Electric Ladyland is the third and final studio album by the Jimi Hendrix Experience,released in October 1968. A double album,it was the only record from the Experience with production solely credited to Hendrix.[nb 1] The band's most commercially successful release and its only number one album,it was released by Reprise Records in the United States on October 16,1968,and by Track Records in the UK nine days later. By mid-November,it had reached number 1 on the Billboard Top LPs chart,spending two weeks there. In the UK it peaked at number 6,where it spent 12 weeks on the British charts.
Electric Ladyland includes a cover of Bob Dylan's "All Along the Watchtower",which became the Experience's best-selling single,reaching number six in the UK and number 20 in the United States. Although the album confounded critics upon its release,it has since been viewed as one of Hendrix's best works and one of the greatest albums of all time,being featured on various "greatest albums" lists,including Q's 2003 list of the 100 greatest albums and various editions of Rolling Stone's list of the "500 Greatest Albums of All Time",on which it was ranked 53rd in the 2020 iteration.
Recording and production
The Experience began recording Electric Ladyland at several studios in the United States and UK between July 1967 and January 1968.[5] Recording resumed on April 18,1968,at the newly opened Record Plant Studios in New York City,with Chas Chandler as producer and engineers Eddie Kramer and Gary Kellgren.[6]
Hendrix was famous for his studio perfectionism;he and drummer Mitch Mitchell recorded over 50 takes of "Gypsy Eyes" over three sessions.[7] Hendrix was insecure about his voice and often recorded his vocals hidden behind studio screens. He sang backing vocals himself on the title track and on "Long Hot Summer Night".[8] As recording progressed,Chandler became frustrated with Hendrix's perfectionism and his demands for repeated takes.[9]
Hendrix allowed friends and guests to join them in the studio,which contributed to a chaotic and crowded environment in the control room and led Chandler to sever his professional relationship with Hendrix.[9] Bassist Noel Redding recalled:"There were tons of people in the studio;you couldn't move. It was a party,not a session."[10]
Redding,who had formed his own band in mid-1968,Fat Mattress,found it increasingly difficult to fulfill his commitments with the Experience,so Hendrix played many of the bass parts.[9] The album's cover states that it was "produced and directed by Jimi Hendrix",which disturbed Chandler since he produced some of the songs.[11] The double LP was the only Experience album mixed entirely in stereo.[12]
According to music journalist David Stubbs,Electric Ladyland is "undoubtedly a rock album,albeit rock on the point of evolving into something else."[15]Uncut magazine's John Robinson said that its music reconciles the psychedelic pop of Hendrix's earlier recordings with the aggressive funk he would explore on his 1970 album Band of Gypsys.[16] During its recording,Kramer experimented with innovative studio techniques such as backmasking,chorus effect,echo,and flanging,which AllMusic's Cub Koda said recontextualized Hendrix's psychedelic and funk sounds on the album.[17]
Electric Ladyland is a cross-section of Hendrix's wide range of musical talent. It includes examples of several genres and styles of music:the psychedelic "Burning of the Midnight Lamp",a UK single the previous summer (1967),the extended blues jam "Voodoo Chile",the New Orleans-style R&B of Earl King's "Come On",the epic studio production of "1983... (A Merman I Should Turn to Be)",the social commentary of "House Burning Down",and the Sixties-era Britpop of Noel Redding's "Little Miss Strange". The album also features an electric reworking of the Bob Dylan classic "All Along the Watchtower",which has been well-received by critics as well as by Dylan himself,[18] and also "Voodoo Child (Slight Return)",a staple of both radio and guitar repertoire. Rolling Stone's Holly George-Warren praised "Crosstown Traffic" for its hard rock guitar riff.[19]
"All Along the Watchtower" became the band's top-selling single and their only US top 40 hit,peaking at number 20;it reached number five in the UK.[20] The album also included one of Hendrix's most prominent uses of a wah-wah pedal,on "Burning of the Midnight Lamp",which reached number 18 in the UK charts.[21]
Cover
The outer record sleeve UK cover by the photographer David Montgomery and later Polydor reissue distributed in Europe
Hendrix had written to Reprise describing what he wanted for the cover art,but was mostly ignored. He expressly asked for a color photo by Linda Eastman (later known as Linda McCartney following her marriage with Paul McCartney) of the group sitting with children on the sculpture of Alice in Wonderland in Central Park,and drew a picture of it for reference.[22] The company instead used a blurred red and yellow photo of his head while performing at Saville Theatre,taken by Karl Ferris.[23]
Track Records used its art department,which produced a cover image by photographer David Montgomery,who also shot the inside cover portrait of Hendrix,depicting nineteen nude women lounging in front of a black background.[24] Hendrix expressed initial displeasure and surprise with this "naked lady" cover (but later told Rolling Stone magazine that he "dug it anyway"),[25] much as he was displeased with the Axis:Bold as Love cover,which he found disrespectful.[26] The cover was banned by several record dealers as "pornographic",while others sold it with the gatefold cover turned inside out,or in a brown wrapper.[27]
In France and the Benelux countries,Hendrix's recordings were released by Barclay Records,[28] and Electric Ladyland featured a front cover photograph by Alain Dister,[29] and inner sleeve photographs by Jean-Pierre Leloir and Donald Silverstein.[30]
Electric Ladyland was released in the US on October 16,1968.[31] It was a "hit psychedelic album",Richie Unterberger later wrote,[32] and by mid-November,it had reached number one in the US,spending two weeks atop the pop charts.[33] The double LP was the Experience's most commercially successful release and Hendrix's only number-one album.[34] In the UK,it peaked at number six and charted for 12 weeks.[35]
Electric Ladyland confounded contemporary critics;reviewers praised some of its songs but felt the album lacked structure and sounded too dense.[36]Melody Maker called it "mixed-up and muddled",with the exception of "All Along the Watchtower",which the magazine called a masterpiece.[36] Reviewing for Rolling Stone in 1968,Tony Glover said Hendrix's original songs sometimes sound unstructured and was somewhat disappointed by the "heavy handed guitar" on "1983... (A Merman I Should Turn to Be)" and the science-fiction conclusion to "House Burning Down". Ultimately,Glover appreciated the "energy flow" unifying the songs and described Hendrix as "amazing",adding that Electric Ladyland serves as "an extended look into Hendrix's head,and mostly it seems to have some pretty good things in it (who among us is totally free of mental garbage?)".[37]Robert Christgau was more enthusiastic in Stereo Review,regarding it as an explosive showcase of rock's "most important recent innovation"—the "heavy" guitar aesthetic—and "an integrated work-in-itself in more ways than one". He found the production exceptional—"the best job of stereo for its own sake I know"—and was surprisingly impressed by the quality of the lyrics. While most guitarists in rock believed improvisation to be a straightforward endeavor,Christgau said "Hendrix achieves unique effects,effects you'll never get from Kenny Burrell",citing "Voodoo Chile" as an example.[38] He later named Electric Ladyland the fifth-best album of 1968 in his ballot for Jazz &Pop magazine's critics poll.[39]
Over time,Electric Ladyland's critical standing improved significantly,with author and musicologist John Perry describing it as "one of the greatest double-albums in Rock."[48] According to author Michael Heatley,"most critics agree" that the album was "the fullest realization of Jimi's far-reaching ambitions";Guitar World editor Noe Goldwasser called it his greatest work.[49] The record was also deemed an essential hard rock album in Tom Larson's 2004 book History of Rock and Roll,[50] and Clash reviewer Robin Murray viewed it as a "true classic of the psychedelic rock era".[51] In a retrospective review for Blender,Christgau wrote that it was the definitive work of psychedelic music,[41] describing the record as "an aural utopia that accommodates both ingrained conflict and sweet,vague spiritual yearnings,held together by a master musician".[52] In Charlotte Greig's opinion,much like Are You Experienced,Electric Ladyland was "groundbreaking,introducing audiences to a style of psychedelic rock rooted in the blues".[53]The Washington Post critic Geoffrey Himes names it an exemplary release of the progressive soul development from 1968 to 1973.[54] Author Amy Wallace called the album a "classic of acid rock."[55]
Electric Ladyland has been featured on many greatest album lists,including a number 10 ranking on Classic Rock magazine's list of the 100 Greatest Rock Albums Ever,[56] and number 37 on The Times' 100 Best Albums of All Time.[57] Music journalist and author Peter Doggett argued that it is very likely the greatest rock album of all time because of its exceptional concept,artful melodies,experimentation,and skilled musicianship,which he felt remains unparalleled by any other rock artist.[58] The album was included in "A Basic Record Library" of 1950s and 1960s recordings,published in Christgau's Record Guide:Rock Albums of the Seventies (1981).[59] In 1999,it was inducted into the Grammy Hall of Fame,[60] and in 2000,it was voted number 32 in Colin Larkin's All Time Top 1000 Albums.[61] In 2003,Q magazine named Electric Ladyland as one of the 100 greatest albums.[62]Rolling Stone ranked it 54th in the 2003 edition of its "500 Greatest Albums of All Time" publication[63] and 53rd in the 2020 edition.[64]
Track listing
The original US Reprise and UK Track albums did not list running times for the songs.[65][66] Track lengths are taken from the 1968 International Polydor Production album.[67] Some of the song titles differ slightly between the original US and UK album editions and between the titles shown on the album back cover,the inside liner notes,and the labels on the records themselves;the titles listed here are those shown on the record labels. All songs are written by Jimi Hendrix,except where noted.
As was common with multi-LP albums, sides A and D were pressed back to back on the same platter, likewise sides B and C.[65][66] This was called auto-coupling or automatic sequence and was intended to make it easier to play through the entire album in sequence on automatic record-changers.
A new 50th anniversary edition was released on November 28, 2018. It features Hendrix's originally intended cover, and is available as a box-set with either a Blu-ray disc and 3-CDs or a Blu-ray disc and 6-LPs. The Blu-ray includes a 5.1 surround mix by Eddie Kramer and a high resolution version of the album remaster.[68] The remastering was done by Bernie Grundman from the original master tapes. The box set also features early takes, demos and live concert from September 14, 1968, at the Hollywood Bowl plus a 1997 documentary "At Last...The Beginning: The Making of Electric Ladyland" featuring Chas Chandler, Mitch Mitchell, Noel Redding and Eddie Kramer.
Personnel
Credits taken from the 1993 MCA compact disc liner notes.
The Jimi Hendrix Experience
Jimi Hendrix – vocals, guitars, piano, percussion, electric harpsichord; bass guitar on "Have You Ever Been (To Electric Ladyland)", "Long Hot Summer Night", "Gypsy Eyes", "1983...", "House Burning Down", and "All Along the Watchtower"; comb and tissue paper on "Crosstown Traffic"
Noel Redding – bass guitar, backing vocals on "Crosstown Traffic", "Little Miss Strange", "Come On", "Burning of the Midnight Lamp", and "Voodoo Child (Slight Return)"; acoustic guitar and lead vocals on "Little Miss Strange"
Mitch Mitchell – drums, percussion, backing vocals on all tracks except "Rainy Day, Dream Away" and "Still Raining, Still Dreaming"; lead vocals on "Little Miss Strange"
* Sales figures based on certification alone. ^ Shipments figures based on certification alone.
Notes
1 2 Music critic and author Richie Unterberger writes: "The credit of the album's production to Hendrix did not sit well with Chas Chandler, who had been particularly vital to Hendrix's career, and had indeed produced some of the tracks".[1] Hendrix also received a partial production credit on the US edition of the Experience's Smash Hits for "All Along the Watchtower".[2]
↑ US single released on November 18, 1968: "Crosstown Traffic" with B-side "Gypsy Eyes"; UK single released on April 4, 1969, with slightly different titles: "Cross Town Traffic" with B-side "Gipsy Eyes"
↑ Heatley 2009, p.102: "All Along the Watchtower" was Hendrix's only US top 40 hit single;:Murray 1989, p.51 "All Along the Watchtower" was Hendrix's highest-selling single; Roberts 2005, p.232: peak UK chart position for Hendrix's cover of "All Along the Watchtower"; Whitburn 2010, p.294: peak US chart position for Hendrix's cover of "All Along the Watchtower".
↑ Roberts 2005, p.232: peak UK chart position for "Burning of the Midnight Lamp"; Shadwick 2003, p.118: "Burning of the Midnight Lamp" was Hendrix's first recorded song to feature the use of a wah-wah pedal.
↑ Electric Ladyland. Experience Hendrix/MCA 11600, 1997, liner notes.
↑ Jacqueline Edmondson Ph.D. (ed.) Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture. ABC-CLIO, 2013. p. 548.
Aledort, Andy (1991). Pollock, Bruce; Stix, John (eds.). "Performance notes: Jimi Hendrix, 'All Along the Watchtower'". Guitar Classics IV by Guitar: For the Practicing Musician.
Dister, Alain (1995). Ezy rider: En voyage avec Jimi Hendrix[Ezy rider: On the road with Jimi Hendrix] (in French). France: Seuil. ISBN978-2-0202-2929-6.
Doggett, Peter (2004). Jimi Hendrix: The Complete Guide to his Music. Omnibus. ISBN978-1-84449-424-8.
James Marshall "Jimi" Hendrix was an American guitarist, songwriter and singer. Although his mainstream career spanned only four years, he is widely regarded as the greatest and one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music."
"All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations.
"Purple Haze" is a song written by Jimi Hendrix and released as the second single by the Jimi Hendrix Experience on March 17, 1967, in the United Kingdom. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a psychedelic experience, although Hendrix described it as a love song. It was included as the opening track in the North American edition of the Experience's debut album, Are You Experienced (1967).
Are You Experienced is the debut studio album by the Jimi Hendrix Experience, released in May 1967. The album was an immediate critical and commercial success, and is widely regarded as one of the greatest albums of all time. It features Jimi Hendrix's innovative approach to songwriting and electric guitar playing, which soon established a new direction in psychedelic and rock music as a whole.
Axis: Bold as Love is the second studio album by the Jimi Hendrix Experience. It was first released by Track Records in the United Kingdom on December 1, 1967, only seven months after the release of the group's highly successful debut album, Are You Experienced. In the United States, Reprise Records delayed the release until the following month. The album reached the top ten in the album charts in both countries.
"Little Wing" is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience in 1967. It is a slower tempo, rhythm and blues-inspired ballad featuring Hendrix's vocal and guitar with recording studio effects accompanied by bass, drums, and glockenspiel. Lyrically, it is one of several of his songs that reference an idealized feminine or guardian angel-like figure. At about two and a half minutes in length, it is one of his most concise and melodically focused pieces.
Band of Gypsys is a live album by Jimi Hendrix and the first without his original group, the Jimi Hendrix Experience. It was recorded on January 1, 1970, at the Fillmore East in New York City with Billy Cox on bass and Buddy Miles on drums, frequently referred to as the Band of Gypsys. The album mixes funk and rhythm and blues elements with hard rock and jamming, an approach which later became the basis of funk rock. It contains previously unreleased songs and was the last full-length Hendrix album released before his death six months later.
First Rays of the New Rising Sun is a compilation album credited to American rock musician Jimi Hendrix, issued in April 1997 on MCA Records. Featuring songs mostly intended for his planned fourth studio album, it was one of the first releases overseen by Experience Hendrix, the family company that took over management of his recording legacy. It reached the album charts in the United States, United Kingdom, and four other countries.
"Red House" is a song written by Jimi Hendrix and one of the first songs recorded in 1966 by the Jimi Hendrix Experience. It has the musical form of a conventional twelve-bar blues and features Hendrix's guitar playing. He developed the song prior to forming the Experience and was inspired by earlier blues songs.
"Voodoo Chile" is a song written by Jimi Hendrix and recorded in 1968 for the third Jimi Hendrix Experience album Electric Ladyland. It is based on the Muddy Waters blues song "Rollin' Stone", but with original lyrics and music. At 15 minutes, it is Hendrix's longest studio recording and features additional musicians in what has been described as a studio jam.
"Voodoo Child (Slight Return)" is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience in 1968 that appears as the final track on the groups's third studio album, Electric Ladyland, released that year. It contains improvised guitar and a vocal from Hendrix, backed by Noel Redding on bass and Mitch Mitchell on drums. The song is one of Hendrix's best known; it was a feature of his concert performances throughout his career, and several live renditions were recorded and released on later albums.
The Cry of Love is a posthumous album by American rock singer-songwriter and guitarist Jimi Hendrix. Recorded primarily in 1970, it features new material that Hendrix was working on for his planned fourth studio album before his death later that year. While most of the songs were included on proposed track listings by Hendrix, the final selection was made by recording engineer Eddie Kramer and drummer Mitch Mitchell, with input from manager Michael Jeffery. Hendrix, Kramer, and Mitchell are credited as the album's producers, with Jeffery as the executive producer.
Kiss the Sky is a compilation album by American rock guitarist, singer–songwriter Jimi Hendrix. In the US, it was released by Reprise Records in October 1984 and by Polydor Records in the UK in November 1984. The album's title is taken from the lyrics of "Purple Haze."
Jimi Hendrix (1942–1970) was an American guitarist whose career spanned from 1962 to 1970. His discography includes the recordings released during his lifetime. Prior to his rise to fame, he recorded 24 singles as a backing guitarist with American R&B artists, such as the Isley Brothers and Little Richard. Beginning in late 1966, he recorded three best-selling studio albums and 13 singles with the Jimi Hendrix Experience. An Experience compilation album and half of a live album recorded at the Monterey Pop Festival were also issued prior to his death. After the breakup of the Experience in mid-1969, songs from his live performances were included on the Woodstock: Music from the Original Soundtrack and More and Band of Gypsys albums. A studio single with the Band of Gypsys was also released.
"Mercy, Mercy" is a soul song first recorded by American singer/songwriter Don Covay in 1964. It established Covay's recording career and influenced later vocal and guitar styles. The songwriting is usually credited to Covay and Ron Alonzo Miller, although other co-writers' names have also appeared on various releases.
"1983… " is a song recorded in 1968 for the third studio album, Electric Ladyland, by the Jimi Hendrix Experience. Written and produced by Jimi Hendrix, the song features flute player Chris Wood of the band Traffic, and at over 13 minutes in duration is the second longest track released by the group.
Rainbow Bridge is a compilation album by American rock musician Jimi Hendrix. It was the second posthumous album release by his official record company and is mostly composed of recordings Hendrix made in 1969 and 1970 after the breakup of the Jimi Hendrix Experience. Despite the cover photo and subtitle Original Motion Picture Sound Track, it does not contain any songs recorded during his concert appearance for the 1971 film Rainbow Bridge.
"Crosstown Traffic" is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience for their third album, Electric Ladyland (1968). It was released as a single after "All Along the Watchtower", reaching number 52 on the US Billboard Hot 100 and number 37 on the UK Singles Chart.
Jimi Hendrix (1942–1970) was an American guitarist and singer-songwriter whose career spanned from 1962 to 1970. He appeared in several commercially released films of concerts and documentaries about his career, including two popular 1960s music festival films – Monterey Pop (1968) and Woodstock (1970). A short documentary, Experience (1968), also known as See My Music Talking, was also screened.
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