Cropper and guitarist Charlie Freeman formed the Royal Spades, who eventually became the Mar-Keys.[7] The name referred to the marquee outside Stax studios, known as Satellite Records at the time. Eventually, the Mar-Keys began playing on sessions and had a hit single of their own with "Last Night" in 1961.
At this time, Cropper's fame was not limited to the United States. The Beatles favored Cropper's playing, and his production on Otis Redding records. John Lennon and Paul McCartney made tentative plans to record in Memphis and to work with the guitarist. However Brian Epstein canceled the sessions, citing security problems.[9] Regarding this period, Rob Bowman, in his book Soulsville U.S.A.: The Story of Stax Records, quoted Booker T. Jones as saying:
We were writing sounds too, especially Steve. He's very sound-conscious and he gets a lot of sounds out of a Telecaster without changing any settings — just by using his fingers, his picks and his amps.
By 1975, Cropper had moved to Los Angeles and along with Jones, Jackson and Dunn, reformed Booker T. & the M.G.'s. Jackson, whom Cropper called "the greatest drummer to ever walk the Earth," was murdered in his Memphis home before the group could make their comeback. In 1978, Cropper and Dunn became members of Levon Helm's RCO All-Stars and then went on to figure prominently in the Blues Brothers Band with drummer Willie Hall. This led to two albums, appearances in the movies Blues Brothers and Blues Brothers 2000, and the movies' soundtracks. Cropper also re-recorded "(Sittin' On) The Dock of the Bay" (1979) for Sammy Hagar. Cropper lived in Los Angeles for the next thirteen years before moving to Nashville and reuniting with the Blues Brothers Band in 1988.
In 1991 Cropper played on two separate nights of the Expo '92 Guitar Legends concerts as part of the celebration of Seville hosting the 1992 Expo exhibition. The concerts over five nights included some of the world's best guitarists such as Cropper, BB King, Robert Cray, Eric Clapton, Bo Diddley, Brian May, Albert Collins, Bob Dylan, Joe Satriani, and Steve Vai.
In 1996, Cropper was named "the greatest living guitar player" by Britain's Mojo magazine. When asked what he thought of Cropper, the guitarist Keith Richards said, "Perfect, man."[11] In February 1998, Cropper released The Interview — Play It, Steve! which included some of soul music's most enduring songs. The album title came from the "shout" of the title phrase by Moore on Sam & Dave's "Soul Man" and later by John Belushi (with the Blues Brothers).
He co-produced The Memphis Album (2007), recorded by Australian soul singer Guy Sebastian. Cropper also played guitar on the subsequent promotional tour, which was recorded and released two years later as The Memphis Tour. On March 2, 2008, Cropper and Sebastian were guests on the Vega Sunday Session with host Mark Gable from the rock band the Choirboys.[13] On July 29, 2008, Cropper and Felix Cavaliere released the album Nudge It Up A Notch. In August 2008, Cropper appeared at the Rhythm Festival alongside the Animals.[14]
On November 12, 2009, EMP/SFM presented Cropper with their "Founders Award". On October 17, 2010, Cropper was inducted into the Nashville Songwriters Hall of Fame.[15]
On August 9, 2011, Cropper released the album Dedicated which was his tribute to the "5" Royales. In 2013 he was a special guest at selected concerts as part of Peter Frampton's Guitar Circus Tour, including the first performance which featured Frampton, Robert Cray and Vince Gill.[16]
In April 2013, Cropper appeared with Jones, Matt "Guitar" Murphy, as well as Booker T. & the MG's at Eric Clapton's 4th Crossroads Guitar Festival at Madison Square Garden in New York City.
Booker T. & the M.G.'s were an American instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Booker Taliaferro Jones Jr. is an American musician, songwriter, record producer and arranger, best known as the frontman of the band Booker T. & the M.G.'s. He has also worked in the studios with many well-known artists of the 20th and 21st centuries, earning him a Grammy Award for Lifetime Achievement.
Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in 1961. It also shared its operations with sister label Volt Records.
Memphis soul, also known as the Memphis sound, is the most prominent strain of Southern soul. It is a shimmering, sultry style produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee, featuring melodic unison horn lines, organ, guitar, bass, and a driving beat on the drums.
David Hood is an American musician, hailing from Muscle Shoals, Alabama, He is known for playing the bass guitar and trombone, and is a member of the Alabama Music Hall of Fame.
Albert J. Jackson Jr. was an American drummer, producer, and songwriter. He was a founding member of Booker T. & the M.G.'s, a group of session musicians who worked for Stax Records and produced their own instrumentals. Jackson was affectionately dubbed "The Human Timekeeper" for his drumming ability. He was inducted into the Memphis Music Hall of Fame in 2015, and the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s in 1992.
Donald "Duck" Dunn was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.'s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Bill Withers, Elvis Presley, and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s. In 2017, he was ranked 40th on Bass Player magazine's list of "The 100 Greatest Bass Players of All Time".
The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.
Eddie Lee Floyd is an American R&B and soul singer and songwriter, best known for his work on the Stax record label in the 1960s and 1970s, including the No. 1 R&B hit song "Knock on Wood".
Born Under a Bad Sign is the second compilation album by American blues musician Albert King, released in August 1967 by Stax Records. It features eleven electric blues songs that were recorded from March 1966 to June 1967, throughout five different sessions. King played with two in-house bands: Booker T. & the M.G.'s and the Memphis Horns. Although the album failed to reach any music chart, it did receive positive reviews from music critics and is often cited as one of the greatest blues albums ever made. Born Under a Bad Sign influenced many guitarists, including Eric Clapton, Mike Bloomfield, Jimi Hendrix, and Stevie Ray Vaughan. Born Under a Bad Sign has been recognized by several music institutions, and has been inducted into the Blues Foundation Hall of Fame, the Grammy Hall of Fame, and the National Recording Registry.
Robert Stanley Whitlock is an American singer, songwriter and musician. He is best known as a member of the blues-rock band Derek and the Dominos, with Eric Clapton, in 1970–71. Whitlock's musical career began with Memphis soul acts such as Sam & Dave and Booker T. & the M.G.'s before he joined Delaney & Bonnie and Friends in 1968. His association with Delaney & Bonnie bandmate Clapton led to Whitlock's participation in sessions for George Harrison's 1970 triple album All Things Must Pass, in London, and the formation of Derek and the Dominos that year. On the band's sole studio album, the critically acclaimed Layla and Other Assorted Love Songs, Whitlock wrote or co-wrote seven of the album's fourteen tracks, including "Tell the Truth", "Bell Bottom Blues" and "Why Does Love Got to Be So Sad?"
The Great Otis Redding Sings Soul Ballads, simply referred to as Soul Ballads or Sings Soul Ballads, is the second studio album by American soul singer-songwriter Otis Redding, released in 1965. The album was one of the first issued by Volt Records, a sub-label of Stax Records, and Redding's first on the new label. Like Redding's debut Pain in My Heart (1964), Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mix made by engineer Tom Dowd, replacing the early mono mix.
Roger G. Hawkins was an American drummer best known for playing as part of the studio backing band known as the Muscle Shoals Rhythm Section of Alabama. Rolling Stone ranked Hawkins number 31 on its list of greatest drummers.
The Cate Brothers is an American band led by the songwriter-musician duo of twin brothers Earl and Ernest "Ernie" Cate, from Fayetteville, Arkansas. In the mid-1960s, they became performers of country soul music at clubs and dances in Arkansas and elsewhere in the mid-South of the United States. Both brothers are singers, with Earl playing guitar and Ernie playing piano. The group began recording in 1970, releasing their final album in 2006.
"Green Onions" is an instrumental composition recorded in 1962 by Booker T. & the M.G.'s. Described as "one of the most popular instrumental rock and soul songs ever" and as one of "the most popular R&B instrumentals of its era", the tune is a twelve-bar blues with a rippling Hammond M3 organ line by Booker T. Jones that he wrote when he was 17, although the actual recording was largely improvised in the studio.
"These Arms of Mine" is a song written by soul musician Otis Redding. Redding was at that time a member of Pat Teacake's Band, consisting of lead guitarist Johnny Jenkins, bassist Pat Teacake and vocalist/songwriter Redding, who also served as driver for Jenkins, who did not have a driver's license. Atlantic Records artist representative Joe Galkin showed interest in Jenkins and proposed to send him to a studio. On the way to a gig, Redding had the opportunity to perform the songs "Hey Hey Baby" and "These Arms of Mine" as Jenkins and house band Booker T. & the M.G.'s ended their sets earlier than scheduled.
Hold On, I'm Comin' is the 1966 debut album by Atlantic Records soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
Willie Clarence Hall is an American drummer best known for his work with Isaac Hayes and as a member of the Blues Brothers band.
Andrew Love was a saxophone player based in Memphis, Tennessee, best known for being a member of The Memphis Horns.
This article lists the discography of the late American Blues and Soul bassist, Donald "Duck" Dunn. Dunn was an influential bassist notable for his recordings in the 1960s in the house band for Stax Records, Booker T. & the M.G.'s and thereafter as a session bassist.
References
1 2 "» The Bio". playitsteve.com. Retrieved September 26, 2016.
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