Atlantic Crossing | ||||
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Studio album by | ||||
Released | 15 August 1975 | |||
Recorded | April–June 1975 | |||
Studio |
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Genre | Pop rock | |||
Length | 44:27 | |||
Label | ||||
Producer | Tom Dowd | |||
Rod Stewart chronology | ||||
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Singles from Atlantic Crossing | ||||
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Atlantic Crossing is the sixth solo album by Rod Stewart. Released on 15 August 1975, [3] and recorded in five American studios including Muscle Shoals, Alabama, between April and June 1975, it was produced by Tom Dowd, and peaked at number one in the UK (his fourth solo album to do so), and number nine on the Billboard Top Pop Albums chart. [4] [5] During 1975 Stewart moved to Los Angeles, switched record labels to Warner Brothers, and ended his association with Ronnie Wood, Ian McLagan and the stable of musicians who had been his core collaborators on his albums for Mercury Records.
The album was divided into a fast side and a slow side, apparently at the suggestion of Stewart's then-girlfriend, Swedish actress Britt Ekland. Stewart would repeat the format for his next two albums. The album contained two of Stewart's most popular songs, "Sailing" and "I Don't Want to Talk About It”, and classic rock favourites "Three Time Loser" and "Stone Cold Sober". The album was the 14th of Stewart's career, starting with Jeff Beck's Truth in 1968, and his sixth solo.
The album was recorded in five different American studios: A&R (New York), Criteria (Miami), Wally Heider's Studio 3 (Hollywood), Hi Recording Studio (Memphis), and Muscle Shoals (Alabama) between April and June 1975, and produced by Tom Dowd, who had been the engineer or producer for many of Stewart's heroes during Dowd's time at Atlantic Records.
With Atlantic Crossing, Stewart ended his association with Ronnie Wood, Ian McLagan and the stable of musicians who had been his core collaborators on his classic run of albums for Mercury Records, fusing soul and folk. Instead, he used a group of session musicians, including The Memphis Horns and Booker T. and the MG's. The only song performed from this album on The Faces' final US tour in autumn 1975 was "Three Time Loser", and the rest of the group heavily disliked Stewart's change in musical direction on this album. Following the success of the album, and his move to the U.S., Stewart announced his exit from the Faces by the end of the year.
"Sailing" was a number one hit in the UK in September 1975, and returned to the UK Top 3 a year later when it was used as the theme for the BBC series Sailor ; both acoustic and electric guitars in the song were played by Pete Carr. [6] In 1977, almost two years after the album was released, Stewart scored another UK number one from the album with the double A-side single "I Don't Want to Talk About It" and "The First Cut Is the Deepest" (from the album A Night on the Town - 1976).[ citation needed ]
In 2009, Rhino Records released a two-disc version of the album with bonus tracks.
Review scores | |
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Source | Rating |
AllMusic | [7] |
Christgau's Record Guide | B+ [8] |
Rolling Stone | (average) [9] |
The Rolling Stone Album Guide | [10] |
Fast Side (Side One)
Slow Side (Side Two)
Disc one
Disc two
String arrangements by Arif Mardin and James Mitchell
Album design and art direction by John Kosh; illustration by Peter Lloyd [11]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
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Australia (ARIA) [31] | 4× Platinum | 400,000 [32] |
Germany (BVMI) [33] | Gold | 250,000^ |
Hong Kong (IFPI Hong Kong) [34] | Gold | 10,000* |
Sweden (GLF) [35] | Gold | 200,000 [36] |
United Kingdom (BPI) [37] | Platinum | 300,000^ |
United States (RIAA) [38] | Gold | 500,000^ |
* Sales figures based on certification alone. |
Sir Roderick David Stewart is a British rock and pop singer and songwriter. Known for his distinctive raspy singing voice, Stewart is among the best-selling music artists of all time, having sold more than 120 million records worldwide. His music career began in 1962 when he took up busking with a harmonica. In 1963, he joined the Dimensions as a harmonica player and vocalist. In 1964, Stewart joined Long John Baldry and the All Stars before moving to the Jeff Beck Group in 1967. Joining Faces in 1969, he also launched a solo career, releasing his debut album, An Old Raincoat Won't Ever Let You Down, that year. Stewart's early albums were a fusion of rock, folk music, soul music, and R&B. His third album, 1971's Every Picture Tells a Story, was his breakthrough, topping the charts in the UK, US, Canada and Australia, as did its ballad "Maggie May". His 1972 follow-up album, Never a Dull Moment, also reached number one in the UK and Australia, while going top three in the US and Canada. Its single, "You Wear It Well", topped the chart in the UK and was a moderate hit elsewhere.
Booker T. & the M.G.'s were an American instrumental, R&B, and funk band formed in Memphis, Tennessee, in 1962. The band is considered influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor, and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Foot Loose & Fancy Free is the eighth studio album by Rod Stewart, released in November 1977 on Riva Records in the UK and Warner Bros in the US.
A Night on the Town is Rod Stewart's seventh album, released in 1976. The cover art is based on Pierre-Auguste Renoir's painting Bal du moulin de la Galette, with Stewart inserted in the centre in period costume. On 30 June 2009, Rhino reissued the album as a two-disc CD with bonus tracks. A Night on the Town was Stewart's last UK number-one studio album until Time in 2013.
Blondes Have More Fun is British musician Rod Stewart's ninth studio album, released in November 1978. As was the popular musical trend at the time, it is Stewart's foray into disco music. The album was commercially successful, reaching number 3 in the UK and number 1 in the US, but was critically divisive. The lead single "Da Ya Think I'm Sexy" became one of Stewart's biggest hits, peaking at No.1 in both the UK and US.
Every Picture Tells a Story is the third studio album by British singer-songwriter Rod Stewart, released on 28 May 1971, by Mercury Records. It incorporates hard rock, folk, and blues styles. It went to number one on both the UK and US charts and finished third in the Jazz & Pop critics' poll for best album of 1971. It has been an enduring critical success, including a number 172 ranking on Rolling Stone's 2003 list of the 500 greatest albums of all time.
Steven Lee Cropper, sometimes known as "The Colonel", is an American guitarist, songwriter and record producer. He is the guitarist of the Stax Records house band, Booker T. & the M.G.'s, which backed artists such as Otis Redding, Wilson Pickett, Sam & Dave, Carla Thomas, Rufus Thomas and Johnnie Taylor. He also acted as the producer of many of these records. He was later a member of the Blues Brothers band. Rolling Stone magazine ranked him 36th on its list of the 100 greatest guitarists of all time, while he has won two Grammy Awards from his seven nominations.
"Maggie May" is a song cowritten by singer Rod Stewart and Martin Quittenton, performed by Stewart for his album Every Picture Tells a Story, released in 1971. In 2004, Rolling Stone ranked it number 130 in The 500 Greatest Songs of All Time. In 2017, the Mercury Records single was inducted into the Grammy Hall of Fame.
Donald "Duck" Dunn was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.'s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Bill Withers, Elvis Presley, and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s. In 2017, he was ranked 40th on Bass Player magazine's list of "The 100 Greatest Bass Players of All Time".
Never a Dull Moment is the fourth solo album by rock musician Rod Stewart. It was released on 21 July 1972; that year it became a UK number-one album and reached number two on the US Album chart. The track "You Wear It Well", co-written by Stewart and classical guitarist Martin Quittenton, was a smash hit, as well as "Twisting the Night Away", a song originally recorded by Sam Cooke.
"Da Ya Think I'm Sexy?", also written "Da' Ya' Think I'm Sexy", is a song by British singer Rod Stewart from his ninth studio album, Blondes Have More Fun (1978). It was written by Stewart, Carmine Appice, and Duane Hitchings, though it incorporates the melody from the song "Taj Mahal" by Jorge Ben Jor and the string arrangement from the song "(If You Want My Love) Put Something Down On It" by Bobby Womack.
"Knock on Wood" is a 1966 song by Eddie Floyd and written by Floyd and Steve Cropper. The song was later covered by other artists, most notably Amii Stewart in 1979. Stewart's disco version was the most successful on weekly music charts.
"Sailing" is a song composed by Gavin Sutherland of the Sutherland Brothers in 1972, best known as a 1975 international hit for Rod Stewart.
"I Don't Want to Talk About It" is a song written by American guitarist Danny Whitten. It was first recorded by American rock band Crazy Horse and issued as the final track on side one of their 1971 eponymous album. It was Whitten's signature tune, but gained more fame via its numerous cover versions, especially that by Rod Stewart. Cash Box magazine has described it as "a magnificent ballad outing."
"Downtown Train" is a song by Tom Waits released on his album Rain Dogs in 1985. The promo video for the song was directed by Jean-Baptiste Mondino, it features boxer Jake LaMotta and Neith Hunter.
"Reason to Believe" is a song written, composed, and first recorded by American folk singer Tim Hardin in 1965. It has since been recorded by many artists, most notably by the Carpenters in 1970, and Rod Stewart in 1971 and 1993.
Vagabond Heart is the sixteenth studio album by British recording artist Rod Stewart, released on 25 March 1991 by Warner Bros. Records. The album reached No. 10 in the US, and reached No. 2 in the UK. The album features five singles, among them a cover of Robbie Robertson's song "Broken Arrow" and Van Morrison's song "Have I Told You Lately", which would become a hit two years later, and is Stewart's most recent top five solo hit in the US and the UK. The two biggest hits from the album were "Rhythm of My Heart" and "The Motown Song". The latter song features with Steve Lukather, David Paich, Steve Porcaro and Jeff Porcaro—nearly all of the band Toto.
Every Beat of My Heart is the fourteenth studio album by Rod Stewart released in 1986 by Warner Bros. Records. The tracks were recorded at One on One Studios, Can Am Recorders, Cherokee Studios, The Village Recorder, The Record Plant, and Artisan Sound Recorders. The album produced four singles: "Love Touch", "Another Heartache", "In My Life", and "Every Beat of My Heart". In the United States, the album was released under the eponymous title of Rod Stewart.
"Green Onions" is an instrumental composition recorded in 1962 by Booker T. & the M.G.'s. Described as "one of the most popular instrumental rock and soul songs ever" and as one of "the most popular R&B instrumentals of its era", it utilizes a twelve-bar blues progression and features a rippling Hammond M3 organ line played by frontman Booker T. Jones, who wrote it when he was 17. However, the actual recording was largely improvised in the studio.
"(Sittin' On) The Dock of the Bay" is a song co-written by soul singer Otis Redding and guitarist Steve Cropper. Redding recorded it twice in 1967, including just three days before his death in a plane crash on December 10, 1967. It was released on Stax Records' Volt label in 1968, becoming the first posthumous #1 single in the US. It reached #3 on the UK Singles Chart.