The Diamond Dogs Tour was a concert tour by the English singer-songwriter David Bowie in North America in 1974 to promote the studio album Diamond Dogs (1974). The first leg of the tour utilized a rock opera-style stage show format with multiple sets, costume changes and choreography. The remainder of the tour was alternatively known as The Soul Tour, which included some songs from the forthcoming album Young Americans (1975) and featured a revamped, stripped-down presentation and different backing band.
Bowie during the Diamond Dogs Tour on 5 July 1974 at the Charlotte Coliseum
Two months of rehearsals were required to get the tour ready, in part due to the elaborate set & props required for the show (reported to cost $275,000 per set,[1] or about $1,630,000 today).[2] Originally the tour was planned to appear in a city for five nights before moving on to the next city, but that plan was abandoned early on. The tour started in June 1974 in Montreal, Quebec as the "Diamond Dogs Tour" (although producer Tony DeFries demanded the tour be referred to as "The Year of the Diamond Dogs" when speaking with the press). Bowie recorded radio and television commercials for the tour, which played in advance of the tour's arrival in each city.[3] The tour took the month of August 1974 off, during which time Bowie began recording his follow-up studio album, Young Americans. On 10 October 1974, after the tour had resumed, Bowie abandoned the extravagant theatrical set and re-branded the tour "The Soul Tour", which would continue through the end of the North American leg in December.[1]
In 1987, Bowie recalled how difficult the tour was early on before changing it into the 'Soul Tour', saying "I was in a bad state of mind to have attempted that. It was pretty exciting, but I was so blocked [laughs], so stoned during the entire thing that I'm amazed I lasted with it even that one trip across America before I ditched it."[4]
Set design
The set for the theatrical Diamond Dogs tour was designed by Mark Ravitz, who later did the set for Bowie's 1987 Glass Spider Tour.[5] The set was built to resemble a city (called "Hunger City"),[3] weighed 6 tons and incorporated over 20,000 moving parts including a variety of props (such as streetlamps, chairs and catwalks). The props themselves weren't ready for use until a mere 6 days before the show opened, which led to a variety of technical problems during the tour: a movable catwalk collapsed once during the tour with Bowie on it.[3] The set was at least partially based on work by German artist George Grosz.[6] In 1990, while preparing for his Sound+Vision Tour, Bowie recalled the difficulties faced by the show, saying it "was good fun and dangerous, with the equipment breaking down and the bridges falling apart on stage. I kept getting stuck out over the audience's heads, on the hydraulic cherry picker, after the finish of 'Space Oddity.'"[7]
Other props worked as expected: for the song "Big Brother", Bowie sang while atop a multi-mirrored glass "asylum", emerging during the next song ("Time") sitting in the palm of a giant hand covered in small light bulbs.[1]
The show in Tampa, Florida, was performed without any of the stage props because the truck driver driving those components ended up in a highway ditch after being stung by a bee.[1]
In 1987, while preparing for the Glass Spider Tour (which picked up theatrically where the Diamond Dogs tour left off and was also designed by Ravitz), Bowie recalled about the extraordinary nature of the set he used during this tour, saying "We had four skyscrapers on stage, with bridges that went backwards and forward and would go up and down. The whole thing was built on a city pretext. I had dancers working with me and it was choreographed and was a real fantastic musical event. I thoroughly enjoyed working like that."[8]
Performing at the Washington DC Capital Centre on 11 November 1974, during the "Soul Tour" phase of the tour
MainMan, Bowie's management team, planned to cull a live album from the July 1974 performances at the Tower Theater just outside Philadelphia. When the band learned of this, they demanded to be paid a standard recording fee of $5000 per musician in addition to their normal pay or they would refuse to perform. They were given checks hours before show time, and the concert recording went on as planned.[3][9] The resulting double album, titled David Live, became Bowie's first official live album.
A Portrait in Flesh, a bootleg of the 5 September 1974 show in Los Angeles was released in Australia.[10] An official version of the 5 September 1974 show, mixed by Tony Visconti in 2016, was first released as Cracked Actor (Live Los Angeles '74), a 3-LP set, for Record Store Day on 22 April 2017. The set was released in CD and digital formats in June 2017.
An official live album mostly recorded at the Michigan Palace, Detroit on 20 October 1974, during the last stage of the tour – known as The Soul Tour – was released for Record Store Day in August 2020. The 2-LP and 2-CD set is titled I'm Only Dancing (The Soul Tour 74). In September 2020, the album peaked at #16 on the BillboardTop Rock Albums chart and #12 on the BillboardTop Alternative Albums chart.[11][12]
"It's Gonna Be Me" (outtake from Young Americans; released as a bonus track from the album's 1991 and 2007 reissues (the latter being an alternate version with strings))
"John, I'm Only Dancing (Again)" (a rearranged version of a non-album Bowie single first released in 1972/1973, a studio version of which was itself later released as a single in 1979)
David Robert Jones, known professionally as David Bowie, was an English singer, songwriter, musician, and actor. He is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music.
Diamond Dogs is the eighth studio album by the English musician David Bowie, released on 24 May 1974 through RCA Records. Bowie produced the album and recorded it in early 1974 in London and the Netherlands, following the disbanding of his backing band the Spiders from Mars and the departure of producer Ken Scott. Bowie played lead guitar on the record in the absence of Mick Ronson. Diamond Dogs featured the return of Tony Visconti, who had not worked with Bowie for four years; the two would collaborate for the rest of the decade. Musically, it was Bowie's final album in the glam rock genre, though some songs were influenced by funk and soul music, which Bowie embraced on his next album, Young Americans (1975).
Young Americans is the ninth studio album by the English musician David Bowie, released on 7March 1975 through RCA Records. A departure from the glam rock style of previous albums, the record showcased Bowie's interest in soul and R&B. Music critics have described the sound as blue-eyed soul; Bowie himself labelled the album's sound "plastic soul".
"Rebel Rebel" is a song by the English singer-songwriter David Bowie. It was released in the UK in February 1974 by RCA Records as the lead single from the album Diamond Dogs. Written and produced by Bowie, the song is based around a distinctive guitar riff reminiscent of the Rolling Stones. Cited as his most-covered track, "Rebel Rebel" has been described as Bowie's farewell to the glam rock movement that he had helped initiate, as well as being a proto-punk track. Two versions of the song were recorded: the well-known UK single release and the shorter US single release, which featured added background vocals, extra percussion and a new arrangement.
"Diamond Dogs" is a 1974 single by English singer-songwriter David Bowie, the title track of the album of the same name.
Cracked Actor is a 1975 television documentary film about the musician David Bowie, made by Alan Yentob for the BBC's Omnibus strand. It was first shown on BBC1 on 26 January 1975.
Carlos Alomar is a Puerto Rican guitarist. He is best known for his work with David Bowie from the mid-1970s to the early 2000s, having played on more Bowie albums than any other musician.
"1984" is a song by the English musician David Bowie, from his 1974 album Diamond Dogs, released as a single in the United States and Japan. Written in 1973, it was inspired by George Orwell's Nineteen Eighty-Four and, like much of its parent album, originally intended for a stage musical based on the novel, which was never produced because permission was refused by Orwell's widow Sonia.
"Young Americans" is a song by the English singer-songwriter David Bowie from his ninth studio album of the same name. It was mostly recorded in August 1974 at Sigma Sound Studios in Philadelphia and was debuted on the Soul tour the following month. The song featured contributions from then-unknown singer Luther Vandross, who conceived the backing vocal arrangement. An embracement of R&B and Philadelphia soul, the song presents an Englishman's impressionist portrait of America at the time, featuring various characters and allusions to American totems and events.
David Live is the first official live album by the English musician David Bowie, originally released through RCA Records in 1974. The album was recorded in July of that year, on the initial leg of Bowie's Diamond Dogs Tour, at the Tower Theater in Upper Darby Township, Pennsylvania, a suburb of Philadelphia.
"Big Brother" is a song written by David Bowie in 1973 and intended for his never-produced musical based on George Orwell's Nineteen Eighty-Four. In 1974 it was released on the album Diamond Dogs. It segued into the final track on the record, "Chant of the Ever Circling Skeletal Family".
A Reality Tour was a worldwide concert tour by the English singer-songwriter David Bowie in support of the Reality album. The tour began on 7 October 2003 at the Forum Copenhagen, Denmark, continuing through Europe, North America, Asia, including a return to New Zealand and Australia for the first time since the 1987 Glass Spider Tour. At over 110 shows, the tour was the longest tour of Bowie's career. A heart attack in late June 2004 forced the cancellation of some dates near the end of the tour. Bowie retired from performing live in 2006, making this tour his last.
Glass Spider is a concert film by English singer David Bowie. The release was sourced from eight shows during the first two weeks of November 1987 at the Sydney Entertainment Centre in Australia during the last month of the Glass Spider Tour. The 86-show tour, which also visited Europe, North America and New Zealand, was in support of Bowie's album Never Let Me Down (1987). Originally released in 1988 on VHS, the tour was choreographed by Toni Basil, directed by David Mallet, and produced by Anthony Eaton. The VHS was released by MPI Home Video in the US and by Video Collection International in the UK.
The Sound+Vision Tour was a 1990 concert tour by the English musician David Bowie that was billed as a greatest hits tour in which Bowie would retire his back catalogue of hit songs from live performance. The tour opened at the Colisée de Québec in Quebec City, Canada on 4 March 1990 before reaching its conclusion at the River Plate Stadium in Buenos Aires, Argentina on 29 September 1990, spanning five continents in seven months. The concert tour surpassed Bowie's previous Serious Moonlight (1983) and Glass Spider (1987) tours' statistics by visiting 27 countries with 108 performances.
The Glass Spider Tour was a 1987 worldwide concert tour by the English musician David Bowie, launched in support of his album Never Let Me Down and named for that album's track "Glass Spider". It began in May 1987 and was preceded by a two-week press tour that saw Bowie visit nine countries throughout Europe and North America to drum up public interest in the tour. The Glass Spider Tour was the first Bowie tour to visit Austria, Italy, Spain, Ireland and Wales. Through a sponsorship from Pepsi, the tour was intended to visit Russia and South America as well, but these plans were later cancelled. The tour was, at that point, the longest and most expensive tour Bowie had embarked upon in his career. At the time, the tour's elaborate set was called "the largest touring set ever".
The Serious Moonlight Tour was a worldwide concert tour by the English musician David Bowie, launched in May 1983 in support of his album Let's Dance (1983). The tour opened at the Vorst Forest Nationaal, Brussels, on 18 May 1983 and ended in the Hong Kong Coliseum on 8 December 1983; 15 countries visited, 96 performances, and over 2.6 million tickets sold. The tour garnered mostly favourable reviews from the press. It was, at the time, his longest, largest and most successful concert tour to date, although it has since been surpassed in length, attendance and gross revenue by subsequent Bowie tours.
The Ziggy Stardust Tour was a 1972–73 concert tour by the English singer-songwriter David Bowie, to promote the studio albums Hunky Dory, The Rise and Fall of Ziggy Stardust and the Spiders from Mars and Aladdin Sane. Bowie was accompanied by his backing group, the Spiders from Mars, and integrated choreography, costumes and make-up into the live shows to make them a wider entertainment package. The tour generated significant press coverage, drawing positive reviews and launching Bowie to stardom.
The Isolar – 1976 Tour was a concert tour by the English singer-songwriter David Bowie, in support of the album Station to Station. It opened on 2 February 1976 at the Pacific Coliseum, Vancouver, and continued through North America and Europe, concluding at the Pavillon de Paris in Paris, France, on 18 May 1976. The tour is commonly referred to as Thin White Duke Tour, The Station to Station Tour, and The White Light Tour.
Who Can I Be Now? (1974–1976) is a box set by English singer-songwriter David Bowie, released on 23 September 2016, focused on the artist's "American Phase". A follow-up to the 2015 compilation Five Years (1969–1973), Who Can I Be Now? (1974–1976) covers the period of Bowie's career from 1974 to 1976 over twelve compact discs or thirteen LPs. Exclusive to the box sets is The Gouster, a previously unreleased album that eventually became Young Americans, and Re:Call 2, a new compilation of non-album singles, single versions, and B-sides that serves as the sequel to Re:Call 1 from Five Years.
I'm Only Dancing is a live album by the English musician David Bowie. It had a limited release on 29 August 2020 for Record Store Day as a double LP and double CD. It was recorded on the second half of the Diamond Dogs Tour in 1974, which is known as "the Soul Tour" due to the influence of the then-unreleased material Bowie had begun recording for Young Americans (1975). I'm Only Dancing marks the first time performances from this portion of the tour have been officially released.
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