Foot Loose & Fancy Free is the eighth studio album by Rod Stewart, released in November 1977 on Riva Records in the UK and Warner Bros in the US.
Atlantic Crossing is the sixth solo album by Rod Stewart. Released on 15 August 1975, and recorded in five American studios including Muscle Shoals, Alabama, between April and June 1975, it was produced by Tom Dowd, and peaked at number one in the UK, and number nine on the Billboard Top Pop Albums chart. During 1975 Stewart moved to Los Angeles, switched record labels to Warner Brothers, and ended his association with Ronnie Wood, Ian McLagan and the stable of musicians who had been his core collaborators on his albums for Mercury Records.
Every Picture Tells a Story is the third studio album by British singer-songwriter Rod Stewart, released on 28 May 1971, by Mercury Records. It incorporates hard rock, folk, and blues styles. It went to number one on both the UK and US charts and finished third in the Jazz & Pop critics' poll for best album of 1971. It has been an enduring critical success, including a number 172 ranking on Rolling Stone's 2003 list of the 500 greatest albums of all time.
Emotional Rescue is the fifteenth studio album by English rock band the Rolling Stones, released on 23 June 1980 by Rolling Stones Records. Following the success of their previous album, Some Girls, their biggest hit to date, the Rolling Stones returned to the studio in early 1979 to start writing and recording its follow-up. Full-time members Mick Jagger (vocals), Keith Richards (guitar), Ronnie Wood (guitar), Bill Wyman (bass) and Charlie Watts (drums) were joined by frequent collaborators Ian Stewart (keyboards), Nicky Hopkins (keyboards), Bobby Keys (saxophone) and Sugar Blue (harmonica).
A Nod's as Good as a Wink... To a Blind Horse is the third album by British rock group Faces, and their second album of 1971. Bolstered by lead singer Rod Stewart's recent solo success with "Maggie May", it was their most successful album worldwide, peaking at No. 6 in the US, and reaching No. 2 in the UK. It also contains their biggest US hit, the swaggering "Stay with Me", and the album itself would be certified gold by the RIAA in 1972.
Long Player is the second album by the British rock group Faces, released in February 1971. Among the highlights are a live cover version of Paul McCartney's "Maybe I'm Amazed", the ballads "Richmond" and "Sweet Lady Mary", the party tune "Had Me a Real Good Time", and uptempo saloon bar rocker "Bad 'n' Ruin". Two tracks, "Maybe I'm Amazed" and "I Feel So Good", were recorded live at the Fillmore East, New York City, on 10 November 1970.
First Step is the debut studio album by the English rock band Faces, released on 27 March 1970 by Warner Bros. Records. The album was released only a few months after the Faces had formed from the ashes of the Small Faces and The Jeff Beck Group. The album is credited to the Small Faces on all North American issues and reissues, while record labels for initial vinyl printings give the title as The First Step.
Five Guys Walk into a Bar... is a comprehensive four-disc retrospective of the British rock group Faces released in 2004, collecting sixty-seven tracks from among the group's four studio albums, assorted rare single A and B-sides, BBC sessions, rehearsal tapes and one track from a promotional flexi-disc, "Dishevelment Blues" – a deliberately-sloppy studio romp, captured during the sessions for their Ooh La La album, which was never actually intended for official release.
Never a Dull Moment is the fourth solo album by rock musician Rod Stewart. It was released on 21 July 1972; that year it became a UK number-one album and reached number two on the US Album chart. The track "You Wear It Well", co-written by Stewart and classical guitarist Martin Quittenton, was a smash hit, as well as "Twisting the Night Away", a song originally recorded by Sam Cooke.
Smiler is the fifth solo album by English rock singer-songwriter Rod Stewart. It was released September 27, 1974 by Mercury Records. It reached number 1 in the UK album chart, and number 13 in the US. The album included covers of Chuck Berry, Sam Cooke and Bob Dylan songs, as well as a duet with Elton John of John's song "Let Me Be Your Car". Stewart also covered Carole King's "(You Make Me Feel Like) A Natural Woman" where 'Woman' is switched to 'Man'. The release of the album was held up for five months due to legal problems between Mercury Records and Warner Bros. Records.
An Old Raincoat Won't Ever Let You Down is the debut solo studio album by Rod Stewart. First released in the United States in November 1969 as The Rod Stewart Album, the album peaked at No. 139 on the US Billboard 200 album chart. It was later released in the United Kingdom with the modified title in February 1970. Stewart's Faces bandmates Ronnie Wood and Ian McLagan also appear on the album, along with Keith Emerson, Jeff Beck Group drummer Micky Waller and guitarists Martin Pugh and Martin Quittenton.
Sing It Again Rod is the first compilation album by Rod Stewart released in 1973. The album is notable for its Peter Corriston-designed die-cut album sleeve.
Absolutely Live is a live album by musician Rod Stewart. It was released as a double–LP in 1982. The subsequent CD version omitted the tracks "The Great Pretender" and "Guess I'll Always Love You" in order to fit the album onto a single disc. The liner notes state that there are no overdubs on this live album.
Out of Order is the fifteenth studio album by Rod Stewart, released in May 1988. It features the hit singles "Lost in You", "Forever Young", "My Heart Can't Tell You No", and "Crazy About Her". The album was produced by Stewart and members of The Power Station: guitarist Andy Taylor, and bassist Bernard Edwards. Chic drummer Tony Thompson also plays on the record.
Pearls II is an album by English singer Elkie Brooks, released in 1982.
I've Got My Own Album to Do is the first solo album by English rock musician Ronnie Wood, released in September 1974. An all-star project recorded outside of his activities with the Faces, it reached number 27 on the UK's NME chart. The album title was thought to be a dig at Rod Stewart, who appeared to be more committed to his solo career than working with the Faces. Wood has said that the title originated from contributors such as George Harrison and Mick Jagger "nagging me to let them go home" and finish their own projects. The album was recorded at The Wick, Wood's house in Richmond, south-west London.
Now Look is the second solo album by English musician Ronnie Wood, released in July 1975. In the United States, it peaked at number 118 on Billboard's top 200 albums listings, during a six-week chart run. Produced by Wood, Bobby Womack and Ian McLagan, the album also includes musical contributions from Keith Richards, Mick Taylor, Jean Roussel, Willie Weeks and Andy Newmark – all of whom had played on Wood's debut, I've Got My Own Album to Do.
The Best of Rod Stewart Vol. 2 is a compilation album released by Rod Stewart in 1977. It was released by Mercury Records as part of Stewart's contract before switching labels to Warner Bros. and moving to The United States. It includes tracks from all five of his Mercury albums.
Unplugged...and Seated is a live album released by British musician Rod Stewart on 24 May 1993 by Warner Bros. Records. It is Stewart's second live album and his first appearance on MTV Unplugged. The unplugged versions of "Have I Told You Lately" by Van Morrison, "Reason to Believe", "Having a Party", and "People Get Ready" were released as singles, with "Have I Told You Lately" and "Having a Party" reaching success as singles. A special collector's edition was released in March 2009 on Rhino Records. This two-disc package included the DVD of the performance with 13 songs while the CD contained 17 tracks including two songs not on the original 1993 release.
"My Way of Giving" is a song written by Steve Marriott and Ronnie Lane. Initially demoed by their band Small Faces in 1966, it was given to British singer Chris Farlowe, who released his version as a single in early 1967. It was Farlowe's first single not written by Jagger–Richards since 1965's "The Fool". The Small Faces themselves decided to go on and record a version which was released on two different albums on two different record labels.
