The kazoo is a musical instrument that adds a "buzzing" timbral quality to a player's voice when the player vocalizes into it. It is a type of mirliton (which itself is a membranophone), one of a class of instruments which modifies its player's voice by way of a vibrating membrane of goldbeater's skin or material with similar characteristics. There is a smaller version of the kazoo, known as a humazoo. [1]
A kazoo player hums, rather than blows, into the bigger and flattened side of the instrument. [2] The oscillating air pressure of the hum makes the kazoo's membrane vibrate. [2] The resulting sound varies in pitch and loudness with the player's humming. Players can produce different sounds by singing specific syllables such as doo, too, who, or vrrrr into the kazoo.[ citation needed ]
Simple membrane instruments played by vocalizing, such as the onion flute, have existed since at least the 16th century. It is claimed that Alabama Vest, an African-American in Macon, Georgia, invented the kazoo around 1840, although there is no documentation to support that claim. [3] The story originated with the Kaminsky International Kazoo Quartet, a group of satirical kazoo players, which may cast doubt on the veracity of the story, [4] as does the name "Alabama Vest" itself.
In 1879, Simon Seller received a patent for a "Toy Trumpet" that worked on the same principle as a kazoo: "By blowing through the tube A, and at the same time humming a sort of a head sound, a musical vibration is given to the paper covering c over the aperture b, and a sound produced pleasing to the ear." [5] Seller's "toy trumpet" was basically a hollow sheet-metal tube, with a rectangular aperture cut out along the length of the tube, with paper covering the aperture, and a funnel at the end, like the bell of a trumpet. The first documented appearance of a kazoo was that created by an American inventor, Warren Herbert Frost, [3] who named his new musical instrument kazoo in his patent #270,543 issued on January 9, 1883. The patent states, "This instrument or toy, to which I propose to give the name 'kazoo' "..." [6] Frost's kazoo did not have the streamlined, submarine shape of modern kazoos, but it was similar in that the aperture was circular and elevated above the length of the tube. The modern kazoo—also the first one made of metal—was patented by George D. Smith of Buffalo, New York, May 27, 1902. [3] [7]
In 1916, the Original American Kazoo Company in Eden, New York started manufacturing kazoos for the masses in a two-room shop and factory, utilizing a couple of dozen jack presses for cutting, bending and crimping metal sheets. These machines were used for many decades. By 1994, the company produced 1.5 million kazoos per year and was the only manufacturer of metal kazoos in North America. [8] [9] The factory, in nearly its original configuration, is now called The Kazoo Factory and Museum. It is still operating, and it is open to the public for tours. [3]
In 2010, The Kazoo Museum opened in Beaufort, South Carolina with exhibits on kazoo history. [10]
The kazoo is played professionally in jug bands and comedy music, and by amateurs everywhere. It is among the acoustic instruments developed in the United States, and one of the easiest melodic instruments to play, requiring only the ability to vocalize in tune. [3] In North East England and South Wales, kazoos play an important role in juvenile jazz bands. During Carnival, players use kazoos in the Carnival of Cádiz in Spain and in the corsos on the murgas in Uruguay.
In the Original Dixieland Jass Band 1921 recording of Crazy Blues, what the casual listener might mistake for a trombone solo is actually a kazoo solo [3] by drummer Tony Sbarbaro.
Red McKenzie played kazoo in a Mound City Blue Blowers 1929 film short. [11] The Mound City Blue Blowers had a number of hit kazoo records in the early 1920s featuring Dick Slevin on metal kazoo and Red McKenzie on comb and tissue paper (although McKenzie also played metal kazoo). The vocaphone, a kind of kazoo with a trombone-like tone, was occasionally featured in Paul Whiteman's Orchestra. [12] Trombonist-vocalist Jack Fulton played it on Whiteman's recording of Vilia (1931) and Frankie Trumbauer's Medley of Isham Jones Dance Hits (1932). The Mills Brothers vocal group originally started in vaudeville as a kazoo quartet, playing four-part harmony on kazoo with one brother accompanying them on guitar. [13]
The kazoo is rare in European classical music. It does appear in David Bedford's With 100 Kazoos , where, rather than having professionals play the instrument, kazoos are handed out to the audience, who accompany a professional instrumental ensemble. [3] Leonard Bernstein included a segment for kazoo ensemble in the First Introit (Rondo) of his Mass. The kazoo was used in the 1990 Koch International and 2007 Naxos Records recordings of American classical composer Charles Ives' Yale-Princeton Football Game, where the kazoo chorus represents the football crowd's cheering. The brief passages have the kazoo chorus sliding up and down the scale as the "cheering" rises and falls.
In Frank Loesser's score for the 1961 Broadway musical comedy How to Succeed in Business Without Really Trying , several kazoos produce the effect of electric razors used in the executive washroom during a dance reprise of the ballad I Believe in You.
In 1961 Del Shannon's "So Long Baby" issued on Big Top Records featured a kazoo on the instrumental break. In addition to the single release it featured on the UK London American release of his album Hats Off To Del Shannon. Joanie Sommers' 1962 hit single "Johnny Get Angry" featured a kazoo ensemble in its instrumental bridge, as did Dion's hit of the same year, "Little Diane", and Ringo Starr's 1973 cover of "You're Sixteen".
Jesse Fuller's 1962 recording of his song "San Francisco Bay Blues" features a kazoo solo, [14] as does Eric Clapton's 1992 recording of the song on MTV's Unplugged television show and album. On the song "Alligator" on the Grateful Dead album Anthem of the Sun , three members of the band play kazoo together. Many Paolo Conte performances include kazoo passages.
Short kazoo performances appear on many modern recordings, usually for comic effect. For example, in his first album, Freak Out! , Frank Zappa used the kazoo to add comic feel to some songs [3] — including one of his best known, "Hungry Freaks, Daddy". In the song "Crosstown Traffic" from the album Electric Ladyland , Jimi Hendrix used a comb-and-paper instrument to accompany the guitar and accentuate a blown-out speaker sound. [3] [15] The song "Lovely Rita", from the Beatles album Sgt. Pepper's Lonely Hearts Club Band , uses combs-and-paper instruments. [3] [16] Kazoo playing parodied the sound of a military brass band in the Pink Floyd song "Corporal Clegg". [17]
In the McGuinness Flint recording When I'm Dead and Gone , Benny Gallagher and Graham Lyle play kazoos in harmony during the instrumental break. The New Seekers' live track (Ever Since You Told Me That You Loved Me) I'm A Nut features a kazoo solo by singer Eve Graham. British singer-songwriter Ray Dorset, the leader of pop-blues band Mungo Jerry, played the kazoo on many of his band's recordings, as did former member Paul King.
One of the best known kazooists of recent times is Barbara Stewart (1941–2011). [3] Stewart, a classically trained singer, wrote a book on the kazoo, formed the "quartet" Kazoophony, performed kazoo at Carnegie Hall and on the Late Night with Conan O'Brien television show. [3] [18] The steampunk band Steam Powered Giraffe has audience members play kazoos at some of their concerts. They also sell Kazookaphones, a standard kazoo with optional bugle horn and phonograph.
The kazoo is used regularly on the BBC Radio 4 comedy panel game show I'm Sorry I Haven't a Clue , often paired with the swanee whistle in a musical round called "Swanee-Kazoo".
The soundtrack of the film Chicken Run , released in 2000 and composed by John Powell and Harry Gregson-Williams, makes use of kazoos in several pieces. [19]
The theme songs of the children's cartoons Foster's Home for Imaginary Friends , Little Princess , and OOglies feature this instrument heavily.
The video game Yoshi's New Island , released in 2014, has synthesized kazoos in several tracks of its soundtrack. [20]
The video game Plants vs. Zombies 2 , has medieval-styled kazoos in Dark Ages levels.
The video game series Rayman includes kazoos in several tracks from multiple of its games.
The American glam metal band Steel Panther released in December 2014 the Christmas track "The Stocking Song", which includes a kazoo hook from Deck the Halls .
The Australian psychedelic rock band Tame Impala released a single in 2009 "Sundown Syndrome", which includes kazoo rhythmic part.
The Swedish rock band Ghost have performed live acoustic renditions of their song "Ghuleh/Zombie Queen", which features the kazoo in place of the recorded version's keyboards.
The Ukrainian polka band Los Colorados released a cover of Rammstein song "Du Hast", which features a kazoo. [21]
The English indie rock band Arctic Monkeys released a single in 2006 "Settle for a Draw", which includes kazoo solo part.
In November 2010, Sandra Boynton produced and released a full-length 300-kazoo plus orchestra performance of Maurice Ravel's Bolero, titled Boléro Completely Unraveled, performed by the Highly Irritating Orchestra. Boynton played solo kazoo on this recording noting "I am at the perfect level of musical incompetence for this."
On March 14, 2011, the audience at BBC Radio 3's Red Nose Show at the Royal Albert Hall, along with a star-studded kazoo band, set a new Guinness World Record for Largest Kazoo Ensemble. The 3,910 kazooists played Wagner's Ride of the Valkyries and the Dambusters March. [22] This surpassed the previous record of 3,861 players, set in Sydney, Australia, in 2009. [23] The current record of 5,190 was set later the same night in a second attempt. [22]
On August 9, 2010, the San Francisco Giants hosted a Jerry Garcia tribute night, in which an ensemble of an estimated 9,000 kazooists played "Take Me Out to the Ball Game." [24]
The double bass, also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched chordophone in the modern symphony orchestra. Similar in structure to the cello, it has four or five strings.
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony and African rhythmic rituals. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation.
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section ; and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums.
Leon Bismark "Bix" Beiderbecke was an American jazz cornetist, pianist and composer.
The celesta or celeste, also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano, albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovsky's "Dance of the Sugar Plum Fairy" from The Nutcracker.
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands.
A slide whistle is a wind instrument consisting of a fipple like a recorder's and a tube with a piston in it. Thus it has an air reed like some woodwinds, but varies the pitch with a slide. The construction is rather like a bicycle pump. Because the air column is cylindrical and open at one end and closed at the other, it overblows the third harmonic. "A whistle made out of a long tube with a slide at one end. An ascending and descending glissando is produced by moving the slide back and forth while blowing into the mouthpiece." "Tubular whistle with a plunger unit in its column, approximately 12 inches long. The pitch is changed by moving the slide plunger in and out, producing ascending and descending glisses."
Paul Samuel Whiteman was an American bandleader, composer, orchestral director, and violinist.
Eddie Lang was an American musician who is credited as the father of jazz guitar. During the 1920s, he gave the guitar a prominence it previously lacked as a solo instrument, as part of a band or orchestra, and as accompaniment for vocalists. He recorded duets with guitarists Lonnie Johnson and Carl Kress and jazz violinist Joe Venuti, and played rhythm guitar in the Paul Whiteman Orchestra and was the favoured accompanist of Bing Crosby.
A guitar solo is a melodic passage, instrumental section, or entire piece of music, pre-written to be played on a classical, electric, or acoustic guitar. In 20th and 21st century traditional music and popular music such as blues, swing, jazz, jazz fusion, rock and heavy metal, guitar solos often contain virtuoso techniques and varying degrees of improvisation. Guitar solos on classical guitar, which are typically written in musical notation, are also used in classical music forms such as chamber music and concertos.
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
Orie Frank Trumbauer was an American jazz saxophonist of the 1920s and 1930s. His main instrument was the C melody saxophone, a now-uncommon instrument between an alto and tenor saxophone in size and pitch. He also played alto saxophone, bassoon, clarinet and several other instruments.
The Chamberlin is an electro-mechanical keyboard instrument that was a precursor to the Mellotron. It was developed and patented by the American inventor Harry Chamberlin from 1949 to 1956, when the first model was introduced. There are several models and versions of the Chamberlin. While most are keyboard-based, there were also early drum machines produced and sold. Some of these drum patterns feature the work of Chamberlin's son Richard.
The Memphis Jug Band was an American musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard, washtub bass and jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band.
A one-man band is a musician who plays a number of instruments simultaneously using their hands, feet, limbs, and various mechanical or electronic contraptions. One-man bands also often sing while they perform.
Mother McCree's Uptown Jug Champions is an American folk music album. It was recorded live by the band of the same name at the Top of the Tangent coffee house in Palo Alto, California in July, 1964, and released in 1999.
Maxfield Doyle Crook was an American musician, a pioneer of electronic music in pop. He was the featured soloist on Del Shannon's 1961 hit "Runaway", which he co-wrote and on which he played his own invention, the Musitron. He also recorded as Maximilian.
The Carolina Chocolate Drops were an old-time string band from Durham, North Carolina. Their 2010 album, Genuine Negro Jig, won the Grammy Award for Best Traditional Folk Album at the 53rd Annual Grammy Awards, and was number 9 in fRoots magazine's top 10 albums of 2010.
This is a glossary of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered.
A rock band or pop band is a small musical ensemble that performs rock music, pop music, or a related genre. A four-piece band is the most common configuration in rock and pop music. In the early years, the configuration was typically two guitarists, a bassist, and a drummer. Another common formation is a vocalist who does not play an instrument, electric guitarist, bass guitarist, and a drummer. Sometimes, in addition to electric guitars, electric bass, and drums, also a keyboardist plays.
