"You Need Love" | ||||
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Single by Muddy Waters | ||||
B-side | "Little Brown Bird" | |||
Released | 1962 | |||
Recorded | Chicago, July & October 12, 1962 [1] | |||
Genre | Blues | |||
Length | 2:35 | |||
Label | Chess | |||
Songwriter(s) | Willie Dixon | |||
Producer(s) | ||||
Muddy Waters singles chronology | ||||
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"You Need Love" is a song with lyrics written by American blues musician Willie Dixon. The instrumentation was recorded first by slide guitarist Earl Hooker and backing musicians, then Chicago blues artist Muddy Waters overdubbed vocals, and Chess Records released it as a single in 1962.
The song has since been covered by other artists, including the Small Faces, retitled "You Need Loving". Led Zeppelin subsequently adapted aspects from both renditions for their 1969 hit "Whole Lotta Love", which prompted Dixon to file a lawsuit against them in 1985, after his daughter heard it. [2] [3] [4] [5]
Similar to his previous single, "You Shook Me", Muddy Waters dubbed his vocals onto a backing track, a formula also followed for "Little Brown Bird" and "Black Angel". [6] Chess Records owner Leonard Chess contacted blues slide guitarist Earl Hooker to record tunes for a new record by Waters in July 1962. While Waters was away on tour in Ohio, Hooker and the group cut three instrumental backing tracks. [7] There are different accounts of who the instrumentalists were, other than Hooker and organist Big Moose Walker. On October 12, 1962, Waters overdubbed his vocals. [8] Of the three recordings cut that day, "Black Angel" remains unissued.
The vocals are apparently derived from several earlier songs by Waters, such as "Rollin' Stone", "Still a Fool" and "She's Alright". [9] The song is based on a guitar riff in the key of E minor. [9] Marie Dixon, Willie Dixon's wife insists that the songs is specially about her:
I felt that was more close to me that he wrote is “You Need Love.” If you listen to those words, I feel that. 'You’re frettin’, I’m pettin’, you need love' that would be more soothing to me, more fitting to me that he wrote. And he had a way of speaking to you through his songs. And I feel that that may have been the one. I’ve always said that that was the one he sort of built the story around me.
— Marie Dixon, Willie Dixon: Preacher of the Blues pg. 193
Chess first released the song on a 7-inch single, backed with "Little Brown Bird" in 1962. Although a November 10, 1962, review in Billboard indicated its sales potential, [10] the single failed to reach the magazine's charts. In the United Kingdom, the single was subsequently withdrawn and replaced by a four-track EP with "Little Brown Bird", "You Shook Me" and "Muddy Waters Twist". The EP was a favorite of Jimmy Page and Jeff Beck during their teenage years. [11]
Additional musicians may include: [1] [8] [12]
"You Need Loving" | |
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Song by Small Faces | |
from the album Small Faces | |
Released | May 11, 1966 |
Recorded | February 1966 |
Studio | IBC, London |
Genre | |
Length | 3:56 |
Label | Decca |
Songwriter(s) |
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Producer(s) | |
Audio sample | |
"You Need Loving" |
Three years after its initial release, London band Small Faces released the track as "You Need Loving" for their eponymous debut album in 1966. [2] [13] The tune, which was a largely improvisational jam by the group, had been a part of their live repertoire along with other rhythm and blues songs since they formed, and was therefore popular with the mod subculture of the 1960s. [14] At the time, their setlist consisted of about five songs, two originals by Steve Marriott and Ronnie Lane, "E Too D and "Come On Children". The remaining songs were "Ooh Poo Pah Doo", "Baby Don't You Do It" and "You Need Love". [4] It is also noteworthy for 19-year old Marriott's raw vocals, one of his most well known characteristics. [15] [16]
It was fantastic, I loved it, Muddy Waters recorded it but I couldn't sing like Muddy Waters so it wasn't that much of a nick. I was a high range and Muddy was a low range so I had to figure out how to sing it. So I did and that was our opening number for all the years we were together. Every time we were on stage that was our opening number, unless we had a short set.
— Steve Marriott, Steve Marriott: All Too Beautiful... pg. 78
The opening verse of the Muddy Waters' original was not included anywhere in "You Need Loving", with the Small Faces adding their own bits instead, such as "Eeny, meeny, miny, moe" and "I can't monkey and I can't dog. Can't do the monkey, yeah"
You've got yearnin' and I got burnin'
Baby you look so, ho, sweet and cunnin'
Baby way down inside, woman you need love
Woman you need love, you've got to have some love— First verse, Muddy Waters, "You Need Love", 1962
In fact, the majority of the track was re-written in order to better fit Marriott's style of singing. The first verse was completely remade by replacing it with an altered version of the last verse found in "You Need Love":
Woah you foolin'
Come and get coolin'
I'm gonna send you right back to school, alright
Make your way down the new side girl
You know how woman, you need lovin', lovin', alright— First verse, Small Faces, "You Need Loving", 1966
Despite containing several verses found in the original, it is only credited to Marriott and Ronnie Lane on original 1966 pressings of the group's debut album. [17] Allegedly, this was a business tactic used by Small Faces manager Don Arden in order to get more royalties. In fact, Arden kept the royalties himself, with the band earning only £20 a week, despite multiple top ten entries on the UK Singles Chart. [18] Dixon did not sue Arden or the band, because he did not know of its existence. [19] On most later reissues of the album, Dixon is credited as a songwriter. The group recorded the song live for Saturday Club and can be found on the compilation album The BBC Sessions. [20]
In 1969, Led Zeppelin recorded "Whole Lotta Love", a song with some similar lyrics and melody line. It was largely conceived by Jimmy Page, but is credited to the entire band. [21] Lyrically however, the song refers to "You Need Love" [22]
You need cooling
Baby I'm not fooling
I'm gonna send ya
Back to schoolin'— Led Zeppelin, "Whole Lotta Love", 1969
Vocally, lead singer Robert Plant phrases the song in the style of Marriott, similar to "You Need Loving". [5] [16] [23] Marriott said, "He sang it the same, phrased it the same, even the stops at the end were the same". [24] [25] Marriott said both Page and Plant attended Small Faces concerts: "That’s where Jimmy Page and Robert Plant heard it. Robert Plant used to follow us around. He was like a fan." [26] [27]
Plant eventually apologised to Marriott in a backstage encounter during the 1970s. [13] However, Marriott liked "Whole Lotta Love", and the first time he heard it he reportedly shouted "Go on, my son!" [28] In 1985, Dixon filed a lawsuit against the group after his daughter brought it to his attention. [19] [9] [16]
I ultimately learned ... about the “Whole Lotta Love,” because I was typing those songs, and he taught me to write music. So I immediately could recognize one of his songs. He taught me the lyric structure and he taught me the music. So, you know, it became obvious to me after a while listened and listened. I was at girlfriend’s house, and the song came on the radio. And I said, “You know what? That’s my dad’s song.” And she says, "The song is probably as old as you are (I was thirteen, then), and let’s see I’ve got the album,” she said, “If they’ve got your dad’s name on it ..." She said to me, “Well, they’ve got another song on here that your dad wrote, "I Can't Quit You Baby", but that’s ["Whole Lotta Love"] not his song. I said, "Oh, yes it is." And she said, "Have you ever heard him singing it?" I said, "No, I haven’t, but he taught me how to write. And I see a similar pattern, either he wrote it or it’s twained [sic], and that’s why."
— Shirli Dixon, Willie Dixon: Preacher of the Blues pg. 193
The case was eventually settled out of court and on all reissues of Led Zeppelin II , Dixon is credited as a co-writer on the track. [29] [16] [30] Page has repeatedly objected to claims that the composition was plagiarized, insisting that only the lyrics were. [31]
Some people said later that “Whole Lotta Love” was based on Willie Dixon’s “You Need Love” and the Small Faces’ “You Need Loving”. My riff –the basis for the entire song –sounds nothing like either of them. Robert had referenced the Dixon lyrics because with my riff, they felt right. This eventually forced us to give Dixon a cocredit on our song. But if you take Robert’s vocal out, there’s no musical reference to either song.
— Marc Myers, How one of Led Zeppelin's greatest hits was made, Business Insider
Plant later complained, [22] [32]
Page's riff was Page's riff. It was there before anything else. I just thought, 'well, what am I going to sing?' That was it, a nick. Now happily paid for. At the time, there was a lot of conversation about what to do. It was decided that it was so far away in time and influence that ... well, you only get caught when you're successful. That's the game.
— Robert Plant, Musician Issue 135-140. p. 45
William James Dixon was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.
McKinley Morganfield, known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-World War II blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude".
Chicago blues is a form of blues music that developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but is performed in an urban style. It developed alongside the Great Migration of African Americans of the first half of the twentieth century. Key features that distinguish Chicago blues from the earlier traditions, such as Delta blues, is the prominent use of electrified instruments, especially the electric guitar, and especially the use of electronic effects such as distortion and overdrive.
"Whole Lotta Love" is a song by the English rock band Led Zeppelin. It is the opening track on the band's second album, Led Zeppelin II, and was released as a single in 1969 in several countries; as with other Led Zeppelin songs, no single was released in the United Kingdom. In the United States, it became their first hit and was certified gold. Parts of the song's lyrics were adapted from Willie Dixon's "You Need Love", recorded by Muddy Waters in 1962; originally uncredited to Dixon, a lawsuit in 1985 was settled with a payment to Dixon and credit on subsequent releases.
Earl Zebedee Hooker was a Chicago blues guitarist known for his slide guitar playing. Considered a "musician's musician", he performed with blues artists such as Sonny Boy Williamson II, Junior Wells, and John Lee Hooker and fronted his own bands. An early player of the electric guitar, Hooker was influenced by the modern urban styles of T-Bone Walker and Robert Nighthawk. He recorded several singles and albums as a bandleader and with other well-known artists. His "Blue Guitar", a slide guitar instrumental single, was popular in the Chicago area and was later overdubbed with vocals by Muddy Waters as "You Shook Me".
"You Shook Me" is a 1962 blues song recorded by Chicago blues artist Muddy Waters. Willie Dixon wrote the lyrics and Earl Hooker provided the instrumental backing; the song features Waters' vocal in unison with Hooker's slide-guitar melody. "You Shook Me" became one of Muddy Waters' most successful early-1960s singles and has been interpreted by several blues and rock artists.
"I Can't Quit You Baby" is blues song written by Willie Dixon and first recorded by Chicago blues artist Otis Rush in 1956. It is a slow twelve-bar blues ensemble piece, with lyrics about the consequences of an adulterous relationship which is difficult to end.
At Newport 1960 is a live album by Muddy Waters recorded during his performance at the Newport Jazz Festival on July 3, 1960. With his longtime backup band, Muddy Waters plays a mix of his older popular tunes and some newer compositions. Chess Records released the album in the United States on November 15, 1960.
The Anthology: 1947–1972 is a double compilation album by Chicago blues singer and guitarist Muddy Waters. It contains many of his best-known songs, including his R&B single chart hits "I'm Your Hoochie Coochie Man", "Just Make Love to Me ", and "I'm Ready". Chess and MCA Records released the set on August 28, 2001.
"Hoochie Coochie Man" is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter.
Small Faces is the debut album of Small Faces, released in May 1966 by Decca Records. It includes the hit singles "Whatcha Gonna Do About It" and "Sha-La-La-La-Lee". The album was well received by music critics and was popular with the public, rising to number 3 on the UK album chart remaining at the top for several weeks. It also reached number 8 in Finland.
"Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat. It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. In 1965, Dixon and Leonard Chess persuaded Koko Taylor to record it for Checker Records, a Chess subsidiary. Taylor's rendition quickly became a hit, reaching number thirteen on the Billboard R&B chart and number 58 on the pop chart. "Wang Dang Doodle" became a blues standard and has been recorded by various artists. Taylor's version was added to the United States National Recording Registry in 2023.
Getting to the Point is the second studio album by the British blues rock band Savoy Brown. It marks the debut of a vastly different lineup, still led by Kim Simmonds but fronted by new vocalist Chris Youlden.
"I'm Ready" is a blues song written by Willie Dixon and first recorded by Muddy Waters in 1954. It was a hit, spending nine weeks on the Billboard R&B chart where it reached number four. The song became a blues standard and has been compared to "Hoochie Coochie Man", the standard also written by Dixon that Waters recorded earlier in 1954.
The Best of Muddy Waters is a greatest hits album by Muddy Waters released by Chess Records in April 1958. The twelve songs were originally issued as singles between 1948 and 1954 and most appeared in Billboard magazine's top 10 Rhythm & Blues Records charts.
Super Blues is a 1967 studio album by a blues supergroup consisting of Bo Diddley, Muddy Waters, and Little Walter. The album was released in both mono and stereo formats by Checker Records in June 1967. A follow-up album The Super Super Blues Band was released later that year and featured Howlin' Wolf replacing Little Walter.
The BBC Sessions is the second live album by the British rock group Small Faces, released on 15 November 1999 on Strange Fruit Records. It is a collection of recordings the group made for the BBC. While mostly being made up of tracks recorded for Saturday Club in 1966, it also features three songs recorded for Top Gear in 1968. Accompanying these tracks are four interviews with Steve Marriott, and one featuring Kenney Jones.
McKinley Morganfield A.K.A. Muddy Waters is a compilation album by blues musician Muddy Waters featuring tracks recorded between 1948 and 1953 released by the Chess label in 1971.