Choreography

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Choreography for the Spanish dance Cachucha, described using dance notation Zorn Cachucha.jpg
Choreography for the Spanish dance Cachucha, described using dance notation

Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. Choreography may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. [1]

Contents

In dance, choreography may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called dance composition. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance.

The art of choreography involves the specification of human movement and form in terms of space, shape, time and energy, typically within an emotional or non-literal context. Movement language is taken from the dance techniques of ballet, contemporary dance, jazz dance, hip hop dance, folk dance, techno, K-pop, religious dance, pedestrian movement, or combinations of these.

Etymology and history

One of the first documents with choreographic signs is the Catalan manuscript of Cervera from 1496 Choreographic document of dances in Catalonia in 1496 manuscrit de Cervera.jpg
One of the first documents with choreographic signs is the Catalan manuscript of Cervera from 1496

The word choreography literally means "dance-writing" [2] from the Greek words "χορεία" (circular dance, see choreia) and "γραφή" (writing). It first appeared in the American English dictionary in the 1950s, [3] and "choreographer" was first used as a credit for George Balanchine in the Broadway show On Your Toes in 1936. [4] Before this, stage credits and movie credits used phrases such as "ensembles staged by", [5] "dances staged by", [6] or simply "dances by" to denote the choreographer. [4]

In Renaissance Italy, dance masters created movements for social dances which were taught, while staged ballets were created in a similar way. In 16th century France, French court dances were developed in an artistic pattern. In the 17th and 18th centuries, social dance became more separated from theatrical dance performances. During this time the word choreography was applied to the written record of dances, which later became known as dance notation, with the meaning of choreography shifting to its current use as the composition of a sequence of movements making up a dance performance. [2]

The ballet master or choreographer during this time became the "arranger of dance as a theatrical art", with one well-known master being of the late 18th century being Jean-Georges Noverre, with others following and developing techniques for specific types of dance, including Gasparo Angiolini, Jean Dauberval, Charles Didelot, and Salvatore Viganò. Ballet eventually developed its own vocabulary in the 19th century, and romantic ballet choreographers included Carlo Blasis, August Bournonville, Jules Perrot and Marius Petipa. [2]

Modern dance brought a new, more naturalistic style of choreography, including by Russian choreographer Michel Fokine (1880-1942) [2] and Isadora Duncan (1878-1927), [7] and since then styles have varied between realistic representation and abstraction. Merce Cunningham, George Balanchine, and Sir Frederick Ashton were all influential choreographers of classical or abstract dance, but Balanchine and Ashton, along with Martha Graham, Leonide Massine, Jerome Robbins and others also created representational works. [2] Isadora Duncan loved natural movement and improvisation. The work of Alvin Ailey (1931-1989), an African-American dancer, choreographer, and activist, spanned many styles of dance, including ballet, jazz, modern dance, and theatre. [7]

Dance choreography techniques

Dances are designed by applying one or both of these fundamental choreographic methods:

Several underlying techniques are commonly used in choreography for two or more dancers:

Movements may be characterized by dynamics, such as fast, slow, hard, soft, long, and short.

Choreography today

Today, the main rules for choreography are that it must impose some kind of order on the performance, within the three dimensions of space as well the fourth dimension of time and the capabilities of the human body. [2]

In the performing arts, choreography applies to human movement and form. In dance, choreography is also known as dance choreography or dance composition. Choreography is also used in a variety of other fields, including opera, cheerleading, theatre, marching band, synchronized swimming, cinematography, ice skating, [7] gymnastics, fashion shows, show choir, cardistry, video game production, and animated art.[ citation needed ]

Competitions

The International Choreographic Competition Hannover, Hanover, Germany, is the longest-running choreography competition in the world (started c.1982), organised by the Ballett Gesellschaft Hannover e.V. [9] It took place online during the COVID-19 pandemic in 2020 and 2021, returning to the stage at the Theater am Aegi in 2022. Gregor Zöllig, head choreographer of dance at the Staatstheater Braunschweig was appointed artistic director of the competition in 2020. The main conditions of entry are that entrants must be under 40 years of age, and professionally trained. [10] The competition has been run in collaboration with the Tanja Liedtke Foundation since her death in 2008, and from 2021 a new production prize has been awarded by the foundation, to complement the five other production awards. The 2021 and 2022 awards were presented by Marco Goecke, then director of ballet at the Staatstheater Hannover. [11] [12]

There are a number of other international choreography competitions, mostly focused on modern dance. These include: [13]

The International Online Dance Competition (IODC) was introduced in 2020 in response to the COVID-19 pandemic, with a Grand Prix worth US$1,000. [15]

Section 102(a)(4) of the Copyright Act provides protection in “choreographic works” that were created after January 1, 1978, and are fixed in a tangible medium of expression. [16] Under copyright law, choreography is “the composition and arrangement of a related series of dance movements and patterns organized into a coherent whole.” [17] Choreography consisting of ordinary motor activities, social dances, commonplace movements or gestures, or athletic movements may lack a sufficient amount of authorship to qualify for copyright protection. [18]

A recent lawsuit was brought by professional dancer and choreographer Kyle Hanagami, who sued Epic Games, alleging that the video game developer copied a portion of Hanagami’s copyrighted dance moves in the popular game Fortnite. [19] Hanagami published a YouTube video in 2017 featuring a dance he choreographed to the song "How Long" by Charlie Puth, and Hanagami claimed that Fortnight's "It's Complicated" "emote" copied a portion of his "How High" choreography. [19] Hanagami's asserted claims for direct and contributory copyright infringement and unfair competition. [20] Fortnite-maker Epic Games ultimately won dismissal of the copyright claims after the district court concluded that his two-second, four-beat sequence of dance steps was not protectable under copyright law. [20]


See also

Lists and categories

Related Research Articles

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Ballet is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways.

<span class="mw-page-title-main">George Balanchine</span> Georgian-American ballet choreographer (1904–1983)

George Balanchine was an American ballet choreographer of Georgian origin, recognized as one of the most influential choreographers of the 20th-century. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music.

<span class="mw-page-title-main">New York City Ballet</span> American ballet company

New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.

<span class="mw-page-title-main">William Forsythe (choreographer)</span> American dancer and choreographer

William Forsythe is an American dancer and choreographer formerly resident in Frankfurt am Main, Germany, and now based in Vermont. He is known for his work with the Ballet Frankfurt (1984–2004) and The Forsythe Company (2005–2015). Recognized for the integration of ballet and visual arts, which displayed both abstraction and forceful theatricality, his vision of choreography as an organizational practice has inspired him to produce numerous installations, films, and web-based knowledge creation, incorporating the spoken word and experimental music.

<span class="mw-page-title-main">Michael Kidd</span> American choreographer

Michael Kidd was an American film and stage choreographer, dancer and actor, whose career spanned five decades, and who staged some of the leading Broadway and film musicals of the 1940s and 1950s. Kidd, strongly influenced by Charlie Chaplin and Léonide Massine, was an innovator in what came to be known as the "integrated musical", in which dance movements are integral to the plot.

<span class="mw-page-title-main">Jerome Robbins</span> American choreographer & director (1918–1998)

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References

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  6. Edward Cahn (Director) (1942). Our Gang in "Melodies Old and New" (DVD). Metro-Goldwyn-Mayer. Event occurs at 00:00:20. Retrieved 7 August 2007. Dancer Staged by Steven Granger and Gladys Rubens
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  14. "Home page". Copenhagen International Choreography Competition. Retrieved 8 January 2022.
  15. "Choreography Online's new competition for the virtual era". Dance Informa Magazine. 8 May 2020. Retrieved 8 January 2022.
  16. "17 U.S. Code § 102 - Subject matter of copyright: In general". LII / Legal Information Institute. Retrieved 12 December 2023.
  17. The U.S. Copyright Office, Copyright Registration of Choreography and Pantomime, Copyright Office’s Circular 52 (Oct. 2022), https://www.copyright.gov/circs/circ52.pdf .
  18. The U.S. Copyright Office, Copyright Registration of Choreography and Pantomime, Copyright Office’s Circular 52 (Oct. 2022), https://www.copyright.gov/circs/circ52.pdf .
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  20. 1 2 "Hanagami v. Epic Games Inc. | Loeb & Loeb LLP". www.loeb.com. Retrieved 29 February 2024.

Further reading