"Manish Boy" | ||||
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Single by Muddy Waters | ||||
B-side | "Young Fashioned Ways" | |||
Released | June 1955 | |||
Recorded | Chicago, May 24, 1955 | |||
Genre | Blues | |||
Length | 2:55 | |||
Label | Chess | |||
Songwriter(s) |
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Producer(s) | ||||
Muddy Waters singles chronology | ||||
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"Mannish Boy" (or "Manish Boy" as it was first labeled) is a blues standard written by Muddy Waters, Mel London, and Bo Diddley (with Waters and Diddley being credited under their birth names). First recorded in 1955 by Waters, it serves as an "answer song" to Bo Diddley's "I'm a Man", [1] which was in turn inspired by Waters' and Willie Dixon's "Hoochie Coochie Man". [2] "Mannish Boy" features a repeating stop-time figure on one chord throughout the song. [3]
Although the song contains sexual boasting, its repetition of "I'm a man, I spell M, A child, N" was understood as political. Waters had recently left the South for Chicago. "Growing up in the South, Black Americans [would] never be referred to as a man –but as 'boy'. In this context, the song [is] an assertion of black manhood." [4]
Waters recorded the song in Chicago on May 24, 1955. [3] It is his only recording between January 1953 and June 1957 that did not feature Little Walter on harmonica (who was on tour supporting his then-number one hit "My Babe" and thus unavailable for the recording session) and is one of few studio recordings with Junior Wells. [3] Also accompanying Muddy Waters are Jimmy Rogers on guitar, Fred Below on drums, and an unidentified female chorus. [3]
Waters recorded several versions of "Mannish Boy" during his career. In 1968, he recorded it for the Electric Mud album in Marshall Chess' attempt to attract the rock market. After he left Chess, he recorded it for the 1977 Hard Again album which was produced by Johnny Winter. A live version with Winter appears on Muddy "Mississippi" Waters - Live (1979). Waters also performed it at the Band's farewell concert The Last Waltz , and the performance is included in the documentary film of the concert as well as on the film's soundtrack of the same title. [5]
The song reached number five during a stay of six weeks in the Billboard R&B chart. [6] The song was Muddy Waters' only chart appearance on the UK Singles Chart, peaking at number 51 in 1988. [7]
In 1986, Muddy Waters' original "Mannish Boy" was inducted into the Blues Hall of Fame "Classics of Blues Recordings" category. [3] It was also included in the Rock and Roll Hall of Fame's list of the "500 Songs that Shaped Rock and Roll". [8] "Mannish Boy" is ranked number 425 in Rolling Stone magazine's list of the "500 Greatest Songs of All Time". [9] The early David Bowie band, the Mannish Boys, took its name from the song. [10]
Ellas Otha Bates, known professionally as Bo Diddley, was an American guitarist and singer who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, the Beatles, the Rolling Stones, the Animals, George Thorogood, Syd Barrett, and the Clash.
William James Dixon was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.
McKinley Morganfield, known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-World War II blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude".
Muddy Waters (1913–1983) was an American blues artist who is considered a pioneer of the electric Chicago blues and a major influence on the development of blues and rock music. He popularized several early Delta blues songs, such as "Rollin' and Tumblin'", "Walkin' Blues", and "Baby, Please Don't Go", and recorded songs that went on to become blues standards, including "Hoochie Coochie Man", "Mannish Boy", and "Got My Mojo Working". During his recording career from 1941 to 1981, he recorded primarily for two record companies, Aristocrat/Chess and Blue Sky; they issued 62 singles and 13 studio albums.
Chester Arthur Burnett, better known by his stage name Howlin' Wolf, was an American blues singer and guitarist. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock. He is regarded as one of the most influential blues musicians of all time.
Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll, and jazz and comedy recordings, released on the Chess and its subsidiary labels Checker and Argo/Cadet. The Chess catalogue is owned by Universal Music Group and managed by Geffen Records and Universal Music Enterprises.
Marion Walter Jacobs, known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica had a strong impact on succeeding generations, earning him comparisons to such seminal artists as Django Reinhardt, Charlie Parker and Jimi Hendrix. His virtuosity and musical innovations fundamentally altered many listeners' expectations of what was possible on blues harmonica. He was inducted into The Rock and Roll Hall of Fame in 2008, the first and, to date, only artist to be inducted specifically as a harmonica player.
Checker Records is a defunct record label that was started in 1952 as a subsidiary of Chess Records in Chicago, Illinois. The label was founded by the Chess brothers, Leonard and Phil, who ran the label until they sold it to General Recorded Tape (GRT) in 1969, shortly before Leonard's death.
Bo Diddley is the debut album by American rock and roll musician Bo Diddley. It collects several of his most influential and enduring songs, which were released as singles between 1955 and 1958. Chess Records issued the album in 1958. In 2012, it was ranked number 216 on Rolling Stone's 500 Greatest Albums of All Time list alongside his second album, Go Bo Diddley (1959). The ranking of the album pair dropped to number 455 in the 2020 update of the list.
"Rollin' Stone" is a blues song recorded by Muddy Waters in 1950. It is his interpretation of "Catfish Blues", a Delta blues that dates back to 1920s Mississippi. "Still a Fool", recorded by Muddy Waters a year later using the same arrangement and melody, reached number nine on the Billboard R&B chart. "Rollin' Stone" has been recorded by a variety of artists.
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955. Inspired by an earlier blues song, it was one of his first hits. "I'm a Man" has been recorded by a variety of artists, including the Yardbirds, who adapted it in an upbeat rock style.
"Bo Diddley" is a song by American rock and roll pioneer Bo Diddley. It introduced the rhythm that became known as the Bo Diddley beat and topped the Billboard R&B chart for two weeks in 1955. The song is included on many of Diddley's compilation albums including Bo Diddley (1958) and His Best (1997). Buddy Holly recorded a version that became his highest-charting single in the UK.
"Hoochie Coochie Man" is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter.
"Rock Me Baby" is a blues standard that has become one of the most recorded blues songs of all time. It originated as "Rockin' and Rollin'", a 1951 song by Lil' Son Jackson, itself inspired by earlier blues. Renditions by Muddy Waters and B.B. King made the song well-known. When B.B. King's recording of "Rock Me Baby" was released in 1964, it became his first single to reach the Top 40 in Billboard magazine's Hot 100 chart.
Go Bo Diddley is the second album by American rock and roll musician Bo Diddley, released in July 1959. The album was Bo's first studio album that included some material that hadn't been prereleased on singles, and his first LP for Checker Records. In 2003, Rolling Stone ranked it number 214 on its The 500 Greatest Albums of All Time, and 216 in a 2012 revised list.
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm.
Mel London was an American songwriter, record producer, and record label owner. He was active in the Chicago blues and R&B scenes in the 1950s and 1960s. London is best known for his compositions for Chicago blues artists Howlin' Wolf, Muddy Waters, Elmore James, and Junior Wells as well as being the record producer and owner of Chief Records.
"Trouble" is a blues song written by Jerry Leiber and Mike Stoller, originally performed by Elvis Presley in 1958 and covered by a number of artists in later years.
"Diddley Daddy" is a song by Bo Diddley. The song was issued as a single on Checker Records in June 1955. His second single, it followed on the heels of the success of the eponymous "Bo Diddley." The song spent four weeks on the Billboard R&B chart in the summer of 1955, peaking at No. 11.
"No Money Down" is a song written and recorded by Chuck Berry in December 1955. The recording session at Universal Recording Corporation was organized by Chess Records following the success of "Maybellene" and "Wee Wee Hours" singles the same year. "No Money Down" was first released as a single in January 1956, with "Down Bound Train" on the B-side, reaching number 8 in the Billboard R&B chart. The song was later included into Chuck Berry's 1957 album After School Session.