"The Rhythm of the Heat" | |
---|---|
Song by Peter Gabriel | |
from the album Peter Gabriel | |
Released | 1982 |
Length | 5:15 |
Label | Charisma Geffen |
Songwriter(s) | Peter Gabriel |
Producer(s) | David Lord and Peter Gabriel |
"The Rhythm of the Heat" is a song written and performed by the English rock musician Peter Gabriel. Released in 1982, it is the opening track off his fourth self-titled album. In 1985, the song was used during the opening scene of "Evan" in season one of Miami Vice and also appeared in the Oliver Stone film Natural Born Killers in 1994. [1]
An instrumental reworking of the song, titled "The Heat", was later included on Gabriel's 1985 Birdy soundtrack album. Gabriel also did an orchestral re-recording of "The Rhythm of the Heat" on his New Blood album in 2011. [2]
The working title for "The Rhythm of the Heat" was "Jung in Africa", referring to Swiss psychologist Carl Jung's experiences visiting Africa. Gabriel was a reader of Jung's work and learned that the psychologist had observed a group of African drummers and dancers in Kenya. [1] During Jung's time with them, he became overwhelmed by their performance and worried that the music and dancing would subsume him. Gabriel sought to evoke these emotions in "The Rhythm of the Heat". [3]
I love the idea of this guy who shaped a lot of the way we think in the West, who lives in his head and in his dreams suddenly getting sucked into this thing that he can't avoid where he has to let go of control completely and feels that he has become possessed in a way, not by a devil but by this thing which is bigger than him and I think there is a bit of that sense of the European exploring African music. [4]
"The Rhythm of the Heat" was one of the first songs Gabriel developed for his fourth studio album. [3] In its earliest stage, the song consisted of raw vocals and a basic backing track. Similar to other songs on the album, Gabriel built "The Rhythm of the Heat" around a series of rhythms rather than a chord progression, making use of drum machines and a rhythm box to accomplish this. Most of the music for "The Rhythm of the Heat" was finished early on, whereas other musical ideas on the album were developed in the studio with producer David Lord. [5]
The song begins with a looped sample of a swanee whistle played on a Fairlight CMI. Another sample from the Fairlight, the "Pizztwang", was created by slowing down dulcimers and other stringed instruments; this sound enters following a brief wordless vocal passage from Gabriel. In addition to a standard drum kit, Jerry Marotta also played a heartbeat pattern on a surdo, which is faded-in during the second verse. [1]
Gabriel sought to evoke a Ghanaian war dance during the ending of "The Rhythm of the Heat" and supplemented the section with loud bass accents. [6] The Ghanaian drums during the song's ending were played by the Ekome Dance Company, an Afro-Caribbean performance group based in Bristol. Lord had previously worked with the ensemble at Crescent Studios and requested that they play on the recording. [5] [3]
Prior to the song's official release, "The Rhythm of the Heat" was previewed at the first World of Music, Arts and Dance (WOMAD) festival in 1982, which was co-founded by Gabriel two years prior. Members of the Ekome Dance Company also joined Gabriel onstage for this performance. [3] The song served as the set opener for Gabriel's Security Tour, where members of his band walked through the audience playing marching drums before reaching the stage. During this performance, Gabriel sang on a raised platform where his movements were "outlined by dramatic backlighting" according to concert reviewer Bill Provick. [7] Gabriel also performed the song in 2007 during his Warm Up Tour in Europe, which included a stop in Wiltshire for the 25th anniversary of WOMAD. [8]
In 2010, when Gabriel was touring his Scratch My Back cover album, "The Rhythm of the Heat" was added to the setlist for the purpose of supplementing the setlist with original material. For these performances, Gabriel decided to forgo drums in favor orchestral instrumentation conducted and arranged by John Metcalfe. [4] Gabriel continued to play the song in orchestral form through 2012, including as part of a seven song set at the Hop Farm Festival. [3]
Louder characterised "The Rhythm of the Heat" as one of Gabriel's most ambitious compositions. [9] Adam Sweeting of Melody Maker said that the song's ending "builds up intensity and massive atmosphere", further adding that it would serve as a fitting soundtrack for a Peter Weir film. [10] Peter Gabriel biographer Spencer Bright thought that the song was "Gabriel's most powerful expression of rhythmic power and explores his perennial obsession with spiritual transformation, in this case Jung's experiences in Africa". [5] Paste ranked the song number 12 on its list of the top 20 greatest Peter Gabriel songs. [11]
Credits from the album's liner notes. [12]
Peter Brian Gabriel is an English singer, songwriter and human rights activist. He was the original lead singer of the progressive rock band Genesis. After leaving the band in 1975, he launched a solo career with "Solsbury Hill" as his first single. His fifth studio album, So (1986), is his best-selling release and is certified triple platinum in the UK and five times platinum in the US. The album's most successful single, "Sledgehammer", won a record nine MTV Awards at the 1987 MTV Video Music Awards and, according to a report in 2011, it was MTV's most played music video of all time.
The Fairlight CMI is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital.
Passion is an album released in 1989 by the English singer-songwriter Peter Gabriel. It was the first Peter Gabriel album to be released on Real World Records, Gabriel's second soundtrack, and his eighth album overall.
WOMAD is an international arts festival. The central aim of WOMAD is to celebrate the world's many forms of music, arts and dance.
Six of the Best was a reunion concert between the rock band Genesis, their original lead singer Peter Gabriel and former guitarist Steve Hackett. It took place on a wet Saturday, 2 October 1982, at the National Bowl in Milton Keynes, Buckinghamshire, England. Genesis were introduced on to the stage by Jonathan King, who discovered and christened the band fifteen years earlier. The support bands were John Martyn, The Blues Band and Talk Talk.
So is the fifth studio album by English singer-songwriter Peter Gabriel, released on 19 May 1986 by Charisma Records and Virgin Records. After working on the soundtrack to the film Birdy (1984), producer Daniel Lanois was invited to remain at Gabriel's Somerset home during 1985 to work on his next solo project. Initial sessions for So consisted of Gabriel, Lanois and guitarist David Rhodes, although these grew to include a number of percussionists.
Peter Gabriel is the fourth studio album by the English rock musician Peter Gabriel. In the United States and Canada, the album was released by Geffen Records with the title Security. Some music streaming services refer to it as Peter Gabriel 4: Security. A German-language version, entitled Deutsches Album, was also released. The album saw Gabriel expanding on the post-punk and world music influences from his 1980 self-titled record, and earned him his first US top 40 single with "Shock the Monkey".
"Shock the Monkey" is a song by the English rock musician Peter Gabriel. It was released in September 1982 as the first single from his fourth self-titled studio album, issued in the US under the title Security.
Peter Gabriel is the third solo studio album by the English rock musician Peter Gabriel, released on 30 May 1980 by Charisma Records. The album, produced by Steve Lillywhite, has been acclaimed as Gabriel's artistic breakthrough as a solo artist. AllMusic wrote that it established him as "one of rock's most ambitious, innovative musicians".
Birdy is the first soundtrack and sixth album overall by the English rock musician Peter Gabriel for the movie of the same name, released in 1985. The album marked Gabriel's first work with producer Daniel Lanois. It was remastered with most of Gabriel's catalogue in 2002.
"Biko" is an anti-apartheid protest song by English rock musician Peter Gabriel. It was released by Charisma Records as a single from Gabriel's eponymous third album in 1980.
"Big Time" is a song by English rock musician Peter Gabriel from his fifth studio album So (1986). It was his second top-ten single on the Billboard Hot 100, peaking at no. 8.
"In Your Eyes" is a song by English rock musician Peter Gabriel from his fifth solo studio album So (1986). It features Youssou N'Dour singing a part at the end of the song translated into his native Wolof. Gabriel's lyrics were inspired by an African tradition of ambiguity in song between romantic love and love of God.
"We Do What We're Told " is a song written and recorded by English musician Peter Gabriel. Although Gabriel started performing the song in 1980, it did not appear on a studio album until six years later when So was released.
"Digging in the Dirt" is a song by British musician Peter Gabriel. It was released as the first single taken from his sixth studio album, Us, on 7 September 1992. The song was a minor hit on the US Billboard Hot 100, peaking at number 52, but it topped both the Billboard Modern Rock Tracks and Album Rock Tracks charts. The song was moderately successful on the UK Singles Chart, where it peaked at number 24, and it reached the top 10 in Canada, Portugal, and Sweden.
"San Jacinto" is a song written and performed by the English rock musician Peter Gabriel. Released in 1982, it is the second track off his fourth self-titled album. Excerpts of the song’s coda were repurposed for "Powerhouse at the Foot of the Mountain" on Gabriel's 1985 Birdy soundtrack album. He also re-recorded "San Jacinto" with an orchestra on his New Blood album in 2011. A portion of the song also appeared in Starship, a 1984 science fiction film directed by Roger Christian.
"Wallflower" is a song by the English rock musician Peter Gabriel from his fourth eponymous studio album released in 1982. The song was released as a single in the Netherlands but did not chart. Some of the instrumentation from "Wallflower" was incorporated into "Under Lock and Key" and "At Night", which appeared on Gabriel's 1985 Birdy soundtrack album. He also performed the song with an orchestral arrangement for his 2011 New Blood album. Lyrically, "Wallflower" touches upon human rights issues, specifically the treatment of political prisoners.
"I Have the Touch" is a song by the English rock musician Peter Gabriel from his fourth eponymous studio album released in 1982. The song's working title during the recording sessions was "Hands". This song was featured in the film The Chocolate War (1988). The 1996 remix was used in the film Phenomenon of the same year. In 1996, Heather Nova recorded a cover version of the song for the teen-witch horror film The Craft.
"Mercy Street" is a song written by the English rock musician Peter Gabriel from his fifth studio album So (1986). A music video was created for "Mercy Street", which was directed by Matt Mahurin and shot in black-and-white.
"I Don't Remember" is a song written and recorded by the English rock musician Peter Gabriel, released as the fourth and final single from his third eponymous studio album in 1980. Although originally only released as an A-side single in the United States and Canada, a live version released with the album Plays Live (1983) reached No. 62 on the UK Singles Chart and remained in the Top 75 in Britain for 4 weeks. The song was included in Gabriel's compilation album Shaking the Tree (1990) and two different versions were included in Flotsam and Jetsam (2019).
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