| "Big Time" | ||||
|---|---|---|---|---|
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| Single by Peter Gabriel | ||||
| from the album So | ||||
| B-side |
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| Released | ||||
| Genre | ||||
| Length | 4:26 | |||
| Label | ||||
| Songwriter(s) | Peter Gabriel | |||
| Producer(s) |
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| Peter Gabriel singles chronology | ||||
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| Music video | ||||
| "Big Time" on YouTube | ||||
"Big Time" is a song by the English rock musician Peter Gabriel from his fifth studio album So (1986). It was his second top-ten single on the Billboard Hot 100, peaking at no. 8. [6]
The song underwent many permutations before being finalized; Jerry Marotta remembers an early version of "Big Time", which he described as more intense and so far out from the released version that it "would not have been a hit". [7]
The song's bass guitar part is unique in that backing bassist Tony Levin and drummer Marotta teamed up to record it. Levin handled the fingerings while Marotta hit the strings with his drumsticks, resulting in a percussive sound; it was inspired by a technique developed by Gene Krupa in the 1940s or early 1950s. [8] Inspired by this sound, Levin later invented funk fingers, small drumstick ends that could be attached to the fingertips in order to reproduce it during live performances. [9]
The drum parts were a considerable challenge to record - Gabriel requested that Marotta, Manu Katché and Stewart Copeland each play a take over a guide drum pattern from a LinnDrum. [7] Marotta recorded a drum part with a harder rock feel, but Gabriel instead opted for Copeland's "lighter, poppier approach". [9] Gabriel liked Copeland's drum take but felt that it did not quite lock in rhythmically with the Linn. [7] He said, "I love Stewart's playing. He's not the world's best timekeeper, as he would be first to admit, but he can drive a track like very few others; it's always ahead of the beat, sits right up and forward, and his kit always sounds very alive." [10]
To get around the timing problems, engineer Kevin Killen sampled and flew in sections of his playing that lined up best with the drum machine. Gabriel additionally wanted to incorporate Copeland's drum fills, which were also meticulously sampled and adjusted to align with the rest of the song. [7]
Cash Box said that the song "features Gabriel in a characteristic lyrical goldmine delivering a passionate, believable vocal". [11] Billboard called it a "dynamic, big-room funk-rocker" that recreates the old Memphis sound. [12] Music Week called the song "another corker with a fab video to accompany its riveting beat." [13] The Los Angeles Times was more critical and labeled the song as the album's "biggest failure", arguing that it was "a satire on ego and ambition that says nothing we haven't heard from lesser observers many times before". [14]
The visual style was very similar to the "Sledgehammer" video, using stop motion claymation by David Daniels and strata-cut animation. The larger video was supervised by director Stephen R. Johnson and produced by Prudence Fenton. It was shot at Peter Wallach Studios. Artist Wayne White served as the art director for the music video. [15]
7" US (Geffen 28503)
7" US (Geffen 28503-DJ)
12" US (Geffen 20600)
7" UK (PGS-3)
12" UK (PGS3-12)
Cassette single UK (PGT-312)
| No. | Title | Length |
|---|---|---|
| 1. | "Big Time" (extended version) | 6:14 |
| 2. | "Curtains" | 3:28 |
| 3. | "No Self Control" | 3:54 |
| 4. | "Across the River" | 7:12 |
| 5. | "Big Time" (seven-inch version) | 4:26 |
| Total length: | 25:14 | |
Credits adapted from the album So : [16]
Weekly charts
| Year-end charts
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"Big Time" was used in 2006 by WWE as the main theme for WrestleMania 22. [31] It is featured in the intro of the documentary film Inside Job (2010). [32]
The B-side, "Curtains", was not released in digital format until 2004, when the "Broad mix" of the song was featured in the videogame Myst IV: Revelation , to which Gabriel also lent his voice as an actor. [33]
