"Digging in the Dirt" | ||||
---|---|---|---|---|
Single by Peter Gabriel | ||||
from the album Us | ||||
B-side | "Quiet Steam" | |||
Released | 7 September 1992 [1] | |||
Genre | Art rock [2] | |||
Length | 5:16 | |||
Label | Geffen | |||
Songwriter(s) | Peter Gabriel | |||
Producer(s) |
| |||
Peter Gabriel singles chronology | ||||
|
"Digging in the Dirt" is a song by British musician Peter Gabriel. It was released as the first single taken from his sixth studio album, Us , on 7 September 1992. The song was a minor hit on the US Billboard Hot 100, peaking at number 52, but it topped both the Billboard Modern Rock Tracks and Album Rock Tracks charts. The song was moderately successful on the UK Singles Chart, where it peaked at number 24, and it reached the top 10 in Canada, Portugal, and Sweden.
The Secret World Live version of the song features a chaotic blend of high-pitched distorted guitar (by guitarist David Rhodes) as well as occasional jarring synth bass stabs and an expansive performance on the drums. Gabriel wore a special helmet with a video camera attached, showing in great detail his facial expressions, while moving in time with the music. This is used to create what Q magazine described as an "unappetising" image of Gabriel, most prominent during the "freak-out" sequence in which the camera is pointed down Gabriel's throat, nostrils, and earlobes. [3]
The music video for the single was directed by John Downer and utilised stop motion animation, a technique used in the videos for Gabriel's earlier hits "Sledgehammer" and "Big Time". The work was painstaking, especially for Gabriel himself who was required to lie still for hours at a time over the course of several days. The video won the Grammy Award for Best Short Form Music Video in 1993. The woman in the video is played by Francesca Gonshaw. [4]
According to Gabriel himself, "the meadow of flowers from the final scenes of the "Digging in the Dirt" video were actually filmed at the edge of the carpark at Real World Studios." [5]
The video is largely an exploration of the issues in his personal life at the time, the end of his relationship with Rosanna Arquette, his desire to reconnect with his daughter and the self-healing he was looking for in therapy. [4]
Gabriel returned to stop motion and claymation that were previously used on some of Gabriel's So era singles in the mid 1980s, forgoing the computer graphics used in "Steam". In the video, Gabriel is displayed in a variety of disturbing imagery, including being buried alive, consumed by an overgrowth of foliage (thanks to the stop-motion process) and flying into a rage while trying to swat a wasp. [4]
Initially, the word "DIG" forms in the grass while dark imagery plays. Gabriel morphs into a skeleton while trying to excavate himself. Ultimately, the mushrooms sprout to form the word "HELP," followed by "HEAL" in blooming flowers after Gabriel has emerged from underground, now clad in white. [4]
Year | Nominee / work | Award | Result |
---|---|---|---|
1992 | Grammy Award [6] | Best Male Rock Vocal Performance | Nominated |
Best Rock Song | Nominated | ||
Best Music Video | Won | ||
1993 | MTV Video Music Awards | Video of the Year | Nominated |
Viewer's Choice Award | Nominated | ||
International Viewer's Choice Award for MTV Europe | Nominated |
All songs were written by Peter Gabriel.
CD maxi
7-inch single
Additional musicians
Weekly charts
| Year-end charts
|
"Crazy Little Thing Called Love" is a song by the British rock band Queen. Written by Freddie Mercury in 1979, the track is included on their 1980 album The Game, and also appears on the band's compilation album Greatest Hits in 1981. The song peaked at number two in the UK Singles Chart in 1979 and became the group's first number-one single on the Billboard Hot 100 in the US in 1980, remaining there for four consecutive weeks. It topped the Australian ARIA Charts for seven weeks. It was the band's final single release of the 1970s.
"Losing My Religion" is a song by American alternative rock band R.E.M., released in February 1991 by Warner Bros. as the first single and the second track from the group's seventh album, Out of Time (1991). Built on a mandolin riff, it was written by lead singer Michael Stipe and is about unrequited love. The song was an unlikely hit for the group, garnering extensive airplay on radio as well as on MTV and VH1 due to its critically acclaimed music video, directed by Tarsem Singh. The single became R.E.M.'s highest-charting hit in the United States, reaching No. 4 on the Billboard Hot 100 and expanding the group's popularity beyond its original fan-base. At the 1992 Grammy Awards, "Losing My Religion" won two awards: Best Short Form Music Video and Best Pop Performance by a Duo or Group with Vocal. In 2017, "Losing My Religion" was inducted into the Grammy Hall of Fame.
"I'll Be There" is the first single released from Third Album by The Jackson 5. It was written by Berry Gordy, Hal Davis, Bob West, and Willie Hutch.
"Scar Tissue" is the first single from American rock band Red Hot Chili Peppers' seventh studio album, Californication (1999). Released on May 25, 1999, the song spent a then-record 16 consecutive weeks atop the US Billboard Hot Modern Rock Tracks chart as well as 10 weeks atop the Billboard Mainstream Rock Tracks chart, and it reached number nine on the Billboard Hot 100. It was also successful in Iceland, New Zealand, and Canada, reaching numbers one, three, and four, respectively. In the United Kingdom, it charted at number 15 on the UK Singles Chart.
"(Everything I Do) I Do It for You" is a song by Canadian singer-songwriter Bryan Adams. Written by Adams, Michael Kamen, and Robert John "Mutt" Lange, the power ballad was the lead single for both the soundtrack album from the 1991 film Robin Hood: Prince of Thieves and Adams's sixth studio album, Waking Up the Neighbours (1991). The single was released on June 17, 1991, by A&M and the accompanying music video was directed by Julien Temple.
"Livin' on a Prayer" is a song by the American rock band Bon Jovi, and is the band's second chart-topping single from their third album Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora and Desmond Child, the single, released in late 1986, was well received at both rock and pop radio and its music video was given heavy rotation at MTV, giving the band their first No. 1 on the Billboard Mainstream Rock chart and their second consecutive No. 1 Billboard Hot 100 hit.
"Hard to Say I'm Sorry" is a 1982 power ballad by the group Chicago. It was written by bassist Peter Cetera, who also sang the lead vocals on the track, and producer David Foster. It was released on May 17, 1982, as the lead single from the album Chicago 16. On September 11 it reached No. 1 for two weeks on the Billboard Hot 100. It was the group's second No. 1 single. It was their first top 50 hit since "No Tell Lover" in 1978 and it spent twelve weeks in the top 5 of the Billboard Hot 100. The single was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal, and was certified gold by the Recording Industry Association of America (RIAA) in September of the same year. Songwriter Cetera, a member of the American Society of Composers, Authors and Publishers (ASCAP), won an ASCAP Pop Music Award for the song in the category, Most Performed Songs.
"Sledgehammer" is a song by the English rock musician Peter Gabriel. It was released in April 1986 as the lead single from his fifth studio album, So (1986). It was produced by Gabriel and Daniel Lanois. It reached No. 1 in Canada on 21 July 1986, where it spent four weeks; No. 1 on the Billboard Hot 100 chart in the United States on 26 July 1986; and No. 4 on the UK Singles Chart, thanks in part to its music video. It was his biggest hit in North America and ties with "Games Without Frontiers" as his biggest hit in the United Kingdom.
"No Son of Mine" is a song by British rock group Genesis, released in October 1991 by Atlantic and Virgin as the lead single from their 14th album, We Can't Dance (1991). The song, written by Phil Collins and composed by him with Tony Banks and Mike Rutherford, reached No. 6 on the UK Singles Chart and No. 12 on the US Billboard Hot 100. It was also a top-10 hit in several European countries and peaked atop Canada's RPM 100 Hit Tracks chart for five weeks.
"Invisible Touch" is the title track and first single from the 1986 album of the same name by the English rock band Genesis. The song is a group composition which featured lyrics written by drummer and singer Phil Collins.
"Easy Lover" is a song performed by Philip Bailey of the band Earth, Wind & Fire and Phil Collins of the band Genesis, jointly written and composed by Bailey, Collins, and Nathan East. The song appears on Bailey's solo album, Chinese Wall. Collins has performed the song in his live concerts, and it appears on both his 1990 album, Serious Hits... Live!, and his 1998 compilation album, ...Hits. It is Bailey's only US Top 40 hit as a solo artist.
"Better Be Good to Me" is a song written by Mike Chapman, Holly Knight, and Nicky Chinn, recorded by Tina Turner for her solo studio album Private Dancer (1984) and released as a single in early September 1984. The song was originally recorded and released in 1981 by Spider, a band from New York City that featured co-writer Knight as a member. Turner's version was successful in the United States and peaked at No. 5 on the Billboard Hot 100 and No. 6 on the then-Hot Black Singles charts. At the 27th Annual Grammy Awards in 1985, it won Best Rock Vocal Performance, Female, one of four Grammys awarded to Turner's Private Dancer album at that ceremony. The song was also included on the Miami Vice soundtrack.
"If I Were a Carpenter" is a folk song written by Tim Hardin in the 1960s, and re-recorded with commercial success by various artists including Bobby Darin, The Four Tops and Johnny Cash. Hardin's own recording of the piece appeared on his 1967 album Tim Hardin 2. It was one of two songs from that release performed by Hardin at Woodstock in 1969. The song, believed by some to be about male romantic insecurity, is rumored to have been inspired by his love for actress Susan Morss, as well as the construction of Hardin's recording studio.
"Missionary Man" is a song by British pop duo Eurythmics from their fifth studio album, Revenge (1986). The song features Jimmy Zavala on harmonica and Joniece Jamison on backing vocals.
"To Be with You" is a song by American rock band Mr. Big, released in November 1991 as the second single from their second album, Lean into It (1991). The ballad reached number one on the US Billboard Hot 100 for three weeks and topped the charts in 11 other countries, including Australia, Canada, Germany, and New Zealand.
"Steam" is a song by English rock musician Peter Gabriel, released in December 1992 by Geffen Records as the second single from his sixth album, Us (1992). Gabriel, who wrote the song and produced it with Daniel Lanois, has said that the song is about a relationship in which the woman is sophisticated, bright, cultured, and knows everything about anything while the man knows nothing about anything; however, he does know about the woman, and she does not know much about herself.
"Sara" is a song recorded by the American rock band Starship which reached number-one on the U.S. Billboard Hot 100 chart on March 15, 1986. It was sung by Mickey Thomas, of the newly renamed band Starship, from their first album Knee Deep in the Hoopla, and Grace Slick provided the backing vocals.
"It's Only Love" is a song by Canadian singer and songwriter Bryan Adams, featuring American singer Tina Turner. Released as a single on October 21, 1985, the song was nominated for a Grammy Award for Best Rock Performance by a Duo or Group with Vocal and the accompanying video won an MTV Video Music Award for Best Stage Performance. It was the sixth and final single from Adams' album Reckless (1984) and was included on Tina Turner's live album Tina Live in Europe (1988), as well as being added to both artists' greatest hits compilations: Adams' Anthology (2005) and Turner's All the Best (2004). It reached number 15 in January 1986 on the Billboard Hot 100 in the United States and number 29 in the United Kingdom. The 12-inch single included the 1985 live version that would later appear on the album Tina Live in Europe (1988).
"Human Touch" is a song recorded by the American rock singer Bruce Springsteen. It was the first single from his tenth studio album of the same name and was released on March 9, 1992. The song features Randy Jackson on bass guitar, and Toto's Jeff Porcaro on drums. In the United States, the song reached number 16 on the US Billboard Hot 100—charting as a double A-side single with "Better Days"—and topped the Mainstream Rock chart for three weeks.
"The Heat Is On" is a song written by Harold Faltermeyer and Keith Forsey, and recorded by Glenn Frey for the American film Beverly Hills Cop (1984). The song was published as a single and as the sixth track of the album Beverly Hills Cop: Original Motion Picture Soundtrack (1984).
{{cite web}}
: CS1 maint: unfit URL (link){{cite web}}
: Cite uses generic title (help)