Soul Dressing | ||||
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Studio album by | ||||
Released | March 1965 | |||
Recorded | 1963-1964 | |||
Studio | Stax Recording Studio, Memphis | |||
Genre | Soul-funk, soul jazz, R&B, instrumental rock | |||
Length | 31:05 | |||
Label | Stax/Atlantic | |||
Producer | Jim Stewart | |||
Booker T. & the M.G.'s chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [2] |
MusicHound Rock: The Essential Album Guide | [3] |
The Rolling Stone Album Guide | [4] |
Soul Dressing is the second album by the Southern soul band Booker T. & the M.G.'s, released in 1965. [2] It was their final album with bassist Lewie Steinberg, who was replaced by Donald "Duck" Dunn. [5] [6]
The title track peaked at No. 95 on the Billboard Hot 100. [7]
The Guardian deemed the album "a classic," writing that it was part of a run of albums that "delighted mods and still represent the epitome of subtle soulfulness." [8]
The track "Plum Nellie" was recorded by British rock band Small Faces in 1966, and released on their compilation album From the Beginning in 1967.[ citation needed ]
All songs written by Steve Cropper, Al Jackson Jr., Booker T. Jones, and Lewie Steinberg, unless noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Soul Dressing" | 2:28 | |
2. | "Tic-Tac-Toe" | 2:34 | |
3. | "Big Train" | 2:32 | |
4. | "Jellybread" | 2:32 | |
5. | "Aw' Mercy" | 2:38 | |
6. | "Outrage" | Cropper, Jackson, Steinberg, William Allan | 2:35 |
Total length: | 15:19 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Night Owl Walk" | 3:14 | |
2. | "Chinese Checkers" | 2:29 | |
3. | "Home Grown" | 3:14 | |
4. | "Mercy Mercy" | Don Covay, Ronald Alonzo Miller | 2:36 |
5. | "Plum Nellie" | 2:07 | |
6. | "Can't Be Still" | 1:59 |
Booker T. & the M. G.'s
Additional personnel
Booker T. & the M.G.'s were an American instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era. By the mid-1960s, bands on both sides of the Atlantic were trying to sound like Booker T. & the M.G.'s.
Green Onions is the debut album by Booker T. & the M.G.'s, released on Stax Records in October 1962. It reached number 33 on the pop album chart in the month of its release. The title single was a worldwide hit and has been covered by dozens of artists, including the Blues Brothers and Roy Buchanan, as well as The Ventures, Al Kooper, The Shadows, Mongo Santamaría, Deep Purple and Count Basie.
Steven Lee Cropper, sometimes known as "The Colonel", is an American guitarist, songwriter and record producer. He is the guitarist of the Stax Records house band, Booker T. & the M.G.'s, which backed artists such as Otis Redding, Sam & Dave, Carla Thomas, Rufus Thomas and Johnnie Taylor. He also acted as the producer of many of these records. He was later a member of the Blues Brothers band. Rolling Stone magazine ranked him 36th on its list of the 100 greatest guitarists of all time, while he has won two Grammy Awards from his seven nominations.
Donald "Duck" Dunn was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.'s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Bill Withers, Elvis Presley and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s. He is ranked number 40 on Bass Player magazine's list of "The 100 Greatest Bass Players of All Time".
The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.
Born Under a Bad Sign is the second compilation album by American blues musician Albert King, released in August 1967 by Stax Records. It features eleven electric blues songs that were recorded from March 1966 to June 1967, throughout five different sessions. King played with two in-house bands: Booker T. & the M.G.'s and the Memphis Horns. Although the album failed to reach any music chart, it did receive positive reviews from music critics and is often cited as one of the greatest blues albums ever made. Born Under a Bad Sign influenced many guitarists, including Eric Clapton, Mike Bloomfield, Jimi Hendrix, and Stevie Ray Vaughan. Born Under a Bad Sign has been recognized by several music institutions, and has been inducted into the Blues Foundation Hall of Fame, the Grammy Hall of Fame, and the National Recording Registry.
The Great Otis Redding Sings Soul Ballads, simply referred to as Soul Ballads or Sings Soul Ballads, is the second studio album by American soul singer-songwriter Otis Redding, released in 1965. The album was one of the first issued by Volt Records, a sub-label of Stax Records, and Redding's first on the new label. Like Redding's debut Pain in My Heart (1964), Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mix made by engineer Tom Dowd, replacing the early mono mix.
"I've Been Loving You Too Long" is a soul music ballad written by Otis Redding and Jerry Butler. Considered by music critics and writers to be one of Redding's finest performances and a soul classic, it is a slow, emotional piece with Redding's pleading vocals backed by producer Steve Cropper's arpeggiated guitar parts and a horn section.
Historic Performances Recorded at the Monterey International Pop Festival is a live album recorded at the Monterey Pop Festival in June 1967. A split artist release, it documents performances by the Jimi Hendrix Experience on side one and Otis Redding on side two.
And Now! is the third studio album by the Southern soul band Booker T. & the M.G.'s, released in November 1966. It is notable as the first M.G.'s album featuring bassist Duck Dunn on every track. “My Sweet Potato” was the only track released as a single, with “Booker Loo” as its B-side. “Summertime” was released in 1967 as the B-side to the song “Hip Hug-Her”.
Back to Back is a live album by the Mar-Keys and Booker T & the M.G.'s, released on Stax Records in 1967. It features both groups playing live on the Stax/Volt package tour of Europe. The album peaked at number 98 on the Billboard 200 album chart in the United States.
Melting Pot is a 1971 studio album recorded by Booker T. & the M.G.'s for Stax Records. It is the last album to feature the group's classic lineup of Jones, Cropper, Dunn, and Jackson and the first of their albums to contain longer, jam-oriented compositions.
"Green Onions" is an instrumental composition recorded in 1962 by Booker T. & the M.G.'s. Described as "one of the most popular instrumental rock and soul songs ever" and as one of "the most popular R&B instrumentals of its era", the tune is a twelve-bar blues with a rippling Hammond M3 organ line by Booker T. Jones that he wrote when he was 17, although the actual recording was largely improvised in the studio.
Dreams to Remember: The Otis Redding Anthology is a 1998 compilation album by American soul singer-songwriter Otis Redding. Advertised as a stopgap between the greatest hits album Very Best Of and the boxset Otis! The Definitive Otis Redding, this two-disc album offers most of Redding's greatest hits, a few album tracks and 5 live recordings taken from The Monterey International Pop Festival.
Soul Men is an album by the R&B duo Sam & Dave, released in 1967. It reached #5 on the Billboard "Black Album" chart and #62 on the "Pop Album" chart. The album launched the hit single "Soul Man", which peaked at #1 on the "Black Singles" chart and #2 on the "Pop Singles" chart. The song won Sam & Dave a Grammy in 1967 for "Best R&B Group, Vocal or Instrumental".
"These Arms of Mine" is a song written by soul musician Otis Redding. Redding was at that time a member of Pat Teacake's Band, consisting of lead guitarist Johnny Jenkins, bassist Pat Teacake and vocalist/songwriter Redding, who also served as driver for Jenkins, who did not have a driver's license. Atlantic Records artist representative Joe Galkin showed interest in Jenkins and proposed to send him to a studio. On the way to a gig, Redding had the opportunity to perform the songs "Hey Hey Baby" and "These Arms of Mine" as Jenkins and house band Booker T. & the M.G.'s ended their sets earlier than scheduled.
Love Man is the third posthumous album by American soul recording artist Otis Redding. It was released in June 1969 and featured songs Redding had recorded in 1967. The album was produced by Steve Cropper, and featured Booker T. and the M.G.'s.
Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The first side of the album mainly contains cover versions, and the second songs mainly written by Redding.
Basie's in the Bag is an album by pianist and bandleader Count Basie and His Orchestra featuring performances of contemporary popular tunes recorded in 1967 and released on the Brunswick label.
Uniquely Mancini: The Big Band Sound of Henry Mancini is an album by Henry Mancini and His Orchestra. It was released in 1963 on RCA Victor.