Time (David Bowie song)

Last updated

"Time"
Bowie timesingle.jpg
Single by David Bowie
from the album Aladdin Sane
B-side "The Prettiest Star"
Released13 April 1973 (1973-04-13) [1] (US)
RecordedJanuary 1973
Studio Trident, London
Genre Glam rock
Length3:38(7" single edit)
5:31 (album version)
Label RCA
Songwriter(s) David Bowie
Producer(s)
David Bowie singles chronology
"Drive-In Saturday"
(1973)
"Time"
(1973)
"Let's Spend the Night Together"
(1973)
Official audio
"Time" (2013 Remaster) on YouTube

"Time" is a song by the English singer-songwriter David Bowie. Written in New Orleans in November 1972 during the American leg of the Ziggy Stardust Tour, it was recorded in London in January 1973 and released as the opening track on side two of the album Aladdin Sane that April. An edited version of the song supplanted the release of the single "Drive-In Saturday" in the United States, Canada and Japan. [2] It was also released in France and South Africa, while early Spanish copies of David Live included a free copy of the single. [3]

Contents

Production and style

The piece has been described as "burlesque vamp", [4] and compared to the cabaret music of Jacques Brel and Bertolt Brecht/Kurt Weill. [5] Keyboardist Mike Garson said that he employed "the old stride piano style from the 20s and I mixed it up with avant-garde jazz styles plus it had the element of show music, plus it was very European." [6] Co-producer Ken Scott took credit for the idea of mixing the sound of Bowie's breathing right up front when the music paused, just before guitarist Mick Ronson launched into his cacophonous solo. [6]

The song's best-known couplet is "Time – he flexes like a whore / Falls wanking to the floor"; RCA allowed it to remain in the US single edit, being unfamiliar with the British term "wanking". [7] However, when Bowie came to perform the song on the U.S. television special The 1980 Floor Show in August 1973, he slurred the line in such a way as to render it "Falls swanking to the floor." [8] Conversely, RCA cut the line "In quaaludes and red wine" from the single, while Bowie retained it for The 1980 Floor Show. The phrase "Billy Dolls" refers to Billy Murcia, late drummer for the New York Dolls. [5] [9]

Artist Tanja Stark suggests the infamous lyric may be a cryptic allusion to ‘Chronos’, the ancient Greek personification of 'Time' who was associated with 'magical semen', due to Bowie's well known fascination with mythology and esoterica. [10]

David Bowie said of the song "I’ve written a new song on the new album which is just called ‘Time’, and I thought it was about time, and I wrote very heavily about time, and the way I felt about time – at times – and I played it back after we recorded it and my God, it was a gay song! And I’d no intention of writing anything at all gay. When I’d listened to it back I just could not believe it. I thought well, that’s the strangest…" [11]

Reception

Like its parent album, "Time" has divided critical opinion. Biographer David Buckley calls the full-length version "five minutes of wired perfection" and the lyrics "poetic and succinct", [6] while NME critics Roy Carr and Charles Shaar Murray have described the words as sounding "strained and incomplete", concluding that "with such a weak lyric, the overly melodramatic music sounds faintly absurd". [9] Record World predicted that it "should be a monster in no time at all." [12]

Mojo magazine listed it as Bowie's 99th best track in 2015. [13]

Track listing

All tracks written by David Bowie. [14]

  1. "Time" – 3:38
  2. "The Prettiest Star" – 3:27

The Japanese release featured "Panic in Detroit" on the B-side. [15]

Personnel

According to Chris O'Leary: [16] [lower-alpha 1]

Live versions

Other releases

Cover versions

Notes

  1. O'Leary is unsure whether Bowie or Ken Fordham played tenor saxophone.

Related Research Articles

<i>Aladdin Sane</i> 1973 studio album by David Bowie

Aladdin Sane is the sixth studio album by the English musician David Bowie, released in the United Kingdom on 19 April 1973 through RCA Records. The follow-up to his breakthrough The Rise and Fall of Ziggy Stardust and the Spiders from Mars, it was the first album he wrote and released from a position of stardom. It was co-produced by Bowie and Ken Scott and features contributions from Bowie's backing band the Spiders from Mars — Mick Ronson, Trevor Bolder and Mick Woodmansey — with pianist Mike Garson, two saxophonists and three backing vocalists. Recorded in London and New York City between legs of the Ziggy Stardust Tour, the record was Bowie's final album with the full Spiders lineup.

<span class="mw-page-title-main">The Jean Genie</span> 1972 single by David Bowie

"The Jean Genie" is a song by the English singer-songwriter David Bowie, originally released in November 1972 as the lead single to his 1973 album Aladdin Sane. Co-produced by Ken Scott, Bowie recorded it with his backing band the Spiders from Mars − comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. According to Bowie, it was "a smorgasbord of imagined Americana", with a protagonist inspired by Iggy Pop, and the title being an allusion to author Jean Genet. One of Bowie's most famous tracks, it was promoted with a film clip featuring Andy Warhol associate Cyrinda Foxe and peaked at No. 2 on the UK Singles Chart.

<i>Diamond Dogs</i> 1974 studio album by David Bowie

Diamond Dogs is the eighth studio album by the English musician David Bowie, released on 24 May 1974 through RCA Records. Bowie produced the album and recorded it in early 1974 in London and the Netherlands, following the disbanding of his backing band the Spiders from Mars and the departure of producer Ken Scott. Bowie played lead guitar on the record in the absence of Mick Ronson. Diamond Dogs featured the return of Tony Visconti, who had not worked with Bowie for four years; the two would collaborate for the rest of the decade. Musically, it was Bowie's final album in the glam rock genre, though some songs were influenced by funk and soul music, which Bowie embraced on his next album, Young Americans (1975).

<i>Pin Ups</i> 1973 studio album by David Bowie

Pin Ups is the seventh studio album by the English musician David Bowie, released on 19 October 1973 through RCA Records. Devised as a "stop-gap" album to appease his record label, it is a covers album, featuring glam rock and proto-punk versions of songs by British bands from the 1960s that were influential to Bowie as a teenager, including the Pretty Things, the Who, the Yardbirds and Pink Floyd.

<span class="mw-page-title-main">Starman (song)</span> 1972 song by David Bowie

"Starman" is a song by the English musician David Bowie. It was released on 28 April 1972 by RCA Records as the lead single of his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Ken Scott, Bowie recorded the song on 4 February 1972 at Trident Studios in London with his backing band known as the Spiders from Mars – comprising guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey. The song was a late addition to the album, written as a direct response to RCA's request for a single; it replaced the Chuck Berry cover "Round and Round" on the album. The lyrics describe Ziggy Stardust bringing a message of hope to Earth's youth through the radio, salvation by an alien 'Starman'. The chorus is inspired by "Over the Rainbow", sung by Judy Garland, while other influences include T. Rex and the Supremes.

<i>Ziggy Stardust: The Motion Picture</i> 1983 live album by David Bowie

Ziggy Stardust: The Motion Picture is a live album by the English musician David Bowie, released in October 1983 in conjunction with the film of the same name. The music was recorded during the Ziggy Stardust Tour at the Hammersmith Odeon in London on 3 July 1973, although the album was not issued by RCA Records until 1983. Prior to that it had existed in bootleg form, notably His Masters Voice – Bowie and the Spiders From Mars' Last Stand.

"Aladdin Sane (1913–1938–197?)" is a song by the English singer-songwriter David Bowie, the title track from his 1973 album Aladdin Sane. Described by biographer David Buckley as the album's "pivotal" song, it saw Bowie moving into more experimental musical styles following the success of his breakthrough glam rock release The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972.

<span class="mw-page-title-main">Holy Holy (song)</span> 1971 song by David Bowie

"Holy Holy" is a song by the English singer-songwriter David Bowie, originally released as a single in January 1971. It was recorded in November 1970, after the completion of The Man Who Sold the World, in the perceived absence of a clear single from that album. Like Bowie's two previous singles, it sold poorly and failed to chart.

<span class="mw-page-title-main">John, I'm Only Dancing</span> Song by David Bowie

"John, I'm Only Dancing" is a song by the English musician David Bowie, originally released as a non-album single on 1 September 1972. A glam rock and R&B number, the lyrics describe a situation in which the narrator informs his lover not to worry about the girl he is with because he is "only dancing" with her. Although ambiguous, many interpreted it as concerning a gay relationship. Recorded in London in June 1972, it was boosted by a low-budget promotional video directed by Mick Rock. It reached number 12 in the UK; RCA refused to release it in America due to its suggestive lyrical content.

<span class="mw-page-title-main">Drive-In Saturday</span> 1973 song by David Bowie

"Drive-In Saturday" is a song by the English musician David Bowie from his 1973 album Aladdin Sane. It was released as a single a week before the album and, like its predecessor "The Jean Genie", became a Top 3 UK hit.

<span class="mw-page-title-main">Rock 'n' Roll Suicide</span> Song by David Bowie

"Rock 'n' Roll Suicide" is a song by the English singer-songwriter David Bowie, originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars on 16 June 1972. Co-produced by Ken Scott, Bowie recorded it with his backing band the Spiders from Mars – comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. It detailed Ziggy's final collapse like an old, washed-up rock star and, as such, was also the closing number of the Ziggy Stardust live show. In April 1974 RCA issued it as a single.

Geoffrey Alexander MacCormack, better known as Warren Peace, is an English vocalist, composer and dancer best known for his work with David Bowie in the 1970s.

"All the Madmen" is a song written by the English singer-songwriter David Bowie in 1970 for his album The Man Who Sold the World, released later that year in the US and in April 1971 in the UK. One of several tracks on the album about insanity, it has been described as depicting "a world so bereft of reason that the last sane men are the ones in the asylums".

<span class="mw-page-title-main">Velvet Goldmine (song)</span> 1975 song by David Bowie

"Velvet Goldmine" is a song by the English singer-songwriter David Bowie. A glam rock number with lyrical references to oral sex, it was originally recorded on 11 November 1971 at Trident Studios in London during the sessions for his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. It was ultimately left off the album and subsequently released as a B-side of the UK re-release of "Space Oddity" in 1975. Praised by biographers as an undervalued classic, it later appeared on compilation albums, including on Re:Call 1, part of the Five Years (1969–1973) boxed set, in 2015. Its namesake was used for Todd Haynes's 1998 film of the same name.

"Watch That Man" is a song by the English musician David Bowie, the opening track on the album Aladdin Sane from 1973. Its style is often compared to the Rolling Stones' Exile on Main Street. The mix, in which Bowie's lead vocal is buried within the instrumental sections, has generated discussion among critics and fans.

"Panic in Detroit" is a song written by the English singer-songwriter David Bowie for the album Aladdin Sane in 1973. Bowie based it on his friend Iggy Pop's descriptions of revolutionaries he had known in Michigan and Pop's experiences during the 1967 Detroit riots. Rolling Stone magazine called the track "a paranoid descendant of the Motor City's earlier masterpiece, Martha and the Vandellas' "Nowhere to Run"".

"Cracked Actor" is a song by the English musician David Bowie, released on his sixth studio album Aladdin Sane (1973). The track was also issued as a single in Eastern Europe by RCA Records in June that year. The song was written during Bowie's stay in Los Angeles during the American leg of the Ziggy Stardust Tour in October 1972. Co-produced by Bowie and Ken Scott, it was recorded in January 1973 at Trident Studios in London with his backing band the Spiders from Mars – comprising Mick Ronson, Trevor Bolder and Woody Woodmansey. A hard rock song primarily led by guitar, the song describes an aging Hollywood star's encounter with a prostitute, featuring many allusions to sex and drugs.

"Lady Grinning Soul" is a song by the English musician David Bowie, released on the album Aladdin Sane in 1973. It was a last-minute addition, replacing the "sax version" of "John, I'm Only Dancing" as the closing track. The composer's first meeting with American soul singer Claudia Lennear in 1972 is often cited as the inspiration for the song. In 2016, after Bowie's death, an interview with Lennear revealed that Bowie called her in 2014, and told her the song had been written about her.

<span class="mw-page-title-main">Rock 'n' Roll with Me</span> 1974 song by David Bowie

"Rock 'n' Roll with Me" is a power ballad written by David Bowie and Geoff MacCormack and recorded in January 1974 that first appeared on Bowie's Diamond Dogs album, supposedly to address the artist's complex relation with his fans. A version recorded during the Diamond Dogs tour in July 1974 was released on the album David Live.

References

  1. "Aladdin Sane (1973)". The Ziggy Stardust Companion. Archived from the original on 24 July 2013. Retrieved 10 July 2008.
  2. "Aladdin Sane at The Ziggy Stardust Companion". www.5years.com. 28 October 2002. Archived from the original on 24 July 2013. Retrieved 13 April 2007.
  3. "Time".
  4. Kris Needs (1983). Bowie: A Celebration: p.29
  5. 1 2 Gerson, Ben (19 July 1973). "Aladdin Sane". Rolling Stone. Archived from the original on 27 April 2013. Retrieved 21 March 2011.
  6. 1 2 3 Buckley 1999, pp. 185–187.
  7. Pegg 2016, pp. 282–283.
  8. "Time" at The Ziggy Stardust Companion
  9. 1 2 Carr & Murray 1981, pp. 54–55.
  10. Stark, Tanja (2015). "Confronting Bowie's Mysterious Corpses" in Enchanting David Bowie, edited by Toija Cinque, Christopher Moore and Sean Redmond. Bloomsbury Academic. pp. 61–78.
  11. Egan, Sean (2015). Bowie on Bowie : interviews and encounters with David Bowie. Chicago Review Press. p. 33. ISBN   9781569769775.
  12. "Hits of the Week" (PDF). Record World. 23 June 1973. p. 1. Retrieved 23 March 2023.
  13. "David Bowie – The 100 Greatest Songs". Mojo . No. 255. February 2015. p. 54.
  14. "Time" (Single liner notes). David Bowie. US: RCA Victor. 1973. APBO-0001.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  15. "Time" (Single liner notes). David Bowie. Japan: RCA Records. 1973. SS-2299.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  16. O'Leary 2015, chap. 6.

Sources