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"Warszawa" | |
---|---|
Song by David Bowie | |
from the album Low | |
Released | 14 January 1977 |
Recorded | September–November 1976 |
Studio | Château d'Hérouville (Hérouville) [1] |
Genre | Ambient, dark ambient, electronic |
Length | 6:23 |
Label | RCA |
Songwriter(s) | David Bowie and Brian Eno |
Producer(s) | David Bowie and Tony Visconti |
"Warszawa" is a mostly instrumental song by David Bowie and Brian Eno originally released in 1977 on the album Low . The band Joy Division was initially called Warsaw as a reference to this song. [2]
The piece is intended to evoke the "very bleak atmosphere" Bowie said he experienced from his visit to Warsaw the previous year. He had to leave the recording sessions to travel to Paris where he was dealing with some legal issues. He instructed Eno to create "a really slow piece of music with a very emotive, almost religious feel to it". [3] The melody Bowie sings in the middle part of the song is based on a recording of "Helokanie" by Polish folk choir Śląsk, [4] although Bowie's lyrics are invented words, not words in Polish. [5] Bowie had purchased a recording of Śląsk performing the piece during a stopover in Warsaw. [4]
The piece is in four sections. The first section features drones in octaves played on piano and synthesisers. A fanfare motif states the chord of A major which is answered by a phrase: A, B, C, transforming it to A minor. It is these notes that Eno says he heard being played repeatedly by Tony Visconti's son at the studio piano. Transposed up a semitone, they later form the opening of the main melody at 1:17 in the key of F# major. This is played on a Chamberlin, a keyboard instrument that utilises tape loops of orchestral instruments, with Eno using the voices of cellos and flutes. After the melody is heard twice, at 3':47" the key drops a tone to E major, the texture thins out and Bowie's vocal enters. At 5':24" the final section starts which is reprise of the first half of the melody heard at 1':17".
It was used as a live opener on Bowie's Isolar II and Heathen tours. Rather than quickly delving deeply into loud rock music, the song was used to intentionally provoke[ citation needed ] the audience into a calm, holding them initially in deep suspense. Bowie's choice to maintain a low profile during 1978[ citation needed ] was expressed through his entrance to the stage during this song, not singing, but simply sinking into the band and playing the Chamberlin until his cue to sing the lyrics. These versions had Bowie on Chamberlin, Simon House on electric violin (and a violin solo to replace the higher notes sung by Bowie on original recording), Roger Powell on synthesizers, Sean Mayes on grand piano and ARP Solina String Synthesizer, George Murray on bass guitar, Dennis Davis on cymbals and percussion with Carlos Alomar conducting the band and Adrian Belew looking on with his electric guitar turned down (waiting for his cue to begin "Heroes" the song that was played afterwards).
"Heroes" is the twelfth studio album by the English musician David Bowie, released on 14 October 1977 through RCA Records. Recorded in collaboration with the musician Brian Eno and the producer Tony Visconti, it was the second release of his Berlin Trilogy, following Low, released in January the same year, and the only one wholly recorded in Berlin. Sessions took place in mid-1977 after Bowie completed work on Iggy Pop's second solo album Lust for Life. Much of the same personnel from Low returned for "Heroes", augmented by the King Crimson guitarist Robert Fripp.
Lodger is the thirteenth studio album by the English musician David Bowie, released on 25 May 1979 through RCA Records. Recorded in collaboration with the musician Brian Eno and the producer Tony Visconti, it was the final release of his Berlin Trilogy, following Low and "Heroes". Sessions took place in Switzerland in September 1978 during a break in the Isolar II world tour, and in New York City in March 1979 at the tour's end. Most of the same personnel from prior releases returned, and the future King Crimson guitarist Adrian Belew joined from the tour. The sessions saw the use of techniques inspired by Eno's Oblique Strategies cards, such as having the musicians swap instruments and playing old songs backwards.
Low is the eleventh studio album by the English musician David Bowie, released on 14 January 1977 through RCA Records. The first of three collaborations with the producer Tony Visconti and the musician Brian Eno that became known as the Berlin Trilogy, the project originated following Bowie's move to France in 1976 with his friend Iggy Pop to rid themselves of their drug addictions. There, Bowie produced and co-wrote Pop's debut studio album, The Idiot, featuring sounds the former would explore on his next record. After completing The Idiot, sessions for Low began at Hérouville's Château d'Hérouville in September 1976 and ended in October at Hansa Studios in West Berlin, where Bowie and Pop had relocated.
Symphony No. 1 (Low) is a symphony by Philip Glass based on David Bowie's 1977 album Low.
"Joe the Lion" is a song by David Bowie in 1977 for the album "Heroes". It was produced by Bowie and Tony Visconti and features lead guitar by Robert Fripp.
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"Breaking Glass" is a song by the English singer-songwriter David Bowie. It was co-written by Bowie, bassist George Murray and drummer Dennis Davis in September 1976. Originally a track on Bowie's 1977 album Low, a reworked version of the song was a regular on the Isolar II Tour. A live version from that tour was used as the lead track on a 7-inch EP to promote his second live album, Stage in 1978. The EP reached number 54 on the UK Singles Chart in December 1978.
The Berlin Trilogy consists of three studio albums by English musician David Bowie: Low, "Heroes" and Lodger (1979). Bowie recorded the albums in collaboration with English musician Brian Eno and American producer Tony Visconti. The trilogy originated following Bowie's move from Los Angeles to Europe with American singer Iggy Pop to rid themselves of worsening drug addiction. Influences included the German krautrock scene and the recent ambient releases of Eno.
"Speed of Life" is the first instrumental by David Bowie. It is the opening track on his album Low from 1977.
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"Subterraneans" is a song by David Bowie, the closing track of his 1977 album Low. As with most of Side 2, "Subterraneans" is mostly instrumental, with brief, obscure lyrics sung near the song's end.
"Sense of Doubt" is an instrumental piece written by David Bowie in 1977 for the album "Heroes". It was the first of three instrumentals on Side Two of the original vinyl album that segued into one another, preceding "Moss Garden" and "Neuköln".
"Neuköln" is an instrumental piece written by David Bowie and Brian Eno in 1977 for the album "Heroes". It was the last of three consecutive instrumentals on side two of the original vinyl album, following "Sense of Doubt" and "Moss Garden".
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The Isolar II – The 1978 World Tour, more commonly known as The Low / Heroes World Tour or The Stage Tour, was a worldwide concert tour by the English singer-songwriter David Bowie. The tour opened on 29 March 1978 at the San Diego Sports Arena continuing through North America, Europe and Australia before reaching a conclusion at the Nippon Budokan in Japan on 12 December 1978.