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William Nelson is an English singer, guitarist, songwriter, producer, painter, video artist, writer and experimental musician. He rose to prominence as the chief songwriter, vocalist and guitarist of the rock group Be-Bop Deluxe, which he formed in 1972. Nelson has been described as "one of the most underrated guitarists of the seventies art rock movement". In 2015, he was recognised with the Visionary award at the Progressive Music Awards.
"Helter Skelter" is a song by the English rock band the Beatles from their 1968 album The Beatles. It was written by Paul McCartney and credited to Lennon–McCartney. The song was McCartney's attempt to create a sound as loud and dirty as possible. It is regarded as a key influence in the early development of heavy metal. In 1976, the song was released as the B-side of "Got to Get You into My Life" in the United States, to promote the Capitol Records compilation Rock 'n' Roll Music.
Be-Bop Deluxe were an English rock band who achieved critical acclaim and moderate commercial success during the mid to late 1970s.
"The Universal" is a song by English band Small Faces, released as a single on 28 June 1968. It reached number 16 in the UK, staying in the top 40 for a total of 10 weeks.
"I Can't Make It" is a song that was released in March 1967 by English band Small Faces. The single peaked at number 26 on the UK Singles Chart.
The Autumn Stone is a posthumous retrospective double album, and the second compilation album released in the UK by Small Faces in 1969 on the Immediate label.
From the Beginning is the first compilation album by the English rock band Small Faces. It was released by Decca Records of group material after the band had left the record label; it consisted of the band's Decca hit singles combined with various unreleased recordings. The album rose to Number 17 in the UK Album Chart.
The North Star Grassman and the Ravens is a 1971 album by English folk rock singer-songwriter Sandy Denny. Built mostly around her own compositions, The North Star Grassman and the Ravens is distinguished by its elusive lyrics and unexpected harmonies.
Rendezvous is the fourth and final studio album by English folk rock singer-songwriter Sandy Denny, released on Island Records in May 1977, and the final album released during her lifetime.
Ian Walter Nelson was an English new wave musician, and younger brother of Be-Bop Deluxe singer and guitarist Bill Nelson, whom he accompanied in different musical projects. He played mainly the saxophone.
Bill Nelson's Red Noise, or more simply Red Noise, was Bill Nelson's umbrella term for what effectively became a British new wave band formed by himself, his brother Ian (saxophone), Andy Clark (keyboards) and Rick Ford (bass). Dave Mattacks and Steve Peer (drums) both had brief stints in the band.
Drastic Plastic is the fifth and final album by English rock band Be-Bop Deluxe, released in February 1978.
Sunburst Finish is the third studio album by English rock band Be-Bop Deluxe, released in February 1976. It was recorded in Abbey Road Studios, London.
Axe Victim is the debut album by English rock band Be-Bop Deluxe, released in June 1974.
Clinton Heylin is an English author. Heylin has written extensively about popular music, especially on the life and work of Bob Dylan.
Futurama is the second album by the band Be-Bop Deluxe, released in 1975 and generally classified musically as a progressive rock album.
Sound-on-Sound is the sole album by English new wave band Bill Nelson's Red Noise, released in February 1979 by record label Harvest. Band leader Bill Nelson formed the group after the disbandment of Be-Bop Deluxe in 1978. The record was recorded with producer and engineer John Leckie, and marks a stylistic change for Nelson with its emphasis on synthesizers. His lyrics were inspired by science fiction and dystopian themes, which the musician tried to present in a humorous way. The album cover, featuring a bed-ridden robot, was photographed by Bishin Jumonji
Modern Music is the fourth studio album by English rock band Be-Bop Deluxe. It was produced by band leader Bill Nelson and producer/engineer John Leckie. As AllMusic reviewer William Ruhlmann states in his review, "the album charted high in England and made the Top 100 in the U.S., but it was Be Bop's peak, not its breakthrough.
"Green Circles" is a song by English rock band Small Faces first recorded in 1966. While not issued as a single in the United Kingdom, it was originally intended as the B-Side of "Here Come the Nice", their first single release on Immediate Records, this release was cancelled and the B-Side was replaced with "Talk to You." It remains one of the group's most well known and influential songs, and showcases the group's venture into psychedelic music, which would be prevalent in their later work, such as on "Itchycoo Park", "Lazy Sunday" and Ogdens' Nut Gone Flake.
"Patterns" is the eighth single by British rock band, Small Faces, first released on Decca Records in 1967. It was the first of two unauthorised singles released in the United Kingdom. It was written by the Small Faces primary songwriters Steve Marriott and Ronnie Lane. It became one of few singles by the group that features Lane on primary vocals, in contrast to Marriott's standard role as the group's lead vocalist.
References
- ↑ "Bill Nelson Web Site: Where Are They Now?". Archived from the original on 26 March 2013. Retrieved 19 October 2013.
- 1 2 "Be Bop Deluxe". Badcatrecords.com. Archived from the original on 5 June 2017. Retrieved 9 October 2013.
- ↑ "Forum | Dreamsville". Dreamsville.
- ↑ Reeves, Paul Sutton Music In Dreamland Bill Nelson & Be-Bop Deluxe (2008) p. 98, Helter Skelter publishing ISBN 978-1-900924-04-7
- ↑ "Where Are They Now?". Billnelson.com. Archived from the original on 26 March 2013. Retrieved 19 October 2013.
- ↑ Reeves, Paul Sutton Music In Dreamland Bill Nelson & Be-Bop Deluxe (2008) p. 296, Helter Skelter publishing ISBN 978-1-900924-04-7
