First Step | ||||
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Studio album by | ||||
Released | 27 March 1970 [1] | |||
Recorded | December 1969 – January 1970 | |||
Studio | De Lane Lea Studios, London | |||
Genre | Blues rock, [2] R&B | |||
Length | 46:22 | |||
Label | Warner Bros. | |||
Producer | Faces | |||
Faces chronology | ||||
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Singles from First Step | ||||
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First Step is the debut studio album by the English rock band Faces, released on 27 March 1970 by Warner Bros. Records. The album was released only a few months after the Faces had formed from the ashes of the Small Faces (from which Ronnie Lane, Kenney Jones and Ian McLagan hailed) and The Jeff Beck Group (from which Rod Stewart and Ronnie Wood hailed). The album is credited to the Small Faces on all North American issues and reissues, [3] while record labels for initial vinyl printings give the title as The First Step. [4]
The album cover shows Ronnie Wood holding a copy of Geoffrey Sisley's seminal guitar tutorial First Step: How to Play the Guitar Plectrum Style.
While the album was recorded after the group's official formation and signing to Warner Bros. Records in the Autumn of 1969, the band members had been rehearsing, performing and recording together in various combinations since May of that year.
At 46:22, First Step is the band's lengthiest original release and many modern critics regard it as promising, but sprawling and unfocused – their least cohesive and most undisciplined offering. It is however perhaps the most democratic of the Faces releases, highlighting the band's talents as a unified whole and affording each member at least one composer credit, as opposed to the perceived dominance of Stewart and his songwriting partnership with Wood as their career progressed.
On 28 August 2015, the album was reissued in a remastered and expanded form, including two previously unreleased bonus tracks recorded shortly after the album's release, "Behind The Sun" and "Mona: The Blues" (the latter was remade and refined by Lane and Wood in 1972 for their Mahoney's Last Stand film soundtrack).
The photography for First Step was taken at Willoughby House, the home of artist Mike McInnerney and his wife Kate, who, like Lane, were followers of Meher Baba. [5] During the shoot, Kate served the band punch spiked with methanol; McLagan recalled: "We ended up getting extremely drunk ... jumping up and down on this low table and smashing it to splinters." [6] The front cover photo was taken by photographer and fellow Baba follower Martin Cook. [6] It shows Wood holding a copy of the book First Step: How to Play the Guitar Plectrum Style, [7] which biographer Terry Rawlings suggests is symbolic of the public perceiving him as only a bassist due to the Jeff Beck Group. [8] McLagan and Lane are shown holding Mickey Mouse figures, [8] of which McLagan said: "I don't remember bringing [them] along with us ... I get a feeling the doll must have been at Mike and Kate's house although Ronnie Lane is wearing a Mickey Mouse T-shirt so maybe they were his." [6] The album's black-and-white gatefold photo was taken in the garden and shows the band pretending to play their instruments, except Lane, who was oblivious and instead has his hands in his pockets. [6]
Review scores | |
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Source | Rating |
AllMusic | [9] |
Christgau's Record Guide | C+ [10] |
MusicHound Rock | [11] |
The Rolling Stone Album Guide | [12] |
The Vinyl District | B+ [13] |
The Virgin Encyclopedia of Popular Music | [14] |
The single "Flying" / "Three Button Hand Me Down" was issued prior to the album's release. The band promoted it by appearing on the BBC TV shows Top of the Pops and Disco 2 , but it still failed to chart. [15] Lane said that the band "didn't really want to put out a single" and as such "didn't really care if it was a hit, but it would have been nice if it was." [8] Released on 27 March 1970, [7] [16] [nb 1] the album reached number 45 on the UK Official Albums Chart [18] and number 119 on the Billboard Top LPs. [19] Another single, an edited version of "Around the Plynth" backed with "Wicked Messenger", was released in the US, but also failed to chart. [20] Stewart claimed that the album sold 250,000 copies within a month. [21]
First Step received lukewarm reviews on release. [22] Joel Selvin from Rolling Stone wrote that the album was "original" but also "highly derivative" and failed to live up to the expectations of Faces' lineup. [23] New Musical Express described it as "weirdo sounds" and doubted if it would be accepted by Small Faces fans. Melody Maker wrote that the band kept Small Faces' appeal, but the album was nonetheless "rather patchy." A review from Billboard was more enthusiastic, proclaiming it to be "[t]he most together of any first album I've heard in a long time!" [22]
Reviewing in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau viewed the album as "one more complication in the Rod Stewart mystery", saying: "With Jeff Beck he parodies himself before he's established a self to parody. With Lou Reizner he establishes himself as a singer-songwriter of uncommon spunk and a vocal interpreter of uncommon individuality. And here he steps into the shoes of a purveyor of Humble Pie to pose as the leader of a mediocre white r&b band. Best cut: Ronnie Lane's 'Stone.'" [10]
All lead vocals by Rod Stewart except where indicated
Side one
Side two
2015 reissue bonus tracks
Faces are an English rock band formed in London in 1969. It was formed by members of Small Faces after lead singer and guitarist Steve Marriott left to form Humble Pie. The remaining Small Faces—Ian McLagan (keyboards), Ronnie Lane, and Kenney Jones —were joined by guitarist Ronnie Wood and singer Rod Stewart, both from the Jeff Beck Group, and the new line-up was renamed Faces.
The Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band were one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing" and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake. They evolved into one of the UK's most successful psychedelic bands until 1969.
Ronald Frederick Lane was an English musician and songwriter who was the bassist and co-founder of the rock bands Small Faces (1965–69) and Faces (1969–73).
Ooh La La is the fourth studio album by the English rock band Faces, released in March 1973. It reached number one in the UK Albums Chart in the week of 28 April 1973. The album was most recently reissued on CD in a remastered and expanded form on 28 August 2015, including early rehearsal takes of three of its tracks, as part of the 1970–1975: You Can Make Me Dance, Sing Or Anything... box set. The box set's vinyl counterpart did not contain any bonus tracks, but it did replicate the original LP artwork and 'animated' cover.
Every Picture Tells a Story is the third studio album by British singer-songwriter Rod Stewart, released on 28 May 1971, by Mercury Records. It incorporates hard rock, folk, and blues styles. It went to number one on both the UK and US charts and finished third in the Jazz & Pop critics' poll for best album of 1971. It has been an enduring critical success, including a number 172 ranking on Rolling Stone's 2003 list of the 500 greatest albums of all time.
A Nod's as Good as a Wink... To a Blind Horse is the third album by British rock group Faces, and their second album of 1971. Bolstered by lead singer Rod Stewart's recent solo success with "Maggie May", it was their most successful album worldwide, peaking at No. 6 in the US, and reaching No. 2 in the UK. It also contains their biggest US hit, the swaggering "Stay with Me", and the album itself would be certified gold by the RIAA in 1972.
Long Player is the second album by the British rock group Faces, released in February 1971. Among the highlights are a live cover version of Paul McCartney's "Maybe I'm Amazed", the ballads "Richmond" and "Sweet Lady Mary", the party tune "Had Me a Real Good Time", and uptempo saloon bar rocker "Bad 'n' Ruin". Two tracks, "Maybe I'm Amazed" and "I Feel So Good", were recorded live at the Fillmore East, New York City, on 10 November 1970.
Coast to Coast: Overture and Beginners is a 1974 live album credited to Rod Stewart/Faces. Stewart's practice was not giving concerts as a solo act at the time, but rather appearing jointly with the Faces, thus the dual crediting.
Snakes and Ladders / The Best of Faces was an October 1976 best-of album by British rock group Faces. While the first released Faces compilation was a repackaging of the group's first two LPs as a double album, this US-only release presented the first attempt to compile the popular songs from the group after they had disbanded in 1975. Featuring photography by Tom Wright and unique cover art by guitarist Ronnie Wood, it was only eventually superseded in the US market by the CD compilation Good Boys... When They're Asleep in 1999.
Good Boys... When They're Asleep... was a 1999 compilation of British rock group Faces. Compiled primarily by keyboardist Ian McLagan, it served to supersede the 1976 effort Snakes And Ladders / The Best of Faces, and to present a CD-length retrospective of the group, lasting nearly eighty minutes.
Five Guys Walk into a Bar... is a comprehensive four-disc retrospective of the British rock group Faces released in 2004, collecting sixty-seven tracks from among the group's four studio albums, assorted rare single A and B-sides, BBC sessions, rehearsal tapes and one track from a promotional flexi-disc, "Dishevelment Blues" – a deliberately-sloppy studio romp, captured during the sessions for their Ooh La La album, which was never actually intended for official release.
Gasoline Alley is the second solo studio album by the British singer-songwriter Rod Stewart. It was released on 12 June 1970 by Vertigo Records. It is a collection of covers combined with Stewart's own compositions. Like many of Stewart's solo albums from the period, it featured significant musical contributions from the other members of his band Faces.
Smiler is the fifth solo album by English rock singer-songwriter Rod Stewart. It was released September 27, 1974 by Mercury Records. It reached number 1 in the UK album chart, and number 13 in the US. The album included covers of Chuck Berry, Sam Cooke and Bob Dylan songs, as well as a duet with Elton John of John's song "Let Me Be Your Car". Stewart also covered Carole King's "(You Make Me Feel Like) A Natural Woman" where 'Woman' is switched to 'Man'. The release of the album was held up for five months due to legal problems between Mercury Records and Warner Bros. Records.
An Old Raincoat Won't Ever Let You Down is the debut solo studio album by Rod Stewart. First released in the United States in November 1969 as The Rod Stewart Album, the album peaked at No. 139 on the US Billboard 200 album chart. It was later released in the United Kingdom with the modified title in February 1970. Stewart's Faces bandmates Ronnie Wood and Ian McLagan also appear on the album, along with Keith Emerson, Jeff Beck Group drummer Micky Waller and guitarists Martin Pugh and Martin Quittenton.
Mahoney's Last Stand is an album by Faces bandmates Ronnie Wood and Ronnie Lane, recorded in 1972. It is the music soundtrack album of the low-budget 1972 Canadian film Mahoney's Last Stand starring Alexis Kanner, Sam Waterston and Maud Adams. The film itself, little seen at the time of its release and even less so since, charts the progress of city-dweller Mahoney (Kanner) who abandons his urban existence to become a homesteader, and the drama that ensues. Pete Townshend, who guests on guitar on some tracks on the album, also receives a credit in the film for providing 'special electronic effects', alongside Wood and Lane's musical score.
"Here Come the Nice" is a song by English rock band Small Faces. Written by guitarist Steve Marriott and bass guitarist Ronnie Lane, it was released as a single on 2 June 1967, through Immediate Records. The song, which was the band's debut on Immediate, was their first promoted release of 1967, following feuds with Decca Records. It marked a distinct turning point for Small Faces' career, being their first single to deliberately venture into psychedelia, though they had previously done that on a few album tracks for Decca. The song's subject regarding a drug dealer somehow bypassed the BBC censors, who did not ban it, which resulted in the song managing to chart at number 12 on the UK Singles Chart during the summer of 1967. The song received mostly good reviews from music critics, with many positively noting the change of genres.
"Ooh La La" is a 1973 song by the band Faces, written by Ronnie Lane and Ronnie Wood. It is the title song of the band's last studio album, Ooh La La.
"My Way of Giving" is a song written by Steve Marriott and Ronnie Lane. Initially demoed by their band Small Faces in 1966, it was given to British singer Chris Farlowe, who released his version as a single in early 1967. It was Farlowe's first single not written by Jagger–Richards since 1965's "The Fool". The Small Faces themselves decided to go on and record a version which was released on two different albums on two different record labels.
The Definitive Rock Collection is a two-disc retrospective of the British rock group Faces released in 2007, collecting thirty tracks from among the group's four studio albums, various single A and B-sides, and an outtake from the sessions for a proposed but ultimately abandoned 1975 album.