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"Space Oddity" is a song by the English singer-songwriter David Bowie. It was first released on 11 July 1969 by Philips Records as a 7-inch single, then as the opening track of his second studio album David Bowie. Produced by Gus Dudgeon and recorded at Trident Studios in London, it is a tale about a fictional astronaut named Major Tom; its title and subject matter were partly inspired by 2001: A Space Odyssey (1968) and Bowie's feelings of alienation at that point in his career. One of the most musically complex songs he had written up to that point, it represented a change from the music hall-influenced sound of his debut to a sound akin to psychedelic folk and inspired by the Bee Gees.
David Bowie is the second studio album by the English musician David Bowie, originally released in the United Kingdom on 14 November 1969 through Mercury affiliate Philips Records. Financed by Mercury on the strength of "Space Oddity", the album was recorded from June to October 1969 at Trident Studios in London. Gus Dudgeon produced "Space Oddity", while Tony Visconti produced the rest of the album. It featured an array of collaborators, including Herbie Flowers, Rick Wakeman, Terry Cox and the band Junior's Eyes.
Anthony Edward Visconti is an American record producer, musician and singer. Since the late 1960s, he has worked with an array of performers. His first hit single was T. Rex's "Ride a White Swan" in 1970, the first of many hits in collaboration with Marc Bolan. Visconti's lengthiest involvement was with David Bowie: intermittently from the production and arrangement of Bowie's 1968 single "In the Heat of the Morning" / "London Bye Ta-Ta" to his final album Blackstar in 2016, Visconti produced and occasionally performed on many of Bowie's albums. Visconti's work on Blackstar was awarded the Grammy Award for Best Engineered Album, Non-Classical and his production of Angelique Kidjo's Djin Djin received the Grammy Award for Best Contemporary World Music Album.
"The Man Who Sold the World" is a song by the English singer-songwriter David Bowie. The title track of Bowie's third studio album, it was released in November 1970 in the US and in April 1971 in the UK by Mercury Records. Produced by Tony Visconti, it was recorded at Trident and Advision Studios in London in May 1970, towards the end of the album's sessions; Bowie recorded his vocal on the final day of mixing for the album, reflecting his generally dismissive attitude during the sessions. Musically, it is based around a "circular" guitar riff from Mick Ronson. Its lyrics are cryptic and evocative, being inspired by numerous poems including the 1899 "Antigonish" by William Hughes Mearns. Bowie's vocals are heavily "phased" throughout and have been described as "haunting".
"The Prettiest Star" is a song by the English musician David Bowie, originally released on 6 March 1970 through Mercury Records as the follow-up single to "Space Oddity". A love song for his soon-to-be wife Angie, it was recorded in January 1970 at Trident Studios in London and featured Marc Bolan on guitar, who was brought on by producer Tony Visconti. Despite praise from music journalists, the single flopped and failed to chart. Years later, Bowie rerecorded the track for his 1973 album Aladdin Sane. A more glam rock influenced take with lyrics matching themes on the album, Mick Ronson recreated Bolan's guitar part almost note-for-note. The remake was more well-received.
"John, I'm Only Dancing" is a song by the English musician David Bowie, originally released as a non-album single on 1 September 1972. A glam rock and R&B number, the lyrics describe a situation in which the narrator informs his lover not to worry about the girl he is with because he is "only dancing" with her. Although ambiguous, many interpreted it as concerning a gay relationship. Recorded in London in June 1972, it was boosted by a low-budget promotional video directed by Mick Rock. It reached number 12 in the UK; RCA refused to release it in America due to its suggestive lyrical content.
"Up the Hill Backwards" is a song by the English musician David Bowie, released on his 1980 album Scary Monsters . It was later issued by RCA Records as the fourth and final single from the album in March 1981. Originally written under the title "Cameras in Brooklyn", the song was recorded between February and April 1980 at the Power Station in New York City and Good Earth Studios in London. The recording features backing vocalists, guitar contributions from Robert Fripp and acoustic guitar played by co-producer Tony Visconti. Lyrically, the song concerns the struggles of facing a crisis, partially influenced by Bowie's divorce from his wife Angie. Musically, the song contains numerous time signature changes and a Bo Diddley-inspired beat.
"Black Country Rock" is a song by the English musician David Bowie, released on his 1970 album The Man Who Sold the World. The song was recorded in May 1970, with sessions taking place at Trident and Advision Studios in London. The lineup featured Bowie on lead vocals, guitarist Mick Ronson, bassist/producer Tony Visconti, drummer Mick Woodmansey and Ralph Mace on Moog synthesiser. The track was mostly composed by Ronson and Visconti, who developed it using a basic song sketch from Bowie. Labelled under the working title "Black Country Rock", Bowie used the title to write the lyrics towards the end of the sessions, resulting in a repeated two-line verse and chorus. A blues rock and hard rock number, Bowie imitates T. Rex's Marc Bolan in his vocal performance.
"Rock 'n' Roll with Me" is a power ballad written by David Bowie and Geoff MacCormack and recorded in January 1974 that first appeared on Bowie's Diamond Dogs album, supposedly to address the artist's complex relation with his fans. A version recorded during the Diamond Dogs tour in July 1974 was released on the album David Live.
"Big Brother" is a song written by David Bowie in 1973 and intended for his never-produced musical based on George Orwell's Nineteen Eighty-Four. In 1974 it was released on the album Diamond Dogs. It segued into the final track on the record, "Chant of the Ever Circling Skeletal Family".
"Can You Hear Me?" is a ballad by the English musician David Bowie from his 1975 album Young Americans. Bowie called it a "real love song", written with someone in mind, but he did not identify them. The song was released as a single in November 1975 on the B side of "Golden Years".
"Fantastic Voyage" is a song written by David Bowie and Brian Eno for the 1979 album Lodger. It has almost exactly the same chord sequence as "Boys Keep Swinging", from the same album. It has also appeared as the B-side to the "Boys Keep Swinging" and "Peace on Earth/Little Drummer Boy" singles, and the US edition of "D.J.".
"Teenage Wildlife" is a song written by David Bowie in 1980 for the album Scary Monsters . Running at almost seven minutes, the song was the longest track on Scary Monsters, and Bowie's longest composition since "Station to Station" (1976), although it was surpassed in length by later tracks such as 2003's "Bring Me the Disco King" and 2016's "Blackstar".
"Shadow Man" is a song written by the English singer-songwriter David Bowie. It was first recorded on 15 November 1971 at Trident Studios in London during the sessions for The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972) and left unreleased. A folk ballad, the lyrics discuss topics of self-identity and doubling, and the impact one's present self has on their future lives, themes some linked to the Shadow concepts of Carl Jung.
Hype was a band formed by David Bowie in 1970. The band were originally titled 'The David Bowie Band' for their first gig on 22 February 1970 at the Roundhouse, London. The second Hype gig on 23 February at the Streatham Arms, London was performed under the name 'Harry the Butcher', for their third gig they were billed as 'David Bowie's New Electric Band' with the subtitle 'So New They Haven't Got A Name Yet'. They were billed to appear at the Fickle Pickle Club in Westcliff-on-Sea on Friday July 17 1970 as "Debut of David Bowie with Harry The Butcher".
"Sue (Or in a Season of Crime)" is a song by English musician David Bowie released on 17 November 2014 as the lead single from the 2014 compilation album Nothing Has Changed. Co-produced by Bowie and longtime collaborator Tony Visconti, the song originated after the two saw bandleader Maria Schneider perform with her orchestra in May 2014. They began collaborating on Bowie's first major project since The Next Day (2013). Following workshop sessions in mid-June, the track was recorded officially at Avatar Studios in New York on 24 July 2014, with contributions from Schneider's orchestra.
"'Tis a Pity She Was a Whore" is a song by English musician David Bowie, released on 17 November 2014 as the B-side of "Sue ". Taking influence from John Ford's 1633 play 'Tis Pity She's a Whore, the art rock song pits dark and violent lyrics against a rhythmic beat. Bowie recorded the track as a demo in mid-2014 at his home studio in New York City. The song, along with "Sue", was re-recorded for Bowie's twenty-sixth and final studio album, Blackstar (2016). The new version features the backing band from those sessions: saxophonist Donny McCaslin, pianist Jason Lindner, bassist Tim Lefebvre and drummer Mark Guiliana. Unlike the original, the remake is influenced by hip hop while reviewers compared Bowie's vocal performance to various 1970s tracks. The remake was positively received, with many highlighting the performances of the backing musicians. In the wake of Bowie's death, two days after Blackstar's release, "'Tis a Pity She Was a Whore" charted in multiple countries, including number 107 in the UK.
"Let Me Sleep Beside You" is a song written and recorded by the English singer-songwriter David Bowie. It was recorded on 1 September 1967 at Advision Studios in London and marked the beginning of Bowie's working relationship with producer Tony Visconti, which would last for the rest of Bowie's career. A departure from the pop and music hall-influenced material of Bowie's 1967 self-titled debut album and other singles for Deram Records, the song displays a more rock-oriented sound with a cello arrangement from Visconti. The impressionist lyrics also depart from Bowie's prior works, describing love using the act of sleeping together rather than through emotional attachment. The song was rejected by Deram for release as a single, purportedly due to the risqué title. It remained unreleased until 1970's The World of David Bowie compilation.
"Silly Boy Blue" is a song written and recorded by the English singer-songwriter David Bowie. Originally demoed in 1965 as a mod-influenced track about a teenage runaway, it was revised in 1966 with new lyrics and released on Bowie's self-titled debut album in June 1967. This version reflects Bowie's fascination with Tibetan Buddhism, featuring various spiritual and geographic references in the lyrics and varied instrumentation such as a trumpet, cello and Chinese gong. Bowie remade the song twice during his stint with the Riot Squad in April 1967: as an instrumental for live performances and acoustically, which has appeared on compilations.
"Karma Man" is a song written and recorded by the English singer-songwriter David Bowie. It was recorded on 1 September 1967 at Advision Studios in London and marked the beginning of Bowie's working relationship with producer Tony Visconti, which would last for the rest of the artist's career. The song expresses Bowie's growing interest in Tibetan Buddhism, concerning a character who is put on display as a "freak" in a carnival tent. The music reflects the Buddhist themes and was likened to the works of the Beatles. Initially proposed as a B-side, it remained unreleased until The World of David Bowie compilation in March 1970. Bowie performed the song during two of his BBC radio sessions, one of which was released on the 2000 compilation Bowie at the Beeb.
References
- 1 2 O'Leary 2015, chap. 3.
- 1 2 "10 David Bowie Songs That Paved the Way for 'Blackstar'". Rolling Stone. 6 January 2016. Retrieved 2016-12-10.
- 1 2 Crawford, Hillary E. "12 Stunning David Bowie Songs That, Like The Man Himself, Will Never Be Forgotten" . Retrieved 2016-12-10.
- 1 2 3 4 "Unwashed and Somewhat Slightly Dazed". Pushing Ahead of the Dame. 2009-12-09. Retrieved 2016-12-10.
- ↑ "Unwashed And Somewhat Slightly Dazed" . Retrieved 2016-12-10.
Sources
- O'Leary, Chris (2015). Rebel Rebel: All the Songs of David Bowie from '64 to '76. Winchester: Zero Books. ISBN 978-1-78099-244-0.
