Nothing Has Changed | ||||
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Compilation album by | ||||
Released | 18 November 2014 | |||
Recorded | 1964–2014 | |||
Genre | Rock | |||
Length | 153:54 (2-CD edition) | |||
Label |
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Producer | Various | |||
David Bowie chronology | ||||
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Alternative covers | ||||
Alternative cover | ||||
Singles from Nothing Has Changed | ||||
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Nothing Has Changed (stylised as Nothing has changed.) is a compilation album by English musician David Bowie. It was released on 18 November 2014 through Parlophone in the United Kingdom,and Columbia Records and Legacy Recordings in the United States. The album was released in four formats:a triple CD version (sequenced in reverse chronological order),a double CD version (sequenced in chronological order),a double LP version,and a single CD version released exclusive to select countries.
It is the first album to showcase Bowie's entire career up to that point,from his first single "Liza Jane" in 1964 to "Sue (Or in a Season of Crime)",a new composition recorded specifically for the compilation. The different formats of the album all offer different tracks and mixes compared to the others. The three-disc version includes the most,such as songs from Bowie's unreleased 2001 album Toy . The collection also contains numerous discrepancies in its track listings. Its title comes from a lyric in the song "Sunday" from Bowie's 2002 album Heathen . Each of the different formats feature different cover artworks,all designed by Jonathan Barnbrook and all depicting Bowie examining himself in a mirror.
Upon its release,the album debuted at number nine in the UK,becoming Bowie's 29th top 10 album. Following Bowie's death in 2016,it went on to peak at number five in the UK and charted in other countries. It has been certified Gold by the British Phonographic Industry (BPI) in the UK. The three-disc version of Nothing Has Changed received critical acclaim,with many praising its reverse sequencing as offering a different way to enjoy the artist's career. However,it attracted criticism for its exclusion of Bowie's Tin Machine period,as well as its under-representation of the Berlin Trilogy (1977–1979). Nevertheless,it is considered one of Bowie's best compilation albums.
A revised version of the two-disc Nothing Has Changed,re-titled Legacy ,was released on 11 November 2016 and includes selections from his final album Blackstar (2016).
On 9 September 2014,an announcement was posted on Bowie's website and Facebook page:"It is with much pleasure that we can exclusively announce a career-spanning collection of Bowie's music covering fifty years of recorded works from his 1964 debut,'Liza Jane',through to a brand new recording made this year. Nothing Has Changed compiles tracks from every period of Bowie's career and features new single;'Sue (Or in a Season of Crime)',which was specially recorded for the compilation with long-term collaborator Tony Visconti." [1] The album's title comes from a lyric in the song "Sunday" from Bowie's 2002 album Heathen . [2] [3]
The different formats of Nothing Has Changed all offer different tracks and mixes compared to the others. The three-disc version includes songs from Bowie's unreleased 2001 album Toy :"Your Turn to Drive",previously a download-only single,and a previously unreleased re-recorded version of "Let Me Sleep Beside You", [4] as well as the 2003 Ken Scott mix of "Life on Mars?",the 2007 Tony Visconti mix single edit of "Young Americans",the stereo mix of "All the Young Dudes",and the 4:08 radio edit of "Love Is Lost (Hello Steve Reich mix)" (the last two of which are also included on the two-disc version). All formats contain what biographer Nicholas Pegg calls the "loud" single mix of "Starman",while the one- and two-disc versions contains the 4:46 promotional edit of "Absolute Beginners". [3]
However,the compilation also contains numerous discrepancies in its track listings. The 'UK stereo mix' of "Space Oddity" found on the vinyl and one-disc versions is actually a new edit sourced from the 2015 remaster (Pegg also notes that the song was recorded in mono). The version of "Diamond Dogs" is a new edit containing both a fade-in and an early fade-out,while "Ziggy Stardust" edits out the final guitar notes. The track listed as "Fashion (single version)" is not in fact the original single edit and has been incorrectly re-edited. The versions of "Under Pressure","Dancing in the Street" and "Buddha of Suburbia" are the original single versions but are not listed as such. [5] "Silly Boy Blue",track 18 on disc 3,is incorrectly listed as being from David Bowie (1969) but is actually from his previous self-titled album, David Bowie (1967). Pegg further notes that Bowie's Tin Machine period is completely absent from the compilation,his Berlin Trilogy is only represented by one track per album,and there is a huge absence of live recordings. [6]
Nothing Has Changed was released on 18 November 2014 through Parlophone in the United Kingdom,and Columbia Records and Legacy Recordings in the United States. The album was released in four formats:a triple CD version (sequenced in reverse chronological order),a double CD version (sequenced in chronological order),a double LP version, [7] and a single CD version released exclusive to select countries. [8] [9]
The album's multiple cover artworks were designed by Jonathan Barnbrook,who previously designed the artworks for Heathen (2002), Reality (2003) and The Next Day (2013),and would do the same for Blackstar (2016). [10] Each format received a different image,all selected from shots of Bowie taken throughout his life depicting him studying himself in a mirror. [6]
A revised version of the two-disc Nothing Has Changed,re-titled Bowie Legacy ,was released on 11 November 2016 [11] [12] and includes selections from Blackstar. [n 1]
Nothing Has Changed entered the official UK Albums Chart at number nine upon its release,becoming Bowie's 29th UK Top 10 album, [13] although it quickly fell out of the Top 30. [14] Despite having four more separate successive runs in the Top 100 during 2015,it never got any higher than number 40. [14]
On 15 January 2016,the album re-entered the chart at a new peak of number five,after the news of Bowie's death earlier that week. [15] Two weeks later,Nothing Has Changed remained at number five on 29 January,in a week which saw four other Bowie albums in the top 10,making him the first artist to achieve five simultaneous UK top 10 albums since Michael Jackson,who achieved six in July 2009 after his own death, [16] and a total of twelve in the top 40. This meant he equalled the record set by Elvis Presley after his death in 1977. [16] Nothing Has Changed also gained new peaks worldwide in countries where it had never made the top 10,rising to number one in New Zealand (where it spent four weeks),number three in Australia,number four in Austria and Germany,and number five in Switzerland. It also rose into the top 10 in Belgium,Hungary,Italy and the Netherlands.
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 86/100 [17] |
Review scores | |
Source | Rating |
AllMusic | [18] |
Magnet | [19] |
Drowned in Sound | [20] |
Pitchfork | 8.8/10 [21] |
Mojo | [22] |
Under the Radar | [23] |
Q | [24] |
PopMatters | [25] |
Classic Rock | [26] |
American Songwriter | [27] |
Nothing Has Changed,particularly the three-disc version,received critical acclaim. Critics gave unanimous praise to its reverse chronological sequencing. Writing for AllMusic,Stephen Thomas Erlewine stated,"it's a sly way to revisit and recontextualise a career that has been compiled many,many times before." [18] Evan Sawdey of PopMatters agreed,writing that the sequencing of the three-disc version creates "a fascinating aural experience",giving the listener a sense of Bowie's "out-there weirdness" early on,as well as a taste of the artist's influences. [25] Similarly,Cody Ray Shafer of Under the Radar praised the sequencing of the three-disc version,finding that this allows the listener to appreciate the artist in an entirely different way. Shafer further praised the new track "Sue",writing that it is "remarkably unlike anything he's ever done before." [23]
Many have considered the three-disc version one of Bowie's finest compilations,including Erlewine,who praised it as "[an album] that makes us hear an artist we know well in a whole new way." [18] Andrzej Lukowski of Drowned in Sound further called it,"a monument to an extraordinary 50-year-career" and "a statement of self-belief in Bowie's post-superstardom work that surely stands as the most pugnacious best of ever released by an artist of his stature." [20] Similarly,Sawday called Nothing Has Changed "a thrilling go-to for the semi-casual Thin White Duke observer,and is about as damn close to perfect as a Bowie anthology can get." [25] Hal Horowitz of American Songwriter found the three-disc version to be the best way for a new or unfamiliar listener to start with the artist,as well as for established listeners to catch up on his most recent period with The Next Day. [27] A writer for Classic Rock magazine found the collection to be "a great way of refreshing an often overly familiar catalogue." [26] Douglas Wolk of Pitchfork felt out of all the released formats,the three-disc version was the "jewel". He criticised the two-disc version as a slight revision of 2002's Best of Bowie ,further stating "it...misses most of what's magical about this particular artist;" he considered the double LP version an improvement. [21]
Despite its acclaim,the collection was criticised for the exclusion of tracks Bowie recorded with the rock band Tin Machine. [18] Regarding the exclusion,Holowitz stated,"It's a logical omission but still a segment of his oeuvre that deserves at least a nod." [27] Lukowski felt that the absence of Tin Machine was the collection's "only real fault", [20] while Wolk agreed that the exclusion was a weak point. Wolk was further disappointed with the absence of tracks such as "Suffragette City","DJ" and "John,I'm Only Dancing". [21] Some reviewers agreed that certain eras of Bowie's career,including the Berlin Trilogy,were under-represented. [18] Sawdey noted the absence of more Berlin tracks a disappointment,especially when compared to including rarities from the unreleased Toy project. [25] Erlewine also felt the Ziggy Stardust years were under-represented. [18] Both Wolk and Horowitz also criticised the inclusion of the collaboration "Dancing in the Street". [21] [27] Some reviewers found the collection's title ironic,as throughout Bowie's long career,everything changed. [25] [27]
All songs written by David Bowie,except where noted.
No. | Title | Writer(s) | Place of origin | Length |
---|---|---|---|---|
1. | "Space Oddity" | David Bowie (1969) | 5:14 | |
2. | "The Man Who Sold the World" | The Man Who Sold the World | 3:57 | |
3. | "Changes" | Hunky Dory | 3:35 | |
4. | "Oh! You Pretty Things" | Hunky Dory | 3:12 | |
5. | "Life on Mars?" | Hunky Dory | 3:49 | |
6. | "Starman" (original single mix) | The Rise and Fall of Ziggy Stardust and the Spiders from Mars ; single mix released a few months before the parent album's release | 4:12 | |
7. | "Ziggy Stardust" | The Rise and Fall of Ziggy Stardust and the Spiders from Mars | 3:12 | |
8. | "Moonage Daydream" | The Rise and Fall of Ziggy Stardust and the Spiders from Mars | 4:39 | |
9. | "The Jean Genie" (original single mix) | Aladdin Sane ; single mix released in 1972 | 4:05 | |
10. | "All the Young Dudes" (previously unreleased stereo mix given by Bowie to Mott the Hoople) | Recorded for Aladdin Sane and re-recorded/released on the Mott the Hoople album All the Young Dudes | 3:08 | |
11. | "Drive-In Saturday" | Aladdin Sane | 4:30 | |
12. | "Sorrow" | Bob Feldman, Jerry Goldstein, Richard Gottehrer | Pin Ups | 2:53 |
13. | "Rebel Rebel" | Diamond Dogs | 4:30 | |
14. | "Young Americans" (2007 Tony Visconti mix of US single version) | Young Americans | 3:13 | |
15. | "Fame" | Bowie, John Lennon, Carlos Alomar | Young Americans | 4:16 |
16. | "Golden Years" (single version) | Station to Station ; single version released the year before | 3:27 | |
17. | "Sound and Vision" | Low | 3:03 | |
18. | "'Heroes'" (single version) | Bowie, Brian Eno | "Heroes" | 3:33 |
19. | "Boys Keep Swinging" | Bowie, Eno | Lodger | 3:17 |
20. | "Fashion" (single version) | Scary Monsters (and Super Creeps) | 3:26 | |
21. | "Ashes to Ashes" (single version) | Scary Monsters (and Super Creeps) | 3:35 |
No. | Title | Writer(s) | Place of origin | Length |
---|---|---|---|---|
1. | "Sue (Or in a Season of Crime)" (with the Maria Schneider Orchestra) | Bob Bhamra, Bowie, Maria Schneider, Paul Bateman | Full-length original single version | 7:25 |
2. | "Where Are We Now?" | The Next Day | 4:09 | |
3. | "Love Is Lost" (edited version of the Hello Steve Reich mix by James Murphy for the DFA) | The Next Day Extra | 4:07 | |
4. | "The Stars (Are Out Tonight)" | The Next Day | 3:57 | |
5. | "New Killer Star" (radio edit) | Reality | 3:43 | |
6. | "Everyone Says 'Hi'" (edited version) | Heathen | 3:29 | |
7. | "Slow Burn" (radio edit) | Heathen | 3:57 | |
8. | "Let Me Sleep Beside You" | Toy (2021); recorded 2000; original 1967 version was released on compilation album The World of David Bowie (1970) and the film Love You till Tuesday (1984) | 3:11 | |
9. | "Your Turn to Drive" (also known as "Toy (Your Turn to Drive)") | Toy | 4:53 | |
10. | "Shadow Man" | Toy; originally recorded in 1971 for The Rise and Fall of Ziggy Stardust and the Spiders from Mars | 4:45 | |
11. | "Seven" (Marius de Vries mix) | Bowie, Reeves Gabrels | Hours | 4:13 |
12. | "Survive" (Marius de Vries mix) | Bowie, Gabrels | Hours | 4:17 |
13. | "Thursday's Child" (radio edit) | Bowie, Gabrels | Hours | 4:26 |
14. | "I'm Afraid of Americans" (V1; radio edit) | Bowie, Brian Eno | Earthling | 4:25 |
15. | "Little Wonder" (single version) | Bowie, Gabrels, Plati | Earthling | 3:41 |
16. | "Hallo Spaceboy" (Pet Shop Boys remix; with the Pet Shop Boys) | Bowie, Eno | Originally from Outside; PSB mix released the following year | 4:25 |
17. | "The Hearts Filthy Lesson" (radio edit) | Bowie, Eno, Gabrels, Mike Garson, Erdal Kızılçay, Sterling Campbell | Outside | 3:34 |
18. | "Strangers When We Meet" (single version) | Outside; originally recorded for The Buddha of Suburbia (1993) | 4:18 |
No. | Title | Writer(s) | Place of origin | Length |
---|---|---|---|---|
1. | "The Buddha of Suburbia" | The Buddha of Suburbia | 4:24 | |
2. | "Jump They Say" (radio edit) | Black Tie White Noise | 3:53 | |
3. | "Time Will Crawl" (MM remix) | Originally from Never Let Me Down (1987); remix from iSelect (2008) | 4:20 | |
4. | "Absolute Beginners" (single version) | Absolute Beginners soundtrack | 5:35 | |
5. | "Dancing in the Street" (with Mick Jagger) | Marvin Gaye, William "Mickey" Stevenson, Ivy Jo Hunter | Non-album single for Live Aid | 3:10 |
6. | "Loving the Alien" (single remix) | Originally from Tonight; remix from the following year | 4:42 | |
7. | "This Is Not America" (with the Pat Metheny Group) | Bowie, Mays, Metheny | The Falcon and the Snowman soundtrack | 3:51 |
8. | "Blue Jean" | Tonight | 3:11 | |
9. | "Modern Love" (single version) | Let's Dance | 3:56 | |
10. | "China Girl" (single version) | Bowie, Osterberg | Let's Dance; originally from the Iggy Pop album The Idiot | 4:15 |
11. | "Let's Dance" (single version) | Let's Dance | 4:08 | |
12. | "Fashion" (single version) | Scary Monsters (and Super Creeps) | 3:26 | |
13. | "Scary Monsters (And Super Creeps)" (single version) | Scary Monsters (and Super Creeps) | 3:32 | |
14. | "Ashes to Ashes" (single version) | Scary Monsters (and Super Creeps) | 3:35 | |
15. | "Under Pressure" (with Queen) | Bowie, John Deacon, Brian May, Freddie Mercury, Roger Taylor | Non-album single (1981); later released on the Queen album Hot Space | 4:04 |
16. | "Boys Keep Swinging" | Bowie, Eno | Lodger | 3:17 |
17. | "'Heroes'" (single version) | Bowie, Eno | "Heroes" | 3:33 |
18. | "Sound and Vision" | Low | 3:03 | |
19. | "Golden Years" (single version) | Station to Station; single version released the year before | 3:27 | |
20. | "Wild Is the Wind" (2010 Harry Maslin mix) | Dimitri Tiomkin, Ned Washington | Station to Station | 6:05 |
No. | Title | Writer(s) | Place of origin | Length |
---|---|---|---|---|
1. | "Fame" | Bowie, John Lennon, Carlos Alomar | Young Americans | 4:16 |
2. | "Young Americans" (2007 Tony Visconti mix of US single version) | Young Americans | 3:10 | |
3. | "Diamond Dogs" | Diamond Dogs | 5:50 | |
4. | "Rebel Rebel" | Diamond Dogs | 4:30 | |
5. | "Sorrow" | Bob Feldman, Jerry Goldstein, Richard Gottehrer | Pin Ups | 2:53 |
6. | "Drive-In Saturday" | Aladdin Sane | 4:30 | |
7. | "All the Young Dudes" (previously unreleased stereo mix given by Bowie to Mott the Hoople) | Recorded in 1972 for Aladdin Sane and re-recorded/released in the same year on the Mott the Hoople album All the Young Dudes | 3:08 | |
8. | "The Jean Genie" (original single mix) | Originally from Aladdin Sane; single mix released in 1972 | 4:05 | |
9. | "Moonage Daydream" | The Rise and Fall of Ziggy Stardust and the Spiders from Mars | 4:39 | |
10. | "Ziggy Stardust" | The Rise and Fall of Ziggy Stardust and the Spiders from Mars | 3:12 | |
11. | "Starman" (original single mix) | The Rise and Fall of Ziggy Stardust and the Spiders from Mars; single mix released a few months before the parent album's release | 4:12 | |
12. | "Life on Mars?" (2003 Ken Scott mix; exclusive to this edition) | Hunky Dory | 3:48 | |
13. | "Oh! You Pretty Things" | Hunky Dory | 3:12 | |
14. | "Changes" | Hunky Dory | 3:35 | |
15. | "The Man Who Sold the World" | The Man Who Sold the World | 3:57 | |
16. | "Space Oddity" | David Bowie (1969) | 5:14 | |
17. | "In the Heat of the Morning" (Stereo mix) | First released on compilation album The World of David Bowie (1970); recorded 1968 | 2:58 | |
18. | "Silly Boy Blue" | Incorrectly listed as being from David Bowie (1969): it is from David Bowie (1967) | 3:54 | |
19. | "Can't Help Thinking About Me" (released under the name "David Bowie with the Lower Third") | Non-album single (1966) | 2:43 | |
20. | "You've Got a Habit of Leaving" (Davy Jones; released under the name "Davy Jones (& the Lower Third)") | Non-album single (1965) | 2:29 | |
21. | "Liza Jane" (released under the name "Davie Jones & The King Bees") | Leslie Conn | Non-album single (1964) | 2:15 |
No. | Title | Writer(s) | Place of origin | Length |
---|---|---|---|---|
1. | "Let's Dance" (single version) | Let's Dance | 4:08 | |
2. | "Ashes to Ashes" (single version) | Scary Monsters (and Super Creeps) | 3:35 | |
3. | "'Heroes'" (single version) | Bowie, Eno | "Heroes" | 3:33 |
4. | "Changes" | Hunky Dory | 3:35 | |
5. | "Life on Mars?" | Hunky Dory | 3:49 |
No. | Title | Place of origin | Length |
---|---|---|---|
6. | "Space Oddity" | David Bowie (1969) | 5:14 |
7. | "Starman" (original single mix) | The Rise and Fall of Ziggy Stardust and the Spiders from Mars; single mix released a few months before the parent album's release | 4:12 |
8. | "Ziggy Stardust" | The Rise and Fall of Ziggy Stardust and the Spiders from Mars | 3:12 |
9. | "The Jean Genie" (original single mix) | Originally from Aladdin Sane; single mix released in 1972 | 4:05 |
10. | "Rebel Rebel" | Diamond Dogs | 4:30 |
No. | Title | Writer(s) | Place of origin | Length |
---|---|---|---|---|
11. | "Golden Years" (single version) | Station to Station; single version released the year before | 3:27 | |
12. | "Fame" | Bowie, Lennon, Alomar | Young Americans | 4:16 |
13. | "Sound and Vision" | Low | 3:03 | |
14. | "Under Pressure" (with Queen) | Bowie, Deacon, May, Mercury, Taylor | Non-album single later released on the Queen album Hot Space | 4:08 |
15. | "Sue (Or in a Season of Crime)" (with the Maria Schneider Orchestra) | Bhamra, Bowie, Schneider, Bateman | Full-length original single version | 7:23 |
No. | Title | Writer(s) | Place of origin | Length |
---|---|---|---|---|
16. | "Hallo Spaceboy" (Pet Shop Boys mix; with the Pet Shop Boys) | Bowie, Eno | Originally from Outside; PSB mix released the following year | 4:25 |
17. | "China Girl" (single version) | Bowie, Osterburg (a.k.a. Pop) | Let's Dance; originally from the Iggy Pop album The Idiot | 4:15 |
18. | "Modern Love" (single version) | Let's Dance | 3:56 | |
19. | "Absolute Beginners" (single version) | Absolute Beginners soundtrack | 5:35 | |
20. | "Where Are We Now?" | The Next Day | 4:09 |
No. | Title | Writer(s) | Place of origin | Length |
---|---|---|---|---|
1. | "Let's Dance" (single version) | Let's Dance | 4:08 | |
2. | "Ashes to Ashes" (single version) | Scary Monsters (and Super Creeps) | 3:35 | |
3. | "Under Pressure" (with Queen) | Bowie, Deacon, May, Mercury, Taylor | Non-album single later released on the Queen album Hot Space | 4:08 |
4. | ""Heroes"" (single version) | Bowie, Eno | "Heroes" | 3:35 |
5. | "Changes" | Hunky Dory | 3:35 | |
6. | "Space Oddity" (UK stereo single edit; exclusive to this edition) | David Bowie (1969) | 4:33 | |
7. | "Lady Stardust" (exclusive to Japan) | The Rise and Fall of Ziggy Stardust and the Spiders from Mars | 3:20 | |
8. | "Life on Mars?" | Hunky Dory | 3:49 | |
9. | "Starman" (original single mix) | The Rise and Fall of Ziggy Stardust and the Spiders from Mars; single mix released a few months before the parent album's release | 4:12 | |
10. | "Ziggy Stardust" | The Rise and Fall of Ziggy Stardust and the Spiders from Mars | 3:12 | |
11. | "The Jean Genie" (original single mix) | Originally from Aladdin Sane; single mix released in 1972 | 4:05 | |
12. | "Rebel Rebel" | Diamond Dogs | 4:30 | |
13. | "Golden Years" (single version; exclusive to Argentina, Mexico and Australia) | Station to Station; single version released in the year before | 3:27 | |
14. | "Fame" | Bowie, Lennon, Alomar | Young Americans | 4:16 |
15. | "Sound and Vision" | Low | 3:03 | |
16. | "Hallo Spaceboy" (Pet Shop Boys mix; with the Pet Shop Boys) | Bowie, Eno | Originally from Outside; PSB mix released the following year | 4:25 |
17. | "China Girl" (single version) | Bowie, Pop | Let's Dance; originally from the Iggy Pop album The Idiot | 4:15 |
18. | "Dancing in the Street" (with Mick Jagger) | Gaye, Stevenson, Hunter | Non-album single for Live Aid | 3:11 |
19. | "Absolute Beginners" (U.S single version) | Absolute Beginners soundtrack | 4:46 | |
20. | "Where Are We Now?" | The Next Day | 4:09 | |
21. | "Sue (Or in a Season of Crime)" (radio edit; with the Maria Schneider Orchestra) | Bhamra, Bowie, Schneider, Bateman | Previously unreleased on CD | 4:01 |
Weekly charts
| Year-end charts
Certifications
|
Region | Date | Label | Format(s) | Ref. |
---|---|---|---|---|
UK | 18 November 2014 | Parlophone | Double LP | [71] |
2xCD | [72] | |||
3xCD | [73] | |||
US | Double LP | [74] | ||
2xCD | [75] | |||
3xCD | [76] | |||
During his lifetime, English singer-songwriter David Bowie (1947–2016) released 26 studio albums, nine live albums, two soundtrack albums, 26 compilation albums, eight extended plays, 128 singles and six box sets. Since his death, one further studio album, 13 live albums, one soundtrack album, one compilation album, four extended plays and six box sets have been released. Bowie also released 28 video albums and 72 music videos. Throughout his lifetime, Bowie sold at least 100 million records worldwide. In 2012, Bowie was ranked ninth best selling singles artist in United Kingdom with 10.6 million singles sold. As of January 2016, 12.09 million David Bowie singles had been sold in Britain. In a period of 24 months since his death, five million records were sold in UK, 3.1 million singles and two million albums.
Hunky Dory is the fourth studio album by the English musician David Bowie, released in the United Kingdom on 17 December 1971 through RCA Records. Following a break from touring and recording, Bowie settled down to write new songs, composing on piano rather than guitar as in earlier works. Bowie assembled the guitarist Mick Ronson, the bassist Trevor Bolder, and the drummer Mick Woodmansey, and began to record a new album in mid-1971 at Trident Studios in London. Rick Wakeman contributed piano shortly before joining Yes. Bowie co-produced the album with Ken Scott, who had engineered Bowie's previous two records.
Reality is the 24th studio album by the English musician David Bowie, originally released in Europe on 15 September 2003, and the following day in America. His second release through his own ISO label, the album was recorded between January and May 2003 at Looking Glass Studios in New York City, with production by Bowie and longtime collaborator Tony Visconti. Most of the musicians consisted of his then-touring band. Bowie envisioned the album as a set of songs that could be played live.
David Bowie is the second studio album by the English musician David Bowie, originally released in the United Kingdom on 14 November 1969 through Mercury affiliate Philips Records. Financed by Mercury on the strength of "Space Oddity", the album was recorded from June to October 1969 at Trident Studios in London. Gus Dudgeon produced "Space Oddity", while Tony Visconti produced the rest of the album. It featured an array of collaborators, including Herbie Flowers, Rick Wakeman, Terry Cox and the band Junior's Eyes.
Diamond Dogs is the eighth studio album by the English musician David Bowie, released on 24 May 1974 through RCA Records. Bowie produced the album and recorded it in early 1974 in London and the Netherlands, following the disbanding of his backing band the Spiders from Mars and the departure of producer Ken Scott. Bowie played lead guitar on the record in the absence of Mick Ronson. Diamond Dogs featured the return of Tony Visconti, who had not worked with Bowie for four years; the two would collaborate for the rest of the decade. Musically, it was Bowie's final album in the glam rock genre, though some songs were influenced by funk and soul music, which Bowie embraced on his next album, Young Americans (1975).
Let's Dance is the fifteenth studio album by the English singer-songwriter David Bowie, released on 14 April 1983 through EMI America Records. Co-produced by Bowie and Nile Rodgers, the album was recorded in December 1982 at the Power Station in New York City. The sessions featured players from Rodgers' band Chic and the then-unknown Texas blues guitarist Stevie Ray Vaughan on lead guitar. For the first time ever, Bowie only sang and played no instruments.
Young Americans is the ninth studio album by the English musician David Bowie, released on 7 March 1975 through RCA Records. A departure from the glam rock style of previous albums, the record showcased Bowie's interest in soul and R&B. Music critics have described the sound as blue-eyed soul; Bowie himself labelled the album's sound "plastic soul".
"Heroes" is the twelfth studio album by the English musician David Bowie, released on 14 October 1977 through RCA Records. Recorded in collaboration with the musician Brian Eno and the producer Tony Visconti, it was the second release of his Berlin Trilogy, following Low, released in January the same year, and the only one wholly recorded in Berlin. Sessions took place in mid-1977 after Bowie completed work on Iggy Pop's second solo album Lust for Life. Much of the same personnel from Low returned for "Heroes", augmented by the King Crimson guitarist Robert Fripp.
Heathen is the 23rd studio album by the English musician David Bowie, originally released in Europe on 10 June 2002, and the following day in America. His first release through his own ISO label, it reunited Bowie with producer Tony Visconti for the two's first full-album collaboration since 1980. Recording took place at New York studios from August 2001 to January 2002 and featured guest musicians including Dave Grohl and Pete Townshend. Two tracks, "Afraid" and "Slip Away", evolved from Bowie's shelved Toy project, while three were covers of songs by Pixies, Neil Young and the Legendary Stardust Cowboy.
"Diamond Dogs" is a 1974 single by English singer-songwriter David Bowie, the title track of the album of the same name.
"Fame" is a song by the English singer-songwriter David Bowie. It was released on his 1975 album Young Americans and was later issued as the album's second single by RCA Records in June 1975. Written by Bowie, Carlos Alomar and John Lennon, it was recorded at Electric Lady Studios in New York City in January 1975. It is a funk rock song that represents Bowie's dissatisfaction with the troubles of fame and stardom.
Best of Bowie is a greatest hits album by English recording artist David Bowie. Released in October 2002, four months after the critical and commercial success of the Heathen album, the songs range from his second album, David Bowie (1969) to Heathen (2002). A DVD, also titled Best of Bowie, was also released.
David Live is the first official live album by the English musician David Bowie, originally released through RCA Records in October 1974. The album was recorded in July of that year, on the initial leg of Bowie's Diamond Dogs Tour, at the Tower Theater in Upper Darby Township, Pennsylvania.
"Ziggy Stardust" is a song by the English singer-songwriter David Bowie from his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Co-produced by Bowie and Ken Scott, he recorded it at Trident Studios in London in November 1971 with his backing band the Spiders from Mars—comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. Lyrically, the song is about Ziggy Stardust, a bisexual alien rock star who acts as a messenger for extraterrestrial beings. The character was influenced by English singer Vince Taylor, as well as the Legendary Stardust Cowboy and Kansai Yamamoto. Although Ziggy is introduced earlier on the album, this song is its centrepiece, presenting the rise and fall of the star in a very human-like manner. Musically, it is a glam rock song, like its parent album, and is based around a Ronson guitar riff.
"Hallo Spaceboy" is a song by the English musician David Bowie from his 20th studio album, Outside (1995). It originated as an instrumental by Reeves Gabrels called "Moondust", which Bowie and Brian Eno stripped down and used to form the final track. An industrial rock and electronica number influenced by the Pixies and Nine Inch Nails, the song contains a hypnotic sound, with synthesisers, loops and distorted guitar lines. Lyrically influenced by Brion Gysin, the song contains images of apocalypse and continues the androgynous conundrums of former Bowie songs such as "Rebel Rebel".
Labyrinth is a soundtrack album by David Bowie and composer Trevor Jones, released in 1986 for the film Labyrinth. It was the second of three soundtrack releases in which Bowie had a major role, following Christiane F. (1981) and preceding The Buddha of Suburbia (1993). The soundtrack album features Jones' score, which is split into six tracks for the soundtrack: "Into the Labyrinth", "Sarah", "Hallucination", "The Goblin Battle", "Thirteen O'Clock", and "Home at Last".
The Singles Collection is a compilation album by the English musician David Bowie, released in 1993 in the UK and as The Singles 1969 to 1993 in the United States. A video companion, Bowie – The Video Collection, was released on VHS at the same time.
Toy is a studio album by the English musician David Bowie, posthumously released in November 2021. It was recorded from July to October 2000 in New York City and featured re-recordings of songs Bowie recorded between 1964 and 1971, along with a couple of new tracks. The project was co-produced by Bowie and Mark Plati and featured musicians from Bowie's then-touring band—Plati, Earl Slick, Gail Ann Dorsey, Mike Garson and Sterling Campbell—with overdubs from Lisa Germano, Gerry Leonard and Cuong Vu.
The Next Day is the 25th studio album by the English musician David Bowie. Released in March 2013, it was Bowie's first studio release in ten years, as he had retreated from public view after undergoing a procedure to treat a blocked heart artery in 2004. Co-produced by Bowie and Tony Visconti, the album was recorded in New York City between May 2011 and October 2012. It featured contributions from session musicians, some of whom he had worked with in the past, including Gerry Leonard, Earl Slick, Gail Ann Dorsey, Steve Elson, Sterling Campbell and Zachary Alford. Recording took place in secret; all personnel involved signed non-disclosure agreements.
Legacy (The Very Best of David Bowie) (also known as Legacy) is a greatest hits album by English musician David Bowie, released on 11 November 2016 through Sony Music Entertainment in the US and Warner Music Group in the UK and several territories. Legacy marks Bowie’s first title to reach 400 weeks on the UK albums chart and is one of the albums which have spent the most weeks on the chart.
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