Slide whistle

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Slide whistle
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Diagram of a slide whistle. Sections: 1: mouthpiece, 2: fipple, 3: resonant cavity, 4: slide, 5: pull rod, 6: pipe. Lotusflote Funktione.svg
Diagram of a slide whistle. Sections: 1: mouthpiece, 2: fipple, 3: resonant cavity, 4: slide, 5: pull rod, 6: pipe.

A slide whistle (variously known as a swanee or swannee whistle, lotus flute, [1] piston flute, or jazz flute) is a wind instrument consisting of a fipple like a recorder's and a tube with a piston in it. Thus it has an air reed like some woodwinds, but varies the pitch with a slide. The construction is rather like a bicycle pump. Because the air column is cylindrical and open at one end and closed at the other, it overblows the third harmonic. "A whistle made out of a long tube with a slide at one end. An ascending and descending glissando is produced by moving the slide back and forth while blowing into the mouthpiece." [2] "Tubular whistle with a plunger unit in its column, approximately 12 inches long. The pitch is changed by moving the slide plunger in and out, producing ascending and descending glisses." [3]

Contents

History

Piston flutes, in folk versions usually made of cane or bamboo, existed in Africa, Asia, and the Pacific as well as Europe before the modern version was invented in England in the nineteenth century. The latter, which may be more precisely referred to as the slide or Swanee whistle, is commonly made of plastic or metal. [4]

The modern slide whistle is familiar as a sound effect (as in animated cartoon sound tracks, when a glissando can suggest something rapidly ascending or falling, or when a player hits a "Bankrupt" on Wheel of Fortune ), but it is also possible to play melodies on a slide whistle.

The swanee whistle dates back at least to the 1840s, when it was manufactured by the Distin family and featured in their concerts in England. Early slide whistles were also made by the English J Stevens & Son and H A Ward. By the 1920s the slide whistle was common in the US, and was occasionally used in popular music and jazz as a special effect. For example, it was used on Paul Whiteman's early hit recording of "Whispering" (1920). [5] Even Louis Armstrong switched over from his more usual cornet to the slide whistle for a chorus on a couple of recordings with King Oliver's Creole Jazz Band, [6] such as Sobbin' Blues (1923). [7] At that time, slide saxophones, with reeds rather than a fipple, were also built. The whistle was also widely used in Jug band music of the 1920s such as Whistler's Jug Band. Gavin Gordon uses a slide whistle in his ballet The Rake's Progress (1935). [8]

Uses

Slide whistle side top and front.svg
Three views of a plastic slide whistle. The front end view shows the mouthpiece in dark gray with the rectangular mouthpiece aperture in white.

The slide whistle is often thought of as a toy instrument, especially in the West, though it has been and still is used in various forms of "serious" music. Its first appearance in notated European classical music may have been when Maurice Ravel called for one in his opera L'enfant et les sortilèges . [4] More modern uses in classical music include Paul Hindemith's Kammermusik No. 1, op. 24 no. 1 (1922), Luciano Berio's Passaggio, which uses five, and the Violin Concerto of György Ligeti, as well as pieces by Cornelius Cardew, Alberto Ginastera, Hans Werner Henze, Peter Maxwell Davies, and Krzysztof Penderecki (De Natura Sonoris II, 1971 [9] ). John Cage's Music of Changes (1951) and Water Music (1952) both feature slide whistle and duck calls. [10] The slide whistle is also used in many of the works of P. D. Q. Bach.

In the 1930s through the 1950s it was played with great dexterity by Paul 'Hezzie' Trietsch, one of the founding members of the Hoosier Hot Shots. They made many recordings.[ citation needed ]

Roger Waters played two notes on the slide whistle in the song Flaming, from Pink Floyd's debut album The Piper at the Gates of Dawn .

A more recent appearance of the slide whistle can be heard in the 1979 song "Get Up" by Vernon Burch. The slide whistle segment of this song was later sampled by Deee-Lite in their 1990 hit "Groove Is in the Heart". Fred Schneider of The B-52's plays a plastic toy slide whistle in live performances of the song "Party Out of Bounds" as a prop for the song's drunken partygoer theme, in place of the trumpet thus used in the studio for the Wild Planet song.

On the popular BBC Radio 4 comedy panel game show "I'm Sorry I Haven't A Clue" the swanee whistle has been paired for comic effect with the kazoo in a musical round called "Swanee-Kazoo" which has been played for over forty years.

See also

Related Research Articles

In music, a glissando is a glide from one pitch to another. It is an Italianized musical term derived from the French glisser, "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between notes. In other contexts, it refers to discrete, stepped glides across notes, such as on a piano. Some terms that are similar or equivalent in some contexts are slide, sweepbend, smear, rip, lip, plop, or falling hail. On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure, except on instruments that have a slide.

<span class="mw-page-title-main">Woodwind instrument</span> Family of musical wind instruments

Woodwind instruments are a family of musical instruments within the greater category of wind instruments.

<span class="mw-page-title-main">Tin whistle</span> Six-holed woodwind instrument

The tin whistle, also known as the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle.

<span class="mw-page-title-main">Pitch pipe</span>

A pitch pipe is a small device used to provide a pitch reference for musicians. Although it may be described as a musical instrument, it is not typically used to play music as such.

<span class="mw-page-title-main">Kazoo</span> Toy musical instrument

The kazoo is a musical instrument that adds a "buzzing" timbral quality to a player's voice when the player puts their lips in between the smaller hole and vocalizes into it. It is a type of mirliton, one of a class of instruments which modifies its player's voice by way of a vibrating membrane of goldbeater's skin or material with similar characteristics. There is a smaller version of the kazoo, known as a humazoo.

<span class="mw-page-title-main">Aerophone</span> Musical instruments that are played by vibration of air

An aerophone is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes, and without the vibration of the instrument itself adding considerably to the sound.

<i>Rhapsody in Blue</i> 1924 composition by George Gershwin

Rhapsody in Blue is a 1924 musical composition for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman and written by George Gershwin, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring.

<span class="mw-page-title-main">Mute (music)</span> Device attached to musical instrument to change its sound

A mute is a device attached to a musical instrument which changes the instrument's tone quality (timbre) or lowers its volume. Mutes are commonly used on string and brass instruments, especially the trumpet and trombone, and are occasionally used on woodwinds. Their effect is mostly intended for artistic use, but they can also allow players to practice discreetly. Muting can also be done by hand, as in the case of palm muting a guitar or grasping a triangle to dampen its sound.

The low whistle, or concert whistle, is a variation of the traditional tin whistle/pennywhistle, distinguished by its lower pitch and larger size. It is most closely associated with the performances of British and Irish artists such as Tommy Makem, Finbar Furey and his son Martin Furey, Old Blind Dogs, Michael McGoldrick, Riverdance, Lunasa, Donie Keyes, Chris Conway, and Davy Spillane, and is increasingly accepted as a feature of Celtic music.

<span class="mw-page-title-main">Extended technique</span> Unorthodox methods of singing or of playing musical instruments

In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.

<span class="mw-page-title-main">Fipple</span> Musical instrument

The term fipple specifies a variety of end-blown flute that includes the flageolet, recorder, and tin whistle. The Hornbostel–Sachs system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes." The label "fipple flute" is frequently applied to members of the subgroup but there is no general agreement about the structural detail of the sound-producing mechanism that constitutes the fipple, itself.

<span class="mw-page-title-main">Flexatone</span> Modern percussion instrument

The flexatone or fleximetal is a modern percussion instrument consisting of a small flexible metal sheet suspended in a wire frame ending in a handle. Used in classic cartoons for its glissando effect, its sound is comparable to the musical saw.

<span class="mw-page-title-main">Quarter tone</span> Musical interval

A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.

<span class="mw-page-title-main">End-blown flute</span> Woodwind musical instrument

The end-blown flute is a woodwind instrument played by directing an airstream against the sharp edge of the upper end of a tube. Unlike a recorder or tin whistle, there is not a ducted flue voicing, also known as a fipple. Most rim-blown flutes are "oblique" flutes, being played at an angle to the body's vertical axis. A notched flute is an end-blown flute with a notch on the blowing surface. A lip-valley flute is a type of notched flute.

A multiphonic is an extended technique on a monophonic musical instrument in which several notes are produced at once. This includes wind, reed, and brass instruments, as well as the human voice. Multiphonic-like sounds on string instruments, both bowed and hammered, have also been called multiphonics, for lack of better terminology and scarcity of research.

<span class="mw-page-title-main">Folk instrument</span> Musical instrument

A folk instrument is a traditional musical instrument that has remained largely restricted to traditional folk music, and is not usually used in the classical music or other elite and formal musical genres of the culture concerned, though related intruments may be.

<span class="mw-page-title-main">Nose whistle</span> Small musical instrument

A nose whistle is a wind instrument played with the nose and mouth cavity. Often made of wood, they are also constructed with plastic, clay, or sheet metal.

<span class="mw-page-title-main">Wind instrument</span> Class of musical instruments with air resonator

A wind instrument is a musical instrument that contains some type of resonator in which a column of air is set into vibration by the player blowing into a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound.

<span class="mw-page-title-main">Vessel flute</span> Vessel-shaped flute

A vessel flute is a type of flute with a body which acts as a Helmholtz resonator. The body is vessel-shaped, not tube- or cone-shaped; that is, the far end is closed.

<span class="mw-page-title-main">Jazz trombone</span> Role of the trombone in jazz music

The trombone is a musical instrument from the brass instrument family. Trombone's first premiere in jazz was with Dixieland jazz as a supporting role within the Dixie Group. This role later grew into the spotlight as players such as J.J. Johnson and Jack Teagarden began to experiment more with the instrument, finding that it can fill in roles along with the saxophone and trumpet in bebop. The trombone has since grown to be featured in standard big band group setups with 3 to 5 trombones depending on the arrangement. A person who plays the trombone is called a trombone player or a trombonist.

References

  1. Karl Peinkofer and Fritz Tannigel, Handbook of Percussion Instruments, (Mainz, Germany: Schott, 1976), 78.
  2. Adato, Joseph and Judy, George (1984). The Percussionist's Dictionary: Translations, Descriptions, and Photographs of Percussion Instruments from Around the World, p.32. Alfred Music. ISBN   9781457493829.
  3. Beck, John H. (2013). Encyclopedia of Percussion, p.83. Routledge. ISBN   9781317747680.
  4. 1 2 Hugh Davies. "Swanee whistle." In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/47634 (accessed October 10, 2009).
  5. Berrett, Joshua (2004). Louis Armstrong & Paul Whiteman: Two Kings of Jazz, p. 62. Yale University Press. ISBN   0-300-10384-0.
  6. Louis Armstrong's discography: Early years - 1901 1925
  7. (1990). Jazz Journal International . Billboard.
  8. Anthony Baines; Adrian Boult (1967). Woodwind Instruments and Their History. Courier Corporation. p. 35. ISBN   9780486268859 . Retrieved 2017-03-01.
  9. Beck (2013), p. 29.
  10. Iddon, Martin (2013). John Cage and David Tudor: Correspondence on Interpretation and Performance, p. 91. Cambridge University. ISBN   9781107310889.