Hurrah was a nightclub located at 36 West 62nd Street [1] in New York City from 1976 until early 1981. Hurrah was the first large dance club in NYC to feature punk, new wave, no wave and Industrial music. The in-house DJs at Hurrah were Sara Salir, Bill Bahlman, Bart Dorsey and Anita Sarko. Under the management of Henry Schissler, [2] and later Jim Fouratt, [3] it became known as the first "rock disco" [4] in New York, and pioneered the use of music videos in nightclubs, placing video monitors around the club, [5] over a year before the launch of MTV. The club was owned by Arthur Weinstein (who also created The World and the after-hours clubs The Jefferson and The Continental [6] ) and his partners, who opened the club in November 1976, months before Studio 54. [7]
With Ruth Polsky [8] as booking agent, Hurrah became known as a place for new wave, punk and post-punk bands to play, featuring many of the British bands' first American performances. [9]
On April 16, 1978, the Tom Eyen comedy play The Neon Woman , starring Divine, opened at Hurrah. [10] It ran for 84 performances, closing on July 15, 1978. [11]
The club became notorious for an incident in December 1978, where during a Skafish gig, Sid Vicious got into a fight with Todd Smith (brother of Patti Smith), resulting in the incarceration of Vicious for two months in Rikers Island. [12] David Bowie was filmed in the club for his music video for the song "Fashion" in 1980. [13] Joy Division was scheduled to perform their first-ever US dates from May 21-23, 1980 at Hurrah, but the suicide of their singer Ian Curtis a few days earlier prevented this. [14]
Famed New York club doorman Haoui Montaug worked as the doorman for Hurrah. [15]
Disco is a genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars.
New wave is a music genre that encompasses pop-oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of punk culture". It was originally used as a catch-all for the various styles of music that emerged after punk rock. Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop, alternative dance and post-punk. The main new wave movement coincided with late 1970s punk and continued into the early 1980s.
No wave was an avant-garde music genre and visual art scene that emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
Synth-pop is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s.
A video jockey is an announcer or host who introduces music videos and live performances on commercial music television channels such as MTV, VH1, MuchMusic and Channel V.
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for The Village Voice for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music; he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world–when he talks, people listen."
Danceteria was a nightclub that operated in New York City from 1979 until 1986 and in the Hamptons until 1995. The club operated in various locations over the years, a total of three in New York City and four in the Hamptons. The most famous location was the second, a four-floor venue at 30 West 21st Street in Manhattan that served as the location for the disco scene in the film Desperately Seeking Susan.
The Mudd Club was a nightclub located at 77 White Street in the TriBeCa neighborhood of Lower Manhattan in New York City. It operated from 1978 to 1983 as a venue for post punk underground music and no wave counterculture events. It was opened by Steve Maas, Diego Cortez and Anya Phillips.
Pazz & Jop was an annual poll of top musical releases, compiled by American newspaper The Village Voice and created by music critic Robert Christgau. It published lists of the year's top releases for 1971 and, after Christgau's two-year absence from the Voice, each year from 1974 onward. The polls are tabulated from the submitted year-end top 10 lists of hundreds of music critics. It was named in acknowledgement of the defunct magazine Jazz & Pop, and adopted the ratings system used in that publication's annual critics poll.
Dance-punk is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements. The genre is characterized by mixing the energy of punk rock with the danceable rhythms of funk and disco. It was most prominent in the New York City punk movement.
Nightclubbing is the fifth studio album by Jamaican singer and songwriter Grace Jones, released on 11 May 1981 by Island Records. Recorded at Compass Point Studios with producers Alex Sadkin and Island Records' president Chris Blackwell, as well as a team of session musicians rooted by rhythm section Sly and Robbie, the album marked her second foray into a new wave style that blends a variety of genres, including reggae, R&B, dub and funk. The album has cover versions of songs by Bill Withers, Iggy Pop, Astor Piazzolla, and others, and original songs, three of which were co-written by Jones.
ESG is an American rock band formed in the South Bronx in 1978. ESG has been influential across a wide range of musical genres, including hip hop, and dance-punk. The band's track "UFO" is one of the most sampled songs in history.
Simon Reynolds is an English music journalist and author who began his career at Melody Maker in the mid-1980s. He subsequently worked as a freelancer and published a number of books on music and popular culture.
Come Away with ESG is the 1983 debut album by American rock band ESG. Released by 99 Records, the album incorporates songs from ESG's first EPs, ESG and ESG Says Dance to the Beat of Moody.
D.O.A.: A Right of Passage is a 1980 rockumentary film directed by Lech Kowalski about the origin of punk rock. The rockumentary takes interview and concert footage of some of punk rock's earliest bands of the late 1970s scene. It features live performances by the Sex Pistols, The Dead Boys, Generation X, The Rich Kids, X-Ray Spex, and Sham 69, with additional music from The Clash, Iggy Pop, and Augustus Pablo.
Tier 3 was an influential but short-lived 300-capacity no wave art nightclub in New York. Founded by Hilary Jaeger in 1979, Tier 3 was a major venue in the city's underground music and counterculture post-punk art scene, along with the Mudd Club. Live performances showcased punk rock, no wave, ska, noise music, free jazz, new wave and experimental music. The club was located at 225 West Broadway in the TriBeCa neighborhood of lower Manhattan.
NIGHT is an art/fashion/music/literature/nightlife periodical co-edited by Anton Perich and Robert Henry Rubin. Established in Manhattan, New York, in 1978 the magazine was created during the punk-new wave-disco nightclub era of among others; Studio 54, Xenon, Club A, Regine's, The Continental, Hurrah's, Danceteria, and the Mudd Club. Today the magazine continues to focus on the beautiful, the exclusive, the intelligent and the controversial. Among the contributors have been Charles Plymell, Helmut Newton. Taylor Mead, Harold Stevenson, Victor Bockris, Lee Klein, Charles Henri Ford and countless others.
"House of Jealous Lovers" is a song by American indie rock band the Rapture. It was released as the lead single from their second studio album, Echoes, in March 2002, through DFA Records in the US and Output Recordings in the UK. It was eventually re-released in 2003.
Haoui Montaug was a doorman of the New York City nightclubs Hurrah, Mudd Club, Danceteria, Studio 54, and the Palladium. Montaug also ran the roving cabaret revue No Entiendes which showcased among others a young Madonna and early performances by the Beastie Boys.
Scott B and Beth B were among the best-known New York No Wave underground film makers of the late 1970s and early 1980s.