"Crystal Japan" | ||||
---|---|---|---|---|
Single by David Bowie | ||||
B-side | "Alabama Song" | |||
Released | Spring 1980 | |||
Recorded | 1979 | |||
Genre | Ambient | |||
Length | 3:08 | |||
Label | RCA 553270 (Japan) | |||
Songwriter(s) | David Bowie | |||
Producer(s) | ||||
David Bowie singles chronology | ||||
|
"Crystal Japan" is an instrumental piece written by David Bowie and released as a single in Japan in spring 1980. [1] It was recorded during the Scary Monsters sessions that year. [2] [3] The instrumental was used in a Japanese commercial for the shochu Crystal Jun Rock, which also featured an appearance by Bowie, although he said at the time that the track was not specifically written for this purpose. [4] Originally titled "Fuji Moto San", [5] it was apparently intended to close the Scary Monsters album until replaced by "It's No Game (No. 2)". [2] [3]
Let's Dance is the 15th studio album by the English singer-songwriter David Bowie, released on 14 April 1983 through EMI America Records. After the release of Scary Monsters (1980), Bowie began a period of numerous musical collaborations and film appearances. By 1982, he left RCA Records out of dissatisfaction and signed with EMI America. Wanting a fresh start, he chose Nile Rodgers of the band Chic to co-produce his next record.
Scary Monsters (and Super Creeps), also known simply as Scary Monsters, is the 14th studio album by the English musician David Bowie, released on 12 September 1980 through RCA Records. His first album following the Berlin Trilogy (Low, "Heroes" and Lodger), Scary Monsters was Bowie's attempt to create a more commercial record after the trilogy proved artistically successful but less commercially.
The "Alabama Song"—also known as "Moon of Alabama", "Moon over Alabama", and "Whisky Bar"—is an English version of a song written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play Little Mahagonny. It was reused for the 1930 opera Rise and Fall of the City of Mahagonny and has been recorded by the Doors and David Bowie.
Heathen is the 23rd studio album by English musician David Bowie, originally released in Europe on 10 June 2002, and the following day in America. His first release through his own ISO label, it reunited Bowie with producer Tony Visconti for the two's first full-album collaboration since 1980. Recording took place at New York studios from August 2001 to January 2002 and featured guest musicians, including Dave Grohl and Pete Townshend. Two tracks, "Afraid" and "Slip Away", evolved from Bowie's shelved Toy project, while three were covers of songs by Pixies, Neil Young and the Legendary Stardust Cowboy.
Black Tie White Noise is the 18th studio album by English musician David Bowie, released on 5 April 1993 through Savage Records in the United States and Arista Records in the United Kingdom. Conceived following the disbandment of Bowie's rock band Tin Machine and his marriage to model Iman, it was recorded throughout 1992 between studios in Montreux, Los Angeles and New York City. Bowie co-produced with his Let's Dance (1983) collaborator Nile Rodgers, who voiced dissatisfaction with the project in later decades. The album features several guest appearances, including previous collaborators Mike Garson and Mick Ronson, and new arrivals Lester Bowie and Chico O'Farrill.
"Fashion" is a song by English musician David Bowie from his 1980 album Scary Monsters . Co-produced by Bowie and Tony Visconti and recorded from February to April 1980 at New York and London, it was the last song completed for the album. Originating as a reggae parody titled "Jamaica", "Fashion" is a post-punk, dance and funk track structurally similar to Bowie's "Golden Years". King Crimson guitarist Robert Fripp contributed lead guitar.
The Buddha of Suburbia is the 19th studio album by English musician David Bowie, originally released on 8 November 1993 through Arista Records in the United Kingdom and Europe. The project originated following an interview between Bowie and novelist Hanif Kureishi during a press tour for Black Tie White Noise (1993), where Bowie agreed to compose music for an upcoming adaptation of Kureishi's novel The Buddha of Suburbia (1990). After making basic tracks, Bowie decided to turn the project into a full album. Working with musician Erdal Kızılçay, recording took place at Mountain Studios in Montreux, Switzerland and was completed in six days; Mike Garson contributed piano overdubs.
"Scary Monsters (And Super Creeps)" is a song by English singer-songwriter David Bowie, released as the title track of his 1980 album Scary Monsters (and Super Creeps). It was also issued as the third single from that album in January 1981. Coming as it did in the wake of two earlier singles from Scary Monsters, "Ashes to Ashes" in August 1980 and "Fashion" in October the same year, NME critics Roy Carr and Charles Shaar Murray labelled its release another instance "in the fine old tradition of milking albums for as much as they could possibly be worth". The song was subsequently performed on a number of Bowie tours.
"Up the Hill Backwards" is a song by English musician David Bowie, released on his 1980 album Scary Monsters . It was later issued by RCA Records as the fourth and final single from the album in March 1981. Originally written under the title "Cameras in Brooklyn", the song was recorded between February and April 1980 at the Power Station in New York City and Good Earth Studios in London. The recording features backing vocalists, guitar contributions from Robert Fripp and acoustic guitar played by co-producer Tony Visconti. Lyrically, the song concerns the struggles of facing a crisis, partially influenced by Bowie's divorce from his wife Angie. Musically, the song contains numerous time signature changes and a Bo Diddley-inspired beat.
The Berlin Trilogy consists of three studio albums by English musician David Bowie: Low, "Heroes" and Lodger (1979). Bowie recorded the albums in collaboration with English musician Brian Eno and American producer Tony Visconti. The trilogy originated following Bowie's move from Los Angeles to Europe with American singer Iggy Pop to rid themselves of worsening drug addiction. Influences included the German krautrock scene and the recent ambient releases of Eno.
"Blackout" is a song written and recorded by David Bowie in 1977 for the album "Heroes". Author Nicholas Pegg described the track as "typical of the darkly exhilarating sonic schizophrenia of the "Heroes" album”, while biographer David Buckley remarked on "a backing verging on industrial". Regarding its lyrics and subject matter, Bowie himself said in 1999 that the song "did indeed refer to power cuts. I can't in all honesty say that it was the NY one [New York City blackout of 1977], though it is entirely likely that that image locked itself in my head."
"Fantastic Voyage" is a song written by David Bowie and Brian Eno for the 1979 album Lodger. It has almost exactly the same chord sequence as "Boys Keep Swinging", from the same album. It has also appeared as the B-side to the "Boys Keep Swinging" and "Peace on Earth/Little Drummer Boy" singles, and the US edition of "D.J.".
"It's No Game" is a song written by English musician David Bowie for his 1980 album Scary Monsters , featuring lead guitar played by Robert Fripp. The song is split into two parts, opening and closing the album. "(No. 1)" is musically sinister, featuring Bowie screaming lyrics and Japanese narration provided by actress Michi Hirota. "(No. 2)", a stark contrast to "(No. 1)", is much calmer, which Bowie's biographers symbolise as Bowie facing the same situation in "(No. 1)", but after the album's duration.
"Teenage Wildlife" is a song written by David Bowie in 1980 for the album Scary Monsters . Running at almost seven minutes, the song was the longest track on Scary Monsters, and Bowie's longest composition since "Station to Station" (1976), although it was surpassed in length by later tracks such as 2003's "Bring Me the Disco King" and 2016's "Blackstar".
"Scream Like a Baby" is a song written by David Bowie. It appears on the 1980 album Scary Monsters .
A Reality Tour was a worldwide concert tour by David Bowie in support of the Reality album. The tour began on 7 October 2003 at the Forum Copenhagen, Denmark, continuing through Europe, North America, Asia, including a return to New Zealand and Australia for the first time since the 1987 Glass Spider Tour. At over 110 shows, the tour was the longest tour of Bowie's career. A heart attack in late June 2004 forced the cancellation of some dates near the end of the tour. Bowie retired from performing live in 2006, making this tour his last.
Fame and Fashion is a compilation album by English musician David Bowie, issued in 1984 by RCA Records featuring songs recorded from 1969's David Bowie through 1980's Scary Monsters. It was released on LP, cassette, and CD formats. The subtitle "David Bowie's All-Time Greatest Hits" appears along with the title on LP and cassette labels, as well as on the CD face and inserts.
Bowie – The Video Collection is a video album by David Bowie, released in 1993. It included most official music videos made by Bowie between 1972 and 1990.
"Ashes to Ashes" is a song by English singer-songwriter David Bowie from his 14th studio album, Scary Monsters (1980). Co-produced by Bowie and Tony Visconti, it was recorded from February to April 1980 in New York and London and features guitar synthesiser played by Chuck Hammer. An art rock, art pop and new wave song led by a flanged piano riff, the lyrics act as a sequel to Bowie's 1969 hit "Space Oddity": the astronaut Major Tom has succumbed to drug addiction and floats isolated in space. Bowie partially based the lyrics on his own experiences with drug addiction throughout the 1970s.