Coast to Coast: Overture and Beginners | ||||
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Live album by | ||||
Released | 10 January 1974 [1] | |||
Recorded | 17 October 1973 at Anaheim Arena (Anaheim, CA) | |||
Genre | Rock & roll, boogie rock, blues-rock | |||
Length | 49:48 | |||
Label | Mercury (U.S. LP version, SRM 1-697) Warner Bros. (U.S. cassettes/cartridges, M8/M5-2752) | |||
Producer | Faces | |||
Rod Stewart/Faces chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
Christgau's Record Guide | C− [3] |
Coast to Coast: Overture and Beginners is a 1974 live album credited to Rod Stewart/Faces. [1] Stewart's practice was not giving concerts as a solo act at the time, but rather appearing jointly with the Faces, thus the dual crediting.[ citation needed ]
The album presents only three songs from the previous albums by the Faces, while presenting six from Stewart's solo releases. Two previously unreleased songs were a cover of "I Wish It Would Rain", originally recorded by The Temptations,and John Lennon's "Jealous Guy".
The performance was recorded with new Faces bassist Tetsu Yamauchi, replacing Ronnie Lane, who had left soon after the release of Ooh La La , fed up at the group increasingly being presented as Stewart's backing band. Coast to Coast was recorded live on 17 October 1973 at the Anaheim Convention Center and was mixed at Island Studios in London. [4]
In an unusual arrangement, LP versions of the album were issued in the United States by Mercury Records (which at the time issued Stewart's solo albums), while cassette and 8-track configurations were issued by Warner Bros. Records, [1] the Faces' former label—and with whom Stewart would sign as a solo artist following the Faces' demise.
The cassette and 8-track versions also include an extra track - (I Know) I'm Losing You (Norman Whitfield, Edward Holland, Jr., Cornelius Grant).
The back cover photo is actually the Old Boston Garden taken on May 2, 1973.[ citation needed ]
Long out of print in the United States, Coast to Coast is only available as an import from Japan. The Faces would disband within a year and a half of the album's release.[ citation needed ]
The crowd noise that plays behind the opening of David Bowie's Diamond Dogs was taken from the opening track It's All Over Now. Rod Stweart can be heard saying "Hey" on the Bowie track. [5]
In The Pittsburgh Press, critic Pete Bishop termed the album "50 disappointingly dull minutes" during which "nothing really excites." [6]
Side one
Side two
Chart (1974) | Peak position |
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Australian (Kent Music Report) | 38 [7] |
Faces are an English rock band formed in London in 1969. It was formed by members of Small Faces after lead singer and guitarist Steve Marriott left to form Humble Pie. The remaining Small Faces—Ian McLagan (keyboards), Ronnie Lane, and Kenney Jones —were joined by guitarist Ronnie Wood and singer Rod Stewart, both from the Jeff Beck Group, and the new line-up was renamed Faces.
Ronald David Wood is an English rock musician, best known as an official member of the Rolling Stones since 1975, as well as a member of Faces and the Jeff Beck Group.
Ooh La La is the fourth and final studio album by the English rock band Faces, released in March 1973. It reached number one in the UK Albums Chart in the week of 28 April 1973. The album was most recently reissued on CD in a remastered and expanded form on 28 August 2015, including early rehearsal takes of three of its tracks, as part of the 1970–1975: You Can Make Me Dance, Sing Or Anything... box set. The box set's vinyl counterpart did not contain any bonus tracks, but it did replicate the original LP artwork and 'animated' cover.
A Nod's as Good as a Wink... To a Blind Horse is the third album by British rock group Faces, and their second album of 1971. Bolstered by lead singer Rod Stewart's recent solo success with "Maggie May", it was their most successful album worldwide, peaking at No. 6 in the US, and reaching No. 2 in the UK. It also contains their biggest US hit, the swaggering "Stay with Me", and the album itself would be certified gold by the RIAA in 1972.
Long Player is the second album by the British rock group Faces, released in February 1971. Among the highlights are a live cover version of Paul McCartney's "Maybe I'm Amazed", the ballads "Richmond" and "Sweet Lady Mary", the party tune "Had Me a Real Good Time", and uptempo saloon bar rocker "Bad 'n' Ruin". Two tracks, "Maybe I'm Amazed" and "I Feel So Good", were recorded live at the Fillmore East, New York City, on 10 November 1970.
First Step is the debut studio album by the English rock band Faces, released on 27 March 1970 by Warner Bros. Records. The album was released only a few months after the Faces had formed from the ashes of the Small Faces and The Jeff Beck Group. The album is credited to the Small Faces on all North American issues and reissues, while record labels for initial vinyl printings give the title as The First Step.
Snakes and Ladders / The Best of Faces was an October 1976 best-of album by British rock group Faces. While the first released Faces compilation was a repackaging of the group's first two LPs as a double album, this US-only release presented the first attempt to compile the popular songs from the group after they had disbanded in 1975. Featuring photography by Tom Wright and unique cover art by guitarist Ronnie Wood, it was only eventually superseded in the US market by the CD compilation Good Boys... When They're Asleep in 1999.
Good Boys... When They're Asleep... was a 1999 compilation of British rock group Faces. Compiled primarily by keyboardist Ian McLagan, it served to supersede the 1976 effort Snakes And Ladders / The Best of Faces, and to present a CD-length retrospective of the group, lasting nearly eighty minutes.
Five Guys Walk into a Bar... is a comprehensive four-disc retrospective of the British rock group Faces released in 2004, collecting sixty-seven tracks from among the group's four studio albums, assorted rare single A and B-sides, BBC sessions, rehearsal tapes and one track from a promotional flexi-disc, "Dishevelment Blues" – a deliberately-sloppy studio romp, captured during the sessions for their Ooh La La album, which was never actually intended for official release.
Gasoline Alley is the second solo studio album by the British singer-songwriter Rod Stewart. It was released on 12 June 1970 by Vertigo Records. It is a collection of covers combined with Stewart's own compositions. Like many of Stewart's solo albums from the period, it featured significant musical contributions from the other members of his band Faces.
Smiler is the fifth solo album by English rock singer-songwriter Rod Stewart. It was released September 27, 1974 by Mercury Records. It reached number 1 in the UK album chart, and number 13 in the US. The album included covers of Chuck Berry, Sam Cooke and Bob Dylan songs, as well as a duet with Elton John of John's song "Let Me Be Your Car". Stewart also covered Carole King's "(You Make Me Feel Like) A Natural Woman" where 'Woman' is switched to 'Man'. The release of the album was held up for five months due to legal problems between Mercury Records and Warner Bros. Records.
An Old Raincoat Won't Ever Let You Down is the debut solo studio album by Rod Stewart. First released in the United States in November 1969 as The Rod Stewart Album, the album peaked at No. 139 on the US Billboard 200 album chart. It was later released in the United Kingdom with the modified title in February 1970. Stewart's Faces bandmates Ronnie Wood and Ian McLagan also appear on the album, along with Keith Emerson, Jeff Beck Group drummer Micky Waller and guitarists Martin Pugh and Martin Quittenton.
Tetsu Yamauchi is a retired Japanese musician. In the 1970s, he was a member of several popular rock bands, including Free, where he replaced original bassist Andy Fraser before the band's final album Heartbreaker, and Faces, where he replaced Ronnie Lane and appears on the band's final single, "You Can Make Me Dance, Sing or Anything", as well as touring with them and playing on the live album Coast to Coast: Overture and Beginners. He also recorded various solo albums and did extensive work as a session musician before retiring from the music sometime in the late 1990s.
I've Got My Own Album to Do is the first solo album by English rock musician Ronnie Wood, released in September 1974. An all-star project recorded outside of his activities with the Faces, it reached number 27 on the UK's NME chart. The album title was thought to be a dig at Rod Stewart, who appeared to be more committed to his solo career than working with the Faces. Wood has said that the title originated from contributors such as George Harrison and Mick Jagger "nagging me to let them go home" and finish their own projects. The album was recorded at The Wick, Wood's house in Richmond, south-west London.
Now Look is the second solo album by English musician Ronnie Wood, released in July 1975. In the United States, it peaked at number 118 on Billboard's top 200 albums listings, during a six-week chart run. Produced by Wood, Bobby Womack and Ian McLagan, the album also includes musical contributions from Keith Richards, Mick Taylor, Jean Roussel, Willie Weeks and Andy Newmark – all of whom had played on Wood's debut, I've Got My Own Album to Do.
Mahoney's Last Stand is an album by Faces bandmates Ronnie Wood and Ronnie Lane, recorded in 1972. It is the music soundtrack album of the low-budget 1972 Canadian film Mahoney's Last Stand starring Alexis Kanner, Sam Waterston and Maud Adams. The film itself, little seen at the time of its release and even less so since, charts the progress of city-dweller Mahoney (Kanner) who abandons his urban existence to become a homesteader, and the drama that ensues. Pete Townshend, who guests on guitar on some tracks on the album, also receives a credit in the film for providing 'special electronic effects', alongside Wood and Lane's musical score.
1234 is the fourth solo album by English musician Ronnie Wood, released in September 1981. In the United States, it spent five weeks on the Billboard 200, peaking at number 164. The album was co-produced by Andy Johns and features musical contributions from Ian McLagan, Charlie Watts, Bobby Womack, Waddy Wachtel and Nicky Hopkins, among others.
"You Can Make Me Dance, Sing or Anything (Even Take the Dog for a Walk, Mend a Fuse, Fold Away the Ironing Board, or Any Other Domestic Shortcomings)" was the last official single by British rock group Faces, released in November 1974. It later appeared on their 1976 greatest hits album Snakes and Ladders / The Best of Faces.
The Definitive Rock Collection is a two-disc retrospective of the British rock group Faces released in 2007, collecting thirty tracks from among the group's four studio albums, various single A and B-sides, and an outtake from the sessions for a proposed but ultimately abandoned 1975 album.
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