar, it included guitarist Carlos Alomar, Stacy Heydon, bassist George Murray, drummer Dennis Davis and keyboardist Tony Kaye.[42]
The touring rebooted in 1978 as the Isolar II tour, It included a slightly different band, included the returning Alomar, Davis and Murray, with new members Adrian Belew (lead guitar), Roger Powell (keyboards, synthesizer; who was replaced by Dennis Garcia for shows in November), pianist Sean Mayes and violinist Simon House.[47] This was Bowie's last tour of the 70s, some performances were released on Stage.[48] Many musicians from this tour contributed to Lodger (1979).
1980s to 2000s
Scary Monsters (and Super Creeps) (1980) included Davis, Murray and Alomar.[49][50] Following the release of Scary Monsters (and Super Creeps), Bowie was expected to tour, however the murder of John Lennon in December 1980 made Bowie cancel tour plans.[51][52] His first tour in 5 years, the Serious Moonlight Tour, kicked off in May 1983. The band included returning members Carlos Alomar and Earl Slick, and also bassist Carmine Rojas, drummer Tony Thompson, keyboardist Dave Lebolt, woodwind players Steve Elson, Stan Harrison and Lenny Pickett and backing vocalists George and Frank Simms.[53]
The Glass Spider Tour started in May 1987 and concluded in November, the tour band included guitarist Peter Frampton and Carlos Alomar, bassist Carmine Rojas, drummer Alan Childs and multi-instrumentalists Erdal Kızılçay (keyboards, trumpet, congas, violin, backing vocals) and Richard Cottle (keyboardist, saxophone, tambourine, backing vocals).[59]
Guitarist Reeves Gabrels first played guitar in Tin Machine with Bowie in 1987 and was a member of his band until 1999.
Bowie was a member of hard rock outfit Tin Machine from 1988 to 1992, the band also included Reeves Gabrels (lead guitar, backing vocals), Tony Fox Sales (bass guitar, backing vocals) and Hunt Sales (drums, backing vocals). They released two albums and toured in support of each, on their first tour, from June to July 1989, they were augmented by Kevin Armstrong (rhythm guitar, backing vocals)[60] and by Eric Schermerhorn on their second tour from October 1991 to February 1992.[61]
Between Tin Machine's two tours, Bowie embarked on the Sound+Vision Tour between March and September 1990. The tour band included returning members Adrian Belew and Erdal Kızılçay (now on bass), as well as new members Rick Fox (keyboards) and Michael Hodges (drums).[62]Black Tie White Noise (1993) included various session muscians, including guest lead guitar from Spiders from Mars guitarist Mick Ronson,[63][64] who died later that year.[65]The Buddha of Suburbia (1993) included only Bowie and Kızılçay as well as some contributions from members of the band 3D Echo ((Rob Clydesdale, Gary Taylor, Isaac Daniel Prevos)t, Mike Garson and Lenny Kravitz.[66][67]
Outside (1995) included manly past, present and future touring members.[68][69] His next tour was the Outside Tour between September 1995 and September 1996. The tour band was larger than the Sound+Vision band, it included the returning Carlos Alomar, Mike Garson and George Simms (now on keyboards) as well as Tin Machine guitarist Reeves Gabrels and new members Gail Ann Dorsey (bass guitar, vocals), Zack Alford (drums) and Peter Schwartz (synthesizer).[70]
Emm Gryner was backing vocalist and keyboardist for Bowie between 1999 and 2000.
Earthling (1997) featured only touring personnel.[71][72] The Earthling Tour included only retained members Gabrels, Dorsey, Alford and Garson, it ran from June to November 1997.[73]Hours (1999) also included mainly touring personnel,[74][75] the Hours Tour, included lead guitarist Page Hamilton, rhythm guitar Mark Plati, bassist Gail Ann Dorsey, drummer Sterling Campbell, keyboardist Mike Garson and backing vocalists Holly Palmer and Emm Gryner.[76] Reeves Gabrels performed at one show on the tour before being replaced by Hamilton due to personal differences.[77] The tour ran between October and December 1999.
Bowie's next tour was the Heathen Tour, between June to October 2002, which included a similar band except Palmer and Gryner departed and Catherine Russell (keyboards, percussion, backing vocals) and Gerry Leonard (guitar, keyboards, backing vocals) joined.[83]Reality (2003) included all of his touring band as well as David Torn, Visconti, Chamberlain Mario J. McNulty and Carlos Alomar. Bowie's final tour, A Reality Tour, included the same band as his previous tour, it started in October 2003 and concluded in June 2004.[84]
Bowie releases two more studio albums The Next Day (2013) and Blackstar (2016) the former included former touring members and other guests,[88] the latter included session musicians Donny McCaslin (woodwind), Jason Lindner (keyboards), Tim Lefebvre (bass), Mark Guiliana (drums), Ben Monder (guitar), James Murphy (percussion) and Erin Tonkon (backing vocals). the album was co-produced with longtime collaborator Tony Visconti.[89] It was his final album released in this lifetime, following his death in January 2016. Various posthumous live albums and a studio album, called Toy, have been released following his death.
David Bowie is the second studio album by the English musician David Bowie, originally released in the United Kingdom on 14November 1969 through Mercury affiliate Philips Records. Financed by Mercury on the strength of "Space Oddity", the album was recorded from June to October 1969 at Trident Studios in London. Gus Dudgeon produced "Space Oddity", while Tony Visconti produced the rest of the album. It featured an array of collaborators, including Herbie Flowers, Rick Wakeman, Terry Cox and the band Junior's Eyes.
"Suffragette City" is a song by the English singer-songwriter David Bowie. It was originally released in April 1972 as the B-side of the single "Starman" and subsequently appeared on his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972). The song was later reissued as a single in 1976, with the US single edit of "Stay" as the B-side, to promote the compilation album Changesonebowie in the UK. Co-produced by Bowie and Ken Scott, it was recorded by Bowie at Trident Studios in London with his backing band the Spiders from Mars, consisting of Mick Ronson, Trevor Bolder and Mick Woodmansey, at a late stage of the album's sessions. The song was originally offered to English band Mott the Hoople, who declined it and recorded Bowie's "All the Young Dudes" instead. It is a glam rock song that is influenced by the music of Little Richard and the Velvet Underground. The lyrics include a reference to Anthony Burgess' novel A Clockwork Orange and the lyric "Oooohh wham bam, thank you, ma'am".
Let's Dance is the 15th studio album by the English singer-songwriter David Bowie, released on 14 April 1983 through EMI America Records. After the release of Scary Monsters (1980), Bowie began a period of numerous musical collaborations and film appearances. By 1982, he left RCA Records out of dissatisfaction and signed with EMI America. Wanting a fresh start, he chose Nile Rodgers of the band Chic to co-produce his next record.
Young Americans is the ninth studio album by the English musician David Bowie, released on 7March 1975 through RCA Records. A departure from the glam rock style of previous albums, the record showcased Bowie's interest in soul and R&B. Music critics have described the sound as blue-eyed soul; Bowie himself labelled the album's sound "plastic soul".
Lodger is the 13th studio album by the English musician David Bowie, released on 25 May 1979 through RCA Records. Recorded in collaboration with the musician Brian Eno and the producer Tony Visconti, it was the final release of his Berlin Trilogy, following Low and "Heroes". Sessions took place in Switzerland in September 1978 during a break in the Isolar II world tour, and in New York City in March 1979 at the tour's end. Most of the same personnel from prior releases returned, and the future King Crimson guitarist Adrian Belew joined from the tour. The sessions saw the use of techniques inspired by Eno's Oblique Strategies cards, such as having the musicians swap instruments and play old songs backwards.
The "Alabama Song"—also known as "Moon of Alabama", "Moon over Alabama", and "Whisky Bar"—is an English version of a song written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play Little Mahagonny. It was reused for the 1930 opera Rise and Fall of the City of Mahagonny and has been recorded by the Doors and David Bowie.
"The Man Who Sold the World" is a song by the English singer-songwriter David Bowie. The title track of Bowie's third studio album, it was released in November 1970 in the US and in April 1971 in the UK by Mercury Records. Produced by Tony Visconti, it was recorded at Trident and Advision Studios in London in May 1970, towards the end of the album's sessions; Bowie recorded his vocal on the final day of mixing for the album, reflecting his generally dismissive attitude during the sessions. Musically, it is based around a "circular" guitar riff from Mick Ronson. Its lyrics are cryptic and evocative, being inspired by numerous poems including the 1899 "Antigonish" by William Hughes Mearns. Bowie's vocals are heavily "phased" throughout and have been described as "haunting".
"Young Americans" is a song by the English singer-songwriter David Bowie from his ninth studio album of the same name. It was mostly recorded in August 1974 at Sigma Sound Studios in Philadelphia and was debuted on the Soul tour the following month. The song featured contributions from then-unknown singer Luther Vandross, who conceived the backing vocal arrangement. An embracement of R&B and Philadelphia soul, the song presents an Englishman's impressionist portrait of America at the time, featuring various characters and allusions to American totems and events.
"TVC 15" is a song by the English musician David Bowie, released on his 1976 album Station to Station. RCA Records later released it as the second single from the album on 30 April 1976. The song was recorded in late 1975 at Cherokee Studios in Los Angeles. Co-produced by Bowie and Harry Maslin, the recording featured guitarists Carlos Alomar and Earl Slick, bassist George Murray, drummer Dennis Davis, pianist Roy Bittan and Warren Peace on backing vocals. The upbeat song is mostly art rock performed in a style reminiscent of the 1950s. Lyrically, the song concerns a character's girlfriend being eaten by a television set. It was inspired by a dream of Iggy Pop's and Bowie's role in The Man Who Fell to Earth (1976). Some lyrics are also influenced by the Yardbirds and Kraftwerk.
"Sound and Vision" is a song by the English musician David Bowie. It was released in January 1977 by RCA Records on side one of his 11th studio album Low. RCA later chose it as the first single from the album. Co-produced by Bowie and Tony Visconti, the song was recorded at the Château d'Hérouville in Hérouville, France, in September 1976, and completed at Hansa Studios in West Berlin in October and November. The song began as a simple G major chord progression that Bowie gave to the backing musicians, writing and recording his vocals afterward. It features backing vocals from Brian Eno and Visconti's then-wife Mary Hopkin.
"Be My Wife" is a song by English musician David Bowie from the 1977 album Low. It was released as the second single of the album on 17 June 1977.
"Scary Monsters (and Super Creeps)" is a song by the English singer-songwriter David Bowie, released as the title track of his 1980 album Scary Monsters (and Super Creeps). It was also issued as the third single from that album in January 1981. Coming as it did in the wake of two earlier singles from Scary Monsters, "Ashes to Ashes" in August 1980 and "Fashion" in October the same year, NME critics Roy Carr and Charles Shaar Murray labelled its release another instance "in the fine old tradition of milking albums for as much as they could possibly be worth". The song was subsequently performed on a number of Bowie tours.
"Up the Hill Backwards" is a song by the English musician David Bowie, released on his 1980 album Scary Monsters . It was later issued by RCA Records as the fourth and final single from the album in March 1981. Originally written under the title "Cameras in Brooklyn", the song was recorded between February and April 1980 at the Power Station in New York City and Good Earth Studios in London. The recording features backing vocalists, guitar contributions from Robert Fripp and acoustic guitar played by co-producer Tony Visconti. Lyrically, the song concerns the struggles of facing a crisis, partially influenced by Bowie's divorce from his wife Angie. Musically, the song contains numerous time signature changes and a Bo Diddley-inspired beat.
Michael "Woody" Woodmansey is an English rock drummer best known for his work in the early 1970s as a member of David Bowie's core backing ensemble that became known as the Spiders from Mars in conjunction with the release of Bowie's 1972 LP The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With the death of Bowie in January 2016, Woodmansey became the last surviving member of the Spiders.
"Black Country Rock" is a song by the English musician David Bowie, released on his 1970 album The Man Who Sold the World. The song was recorded in May 1970, with sessions taking place at Trident and Advision Studios in London. The lineup featured Bowie on lead vocals, guitarist Mick Ronson, bassist/producer Tony Visconti, drummer Mick Woodmansey and Ralph Mace on Moog synthesiser. The track was mostly composed by Ronson and Visconti, who developed it using a basic song sketch from Bowie. Labelled under the working title "Black Country Rock", Bowie used the title to write the lyrics towards the end of the sessions, resulting in a repeated two-line verse and chorus. A blues rock and hard rock number, Bowie imitates T. Rex's Marc Bolan in his vocal performance.
"Five Years" is a song by the English musician David Bowie, released on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Bowie and Ken Scott, it was recorded in November 1971 at Trident Studios in London with his backing band the Spiders from Mars − comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. As the opening track on the album, the song introduces the overarching theme of the album: an impending apocalyptic disaster will destroy Earth in five years and the being who will save it is a bisexual alien rock star named Ziggy Stardust. While the first two verses are told from a child narrator's perspective, the third is from Bowie's, who addresses the listener directly. As the track progresses, it builds intensity, before climaxing with strings and Bowie screaming the title.
"Moonage Daydream" is a song by the English singer-songwriter David Bowie. It was originally recorded in February 1971 at Radio Luxembourg's studios in London and released as a single by his short-lived band Arnold Corns in May 1971 on B&C Records. Bowie subsequently re-recorded the song later that year with his backing band the Spiders from Mars—Mick Ronson, Trevor Bolder and Mick Woodmansey—for release on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The re-recording was co-produced by Ken Scott and recorded at Trident Studios in London in November 1971. The re-recording is a glam rock song that uses melodic and harmonic hooks, as well as percussion and guitar influenced by heavy metal. On the album, the song directly introduces the character Ziggy Stardust, who describes himself as a bisexual alien rock superstar who will save the Earth from the impending disaster described in the opening track "Five Years". It features saxophone played by Bowie and a guitar solo and string arrangement by Ronson.
"Can You Hear Me?" is a ballad by the English musician David Bowie from his 1975 album Young Americans. Bowie called it a "real love song", written with someone in mind, but he did not identify them. The song was released as a single in November 1975 on the B side of "Golden Years".
"Stay" is a song by the English musician David Bowie, released on his 1976 album Station to Station. The song was recorded in late 1975 at Cherokee Studios in Los Angeles. Co-produced by Bowie and Harry Maslin, the recording featured guitarists Carlos Alomar and Earl Slick, bassist George Murray, drummer Dennis Davis, pianist Roy Bittan and Warren Peace on percussion. The track features prominent dual guitar work from Slick and Alomar, who mostly composed it in the studio. Based on the chord structure of "John, I'm Only Dancing (Again)", a funk reworking of "John, I'm Only Dancing" (1972), "Stay" emulates funk rock, soul and hard rock. The song's lyrics are abstract and relate to love.
"Hallo Spaceboy" is a song by the English musician David Bowie from his 20th studio album, Outside (1995). It originated as an instrumental by Reeves Gabrels called "Moondust", which Bowie and Brian Eno stripped down and used to form the final track. An industrial rock and electronica number influenced by the Pixies and Nine Inch Nails, the song contains a hypnotic sound, with synthesisers, loops and distorted guitar lines. Lyrically influenced by Brion Gysin, the song contains images of apocalypse and continues the androgynous conundrums of former Bowie songs such as "Rebel Rebel".
↑ David Bowie [Space Oddity] (CD booklet). David Bowie. UK & Europe: EMI. 2009. 50999-307522-2-1.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ Young Americans (liner notes). David Bowie. RCA Records. 1975. RS 1006.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ Station to Station (liner notes). David Bowie. US: RCA Records. 1976. APL1-1327.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ Scary Monsters (and Super Creeps) (liner notes). David Bowie. UK: RCA Records. 1980. BOW LP 2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ Black Tie White Noise (CD booklet). David Bowie. Europe: Arista Records. 1993. 74321 13697 2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ The Buddha of Suburbia (liner notes). David Bowie. UK: Arista. 1993. 74321 170042.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ 1. Outside (CD booklet). David Bowie. Europe: Arista/BMG/RCA. 1995. 74321303392.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ Earthling (CD booklet). David Bowie. US: Virgin Records. 1997. RCA 74321 449442.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ Hours (CD booklet). David Bowie. Europe: Virgin Records. 1999. 7243 8 48158 2 0.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ The Next Day (deluxe edition liner notes). David Bowie. ISO/Columbia Records. 2013. 88765 46192 2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ Blackstar (album liner notes). David Bowie. ISO Records. 2016. 88875173862.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ "R.I.P Bob Solly". David Bowie. 13 January 2020. Retrieved 18 August 2023.
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