"V-2 Schneider" | ||||
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Single by David Bowie | ||||
from the album "Heroes" | ||||
A-side | "'Heroes'" | |||
Released | 23 September 1977 | |||
Recorded | July–August 1977 | |||
Studio | Hansa Studio by the Wall (West Berlin) | |||
Genre | ||||
Length | 3:10 | |||
Label | RCA | |||
Songwriter(s) | David Bowie | |||
Producer(s) |
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David Bowie singles chronology | ||||
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"V-2 Schneider" is a largely instrumental song written by David Bowie in 1977 for the album "Heroes" , and released as the B-side of "'Heroes'". The song was not played on the subsequent Isolar II Tour and its first live rendition occurred in 1997, 20 years after it was recorded. [1] Mojo magazine listed it as Bowie's 95th best track in 2015. [2]
It was a tribute to Florian Schneider, [3] co-founder of the band Kraftwerk, whom Bowie acknowledged as a significant influence at the time. [4] The title also referenced the V-2 rocket, the first ballistic missile, which had been developed for the German Army during World War II, and whose design (and engineers) played a key role in the American space program. [5]
The only words sung are those in the title, initially distorted by phasing. [1] Musically, the track is unusual for the off-beat saxophone work by Bowie, who kicked off his part on the wrong note, [6] but continued regardless. [7]
A live version recorded at Paradiso, Amsterdam in June 1997, was released as the B-side of the single "Pallas Athena" in August 1997, under the name Tao Jones Index. [8] This version also appeared on the bonus disc for the Digibook Expanded Edition of Earthling .
David Robert Jones, known professionally as David Bowie, was an English singer, songwriter, musician, and actor. He is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music.
"Heroes" is the 12th studio album by the English musician David Bowie, released on 14 October 1977 through RCA Records. Recorded in collaboration with the musician Brian Eno and the producer Tony Visconti, it was the second release of his Berlin Trilogy, following Low, released in January the same year, and the only one wholly recorded in Berlin. Sessions took place in mid-1977 after Bowie completed work on Iggy Pop's second solo album Lust for Life. Much of the same personnel from Low returned for "Heroes", augmented by the King Crimson guitarist Robert Fripp.
Lodger is the 13th studio album by the English musician David Bowie, released on 25 May 1979 through RCA Records. Recorded in collaboration with the musician Brian Eno and the producer Tony Visconti, it was the final release of his Berlin Trilogy, following Low and "Heroes". Sessions took place in Switzerland in September 1978 during a break in the Isolar II world tour, and in New York City in March 1979 at the tour's end. Most of the same personnel from prior releases returned, and the future King Crimson guitarist Adrian Belew joined from the tour. The sessions saw the use of techniques inspired by Eno's Oblique Strategies cards, such as having the musicians swap instruments and play old songs backwards.
Scary Monsters (and Super Creeps), also known simply as Scary Monsters, is the 14th studio album by the English musician David Bowie, released on 12 September 1980 through RCA Records. His first album following the Berlin Trilogy (Low, "Heroes" and Lodger), Scary Monsters was Bowie's attempt to create a more commercial record after the trilogy proved successful artistically but less so commercially.
Black Tie White Noise is the 18th studio album by the English musician David Bowie, released on 5 April 1993 through Savage Records in the United States and Arista Records in the United Kingdom. Conceived following Bowie's marriage to model Iman and the disbandment of his rock band Tin Machine, it was recorded throughout 1992 between studios in Montreux, Los Angeles and New York City. Bowie co-produced with his Let's Dance (1983) collaborator Nile Rodgers, who voiced dissatisfaction with the project in later decades. The album features several guest appearances, including previous collaborators Mike Garson and Mick Ronson, and new arrivals Lester Bowie and Chico O'Farrill.
"Fashion" is a song by the English musician David Bowie from his 14th studio album Scary Monsters (1980). Co-produced by Bowie and Tony Visconti and recorded from February to April 1980 at New York and London, it was the last song completed for the album. Originating as a reggae parody titled "Jamaica", "Fashion" is a post-punk, dance and funk track structurally similar to Bowie's "Golden Years". King Crimson guitarist Robert Fripp contributed lead guitar.
"Warszawa" is a mostly instrumental song by David Bowie and Brian Eno originally released in 1977 on the album Low. The band Joy Division was initially called Warsaw as a reference to this song.
"Joe the Lion" is a song by David Bowie in 1977 for the album "Heroes". It was produced by Bowie and Tony Visconti and features lead guitar by Robert Fripp.
"Beauty and the Beast" is a song by David Bowie, the first track on his 1977 album "Heroes". It was issued as the second single from the album in January 1978, becoming a minor UK hit, peaking at No. 39 on the UK Singles Chart.
The Berlin Trilogy consists of three studio albums by English musician David Bowie: Low, "Heroes" and Lodger (1979). Bowie recorded the albums in collaboration with English musician Brian Eno and American producer Tony Visconti. The trilogy originated following Bowie's move from Los Angeles to Europe with American singer Iggy Pop to rid themselves of worsening drug addiction. Influences included the German krautrock scene and the recent ambient releases of Eno.
"The Width of a Circle" is a song written by the English musician David Bowie in 1969 for his 1970 album, The Man Who Sold the World. Recorded during the spring of 1970, it was released later that year in the United States and in April 1971 in the UK. The opening track on the album, it features hard rock and heavy metal overtones. Bowie had performed a shorter version of the song in concerts for several months before recording it.
"Quicksand" is a song written by the English singer-songwriter David Bowie and released on his 1971 album Hunky Dory.
"Sons of the Silent Age" is a song written by David Bowie in 1977 for the album "Heroes". According to Brian Eno, it was the only song on the album composed prior to the recording sessions, all others being improvised in the Hansa by the Wall studio. Bowie himself indicated that Sons of the Silent Age could at one stage have been the title for the album, rather than "Heroes".
"Blackout" is a song written and recorded by David Bowie in 1977 for the album "Heroes". Author Nicholas Pegg described the track as "typical of the darkly exhilarating sonic schizophrenia of the "Heroes" album", while biographer David Buckley remarked on "a backing verging on industrial". Regarding its lyrics and subject matter, Bowie himself said in 1999 that the song "did indeed refer to power cuts. I can't in all honesty say that it was the NY one [New York City blackout of 1977], though it is entirely likely that that image locked itself in my head."
"Sense of Doubt" is an instrumental piece written by David Bowie in 1977 for the album "Heroes". It was the first of three instrumentals on Side Two of the original vinyl album that segued into one another, preceding "Moss Garden" and "Neuköln".
"Fantastic Voyage" is a song written by David Bowie and Brian Eno for the 1979 album Lodger. It has almost exactly the same chord sequence as "Boys Keep Swinging", from the same album. It has also appeared as the B-side to the "Boys Keep Swinging" and "Peace on Earth/Little Drummer Boy" singles, and the US edition of "D.J.".
"Hallo Spaceboy" is a song by the English musician David Bowie from his 20th studio album, Outside (1995). It originated as an instrumental by Reeves Gabrels called "Moondust", which Bowie and Brian Eno stripped down and used to form the final track. An industrial rock and electronica number influenced by the Pixies and Nine Inch Nails, the song contains a hypnotic sound, with synthesisers, loops and distorted guitar lines. Lyrically influenced by Brion Gysin, the song contains images of apocalypse and continues the androgynous conundrums of former Bowie songs such as "Rebel Rebel".
"Little Wonder" is a song by English musician David Bowie, released as the second single from his 21st album, Earthling (1997). "Little Wonder" backed by three remixes, was issued on 27 January 1997. The single was a success, peaking at number 14 in the UK and topping the chart in Japan. The accompanying music video was directed by Floria Sigismondi and depicts Bowie at three different ages. Biographer David Buckley considers it a dance-oriented video rather than a rock one, reminiscent of Orbital's "The Box" (1996).
"Seven Years in Tibet" is a song written by English musician David Bowie and Reeves Gabrels from the 1997 album, Earthling. It was released as the album's fourth single. In some territories, a version of the song sung by Bowie in Mandarin Chinese was released as "A Fleeting Moment".
The Earthling Tour was a concert tour by the English musician David Bowie, in promotion of his album Earthling, released in 1997, The tour started on 7 June 1997 at Flughafen Blankensee in Lübeck, Germany, continuing through Europe, North America before reaching a conclusion in Buenos Aires, Argentina on 7 November 1997.