The Real Folk Blues | ||||
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Compilation album by | ||||
Released | January 1965 [1] | |||
Recorded | September 1947 – 1964 [2] [3] [4] [5] in Chicago, Illinois | |||
Genre | Chicago blues, folk blues | |||
Length | 34:02 [5] | |||
Label | Chess | |||
Producer | Marshall Chess [6] | |||
Muddy Waters chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [5] |
Record Mirror | [7] |
The Real Folk Blues is a 1965 compilation album of Muddy Waters recordings, released on the Chess record label in January 1965. The album was the first release of The Real Folk Blues series and has since been re-released in multiple formats. The album features some of Waters' first recordings.
The cover art photography and design on The Real Folk Blues was done by Don S. Bronstein and the sleeve notes for the original album were done by Willie Dixon. On a reissue of the album, new liner notes were authored by Cary Baker. [6]
Muddy Waters started out recording for Aristocrat Records in 1947, a precursor of Chess Records. These early recordings feature him alongside Ernest "Big" Crawford. [5] Later when Leonard and Phil Chess took over the record label, Muddy used a more electric backing band featuring members such as Little Walter. PopMatters Marshall Bowden explained "Muddy's last R&B chart hit with Chess came in 1958 ... he was no longer a popular recording artist. Chess looked about for a way to promote the singer to a young generation, and hit upon the folk music craze that was taking place. Muddy Waters, Folk Singer was released in 1964, and in 1966 The Real Folk Blues came out. The tracks included were a collection of Muddy's work, including his very first single for Aristocrat, "Gypsy Woman" (1947) as well as things he had recorded in the early '60s. This meant that some of the songs came from the deep rural blues tradition (the "folk" aspect) while others were much more urban, demonstrating the influential sound that Waters had been spreading around since his arrival in Chicago". [8]
In 2017, the album was inducted in to the Blues Hall of Fame in the category of 'Classics of Blues Recordings – Album'. [9]
All tracks written by Muddy Waters, except when indicated.
The following people contributed to The Real Folk Blues [2] [3] [4] [6]
McKinley Morganfield, known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-World War II blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude".
Muddy Waters (1913–1983) was an American blues artist who is considered a pioneer of the electric Chicago blues and a major influence on the development of blues and rock music. He popularized several early Delta blues songs, such as "Rollin' and Tumblin'", "Walkin' Blues", and "Baby, Please Don't Go", and recorded songs that went on to become blues standards, including "Hoochie Coochie Man", "Mannish Boy", and "Got My Mojo Working". During his recording career from 1941 to 1981, he recorded primarily for two record companies, Aristocrat/Chess and Blue Sky; they issued 62 singles and 13 studio albums.
Chicago blues is a form of blues music that developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but is performed in an urban style. It developed alongside the Great Migration of African Americans of the first half of the twentieth century. Key features that distinguish Chicago blues from the earlier traditions, such as Delta blues, is the prominent use of electrified instruments, especially the electric guitar, and especially the use of electronic effects such as distortion and overdrive.
Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll, and jazz and comedy recordings, released on the Chess and its subsidiary labels Checker and Argo/Cadet. The Chess catalogue is owned by Universal Music Group and managed by Geffen Records and Universal Music Enterprises.
Aristocrat Records, sometimes billed as the Aristocrat of Records, was founded in April 1947 by Charles and Evelyn Aron, together with their partners Fred and Mildred Brount and Art Spiegel. By September Leonard Chess had invested in the young record company. Over time, Leonard bought the others out, and by 1948, only he and Evelyn Aron ran the firm. By early 1950 Leonard and his brother Phil had become the sole owners, and in June of that year they changed the company's name from Aristocrat to Chess Records. The Aristocrat brand was officially discontinued in January 1951.
Hindu Love Gods is the only album by American band Hindu Love Gods, which was released in 1990. The album was recorded around the same time as Warren Zevon's album Sentimental Hygiene, for which Zevon had enlisted Bill Berry, Peter Buck and Mike Mills of R.E.M. as players. The musicians also recorded this set of songs, mainly cover versions of old blues tunes, reputedly during late-night drunken recording sessions, not originally intending them for release.
"You Shook Me" is a 1962 blues song recorded by Chicago blues artist Muddy Waters. Willie Dixon wrote the lyrics and Earl Hooker provided the instrumental backing; the song features Waters' vocal in unison with Hooker's slide-guitar melody. "You Shook Me" became one of Muddy Waters' most successful early-1960s singles and has been interpreted by several blues and rock artists.
"Mannish Boy" is a blues standard written by Muddy Waters, Mel London, and Bo Diddley. First recorded in 1955 by Waters, it serves as an "answer song" to Bo Diddley's "I'm a Man", which was in turn inspired by Waters' and Willie Dixon's "Hoochie Coochie Man". "Mannish Boy" features a repeating stop-time figure on one chord throughout the song.
Folk Singer is the fourth studio album by Muddy Waters, released in January 1964 by Chess Records. The album features Waters on acoustic guitar, backed by Willie Dixon on string bass, Clifton James on drums, and Buddy Guy on acoustic guitar. It is Waters's only all-acoustic album. Numerous reissues of Folk Singer include bonus tracks from two subsequent sessions, in April 1964 and October 1964.
Albert Luandrew, known as Sunnyland Slim, was an American blues pianist who was born in the Mississippi Delta and moved to Chicago, helping to make that city a center of postwar blues.
"Hoochie Coochie Man" is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter.
Hard Again is a studio album by American blues singer Muddy Waters. Released on January 10, 1977, it was the first of his albums produced by Johnny Winter. Hard Again was Waters's first album on Blue Sky Records after leaving Chess Records and was well received by critics.
"Forty Days and Forty Nights" is a blues song recorded by Muddy Waters in 1956. Called "a big, bold record", it spent six weeks in the Billboard R&B chart, where it reached number seven. "Forty Days and Forty Nights" has been interpreted and recorded by a variety of artists.
The Best of Little Walter is the first LP record by American blues performer Little Walter. First released in 1958, the compilation album contains ten Little Walter songs that appeared in the Top 10 of the Billboard R&B chart from 1952 to 1955, plus two B-sides. The album was first released by Checker Records as LP-1428, which was the first LP record released by Checker, and then released on Chess Records with the same catalog number.
The Best of Muddy Waters is a greatest hits album by Muddy Waters released by Chess Records in April 1958. The twelve songs were originally issued as singles between 1948 and 1954 and most appeared in Billboard magazine's top 10 Rhythm & Blues Records charts.
Rollin' Stone: The Golden Anniversary Collection is a compilation album collecting the first 50 master recordings of blues singer Muddy Waters for Chess Records. The collection spans Muddy's debut with then named Aristocrat Records circa 1947, and traces his evolution as a songwriter and musician up to September 17, 1952 on what became Chess Records after the company changed ownership. It is the first in a series of releases chronicling Muddy Waters' complete recording career at Chess. The second release in the series is Hoochie Coochie Man: The Complete Chess Masters, Volume 2, 1952–1958 (2004) and the third release in the series is You Shook Me: The Complete Chess Masters, Volume 3, 1958 to 1963 (2012).
Fathers and Sons is the seventh studio album by the American blues musician Muddy Waters, released as a double LP by Chess Records in August 1969.
The London Muddy Waters Sessions is a studio album by Muddy Waters, released in 1972 on Chess Records. A follow-up to 1971's The London Howlin' Wolf Sessions, the concept was to combine American bluesmen with British blues/rock stars. The album was an attempt to capitalise on the increasing popularity of traditional blues music and blues artists in Britain.
Live at Mister Kelly's, often stylized as "Live" , is a live album by blues musician Muddy Waters released by the Chess label in 1971.
More Real Folk Blues is an album compiling singles recorded by blues musician Muddy Waters between 1948 and 1953 that was released by the Chess label in 1967.