"Holy Holy" | ||||
---|---|---|---|---|
Single by David Bowie | ||||
B-side | "Black Country Rock" | |||
Released | 15 January 1971 | |||
Recorded | 9, 13–16 November 1970 [1] | |||
Studio | Island (London) | |||
Genre | ||||
Length | 3:13 | |||
Label | Mercury | |||
Songwriter(s) | David Bowie | |||
Producer(s) | Blue Mink | |||
David Bowie singles chronology | ||||
| ||||
Alternative cover | ||||
"Holy Holy" is a song by the English singer-songwriter David Bowie, originally released as a single in January 1971. It was recorded in November 1970, [2] after the completion of The Man Who Sold the World , in the perceived absence of a clear single from that album. Like Bowie's two previous singles, it sold poorly and failed to chart.
At the time Marc Bolan's Tyrannosaurus Rex was a significant source of inspiration for Bowie. On this track, according to NME editors Roy Carr and Charles Shaar Murray, "Bolan's influence is so much in the ascendant that it virtually amounts to a case of demonic possession". [3] The single's B-side was another Tyrannosaurus Rex flavoured song called "Black Country Rock" from The Man Who Sold the World. Bowie performed "Holy Holy" on Britain's Granada Television wearing a dress, [4] which he would also wear on the cover of the soon-to-be-released UK edition of The Man Who Sold the World.
A more energetic version of the song was recorded in late 1971 for The Rise and Fall of Ziggy Stardust and the Spiders from Mars . [4] It was dropped from the album, but subsequently appeared as the B-side to "Diamond Dogs" in 1974. This version was also released as a bonus track on the Rykodisc reissue of The Man Who Sold the World in 1990 (despite the sleeve notes referring to it as the original cut), as well as on the Ziggy Stardust – 30th Anniversary Reissue bonus disc in 2002. Bowie himself vetoed the inclusion of the original at a late stage (in favour of the remake), and the single remained the only official release of the 1970 recording until 2015, when it was included on Re:Call 1, part of the Five Years (1969–1973) compilation.
All tracks written by David Bowie. [5] [6]
Credits according to biographer Chris O'Leary. [7]
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)Diamond Dogs is the eighth studio album by the English musician David Bowie, released on 24 May 1974 through RCA Records. Bowie produced the album and recorded it in early 1974 in London and the Netherlands, following the disbanding of his backing band the Spiders from Mars and the departure of producer Ken Scott. Bowie played lead guitar on the record in the absence of Mick Ronson. Diamond Dogs featured the return of Tony Visconti, who had not worked with Bowie for four years; the two would collaborate for the rest of the decade. Musically, it was Bowie's final album in the glam rock genre, though some songs were influenced by funk and soul music, which Bowie embraced on his next album, Young Americans (1975).
The Man Who Sold the World is the third studio album by the English musician David Bowie, originally released through Mercury Records in the United States on 4 November 1970 and in the United Kingdom on 10 April 1971. Produced by Tony Visconti and recorded in London from April to May 1970, the album features the first appearances on a Bowie record of future Spiders from Mars members Mick Ronson and Mick Woodmansey.
"Rebel Rebel" is a song by the English singer-songwriter David Bowie. It was released in the UK in February 1974 by RCA Records as the lead single from the album Diamond Dogs. Written and produced by Bowie, the song is based around a distinctive guitar riff reminiscent of the Rolling Stones. Cited as his most-covered track, "Rebel Rebel" has been described as Bowie's farewell to the glam rock movement that he had helped initiate, as well as being a proto-punk track. Two versions of the song were recorded: the well-known UK single release and the shorter US single release, which featured added background vocals, extra percussion and a new arrangement.
"Starman" is a song by the English musician David Bowie. It was released on 28 April 1972 by RCA Records as the lead single of his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Ken Scott, Bowie recorded the song on 4 February 1972 at Trident Studios in London with his backing band known as the Spiders from Mars – comprising guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey. The song was a late addition to the album, written as a direct response to RCA's request for a single; it replaced the Chuck Berry cover "Round and Round" on the album. The lyrics describe Ziggy Stardust bringing a message of hope to Earth's youth through the radio, salvation by an alien 'Starman'. The chorus is inspired by "Over the Rainbow", sung by Judy Garland, while other influences include T. Rex and the Supremes.
"Diamond Dogs" is a 1974 single by English singer-songwriter David Bowie, the title track of the album of the same name.
"1984" is a song by the English musician David Bowie, from his 1974 album Diamond Dogs, released as a single in the United States and Japan. Written in 1973, it was inspired by George Orwell's Nineteen Eighty-Four and, like much of its parent album, originally intended for a stage musical based on the novel, which was never produced because permission was refused by Orwell's widow Sonia.
"Aladdin Sane (1913–1938–197?)" is a song by the English singer-songwriter David Bowie, the title track from his 1973 album Aladdin Sane. Described by biographer David Buckley as the album's "pivotal" song, it saw Bowie moving into more experimental musical styles following the success of his breakthrough glam rock release The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972.
"Memory of a Free Festival" is a song by the English singer-songwriter David Bowie. Originally recorded in September 1969 as a seven-minute opus for Bowie's second self-titled album, it was reworked in March–April 1970 at the behest of Mercury Records, the label believing that the track had a better chance of success as a single than "The Prettiest Star", released earlier in the year. Bowie and Tony Visconti roughly split the track in half, re-recording it so both halves could function as individual songs. A more rock-oriented version than the earlier album cut, this rendition featured guitarist Mick Ronson.
"Rock 'n' Roll Suicide" is a song by the English singer-songwriter David Bowie, originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars on 16 June 1972. Co-produced by Ken Scott, Bowie recorded it with his backing band the Spiders from Mars – comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. It detailed Ziggy's final collapse like an old, washed-up rock star and, as such, was also the closing number of the Ziggy Stardust live show. In April 1974 RCA issued it as a single.
"Black Country Rock" is a song by the English musician David Bowie, released on his 1970 album The Man Who Sold the World. The song was recorded in May 1970, with sessions taking place at Trident and Advision Studios in London. The lineup featured Bowie on lead vocals, guitarist Mick Ronson, bassist/producer Tony Visconti, drummer Mick Woodmansey and Ralph Mace on Moog synthesiser. The track was mostly composed by Ronson and Visconti, who developed it using a basic song sketch from Bowie. Labelled under the working title "Black Country Rock", Bowie used the title to write the lyrics towards the end of the sessions, resulting in a repeated two-line verse and chorus. A blues rock and hard rock number, Bowie imitates T. Rex's Marc Bolan in his vocal performance.
"Moonage Daydream" is a song by the English singer-songwriter David Bowie. It was originally recorded in February 1971 at Radio Luxembourg's studios in London and released as a single by his short-lived band Arnold Corns in May 1971 on B&C Records. Bowie subsequently re-recorded the song later that year with his backing band the Spiders from Mars—Mick Ronson, Trevor Bolder and Mick Woodmansey—for release on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The re-recording was co-produced by Ken Scott and recorded at Trident Studios in London in November 1971. The re-recording is a glam rock song that uses melodic and harmonic hooks, as well as percussion and guitar influenced by heavy metal. On the album, the song directly introduces the character Ziggy Stardust, who describes himself as a bisexual alien rock superstar who will save the Earth from the impending disaster described in the opening track "Five Years". It features saxophone played by Bowie and a guitar solo and string arrangement by Ronson.
"Lady Stardust" is a song written by the English singer-songwriter David Bowie that appeared on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972). Co-produced by Ken Scott, Bowie recorded it with his backing band the Spiders from Mars – comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. The song is generally interpreted as alluding to fellow glam rock icon Marc Bolan. The original demo version was entitled "He Was Alright ". A 4-track demo version of the song was sold as a picture disc single during the "David Bowie Is" exhibition in Japan in 2017.
"Ziggy Stardust" is a song written by the English singer-songwriter David Bowie for his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Bowie and Ken Scott, he recorded it at Trident Studios in London in November 1971 with his backing band the Spiders from Mars—comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. Lyrically, the song is about Ziggy Stardust, a bisexual alien rock star who acts as a messenger for extraterrestrial beings. The character was influenced by English singer Vince Taylor, as well as the Legendary Stardust Cowboy and Kansai Yamamoto. Although Ziggy is introduced earlier on the album, this song is its centrepiece, presenting the rise and fall of the star in a very human-like manner. Musically, it is a glam rock song, like its parent album, and is based around a Ronson guitar riff.
"Watch That Man" is a song by the English musician David Bowie, the opening track on the album Aladdin Sane from 1973. Its style is often compared to the Rolling Stones' Exile on Main Street. The mix, in which Bowie's lead vocal is buried within the instrumental sections, has generated discussion among critics and fans.
"Panic in Detroit" is a song written by the English singer-songwriter David Bowie for the album Aladdin Sane in 1973. Bowie based it on his friend Iggy Pop's descriptions of revolutionaries he had known in Michigan and Pop's experiences during the 1967 Detroit riots. Rolling Stone magazine called the track "a paranoid descendant of the Motor City's earlier masterpiece, Martha and the Vandellas' "Nowhere to Run"".
"Cracked Actor" is a song by the English musician David Bowie, released on his sixth studio album Aladdin Sane (1973). The track was also issued as a single in Eastern Europe by RCA Records in June that year. The song was written during Bowie's stay in Los Angeles during the American leg of the Ziggy Stardust Tour in October 1972. Co-produced by Bowie and Ken Scott, it was recorded in January 1973 at Trident Studios in London with his backing band the Spiders from Mars – comprising Mick Ronson, Trevor Bolder and Woody Woodmansey. A hard rock song primarily led by guitar, the song describes an aging Hollywood star's encounter with a prostitute, featuring many allusions to sex and drugs.
"Time" is a song by the English singer-songwriter David Bowie. Written in New Orleans in November 1972 during the American leg of the Ziggy Stardust Tour, it was recorded in London in January 1973 and released as the opening track on side two of the album Aladdin Sane that April. An edited version of the song supplanted the release of the single "Drive-In Saturday" in the United States, Canada and Japan. It was also released in France and South Africa, while early Spanish copies of David Live included a free copy of the single.
"Lady Grinning Soul" is a song by the English musician David Bowie, released on the album Aladdin Sane in 1973. It was a last-minute addition, replacing the "sax version" of "John, I'm Only Dancing" as the closing track. The composer's first meeting with American soul singer Claudia Lennear in 1972 is often cited as the inspiration for the song. In 2016, after Bowie's death, an interview with Lennear revealed that Bowie called her in 2014, and told her the song had been written about her.
"Rock 'n' Roll with Me" is a power ballad written by David Bowie and Geoff MacCormack and recorded in January 1974 that first appeared on Bowie's Diamond Dogs album, supposedly to address the artist's complex relation with his fans. A version recorded during the Diamond Dogs tour in July 1974 was released on the album David Live.