"The Jean Genie" is a song by English singer-songwriter David Bowie, originally released in November 1972 as the lead single to his 1973 album Aladdin Sane. Co-produced by Ken Scott, Bowie recorded it with his backing band the Spiders from Mars − comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. According to Bowie, it was "a smorgasbord of imagined Americana", with a protagonist inspired by Iggy Pop, and the title being an allusion to author Jean Genet. One of Bowie's most famous tracks, it was promoted with a film clip featuring Andy Warhol associate Cyrinda Foxe and peaked at No. 2 on the UK Singles Chart.
Never Let Me Down is the 17th studio album by English musician David Bowie, released on 20 April 1987 through EMI America Records. After a series of miscellaneous projects, Bowie hoped to make his next record differently following his disappointment with Tonight (1984). It was recorded at Mountain Studios in Montreux, Switzerland and the Power Station in New York City from September to November 1986. It was co-produced by Bowie and David Richards and featured contributions from Peter Frampton on guitar. Musically, Never Let Me Down has been characterised as pop rock, art rock and hard rock; Bowie himself considered the record a return to rock and roll music. The cover artwork features Bowie surrounded by numerous elements from the songs.
Tin Machine is the debut studio album by Anglo-American hard rock band Tin Machine, released on 22 May 1989 through EMI America Records. The band consisted of English singer-songwriter David Bowie, American guitarist Reeves Gabrels and brothers Tony Fox and Hunt Sales on bass and drums, respectively, while Englishman Kevin Armstrong acted as an additional guitarist. The project was spearheaded by Bowie, who felt disconnected in his career by 1987 and looked to reinvent himself. After meeting Gabrels through his Glass Spider Tour, the two agreed to work together and would collaborate frequently for the next decade. Bowie hired the Sales brothers, neither of whom he had worked with since the 1970s, after a meeting in Los Angeles, while English producer Tim Palmer was hired to co-produce.
"Fame" is a song recorded by English singer-songwriter David Bowie. It was released on his 1975 album Young Americans and was later issued as the album's second single by RCA Records in July 1975. Written by Bowie, Carlos Alomar and John Lennon, it was recorded at Electric Lady Studios in New York City in January 1975. It is a funk rock song that represents Bowie's dissatisfaction with the troubles of fame and stardom.
"Scary Monsters " is a song by English singer-songwriter David Bowie, released as the title track of his 1980 album Scary Monsters . It was also issued as the third single from that album in January 1981. Coming as it did in the wake of two earlier singles from Scary Monsters, "Ashes to Ashes" in August 1980 and "Fashion" in October the same year, NME critics Roy Carr and Charles Shaar Murray labelled its release another instance "in the fine old tradition of milking albums for as much as they could possibly be worth". The song was subsequently performed on a number of Bowie tours.
"Up the Hill Backwards" is a song by English musician David Bowie, released on his 1980 album Scary Monsters . It was later issued by RCA Records as the fourth and final single from the album in March 1981. Originally written under the title "Cameras in Brooklyn", the song was recorded between February and April 1980 at the Power Station in New York City and Good Earth Studios in London. The recording features backing vocalists, guitar contributions from Robert Fripp and acoustic guitar played by co-producer Tony Visconti. Lyrically, the song concerns the struggles of facing a crisis, partially influenced by Bowie's divorce from his wife Angie. Musically, the song contains numerous time signature changes and a Bo Diddley-inspired beat.
"Modern Love" is a song written by English singer-songwriter David Bowie. It was released as the opening track on his 1983 album Let's Dance and issued as the third single from the album later in the year. Co-produced by Bowie and Nile Rodgers of the American band Chic, it is a rock song that contains elements of new wave music. It was recorded at the Power Station in Manhattan and was one of the first tracks recorded for the album. It was performed by Bowie on the Serious Moonlight Tour, where it often closed the shows. A music video for the song, directed by Jim Yukich and featuring a performance of the song during the tour, was released in 1983 and played frequently on MTV.
"Loving the Alien" is a song written and recorded by David Bowie. It was the opening track to his sixteenth studio album Tonight. One of two tracks on the album written solely by Bowie, an edited version of the song was released as a single in May 1985, nine months after the release of lead single "Blue Jean" and eight months after the release of the album. "Loving the Alien" peaked at No. 19 in the UK Singles Chart. "Loving the Alien" inspired the title of Christopher Sandford's 1997 biography of Bowie and the 2018 Bowie box set release, Loving the Alien (1983–1988).
"Day-In Day-Out" is a song recorded by English singer David Bowie, serving as the opening track for his seventeenth studio album, Never Let Me Down (1987). It was issued as a single on 23 March 1987 ahead of the record's release. The recording was solely written by Bowie, while production was handled by him along with David Richards. An R&B track, "Day-In Day-Out" criticizes the treatment of the homeless in the United States at that time, and deals with the depths to which a young mother sinks to feed her child.
"Time Will Crawl" is a song recorded by English singer David Bowie, serving as the second single for his seventeenth album, Never Let Me Down (1987). It was written by Bowie and produced by him and David Richards. Released in 1987 by EMI, the recording addresses the destruction of the planet by pollution and industry; the Chernobyl disaster was a direct influence on the lyrics. The accompanying video served as a teaser to Bowie's Glass Spider Tour (1987). Music critics reviewed "Time Will Crawl" positively, commending its lyrics and production, and describing it one of Bowie's best efforts of the mid– to late–1980s. Additionally, Bowie later called the song one of his favorites from his entire career. Commercially, the single peaked at number 33 on the UK Singles Chart and at number seven on Billboard's Mainstream Rock Tracks chart.
"Never Let Me Down" is a song recorded by English singer David Bowie, serving as the title track for his 1987 studio album of the same name. It was released as the third and final single from the record in 1987, and served as his last solo single until 1992's "Real Cool World". "Never Let Me Down" was written by the singer himself and Carlos Alomar, while production was handled by Bowie along with David Richards.
"Five Years" is a song written by English musician David Bowie, released on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Bowie and Ken Scott, it was recorded in November 1971 at Trident Studios in London with his backing band the Spiders from Mars − comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. As the opening track on the album, the song introduces the overarching theme of the album: an impending apocalyptic disaster will destroy Earth in five years and the being who will save it is a bisexual alien rock star named Ziggy Stardust. While the first two verses are told from a child narrator, the third is from Bowie, who addresses the listener directly. As the track progresses, it builds intensity, before climaxing with strings and Bowie screaming the title.
"Moonage Daydream" is a song by English singer-songwriter David Bowie. It was originally recorded in February 1971 at Radio Luxembourg's studios in London and released as a single by his short-lived band Arnold Corns in May 1971 on B&C Records. Bowie subsequently re-recorded the song later that year with his backing band the Spiders from Mars—comprising Mick Ronson, Trevor Bolder and Mick Woodmansey—for release on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The re-recording was co-produced by Ken Scott and recorded at Trident Studios in London in November 1971. The re-recording is a glam rock song that uses melodic and harmonic hooks, as well as percussion and guitar influenced by heavy metal. On the album, the song directly introduces the character Ziggy Stardust, who describes himself as a bisexual alien rock superstar who will save the Earth from the impending disaster described in the opening track "Five Years". It features saxophone played by Bowie and a guitar solo and string arrangement by Ronson.
"Time" is a song by English singer-songwriter David Bowie. Written in New Orleans in November 1972 during the American leg of the Ziggy Stardust Tour, it was recorded in London in January 1973 and released as the opening track on side two of the album Aladdin Sane that April. An edited version of the song supplanted the release of the single "Drive-In Saturday" in the United States, Canada and Japan. It was also released in France and South Africa, while early Spanish copies of David Live included a free copy of the single.
"Big Brother" is a song written by David Bowie in 1973 and intended for his never-produced musical based on George Orwell's Nineteen Eighty-Four. In 1974 it was released on the album Diamond Dogs. It segued into the final track on the record, "Chant of the Ever Circling Skeletal Family".
A Reality Tour was a worldwide concert tour by David Bowie in support of the Reality album. The tour began on 7 October 2003 at the Forum Copenhagen, Denmark, continuing through Europe, North America, Asia, including a return to New Zealand and Australia for the first time since the 1987 Glass Spider Tour. At over 110 shows, the tour was the longest tour of Bowie's career. A heart attack in late June 2004 forced the cancellation of some dates near the end of the tour. Bowie retired from performing live in 2006, making this tour his last.
"Girls" is a song written by David Bowie and originally recorded by Tina Turner for her 1986 album Break Every Rule. It was released as a single the same year, where it became a top 20 hit in Europe. Bowie recorded his own studio version of the track during his 1987 Never Let Me Down recording sessions, and released the track as the B-side to his 1987 single "Time Will Crawl".
The It's My Life Tour was a concert tour headlined by Anglo-American hard rock band Tin Machine. The tour commenced on 5 October 1991 after two warm-up shows, one press show and three trade-industry shows, visiting twelve countries and concluding after sixty-nine performances, a larger outing than their first tour in 1989. The band purposefully booked intimate venues of a few thousand seats or less so that they could focus on the music without any theatrical trappings, a stark change from Bowie's previous Glass Spider and Sound+Vision tours. Bowie also wanted to avoid playing larger venues and arenas lest his fans show up "hoping I'd be doing old songs or something. We don't want that feeling at all."
The Glass Spider Tour was a 1987 worldwide concert tour by English musician David Bowie, launched in support of his album Never Let Me Down and named for that album's track "Glass Spider". It began in May 1987 and was preceded by a two-week press tour that saw Bowie visit nine countries throughout Europe and North America to drum up public interest in the tour. The Glass Spider Tour was the first Bowie tour to visit Austria, Italy, Spain, Ireland and Wales. Through a sponsorship from Pepsi, the tour was intended to visit Russia and South America as well, but these plans were later cancelled. The tour was, at that point, the longest and most expensive tour Bowie had embarked upon in his career. At the time, the tour's elaborate set was called "the largest touring set ever".
The Serious Moonlight Tour was a worldwide concert tour by English musician David Bowie, launched in May 1983 in support of his album Let's Dance (1983). The tour opened at the Vorst Forest Nationaal, Brussels, on 18 May 1983 and ended in the Hong Kong Coliseum on 8 December 1983; 15 countries visited, 96 performances, and over 2.6 million tickets sold. The tour garnered mostly favourable reviews from the press. It was, at the time, his longest, largest and most successful concert tour to date, although it has since been surpassed in length, attendance and gross revenue by subsequent Bowie tours.
