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The Memphis Horns | |
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Origin | United States |
Genres | Soul, blues, rock, horn section |
Labels | Stax |
Past members | Wayne Jackson Andrew Love |
The Memphis Horns was an American horn section, made famous by their many appearances on Stax Records. The duo consisted of Wayne Jackson on trumpet and Andrew Love on tenor saxophone. An "offshoot of the Mar-Keys", they continued to work together for over 30 years. [1] They lent their sound to 83 gold and platinum awards and over one hundred high-charting records, including Otis Redding's "(Sittin' On) The Dock of the Bay", Al Green's "Let's Stay Together", and Elvis Presley's "Suspicious Minds". [2]
Before the formation of the Memphis Horns, the co-founders worked in other projects. [2] Jackson, while in high school, was a member of the Mar-Keys, a group that would become part of the house band for Stax Records during the 1960s. [3] Meanwhile, Love was playing the saxophone in his father's church, and his school bands. He joined the house band in 1965, after completing his post secondary education in music. [4] Upon Love's entry, the two met formally and clicked quickly, as they had heard, and heard of, each other in clubs before. [2]
In addition to recording at Stax, the duo were also working sessions at Royal Studio and American Sound Studio in Memphis, at Atlantic Records in New York, and at FAME Studio in Muscle Shoals. In 1969, after being asked to work exclusively at Stax, Jackson and Love declined and incorporated as The Memphis Horns to continue offering their signature sound to all who needed it. [4]
The Memphis Horns appeared on nearly every recording for Stax that included a horn section — with Isaac Hayes, Otis Redding, Rufus Thomas, Sam and Dave and others — as well as on other releases, including The Doobie Brothers' What Were Once Vices Are Now Habits and U2's Rattle and Hum , as well as a few solo records. [5]
In the 1970s, they recorded with Al Green, Aretha Franklin, Rod Stewart, James Taylor, Joe Tex, Neil Diamond, Mike Harrison, Don Harrison Band, and Stephen Stills. [2] [4] They toured with Stills in 1971 and The Doobie Brothers from 1973 to 1976. In the 1980s, they recorded with Jimmy Buffett, Willie Nelson, Hank Williams, Steve Winwood, Robert Cray and many others. [4] They toured with Jimmy Buffett for three years and one year with Joe Cocker. In the late 1980s and 1990s, Jackson and Love worked extensively with the blues outfit, The Robert Cray Band. They provided their trademark funky/soul horns backing to five of the band's albums: Strong Persuader (1986); Don't Be Afraid of the Dark (1988); Midnight Stroll (1990); I Was Warned (1992); Sweet Potato Pie (1997).
In 1992, they released their own album Flame Out, produced by fellow Stax alumnus Terry Manning.
Following the retirement of Love in 2004, Jackson recruited Tom McGinley, a baritone sax player, to continue to record on projects such as Neil Young's Prairie Wind (2005).
In 2007, Jackson reunited with former longtime member Jack Hale, also including McGinley, in order to join a supergroup backing singer-songwriter Andrew Jon Thomson, on his "All Star Superband" multi-album project. In 2008, this line-up played on some songs on the Raconteurs record, Consolers of the Lonely . The same year the Memphis Horns recorded with Jack White (White Stripes, the Raconteurs) and Alicia Keys on the song "Another Way to Die", for the 22nd James Bond movie, Quantum of Solace .
In 2008, the Memphis Horns were inducted into the Musicians Hall of Fame and Museum in Nashville, TN. [3] In 2012, the Memphis Horns received a Grammy Lifetime Achievement Award for outstanding artistic significance in music, and in 2017, the duo was inducted into the Memphis Music Hall of Fame. [2]
Artist | Song title | Date | US charts | R&B charts | UK charts | Notes |
---|---|---|---|---|---|---|
Wilson Pickett | "In the Midnight Hour" | May 12, 1965 | 21 | 1 | 12 | date is date recorded |
Wilson Pickett | "634-5789 (Soulsville, U.S.A.)" | December 20, 1965 | 13 | 1 | 36 | date is date recorded |
Artist | Song title | Date | US charts | R&B charts | UK charts | Notes |
---|---|---|---|---|---|---|
Wilson Pickett | "Land of a Thousand Dances" | May 8–11, 1966 | 6 | 1 | 22 | date is date recorded |
Wilson Pickett | "Mustang Sally" | October 13, 1966 | 23 | 6 | 28 | date is date recorded |
What Were Once Vices Are Now Habits is the fourth studio album by American rock band the Doobie Brothers. The album was released on February 1, 1974, by Warner Bros. Records.
Takin' It to the Streets is the sixth studio album by American rock band The Doobie Brothers. The album was released on March 19, 1976, by Warner Bros. Records. It was the first to feature Michael McDonald on lead vocals.
The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.
Don't Be Afraid of the Dark, released in 1988, is American blues musician Robert Cray's follow-up to Strong Persuader. It was unable to match the mainstream success of Strong Persuader, peaking at number 32 on the Billboard 200 and staying on the chart for 60 weeks.
The Great Otis Redding Sings Soul Ballads, simply referred to as Soul Ballads or Sings Soul Ballads, is the second studio album by American soul singer-songwriter Otis Redding, released in 1965. The album was one of the first issued by Volt Records, a sub-label of Stax Records, and Redding's first on the new label. Like Redding's debut Pain in My Heart (1964), Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mix made by engineer Tom Dowd, replacing the early mono mix.
Full of Fire is the 10th studio album by soul singer Al Green, released in 1976.
Have a Good Time is the 11th studio album by soul singer Al Green, released in 1976.
I Can't Stand the Rain is the fourth studio album by American Memphis soul singer Ann Peebles. It was released on the Hi label in 1974 and was her highest-charting record on the Billboard 200, where it reached no. 155 and spent 7 weeks. Produced by Willie Mitchell and largely written by Peebles and her husband, Don Bryant, I Can't Stand the Rain included the R&B hits "I'm Gonna Tear Your Playhouse Down" and "I Can't Stand the Rain", the latter of which reached no. 6 on the R&B chart and no. 38 on the Billboard Hot 100 in 1973.
Hold On, I'm Comin' is the 1966 debut album by Atlantic Records soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
I Was Warned is a blues album by Robert Cray. It was released in April 1992 through Mercury Records. Like Cray’s previous album, it features his regular backing band playing alongside the Memphis Horns.
Midnight Stroll is a blues album by Robert Cray and featuring the Memphis Horns. It was released in June 1990 through Mercury Records.
Take Your Shoes Off is a blues album by Robert Cray, winning the Grammy Award for Best Contemporary Blues Album at the 42nd Annual Grammy Awards in 2000. It was released on April 27, 1999 through the Rykodisc label. The album won a Grammy Award not just for Cray, but also for drummer and composer Steve Jordan as producer. Jordan, and his wife, Meegan Voss, also contributed to the album, with a composition they wrote together, entitled "It's All Gone".
Tony Joe White was the fourth album released by Tony Joe White, and the first he released for Warner Bros. Records. It was produced by Peter Asher and recorded between December 1–12, 1970 at Sounds of Memphis Studio and Ardent Recording Studio, Memphis.
Call Me is the sixth album by soul singer Al Green. It is widely regarded as Green's masterpiece, and has been called one of the best soul albums ever made. In 2003 the TV network VH1 named it the 70th greatest album in any genre. Call Me was a Top 10 Billboard Pop Album, and the third #1 Soul Album. In 2003, the album was ranked number 289 on Rolling Stone magazine's list of the 500 greatest albums of all time, and 290 in a 2012 revised list. Praised for his emotive singing style, Green here incorporates country influences, covering both Willie Nelson and Hank Williams. This album contained three top 10 singles on the Billboard Hot 100: "You Ought to Be with Me," "Here I Am " and "Call Me ."
Wayne Lamar Jackson was an American soul and R&B musician, playing the trumpet in The Mar-Keys, in the house band at Stax Records and later as one of The Memphis Horns, described as "arguably the greatest soul horn section ever".
Live at Fillmore West is an album by King Curtis, released in 1971. The album showcases the concert he played with his band the Kingpins at the Fillmore West venue in San Francisco in March 1971 who were supporting and backing soul singer Aretha Franklin. A week after its release in August 1971, Curtis was stabbed to death outside his brownstone apartment in New York City.
Get Up & Dance is the fourth album by The Memphis Horns. It contains the singles "Get Up And Dance" and "What The Funk", as well as the group's biggest hit, the jazzy slow jam "Just For Your Love", which reached #17 on the R&B Charts.
Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The first side of the album mainly contains cover versions, and the second songs mainly written by Redding.
Andrew Love was a saxophone player based in Memphis, Tennessee, best known for being a member of The Memphis Horns.
Floyd Newman was an American saxophonist, session musician and bandleader. As a baritone sax player, he was long associated with Stax Records, and as a member of The Mar-Keys’ horn section and the Memphis Horns.