Fashion (David Bowie song)

Last updated

"Fashion"
Bowie Fashion.jpg
Single by David Bowie
from the album Scary Monsters (and Super Creeps)
B-side "Scream Like a Baby"
Released24 October 1980 (1980-10-24)
RecordedFebruary–April 1980
Studio
Genre
Length
  • 3:23 (single)
  • 4:46 (album)
Label RCA
Songwriter(s) David Bowie
Producer(s)
David Bowie singles chronology
"Ashes to Ashes"
(1980)		"Fashion"
(1980)		"Scary Monsters (And Super Creeps)"
(1981)
Music video
"Fashion" on YouTube

"Fashion" is a song by the English musician David Bowie from his 14th studio album Scary Monsters (and Super Creeps) (1980). Co-produced by Bowie and Tony Visconti and recorded from February to April 1980 at New York and London, it was the last song completed for the album. Originating as a reggae parody titled "Jamaica", "Fashion" is a post-punk, dance and funk track structurally similar to Bowie's "Golden Years". King Crimson guitarist Robert Fripp contributed lead guitar.

Contents

Lyrically, "Fashion" acts as both a celebration of fashion trends and Bowie's critique of the individuals who mandate strict observance to those trends, who are labelled fascists and the "goon squad". Its accompanying music video, directed by David Mallet, reflects the lyrical themes, depicting Bowie and his musicians as street thugs interspersed with shots of dancers rehearsing and a parade of New Romantic individuals. Like "Ashes to Ashes", it was critically praised.

Released by RCA Records in edited form as the second single from the album on 24 October 1980, "Fashion" charted at No. 5 in the UK and No. 70 in the US. Bowie performed the song during his concert tours, which have appeared on live concert videos. In subsequent decades, the song has appeared on lists of Bowie's best songs, on compilation albums and been covered by several artists.

Writing and recording

The sessions for David Bowie's Scary Monsters (and Super Creeps) commenced at the Power Station in New York City in February 1980, with production by Bowie and longtime collaborator Tony Visconti. [1] "Fashion" began as a basic reggae parody under the working title "Jamaica". [2] [3] The band, like Bowie's four previous albums, consisted of Carlos Alomar on rhythm guitar, George Murray on bass and Dennis Davis on drums. Roy Bittan, a member of Bruce Springsteen's E Street Band who were recording The River (1980) in the adjacent studio, played piano. King Crimson guitarist Robert Fripp, who played guitar on "Heroes" (1977), played lead on "Fashion". [1] [3]

The backing tracks were recorded without lyrics or melodies pre-written. Unlike his recent Berlin Trilogy, wherein Bowie wrote lyrics almost immediately after the backing tracks were finished, he wanted to take time writing melodies and lyrics for the Scary Monsters songs; [4] he and Visconti reconvened at the latter's own Good Earth Studios in London in April 1980 for vocals and overdubs. [1] Bowie initially struggled to write words for "Fashion" and considered scrapping it entirely, before Visconti intervened: "I implored him to write a lyric because this was probably the most modern and commercial-sounding track on the album. He returned the next day announcing, 'I've got it!'" [2]

"Fashion" was the last song completed during the Scary Monsters sessions, and mixing started the same evening. [3] Session keyboardist Andy Clark contributed what biographer Nicholas Pegg calls the track's "distinctive 'whoop whoop' intro", which was a reference signal on Clark's synthesiser. Visconti later said: "It ended up as a kind of reggae upstroke for most of the song." [2] [5] Aspects of the track came from past, unreleased material. The recurring "beep beep" Bowie had first used in a 1970 composition called "Rupert the Riley", while the phrase "people from bad homes" came from the title of a track off a 1973 album he recorded with the Astronettes. [2] [3]

Music and lyrics

[That song was] to do with that dedication to fashion. I was trying to move on a little from that Ray Davies concept of fashion; to suggest more of a gritted teeth determination and an unsureness about why one's doing it. [6]

—David Bowie, NME , 1980

A post-punk, dance and funk track with reggae elements, [3] [7] [8] [9] "Fashion" contains structural similarities to Bowie's 1975 hit "Golden Years". [lower-alpha 1] [2] [10] Fripp's guitar riff, which the guitarist himself described as "blues-rock played with a contemporary grammar", [3] was compared by author Peter Doggett to John Lennon's "Cold Turkey" (1970). Doggett also identifies elements that suggest possible inspirations from other songs, including the "mechanical structure" of M's "Pop Muzik" (1979) and the "nonsense syllables" of Talking Heads' "Psycho Killer" (1977) in the final verse. [5] Author James E. Perone further likened "Fashion"'s commercial, danceable sound to Talking Heads, referring to it as "the best David Bowie song that David Byrne never wrote". [7]

With "Fashion", Bowie intended to update the Kinks' "Dedicated Follower of Fashion", as well as his own compositions "Join the Gang" and "Maid of Bond Street", to a 1980 setting. He explained: [3]

When I first started going to discos in New York in the early 70s, there was a very high-powered enthusiasm and [the scene] had a natural course about it. [It] seems now to be replaced by an insidious grim determination to be fashionable, as though it's actually a vocation. There's some kind of strange aura about it.

In The Words and Music of David Bowie, Perone interprets the lyrics of "Fashion" as both a celebration of fashion trends and Bowie's critique of the individuals who "demand strict adherence" to those trends. [7] Although Bowie himself insisted the song was not political, his labelling of the strict individuals as fascists and the "goon squad", and lyrics such as "turn to the left, turn to the right", made commentators interpret otherwise. [3] [11] Pegg says the "turn to the left, turn to the right" chorus and the "listen to me, don't listen to me" middle eight both "reflect Bowie's shifting fortunes as a celebrity figurehead and style guru over the preceding decade". [2] Biographer David Buckley believes the song "poked fun at the banality of the dance-floor and the style fascists" of the New Romantic movement. [12] A handwritten lyric sheet, later displayed at the David Bowie Is exhibition, revealed the song's original violent undertones with lyrics such as "Hell up ahead, burn a flag / Shake a fist, start a fight / If you're covered in blood / You're doing it right" and "We'll break every bone / We'll turn you upside down". [2]

Music video

David Mallet shot a music video for "Fashion" in a New York nightclub owned by his friend Robert Boykin called Hurrah. [lower-alpha 2] The video depicts Bowie and his backing musicians, played by Alomar, Hall & Oates guitarist G.E. Smith and the Rumour drummer Stephen Goulding, [lower-alpha 3] as street-tough guys interposed with shots of dancers rehearsing and a parade of New Romantic individuals queuing outside a soup kitchen, one of whom was May Pang, the ex-girlfriend of Lennon and future wife of Visconti. [2] [12]

In his book The Complete David Bowie, Pegg says the video "crystallises the song's anxiety about misplaced idolatry and style-leadership". [2] Amid a series of facial contortions and other gestures, Bowie made use of a move he had employed in the video for "Ashes to Ashes": slowly crouching and bringing his arm down to the ground in a slow vertical arc. By the video's end, all the dancers are copying the move, implying that the people have submitted to his actions. According to Pegg, Bowie's distaste for this occurrence is a prevalent theme through Scary Monsters. [2] One sequence, where Bowie appears both on stage and as a fan, he utilised further for the "Blue Jean" promo film in 1984. [2] Buckley argues the scene encapsulates Bowie's feelings on the icon–fan relationship, and a visual personification of his live shows throughout the 1970s. [12] Praised by critics, [2] Record Mirror readers voted "Fashion" and "Ashes to Ashes" the best music videos of 1980. [13]

Release and reception

"Fashion" first appeared in its full, almost five-minute long form on Scary Monsters, [2] released on 12 September 1980, [3] as the final track on side one of the original LP, following "Ashes to Ashes". [1] A month later on 24 October, [14] RCA Records issued it in edited form as the second single from the album, with the catalogue number RCA BOW 7 and album track "Scream Like a Baby" as the B-side; [15] this single edit cuts an entire guitar solo. [3] The UK sleeve design was adapted for the cover art of the 1980 compilation The Best of Bowie . [11] Debuting on the UK Singles Chart at No. 20, [16] it peaked at No. 5. [17] In America, it placed low on the Billboard Hot 100 at No. 70. [18] London's Blitz Kids adopted "Fashion" as their anthem, unaware of the song's ironic dig towards them. [2] [3]

Record World said of it that "Bowie's vocal undercurrents are exotically hypnotic." [19] NME ranked "Fashion" the eighth best song of 1980. [20] Deemed by one of the finest songs on Scary Monsters by AllMusic's Dave Thompson, [10] publications who have ranked "Fashion" one of Bowie's best songs include Mojo (No. 18), [21] The Guardian (No. 21), [9] Consequence of Sound (No. 23) and NME (No. 36). [22] [23] In 2016, Ultimate Classic Rock placed the single at number 20 in a list ranking every Bowie single from worst to best in 2016. [24]

Live performances

Bowie performed the song on most of his tours after 1980, including the Serious Moonlight Tour (1983), Glass Spider Tour (1987), Sound+Vision Tour (1990), Earthling Tour (1997), Heathen Tour (2002), and A Reality Tour (2003–2004). [2] He also sang the song with Frank Black for his fiftieth birthday concert in 1997. According to Pegg, this version featured "an aggressively visceral bassline" and was accompanied by "a shocking set of skin-flick back-projections". [2] As a live song, Thompson says that the song turned into one of Bowie's "most reliably malleable numbers." [10]

The song appears on two of his live concert videos: Serious Moonlight (1983) and Glass Spider (1988), [2] and on the live album Look at the Moon! (Live Phoenix Festival 97) (2021). [25]

Legacy

"Fashion" has made appearances on compilation albums. Its single edit was included on Changestwobowie (1981), [26] Best of Bowie (2002), [27] The Best of David Bowie 1980/1987 (2007) and the two-disc version of Bowie Legacy (2016); [28] an entirely new single edit, which Pegg refers to as an "alarmingly slapdash effort", appeared on the extended two-disc and three-disc versions of Nothing Has Changed (2014). [29] [30] Its full-length album version was included on Changesbowie (1990) and The Singles Collection (1993). [31] [32] Both edits were also remastered and included in the A New Career in a New Town (1977–1982) compilation in 2017. [33]

Several artists have covered "Fashion" since its release. In 1998, Glamma Kid released a rap version titled "Fashion '98", which was a minor UK hit. [2] In 2003, the Dandy Warhols sampled on the song for their Welcome to the Monkey House track "I Am a Scientist"; Bowie received a co-writing credit. [2] Three years later, a cover by MGA Entertainment's Bratz line of fashion dolls, titled "Ooooh Fashion" with a new verse melody and lyrics ("We are the Bratz and now we're coming to town"), was included on the album Forever Diamondz (2006). [2] Additionally, the Spice Girls performed "Fashion" on their 2008 comeback tour, and the cast of Glee covered it for Vogue magazine in 2011. [2] Trent Reznor, Mariqueen Maandig and Atticus Ross also covered it for Mike Garson's 2021 Bowie tribute event A Bowie Celebration: Just For One Day. [34]

Bowie's original recording appeared in the soundtracks for the films Clueless (1995) and Raising Helen (2004). [2] "Fashion" was also used for a tribute to the British fashion industry during the closing ceremony of the 2012 London Olympics. Pegg remarks that the event "either ignored or was unaware of the song's scathing sense of irony". [2]

Personnel

According to Chris O'Leary: [3]

Technical

Charts

Chart performance for "Fashion"
Chart (1980–1981)Peak
position
Australia (Kent Music Report) [35] 27
Irish Singles Chart [36] 11
New Zealand (Recorded Music NZ) [37] 22
Norway (VG-lista) [38] 9
South African Chart [39] 8
Sweden (Sverigetopplistan) [40] 7
UK (Official Charts Company) [17] 5
US Billboard Hot 100 [18] 70
US Dance Club Songs ( Billboard ) [41] 21
West Germany (Official German Charts) [42] 34

Certifications

Certifications for "Fashion"
RegionCertification Certified units/sales
United Kingdom (BPI) [43] Silver250,000^

^ Shipments figures based on certification alone.

Notes

  1. ↑ Pegg remarks that "you can hum the one along to the other with no problem at all".
  2. ↑ It was shot in New York due to Bowie's to the play The Elephant Man . [2] The Hurrah nightclub was also depicted in the film Christine F., whose soundtrack featured several Bowie songs.
  3. ↑ Smith and Goulding had recently appeared with Bowie on The Tonight Show Starring Johnny Carson .

Related Research Articles

<i>Reality</i> (David Bowie album) 2003 studio album by David Bowie

Reality is the 24th studio album by the English musician David Bowie, originally released in Europe on 15 September 2003, and the following day in America. His second release through his own ISO label, the album was recorded between January and May 2003 at Looking Glass Studios in New York City, with production by Bowie and longtime collaborator Tony Visconti. Most of the musicians consisted of his then-touring band. Bowie envisioned the album as a set of songs that could be played live.

<span class="mw-page-title-main">Space Oddity</span> 1969 song by David Bowie

"Space Oddity" is a song by the English singer-songwriter David Bowie. It was first released on 11 July 1969 by Philips Records as a 7-inch single, then as the opening track of his second studio album David Bowie. Produced by Gus Dudgeon and recorded at Trident Studios in London, it is a tale about a fictional astronaut named Major Tom; its title and subject matter were partly inspired by 2001: A Space Odyssey (1968) and Bowie's feelings of alienation at that point in his career. One of the most musically complex songs he had written up to that point, it represented a change from the music hall-influenced sound of his debut to a sound akin to psychedelic folk and inspired by the Bee Gees.

<i>Lets Dance</i> (David Bowie album) 1983 studio album by David Bowie

Let's Dance is the 15th studio album by the English singer-songwriter David Bowie, released on 14 April 1983 through EMI America Records. After the release of Scary Monsters (1980), Bowie began a period of numerous musical collaborations and film appearances. By 1982, he left RCA Records out of dissatisfaction and signed with EMI America. Wanting a fresh start, he chose Nile Rodgers of the band Chic to co-produce his next record.

<i>The Man Who Sold the World</i> (album) 1970 studio album by David Bowie

The Man Who Sold the World is the third studio album by the English musician David Bowie, originally released through Mercury Records in the United States on 4 November 1970 and in the United Kingdom on 10 April 1971. Produced by Tony Visconti and recorded in London from April to May 1970, the album features the first appearances on a Bowie record of guitarist Mick Ronson and drummer Mick Woodmansey, who later became famous as members of the Spiders from Mars.

<i>"Heroes"</i> (David Bowie album) 1977 studio album by David Bowie

"Heroes" is the 12th studio album by the English musician David Bowie, released on 14 October 1977 through RCA Records. Recorded in collaboration with musician Brian Eno and producer Tony Visconti, it was the second release of his Berlin Trilogy, following Low, released in January the same year, and the only one wholly recorded in Berlin. Sessions took place in mid-1977 after Bowie completed work on Iggy Pop's second solo album Lust for Life. Much of the same personnel from Low returned for "Heroes", augmented by King Crimson guitarist Robert Fripp.

<i>Scary Monsters (and Super Creeps)</i> 1980 studio album by David Bowie

Scary Monsters (and Super Creeps), also known simply as Scary Monsters, is the 14th studio album by the English musician David Bowie, released on 12 September 1980 through RCA Records. His first album following the Berlin Trilogy (Low, "Heroes" and Lodger), Scary Monsters was Bowie's attempt to create a more commercial record after the trilogy proved successful artistically but less so commercially.

<i>Heathen</i> (David Bowie album) 2002 studio album by David Bowie

Heathen is the 23rd studio album by the English musician David Bowie, originally released in Europe on 10 June 2002, and the following day in America. His first release through his own ISO label, it reunited Bowie with producer Tony Visconti for the two's first full-album collaboration since 1980. Recording took place at New York studios from August 2001 to January 2002 and featured guest musicians including Dave Grohl and Pete Townshend. Two tracks, "Afraid" and "Slip Away", evolved from Bowie's shelved Toy project, while three were covers of songs by Pixies, Neil Young and the Legendary Stardust Cowboy.

<i>Tin Machine II</i> 1991 studio album by Tin Machine

Tin Machine II is the second and final studio album by Anglo-American rock group Tin Machine, released on 2 September 1991 through Victory Music in association with London Records. The band, composed of English singer-songwriter David Bowie, Reeves Gabrels on guitar and brothers Tony Fox and Hunt Sales on bass and drums, respectively, recorded it in Sydney, Australia in late 1989 at the conclusion of the Tin Machine Tour. After Bowie completed his solo Sound+Vision Tour in late 1990, recording resumed in Los Angeles, California until March 1991. The production was handled by Tin Machine and Tim Palmer, who produced their debut studio album (1989), with additional production by Hugh Padgham on "One Shot". While the album musically retains a hard rock sound, the songs are more melodic compared to its predecessor, with lyrics focusing on love.

<span class="mw-page-title-main">"Heroes" (David Bowie song)</span> 1977 song by David Bowie

"'Heroes'" is a song by the English musician David Bowie from his 12th studio album of the same name. Co-written by Bowie and Brian Eno and co-produced by Bowie and Tony Visconti, the song was recorded in mid-1977 at Hansa Studio 2 in West Berlin. Using a G–D chord progression, the backing track was recorded fully before lyrics were written; Bowie and Eno added synthesiser overdubs while Robert Fripp contributed guitar. To record the vocal, Visconti devised a "multi-latch" system, wherein three microphones were placed at different distances from Bowie and would open when he sang loud enough. Like other album tracks, he improvised lyrics while standing at the microphone.

<span class="mw-page-title-main">Young Americans (song)</span> 1975 single by David Bowie

"Young Americans" is a song by English singer-songwriter David Bowie from his ninth studio album of the same name. It was mostly recorded in August 1974 at Sigma Sound Studios in Philadelphia and was debuted on the Soul tour the following month. The song featured contributions from then-unknown singer Luther Vandross, who conceived the backing vocal arrangement. An embracement of R&B and Philadelphia soul, the song presents an Englishman's impressionist portrait of America at the time, featuring various characters and allusions to American totems and events.

<span class="mw-page-title-main">Sound and Vision</span> 1977 song by David Bowie

"Sound and Vision" is a song by the English musician David Bowie. It was released in January 1977 by RCA Records on side one of his 11th studio album Low. RCA later chose it as the first single from the album. Co-produced by Bowie and Tony Visconti, the song was recorded at the Château d'Hérouville in Hérouville, France, in September 1976, and completed at Hansa Studios in West Berlin in October and November. The song began as a simple G major chord progression that Bowie gave to the backing musicians, writing and recording his vocals afterward. It features backing vocals from Brian Eno and Visconti's then-wife Mary Hopkin.

<span class="mw-page-title-main">Beauty and the Beast (David Bowie song)</span> Song by David Bowie

"Beauty and the Beast" is a song by David Bowie, the first track on his 1977 album "Heroes". It was issued as the second single from the album in January 1978, becoming a minor UK hit, peaking at No. 39 on the UK Singles Chart.

<span class="mw-page-title-main">Boys Keep Swinging</span> 1979 song by David Bowie

"Boys Keep Swinging" is a song by English musician David Bowie, released on 27 April 1979 by RCA Records in the United Kingdom as the lead single from his 1979 album Lodger. It was written by Bowie and Brian Eno and recorded in Montreux and New York City in September 1978 and March 1979. The recording utilised techniques from Eno's Oblique Strategies cards, which resulted in the musicians swapping instruments. Adrian Belew contributed a guitar solo, which he played receiving little guidance and was composited from multiple takes. The song was also built on the same chord sequence as the album track "Fantastic Voyage". Musically, "Boys Keep Swinging" contains elements of glam rock, funk and new wave, while lyrically, the song deals with the concept of gender identity, featuring various gender-bending lyrics. Bowie himself stated that the song was full of irony.

<span class="mw-page-title-main">D.J. (David Bowie song)</span> 1979 song by David Bowie

"D.J." is a song by English musician David Bowie, released on 29 June 1979 as the second single from his 1979 album Lodger. It was written by Bowie, Brian Eno and Carlos Alomar and recorded in Montreux and New York City in September 1978 and March 1979. A cynical comment on the cult of the DJ, the track includes a guitar solo by Adrian Belew, which was recorded in multiple takes, and then mixed back together for the album track. Bowie mimics David Byrne of Talking Heads in his vocal performance. Its accompanying music video, directed by David Mallet, features Bowie casually walking down London's Earl's Court Road as passersby recognise him and follow him, interjected with Bowie as the tortured DJ destroying his studio. The single charted at number 29 in the UK and has received positive reviews.

<span class="mw-page-title-main">Scary Monsters (And Super Creeps) (song)</span> 1980 song by David Bowie

"Scary Monsters (and Super Creeps)" is a song by the English singer-songwriter David Bowie, released as the title track of his 1980 album Scary Monsters (and Super Creeps). It was also issued as the third single from that album in January 1981. Coming as it did in the wake of two earlier singles from Scary Monsters, "Ashes to Ashes" in August 1980 and "Fashion" in October the same year, NME critics Roy Carr and Charles Shaar Murray labelled its release another instance "in the fine old tradition of milking albums for as much as they could possibly be worth". The song was subsequently performed on a number of Bowie tours.

<span class="mw-page-title-main">Up the Hill Backwards</span> 1981 single by David Bowie

"Up the Hill Backwards" is a song by the English musician David Bowie, released on his 1980 album Scary Monsters . It was later issued by RCA Records as the fourth and final single from the album in March 1981. Originally written under the title "Cameras in Brooklyn", the song was recorded between February and April 1980 at the Power Station in New York City and Good Earth Studios in London. The recording features backing vocalists, guitar contributions from Robert Fripp and acoustic guitar played by co-producer Tony Visconti. Lyrically, the song concerns the struggles of facing a crisis, partially influenced by Bowie's divorce from his wife Angie. Musically, the song contains numerous time signature changes and a Bo Diddley-inspired beat.

"It's No Game" is a song written by English musician David Bowie for his 1980 album Scary Monsters , featuring lead guitar played by Robert Fripp. The song is split into two parts, opening and closing the album. "(No. 1)" is musically sinister, featuring Bowie screaming lyrics and Japanese narration provided by actress Michi Hirota. "(No. 2)", a stark contrast to "(No. 1)", is much calmer, which Bowie's biographers symbolise as Bowie facing the same situation in "(No. 1)", but after the album's duration.

"Teenage Wildlife" is a song written by David Bowie in 1980 for the album Scary Monsters . Running at almost seven minutes, the song was the longest track on Scary Monsters, and Bowie's longest composition since "Station to Station" (1976), although it was surpassed in length by later tracks such as 2003's "Bring Me the Disco King" and 2016's "Blackstar".

<span class="mw-page-title-main">Ashes to Ashes (David Bowie song)</span> 1980 song by David Bowie

"Ashes to Ashes" is a song by the English singer-songwriter David Bowie from his 14th studio album, Scary Monsters (1980). Co-produced by Bowie and Tony Visconti, it was recorded from February to April 1980 in New York and London and features guitar synthesiser played by Chuck Hammer. An art rock, art pop and new wave song led by a flanged piano riff, the lyrics act as a sequel to Bowie's 1969 hit "Space Oddity": the astronaut Major Tom has succumbed to drug addiction and floats isolated in space. Bowie partially based the lyrics on his own experiences with drug addiction throughout the 1970s.

<i>The Next Day</i> 2013 studio album by David Bowie

The Next Day is the 25th studio album by the English musician David Bowie. Released in March 2013, it was Bowie's first studio release in ten years, as he had retreated from public view after undergoing a procedure to treat a blocked heart artery in 2004. Co-produced by Bowie and Tony Visconti, the album was recorded in New York City between May 2011 and October 2012. It featured contributions from session musicians, some of whom he had worked with in the past, including Gerry Leonard, Earl Slick, Gail Ann Dorsey, Steve Elson, Sterling Campbell and Zachary Alford. Recording took place in secret; all personnel involved signed non-disclosure agreements.

References

  1. 1 2 3 4 Pegg 2016, pp. 397–401.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 Pegg 2016, pp. 89–91.
  3. 1 2 3 4 5 6 7 8 9 10 11 12 O'Leary 2019, pp. 161–162.
  4. ↑ Buckley 2005, pp. 314–316.
  5. 1 2 Doggett 2012, pp. 375–376.
  6. ↑ MacKinnon, Angus (13 September 1980). "The Future Isn't What It Used to Be". NME . pp. 31–37. Archived from the original on 21 June 2022. Retrieved 23 November 2022– via bowiegoldenyears.com.
  7. 1 2 3 Perone 2007, p. 82.
  8. ↑ Sheffield, Rob (18 August 2016). "Rob Sheffield on David Bowie's Essential Albums". Rolling Stone . Archived from the original on 27 June 2019. Retrieved 4 August 2019.
  9. 1 2 Petridis, Alexis (19 March 2020). "David Bowie's 50 greatest songs – ranked!". The Guardian . Archived from the original on 22 March 2020. Retrieved 10 January 2020.
  10. 1 2 3 Thompson, Dave. "'Fashion' – David Bowie". AllMusic. Archived from the original on 21 November 2022. Retrieved 21 November 2022.
  11. 1 2 Carr & Murray 1981, pp. 113–114.
  12. 1 2 3 Buckley 2005, pp. 320–321.
  13. ↑ "Poll 1980 Results" (PDF). Record Mirror. 10 January 1981. pp. 16–17. Archived (PDF) from the original on 15 November 2022. Retrieved 15 November 2022– via worldradiohistory.com.
  14. ↑ "British single certifications – David Bowie – Fashion". British Phonographic Industry . Archived from the original on 24 October 2022. Retrieved 24 October 2022.
  15. ↑ O'Leary 2019, Partial Discography.
  16. ↑ "Official Singles Chart Top 75 26 October 1980 – 01 November 1980". Official Charts Company. Archived from the original on 1 November 2020. Retrieved 24 February 2021.
  17. 1 2 "1980 Top 40 Official UK Singles Archive – 22nd November 1980". Official Charts Company. Archived from the original on 30 November 2021. Retrieved 28 June 2013.
  18. 1 2 "Scary Monsters awards on Allmusic". AllMusic. Archived from the original on 25 April 2022. Retrieved 28 June 2013.
  19. ↑ "Hits of the Week" (PDF). Record World. 15 November 1980. p. 1. Retrieved 7 February 2023.
  20. ↑ "NME's best albums and tracks of 1980". NME. 10 October 2016. Archived from the original on 16 December 2021. Retrieved 10 November 2022.
  21. ↑ "David Bowie – The 100 Greatest Songs". Mojo . No. 255. February 2015. Archived from the original on 8 April 2022. Retrieved 23 November 2022– via rocklist.net.
  22. ↑ "David Bowie's Top 70 Songs". Consequence of Sound . 8 January 2017. Archived from the original on 20 September 2021. Retrieved 19 September 2021.
  23. ↑ Barker, Emily (8 January 2018). "David Bowie's 40 greatest songs – as decided by NME and friends". NME. Archived from the original on 3 November 2019. Retrieved 16 February 2020.
  24. ↑ "Every David Bowie Single Ranked". Ultimate Classic Rock. 14 January 2016. Archived from the original on 24 July 2021. Retrieved 19 September 2021.
  25. ↑ Kreps, Daniel (29 January 2021). "David Bowie's 'Brilliant Live Adventures' Series Continues With 1997 Festival Gig". Rolling Stone. Archived from the original on 29 January 2021. Retrieved 29 January 2021.
  26. ↑ Thompson, Dave. "Changestwobowie – David Bowie". AllMusic. Archived from the original on 30 December 2019. Retrieved 15 April 2021.
  27. ↑ Erlewine, Stephen Thomas. "Best of Bowie – David Bowie". AllMusic. Archived from the original on 1 April 2019. Retrieved 15 March 2020.
  28. ↑ Monroe, Jazz (28 September 2016). "David Bowie Singles Collection Bowie Legacy Announced". Pitchfork . Archived from the original on 26 September 2019. Retrieved 29 September 2016.
  29. ↑ Pegg 2016, pp. 509–510.
  30. ↑ Sawdey, Evan (10 November 2017). "David Bowie: Nothing Has Changed". PopMatters . Archived from the original on 14 July 2017. Retrieved 11 August 2017.
  31. ↑ Erlewine, Stephen Thomas. "Changesbowie – David Bowie". AllMusic. Archived from the original on 28 July 2019. Retrieved 15 March 2020.
  32. ↑ Erlewine, Stephen Thomas. "The Singles: 1969–1993 – David Bowie". AllMusic. Archived from the original on 1 May 2021. Retrieved 7 May 2021.
  33. ↑ "A New Career In A New Town (1977–1982) – David Bowie Latest News". David Bowie Official Website. 22 July 2016. Archived from the original on 8 January 2010. Retrieved 30 September 2017.
  34. ↑ Rettig, James (10 January 2021). "Watch Trent Reznor Cover "Fantastic Voyage" & "Fashion" For David Bowie Tribute Livestream". Stereogum . Archived from the original on 10 January 2021. Retrieved 10 January 2021.
  35. ↑ Kent, David (1993). Kent Music Report: Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN   0-646-11917-6.
  36. ↑ "Fashion in Irish Chart". IRMA. Archived from the original on 2 June 2009. Retrieved 28 June 2013. 4th result of the 1st page when searching "Fashion"
  37. ↑ "David Bowie – Fashion". Top 40 Singles.
  38. ↑ "David Bowie – Fashion". VG-lista.
  39. ↑ Samson, John. "Fashion in South African Chart". Archived from the original on 21 October 2019. Retrieved 28 June 2013.
  40. ↑ "David Bowie – Fashion". Singles Top 100.
  41. ↑ "David Bowie Chart History (Dance Club Songs)". Billboard. Retrieved 7 October 2023.
  42. ↑ "Offiziellecharts.de – David Bowie – Fashion" (in German). GfK Entertainment charts. Retrieved 18 February 2019.
  43. ↑ "British single certifications – David Bowie – Fashion". British Phonographic Industry . Retrieved 24 October 2022.

Sources

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.