Date | 23 March 2013 – 15 July 2018 |
---|---|
Type | Museum exhibition |
Theme | David Bowie |
Website | davidbowieis |
David Bowie Is was a touring museum exhibit displaying history, artifacts and information about the life, music, films, tours, and art of English singer-songwriter and actor David Bowie.
The show opened in March 2013 at the Victoria and Albert Museum in London and ended in July 2018 at the Brooklyn Museum in New York City. Over its five-year run, it stopped at 12 museums around the world and attracted over two million visitors. At each museum, the exhibit displayed about 500 objects; often a few hundred were unique to that particular museum. [1] An accompanying documentary film, also titled David Bowie Is, was directed by Hamish Hamilton, Katy Mullan, and Hanif Kureishi. [2]
After the exhibit closed in July 2018, it was announced that in early 2019 a new, virtual version of the exhibit would be released on virtual and augmented reality platforms. [3]
Near the end of 2010, an archivist for Bowie's collection contacted the Victoria and Albert Museum (V&A) and asked if they'd be interested in a display. Bowie had saved most of the artifacts, costumes and props from his career, and had almost 75,000 pieces in a private collection. [4]
Bowie allowed Victoria Broackes and Geoffrey Marsh, the V&A museum curators, free access to his archives for the show, although he did not get involved with how the pieces were displayed, nor the narrative of the show itself. [5] Broackes and Marsh said that Bowie was "at the top of a very short list of people the V&A would cover as a single artist," [6] and that Bowie "had one of the most, if not the most, complete archive of any pop music artist" they had ever seen. [6] Broackes said that they got everything they asked for to display, except for items that had gone missing, such as Bowie's dress worn for the cover of his album The Man Who Sold the World (1970). [7]
According to museum directors at the Brooklyn Museum, "David Bowie asked that the exhibit open in London and close here [in New York]". [5] The V&A Museum worked with 59 Productions and Real Studios to design the exhibit. [8]
When the show was first booked at the V&A Museum, it was not generally believed that the exhibit would be very successful, [5] but it became the museum's fastest selling show with over 300,000 visitors. The success of the show at the V&A museum resulted in the decision to take the exhibit on tour, and it has sold roughly two million tickets across 11 cities around the world as of March 2018. [5] As of 2018, the David Bowie Is exhibition holds the record for being the most visited exhibit in the V&A Museum's history. [5]
When Bowie died in early 2016, the museum tour was almost canceled, with concerns for if and how the show would go on. There were also discussions as to whether to keep the name in the present tense as David Bowie Is. [5] The exhibit, which was at the Groninger Museum in the Netherlands at the time, instead extended the show for 4 weeks to allow grieving fans to attend. [9]
A typical stop of the exhibit included around 500 objects, including over 60 performance costumes, handwritten lyrics, and Bowie's own oil paintings. [5] The exhibition was organized thematically rather than chronologically. It included outfits designed by Alexander McQueen, Hedi Slimane, Issey Miyake, Vivienne Westwood and Kansai Yamamoto. There were over 50 video pieces, including television performances, music videos and concert footage. [1] Music journalist Dan Hyman wrote in Rolling Stone of the Chicago exhibition that the retrospective taught him five things about Bowie; Namely that Bowie was "a fantastic painter and illustrator", "an avid collector of minutiae", "a style icon", "a tech geek at heart", and "an unflinching self-editor". [10]
Some museums included items unique to their country or city, reflecting Bowie's connection to the area. For example, in New York, where Bowie lived, Brooklyn Museum's Matthew Yokobosky said "We have the original backdrop from when he performed in The Elephant Man on Broadway, and moments from when he worked on Julian Schnabel’s film Basquiat , on the life of New York artist Jean-Michel Basquiat. … While most of the Young Americans album was recorded in Philadelphia, "Fame" was actually recorded in New York City. That's how John Lennon just happened to stop by the studio that day. He [Lennon] actually did a drawing for David in the studio and I have that drawing in the show." [5] Yokobosky also spoke about how and why they got the letters "BOWIE" for the exhibit: “The first time I met with Bowie’s archivist at the archive, I looked down one of the aisles and saw a photograph of the letter W resting on a case. I asked what it was, and the archivist told me that it corresponded to one of the letters from Bowie’s New York marathon tour in 2002, when he played five theaters in five boroughs of the city in five days—and every night they moved these brilliant letters which spelled out his name in light bulbs. Well, I saw that tour in the Beacon Theater, and I just blurted out, ‘I want the letters.’ They hadn't been seen since that tour, and we spent two months trying to figure out how to get them to work again." [1]
While in Berlin at the Martin-Gropius-Bau museum, the exhibition added pieces from Bowie's time in West Berlin, his collaborations with Iggy Pop, and his Berlin Trilogy: Low (1977), "Heroes" (1977), and Lodger (1979). [5]
When David Bowie Is opened in Tokyo, pieces from Japanese collaborator Kansai Yamamoto were highlighted, having designed costumes during Bowie's Ziggy Stardust (1972) and Aladdin Sane (1973) periods. [5]
Scottish artist Paul Robertson contributed "The Periodic Table of Bowie" to the exhibition, a faux-periodic table of artists that have influenced, or were influenced by, Bowie over his career. [11]
The final stop of David Bowie Is at the Brooklyn Museum (2 March to 15 July 2018) saw the release of the album Live In Berlin (1978), as well as a 7″ single containing the US single edit of 'Time'/'The Prettiest Star'. There was also the red vinyl version of iSelect , a 12 song compilation, which had first been made available in this format at the Paris exhibition. Live In Berlin was recorded on 16 May 1978 at the Deutschlandhalle in West Berlin during Bowie’s Isolar II Tour. [12]
The V&A Museum worked with audio company Sennheiser to create a custom audio experience for the exhibit. Originally the curators were nervous to ask visitors to wear headphones, fearing it would isolate them. As visitors walked around the exhibit, the audio changed as they entered "spheres" of Bowie's work, relating to particular events, people or cities that the artist has worked in. [5] The headphones required no interaction; the music and information you hear simply changed as you approached different parts of the exhibit. [1] Producer Tony Visconti, who worked with Bowie for many years, created a unique megamix from the master tapes of more than 60 Bowie songs for the exhibition. [13]
Part of the exhibition included a cavernous room with large video screens displaying various Bowie live performances throughout the years and featuring surround sound, in which visitors were asked to remove their headphones. [1]
Announced in 2018, [3] the augmented reality application was released on iOS and android devices on 8 January 2019, coinciding with Bowie's birthday. Bowie's friend, actor Gary Oldman, provides the voice-over for the application, which allows users virtual access to the costumes, videos, handwritten lyrics, and original works of art as seen in the museum show. The application also includes access to "dozens" of items that were not part of the original exhibition. [14]
Museum | Location | Opened | Closed |
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V&A Museum | London, England | 23 March 2013 | 11 August 2013 [5] [15] |
Art Gallery of Ontario (AGO) | Toronto, Ontario, Canada | 25 September 2013 | 27 [15] /29 [16] November 2013 |
Museu da Imagem e do Som (MIS) | São Paulo, Brazil | 31 January 2014 [17] | 20 April 2014 [15] |
Martin-Gropius-Bau | Berlin, Germany | 20 May 2014 | 24 August 2014 [15] |
Museum of Contemporary Art | Chicago, USA | 23 September 2014 | 4 January 2015 [18] |
Philharmonie de Paris | Paris, France | 2 [15] /3 [19] March 2015 | 31 May 2015 [15] |
ACMI | Melbourne | 16 July 2015 | 1 November 2015 [20] |
Groninger Museum | Groningen, Netherlands | 11 [9] /15 [15] December 2015 | 13 March 2016 (extended 4 weeks to 10 April due to Bowie's death) [9] |
Museo d'Arte Moderna di Bologna (MAMbo) | Bologna, Italy | 14 July 2016 | 13 November 2016 [21] |
Warehouse Terrada G1 Building | Tokyo, Japan | 8 January 2017 | 9 April 2017 [22] |
Museu del Disseny de Barcelona (Barcelona Design Museum) | Barcelona, Catalonia, Spain | 25 May 2017 | 15 October 2017 [23] |
Brooklyn Museum | New York City | 2 March 2018 | 15 July 2018 [5] |
David Robert Jones, known professionally as David Bowie, was an English singer, songwriter, musician and actor. Regarded as one of the most influential musicians of the 20th century, Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft has had a significant impact on popular music.
Earthling is the 21st studio album by the English musician David Bowie, released on 3 February 1997 through RCA Records in the United Kingdom, Virgin Records in the United States, and Arista Records/BMG in other territories. Mostly self-produced by Bowie, it was primarily recorded from August to October 1996 at New York City's Looking Glass Studios. Bowie composed the tracks with Reeves Gabrels and Mark Plati, who are credited as co-producers, with Mike Garson, Gail Ann Dorsey and Zack Alford providing overdubs later.
Outside is the 20th studio album by the English musician David Bowie, released on 25 September 1995 through Virgin Records in the United States and Arista Records, BMG and RCA Records in other territories. Reuniting Bowie with musician Brian Eno following the late 1970s Berlin Trilogy, the two were inspired by concepts "outside" the mainstream, such as various outsider and performance artists. Recorded throughout 1994, the experimental sessions saw Bowie conceive a world where "art crimes", such as murder, pervade society. The resulting Leon project initially faced resistance from labels due to its uncommercial nature. The project's bootlegging led to additional sessions in 1995 to revise the concept and record more commercial material, inspired by a diary Bowie wrote for Q magazine.
Low is the eleventh studio album by the English musician David Bowie, released on 14 January 1977 through RCA Records. The first of three collaborations with the producer Tony Visconti and the musician Brian Eno that became known as the Berlin Trilogy, the project originated following Bowie's move to France in 1976 with his friend Iggy Pop to rid themselves of their drug addictions. There, Bowie produced and co-wrote Pop's debut studio album, The Idiot, featuring sounds the former would explore on his next record. After completing The Idiot, sessions for Low began at Hérouville's Château d'Hérouville in September 1976 and ended in October at Hansa Studios in West Berlin, where Bowie and Pop had relocated.
Heathen is the 23rd studio album by the English musician David Bowie, originally released in Europe on 10 June 2002, and the following day in America. His first release through his own ISO label, it reunited Bowie with producer Tony Visconti for the two's first full-album collaboration since 1980. Recording took place at New York studios from August 2001 to January 2002 and featured guest musicians including Dave Grohl and Pete Townshend. Two tracks, "Afraid" and "Slip Away", evolved from Bowie's shelved Toy project, while three were covers of songs by Pixies, Neil Young and the Legendary Stardust Cowboy.
"Up the Hill Backwards" is a song by the English musician David Bowie, released on his 1980 album Scary Monsters . It was later issued by RCA Records as the fourth and final single from the album in March 1981. Originally written under the title "Cameras in Brooklyn", the song was recorded between February and April 1980 at the Power Station in New York City and Good Earth Studios in London. The recording features backing vocalists, guitar contributions from Robert Fripp and acoustic guitar played by co-producer Tony Visconti. Lyrically, the song concerns the struggles of facing a crisis, partially influenced by Bowie's divorce from his wife Angie. Musically, the song contains numerous time signature changes and a Bo Diddley-inspired beat.
The Berlin Trilogy consists of three studio albums by English musician David Bowie: Low, "Heroes" and Lodger (1979). Bowie recorded the albums in collaboration with English musician Brian Eno and American producer Tony Visconti. The trilogy originated following Bowie's move from Los Angeles to Europe with American singer Iggy Pop to rid themselves of worsening drug addiction. Influences included the German krautrock scene and the recent ambient releases of Eno.
Sensation was an exhibition of the collection of contemporary art owned by Charles Saatchi, including many works by Young British Artists (YBAs), which first took place 18 September – 28 December 1997 at the Royal Academy of Arts in London. The exhibition later toured to the Hamburger Bahnhof in Berlin and the Brooklyn Museum in New York City. A proposed showing at the National Gallery of Australia was cancelled when the gallery's director decided the exhibition was "too close to the market."
"Blackout" is a song written and recorded by David Bowie in 1977 for the album "Heroes". Author Nicholas Pegg described the track as "typical of the darkly exhilarating sonic schizophrenia of the "Heroes" album", while biographer David Buckley remarked on "a backing verging on industrial". Regarding its lyrics and subject matter, Bowie himself said in 1999 that the song "did indeed refer to power cuts. I can't in all honesty say that it was the NY one [New York City blackout of 1977], though it is entirely likely that that image locked itself in my head."
The Outside Tour was a tour by the English rock musician David Bowie, opening in September 1995 and lasting over a year. The opening shows preceded the release of the 1. Outside album which it supported. The tour visited stops in North America and Europe.
The Glass Spider Tour was a 1987 worldwide concert tour by the English musician David Bowie, launched in support of his album Never Let Me Down and named for that album's track "Glass Spider". It began in May 1987 and was preceded by a two-week press tour that saw Bowie visit nine countries throughout Europe and North America to drum up public interest in the tour. The Glass Spider Tour was the first Bowie tour to visit Austria, Italy, Spain, Ireland and Wales. Through a sponsorship from Pepsi, the tour was intended to visit Russia and South America as well, but these plans were later cancelled. The tour was, at that point, the longest and most expensive tour Bowie had embarked upon in his career. At the time, the tour's elaborate set was called "the largest touring set ever".
The Serious Moonlight Tour was a worldwide concert tour by the English musician David Bowie, launched in May 1983 in support of his album Let's Dance (1983). The tour opened at the Vorst Forest Nationaal, Brussels, on 18 May 1983 and ended in the Hong Kong Coliseum on 8 December 1983; 15 countries visited, 96 performances, and over 2.6 million tickets sold. It was the biggest tour of the year 1983. The tour garnered mostly favourable reviews from the press. It was, at the time, his longest, largest and most successful concert tour to date, although it has since been surpassed in length, attendance and gross revenue by subsequent Bowie tours.
The Ziggy Stardust Tour was a 1972–73 concert tour by the English singer-songwriter David Bowie, to promote the studio albums Hunky Dory, The Rise and Fall of Ziggy Stardust and the Spiders from Mars and Aladdin Sane. Bowie was accompanied by his backing group, the Spiders from Mars, and integrated choreography, costumes and make-up into the live shows to make them a wider entertainment package. The tour generated significant press coverage, drawing positive reviews and launching Bowie to stardom.
A fashion museum is dedicated to or features a significant collection of accessories or clothing. While there may be some overlap with Textile museums, fashion museums focus on what trends in clothing and accessories reveal about the larger cultural, social, and economic values of different historical periods. Although fashion is a broad term that applies to more than just clothing items, these provide tangible examples of trends changing over the years which explains why the term fashion museum is most commonly referring to those featuring clothes.
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Ziggy Stardust is a fictional character created by English musician David Bowie, and was Bowie's stage persona during 1972 and 1973. The eponymous character of the song "Ziggy Stardust" and its parent album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), Ziggy Stardust was retained for Bowie's subsequent concert tour through the United Kingdom, Japan and North America, during which Bowie performed as the character backed by his band The Spiders from Mars. Bowie continued the character in his next album Aladdin Sane (1973), which he described as "Ziggy goes to America". Bowie retired the character in October 1973 after one final show at The Marquee in London.
The 1980 Floor Show was a rock musical spectacle featuring English rock musician David Bowie as the protagonist, held at the Marquee Club in Soho, London, on October 18–20, 1973. It was broadcast in the United States by NBC on November 16, 1973, as part of the series The Midnight Special, and presented the last performance of Bowie as his character Ziggy Stardust.
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The Pokémon Fossil Museum is a travelling exhibition based on the Pokémon media franchise, displaying illustrations and "life-size" sculpted renditions of the skeletons of fossil Pokémon, along with the actual fossils of the real-life prehistoric animals and other organisms on which they were based. The exhibit was created by the National Museum of Nature and Science and The Pokémon Company.