"Weeping Wall" is an instrumental piece by David Bowie from his album Low, released in 1977.
The track has been described by Bowie as intending to evoke the misery of the Berlin Wall, being a portrait piece like the other music on Side Two of Low.[1] The principal melody is an adaptation of the tune "Scarborough Fair".[2]
Bowie plays all instruments on the recording, the album's only solo track, including several percussion instruments and synthesizers. His voice is also present in a wordless chorus. Its minimalistic style has been seen as bearing the influence of composer Steve Reich. According to Reich, Bowie had attended the European premiere of Music for 18 Musicians at the National Gallery of Berlin in 1976.[3][4] "And I think 'Weeping Wall' on Low is somewhat indebted to that," Reich has said. Bowie himself recalled seeing Music for 18 Musicians performed "live in downtown New York in the late 70s" and described it as "Balinese gamelan music cross-dressing as Minimalism... Astonishing."[5]
The Idiot is the debut studio album by American musician Iggy Pop, released on March 18, 1977 through RCA Records. It was produced by David Bowie and primarily recorded at the Château d'Hérouville in Hérouville, France. The album followed the break-up of Pop's band the Stooges in 1974 and a period of drug addiction for both Pop and Bowie, after which the two moved to Europe in an effort to kick their addictions.
"Heroes" is the 12th studio album by the English musician David Bowie, released on 14October 1977 through RCA Records. Recorded in collaboration with musician Brian Eno and producer Tony Visconti, it was the second release of his Berlin Trilogy, following Low, released in January the same year, and the only one wholly recorded in Berlin. Sessions took place in mid-1977 after Bowie completed work on Iggy Pop's second solo album Lust for Life. Much of the same personnel from Low returned for "Heroes", augmented by King Crimson guitarist Robert Fripp.
Low is the eleventh studio album by the English musician David Bowie, released on 14 January 1977 through RCA Records. The first of three collaborations with producer Tony Visconti and musician Brian Eno that became known as the Berlin Trilogy, the project originated following Bowie's move to France in 1976 with his friend Iggy Pop to rid themselves of their drug addictions. There, Bowie produced and co-wrote Pop's debut studio album, The Idiot, featuring sounds the former would explore on his next record. After completing The Idiot, sessions for Low began at Hérouville's Château d'Hérouville in September 1976 ended in October at Hansa Studios in West Berlin, where Bowie and Pop had relocated.
"Warszawa" is a mostly instrumental song by David Bowie and Brian Eno originally released in 1977 on the album Low. The band Joy Division was initially called Warsaw as a reference to this song.
"Joe the Lion" is a song written by David Bowie in 1977 for the album "Heroes". It was produced by Bowie and Tony Visconti and features lead guitar by Robert Fripp. Like the album as a whole, the song demonstrates the influence of German Krautrock.
Stage is the second live album by English musician David Bowie, recorded on the Isolar II Tour, and released through RCA Records in 1978. Stage has been reissued numerous times, each with expanded track listings.
"The Laughing Gnome" is a song by English singer David Bowie, released as a single on 14 April 1967. A pastiche of songs by one of Bowie's early influences, Anthony Newley, it was originally released as a novelty single on Deram Records in 1967. The track consists of Bowie meeting and conversing with a gnome, whose sped-up voice delivers several puns on the word "gnome". At the time, "The Laughing Gnome" failed to provide Bowie with a chart placing, but on its re-release in 1973 it reached number six on the British charts and number three in New Zealand.
"Beauty and the Beast" is a song by David Bowie, the first track on his 1977 album "Heroes". It was issued as the second single from the album in January 1978, becoming a minor UK hit, peaking at No. 39 on the UK Singles Chart.
The Berlin Trilogy consists of three studio albums by English musician David Bowie: Low, "Heroes" and Lodger (1979). Bowie recorded the albums in collaboration with English musician Brian Eno and American producer Tony Visconti. The trilogy originated following Bowie's move from Los Angeles to Europe with American singer Iggy Pop to rid themselves of worsening drug addiction. Influences included the German krautrock scene and the recent ambient releases of Eno.
"After All" is a song written by David Bowie in 1970 for the album The Man Who Sold the World, released later that year in the United States and in April 1971 in the UK. One of a number of Bowie songs from the early 1970s reflecting the influence of Friedrich Nietzsche and Aleister Crowley, it has been described by biographer David Buckley as "the album's hidden gem", and by Nicholas Pegg as "one of Bowie's most underrated recordings".
"The Supermen" is a song written by English singer-songwriter David Bowie in 1970 and released as the closing track on the album The Man Who Sold the World. It was one of a number of pieces on the album inspired by the works of literary figures such as Friedrich Nietzsche and H. P. Lovecraft.
"Fascination" is a song written by English singer-songwriter David Bowie and American musician Luther Vandross for Bowie's Young Americans album in 1975. The song originated from a Vandross song called "Funky Music " which The Mike Garson Band used to play before Bowie concerts in 1974.
"Speed of Life" is the first instrumental by David Bowie. It is the opening track for his album Low from 1977.
"Sons of the Silent Age" is a song written by David Bowie in 1977 for the album "Heroes". According to Brian Eno, it was the only song on the album composed prior to the recording sessions, all others being improvised in the Hansa by the Wall studio. Bowie himself indicated that Sons of the Silent Age could at one stage have been the title for the album, rather than "Heroes".
"Blackout" is a song written and recorded by David Bowie in 1977 for the album "Heroes". Author Nicholas Pegg described the track as "typical of the darkly exhilarating sonic schizophrenia of the "Heroes" album”, while biographer David Buckley remarked on "a backing verging on industrial". Regarding its lyrics and subject matter, Bowie himself said in 1999 that the song "did indeed refer to power cuts. I can't in all honesty say that it was the NY one [New York City blackout of 1977], though it is entirely likely that that image locked itself in my head."
"Sense of Doubt" is an instrumental piece written by David Bowie in 1977 for the album "Heroes". It was the first of three instrumentals on Side Two of the original vinyl album that segued into one another, preceding "Moss Garden" and "Neuköln".
"Neuköln" is an instrumental piece written by David Bowie and Brian Eno in 1977 for the album "Heroes". It was the last of three consecutive instrumentals on side two of the original vinyl album, following "Sense of Doubt" and "Moss Garden."
"Look Back in Anger" is a song written by English artists David Bowie and Brian Eno for the album Lodger (1979). It concerns "a tatty 'Angel of Death'", and features a guitar solo by Carlos Alomar.
"Teenage Wildlife" is a song written by David Bowie in 1980 for the album Scary Monsters . Running at almost seven minutes, the song was the longest track on Scary Monsters, and Bowie's longest composition since "Station to Station" (1976), although it was surpassed in length by later tracks such as 2003's "Bring Me the Disco King" and 2016's "Blackstar".
"Scream Like a Baby" is a song written by David Bowie. It appears on the 1980 album Scary Monsters .
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