Muscle Shoals Sound Studio | |
Location | 3614 Jackson Hwy., Sheffield, Alabama |
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Coordinates | 34°46′4″N87°40′26″W / 34.76778°N 87.67389°W |
Architectural style | Early commercial |
Website | muscleshoalssoundstudio.org |
NRHP reference No. | 06000437 [1] |
Added to NRHP | June 2, 2006 |
Muscle Shoals Sound Studio is an American recording studio in Sheffield, Alabama, formed in 1969 by four session musicians known as The Muscle Shoals Rhythm Section. [2] They had left nearby FAME Studios in Muscle Shoals to create their own recording facility.
They attracted noted artists from across the United States and Great Britain. Over the years, artists who recorded at Muscle Shoals Sound Studio included Bob Dylan, The Rolling Stones, Aretha Franklin, Wilson Pickett, Willie Nelson, Duane Allman, Lynyrd Skynyrd, Joe Cocker, Levon Helm, Paul Simon, Bob Seger, Rod Stewart, Cat Stevens, Cher, and George Michael.
The four founders of the studio, Barry Beckett, Roger Hawkins, Jimmy Johnson and David Hood, were session musicians at Rick Hall's FAME Studios ; they were officially known as the Muscle Shoals Rhythm Section but widely referred to as "The Swampers," [3] who were recognized as having crafted the "Muscle Shoals sound" in conjunction with Hall. [4]
The Muscle Shoals Rhythm Section was the first group of musicians to own a studio and to eventually run their own publishing and production companies. They provided musical backing and arrangements for many recordings, including major hits by Wilson Pickett, Aretha Franklin, and the Staple Singers; a wide range of artists in popular music also recorded hit songs and complete albums at the studio. They had first worked together in 1967 and initially played sessions in New York and Nashville before doing so at FAME. Their initial successes in soul and R&B led to more mainstream rock and pop performers who began coming to record at Muscle Shoals Sound Studios, including the Rolling Stones, Bob Dylan, Duane Allman, Traffic, Bob Seger, Glenn Frey, Elton John, Paul Simon, Boz Scaggs, Willie Nelson, Dr. Hook, Elkie Brooks, Millie Jackson, and Julian Lennon.
The Muscle Shoals Rhythm Section partnered with Jerry Wexler, who provided start-up funding [5] to found Muscle Shoals Sound Studio at 3614 Jackson Highway in Sheffield. [6] The concrete block building, originally built around 1946, was previously a coffin showroom. [7]
Cher's sixth album was titled 3614 Jackson Highway (1969) and this became the informal name for the studio in 1969.
The first hit to the studio's credit was R. B. Greaves' "Take a Letter Maria". By December 1969, the Rolling Stones were recording at this new location for three days. [8]
The studio at 3614 Jackson Highway closed in April 1979, relocating to a larger updated facility in Sheffield located at 1000 Alabama Avenue. This location operated until it was closed and sold in 1985 to Malaco Records, Tommy Couch's Jackson, Mississippi-based soul and blues label, which also bought the publishing rights held by the Muscle Shoals Sound. Malaco used the Sheffield studios for its own artists, including Johnnie Taylor, Bobby Bland and Little Milton, as while continuing to operate its own facility in Jackson. The Rhythm Section, minus Beckett, worked with other studio musicians at Malaco Records and at other studios. [9] In 2005, Couch decided to close the Malaco studio on Alabama Avenue because he was having difficulty competing with more technologically advanced studios. [10]
After the closure of the 1000 Alabama Avenue location, the building was taken over by a movie production company. [11] In 2007, this location housed Cypress Moon Productions and the Cypress Moon Studio with functioning recording equipment, which was operating as a recording studio and was open for tours. [12]
Although it was no longer a working studio in 2009 and 2010, the Jackson Highway location was rented for recording some or all of two Grammy-nominated albums. Band of Horses's third CD, Infinite Arms , recorded in part at that studio, was nominated for a Grammy Award in the category Best Alternative Album. [7]
Ten tracks of Black Keys's sixth album, Brothers , were also recorded at 3614 Jackson Highway. [13] The album was nominated for a 2011 Grammy Award for Best Alternative Music Album. Two songs from the album, "Tighten Up" and "Black Mud", were nominated for Grammys: "Tighten Up" for Best Rock Performance by a Duo or Group with Vocal and Best Rock Song and "Black Mud" for Best Rock Instrumental Performance. Rolling Stone magazine placed the album at number-2 on its list of the Best Albums of 2010 and "Everlasting Light" at number 11 on its list of the Best Singles of 2010. The album was also featured on Spin magazine's Top 40 Albums of 2010.[ citation needed ]
Chris Stapleton recorded his Grammy winning single, "Cold" at Muscle Shoals Sound Studio in December 2018 and received the Grammy in 2022 thus making the studio one that produces Grammy winning hit records once again.
The original studio building on Jackson Highway, which had become an audio visual retailer and then an appliance store until 1999, changed ownership, the subsequent owner completing some renovations and retaining the old recording equipment, allowing for tours of the property. [14] [15] The building was listed on the National Register of Historic Places in June 2006. [16]
In 2013, the documentary Muscle Shoals raised public interest in a major restoration of the studio, [17] and in June that year, the owner sold the property (without the historic recording equipment) to the Muscle Shoals Music Foundation, an organization that had been formed earlier that year with the goal of establishing a music museum in the historic building. [15] [18] [19] [20] [21] A large grant from Beats Electronics provided an essential $1 million. The state tourism director said that the 2013 Muscle Shoals film [22] had significant influence. "The financial support from Beats is a direct result of their film." Additional donations were made by other groups and individuals. [23]
The building closed when major restoration work began in September 2015, and reopened as a finished tourist attraction operated by the Muscle Shoals Music Foundation on January 9, 2017. [24] The interior is reminiscent of the 1970s, with relevant recording equipment and paraphernalia. [25] [26] According to a journalist who was a recent visitor, the restored studio is impressive: "Muscle Shoals Sound's interior appears much as it did in its prime. ... Some guitars and amps. A Hammond organ, Wurlitzer electric piano and black baby grand. The control room with recording console and analog tape machine ... There are isolation booths, for vocals, percussion and such..." [27]
The Alabama Tourism Department named Muscle Shoals Sound Studio as the state's top attraction in 2017, even before the Jackson Highway studio reopened. [24] Over 62,000 people from 50 countries and every state in the U.S. have visited since it opened for tours again in 2013.
The studio is a working recording studio at night. Dan Auerbach of the Black Keys recorded a solo project in March 2017. Grammy winning producer Dave Cobb of Nashville recorded rockers Rival Sons in April 2017. Actor Kiefer Sutherland recorded with Swamper David Hood in May 2017. In 2018, Bishop Gunn released the first recording from the studio after the restoration, "Shine" from their album, Natchez. Donnie Fritts released tunes recorded at the studio on his June album, in conjunction with John Paul White and Single Lock Records.
Filmmaker Greg Camalier premiered his documentary film Muscle Shoals at the Sundance Film Festival in January 2013. [22] It is about Muscle Shoals sound, and features Rick Hall, FAME Studios, and the Muscle Shoals Rhythm Section (Swampers) who had founded the Muscle Shoals Sound Studios. The film includes interviews with Percy Sledge, Wilson Pickett, Aretha Franklin, Etta James, Mick Jagger, Keith Richards, Steve Winwood, Bono, Alicia Keys and many others.
Album or song | Artist | Date | US Pop chart [28] | US R&B chart [29] | Notes |
---|---|---|---|---|---|
3614 Jackson Highway | Cher | 1969 | |||
Boz Scaggs | Boz Scaggs | 1969 | features Duane Allman playing guitar on several cuts | ||
Take a Letter, Maria | R. B. Greaves | 1969, August 19, | No. 2 | No. 10 | |
Muscle Shoals Nitty Gritty | Herbie Mann | (Released 1970) | |||
Brown Sugar | The Rolling Stones | December 2–4, 1969 (Released 1971) | No. 1 | ||
Wild Horses | The Rolling Stones | December 2–4, 1969 (Released 1971) | No. 28 | ||
Starting All Over Again | Mel & Tim | 1972, May | No. 19 | No. 4 | |
I'll Take You There | Staple Singers | 1972 | No. 1 | No. 1 | |
Kodachrome | Paul Simon | 1973 | No. 2 | ||
Loves Me Like a Rock | Paul Simon | 1973 | No. 2 | ||
One More River to Cross | Canned Heat | 1973 | |||
Don't Your Plums Look Mellow Hanging on Your Tree | Big Joe Williams | 1974 | Willlams' last recordings | ||
Atlantic Crossing | Rod Stewart | 1974–1975 (released 1975) | "Sailing" was a number one hit in the UK Singles Chart | ||
Breakaway | Art Garfunkel | 1975 | |||
"Katmandu" | Bob Seger | 1975 | No. 43 | ||
No Reservations | Blackfoot | 1975 | |||
Flyin' High | Blackfoot | 1976 | |||
"Night Moves" | Bob Seger | 1976 | No. 8 | ||
"Mainstreet" | Bob Seger | 1976 | No. 24 (in 1977) | ||
Izitso | Cat Stevens | 1976 | No. 7 (in 1977) | ||
"Torn Between Two Lovers" | Mary MacGregor | 1976 | No. 1 (in 1977) | ||
Street Survivors | Lynyrd Skynyrd | 1977 | |||
"Old Time Rock and Roll" | Bob Seger | 1978 | No. 28 (in 1979) | ranked number two on the Amusement & Music Operators Association's survey of the Top 40 Jukebox Singles of All Time in 1996 | |
Skynyrd's First: The Complete Muscle Shoals Album | Lynyrd Skynyrd | 1971–1972 (Released 1978) | |||
"Gotta Serve Somebody" | Bob Dylan | 1979 | No. 24 | 1980 Grammy winner | |
Pleasure and Pain | Dr. Hook | 1978 | No. 66 | ||
Sharing The Night Together | Dr. Hook | 1978 | No. 6 | ||
When You're In Love With A Beautiful Woman | Dr. Hook | 1979 | No. 6 | ||
Sometimes You Win | Dr. Hook | 1979 | No. 71 | ||
Better Love Next Time | Dr. Hook | 1979 | No. 12 | ||
Sexy Eyes | Dr. Hook | 1980 | No. 5 | ||
Take What You Find | Helen Reddy | 1979 (released 1980) | |||
Valotte | Julian Lennon | 1984 | No. 9 | ||
"Careless Whisper" | George Michael | 1983 | Not the hit version, this was released as a b-side on a UK special 12" and on the Japanese 12" [30] | ||
Brother | Cry of Love | 1993 | Three of the album's songs reached the top twenty of the Billboard Album Rock Tracks chart [31] | ||
Brothers | Black Keys | 2009 (Released 2010) | 2011 Grammy Award winner |
Muscle Shoals is the largest city in Colbert County, Alabama, United States. It is located on the left bank of the Tennessee River in the northern part of the state and, as of the 2010 census, its population was 13,146. The estimated population in 2019 was 14,575.
I Never Loved a Man the Way I Love You is the tenth studio album by American singer Aretha Franklin, released on March 10, 1967 by Atlantic Records. It was Franklin's first release under her contract with the label, following her departure from Columbia Records after nine unsuccessful jazz standard albums, and marked a commercial breakthrough for her, becoming her first top 10 album in the United States, reaching number 2 on the Billboard 200. Two singles were released to promote the album: "Respect" and "I Never Loved a Man ". The former topped the Billboard Hot 100, while latter reached the top 10.
Alabama has played a central role in the development of both blues and country music. Appalachian folk music, fiddle music, gospel, spirituals, and polka have had local scenes in parts of Alabama. The Tuskegee Institute's School of Music, especially the Tuskegee Choir, is an internationally renowned institution. There are three major modern orchestras, the Mobile Symphony, the Alabama Symphony Orchestra and the Huntsville Symphony Orchestra; the last is the oldest continuously operating professional orchestra in the state, giving its first performance in 1955.
Gerald Wexler was a music journalist turned music producer, and was a major influence on American popular music from the 1950s through the 1980s. He coined the term "rhythm and blues", and was integral in signing and/or producing many of the biggest acts of the time, including Ray Charles, the Allman Brothers, Chris Connor, Aretha Franklin, Led Zeppelin, Wilson Pickett, Dire Straits, Dusty Springfield and Bob Dylan. Wexler was inducted to the Rock and Roll Hall of Fame in 1987 and in 2017 to the National Rhythm & Blues Hall of Fame.
"Respect" is a song written and originally recorded by American soul singer Otis Redding. It was released in 1965 as a single from his third album Otis Blue/Otis Redding Sings Soul and became a crossover hit for Redding.
"Mustang Sally" is a rhythm and blues (R&B) song written and first recorded by Mack Rice in 1965. It was released on the Blue Rock label (4014) in May 1965 with "Sir Mack Rice" as the artist. The song uses an AAB layout with a 24-bar structure.
Eddie Hinton was an American songwriter and session musician, best known for his work with soul music and R&B singers. He played lead guitar for Muscle Shoals Rhythm Section from 1969 to 1971 and after leaving the band, he was replaced by Pete Carr as lead guitarist.
Donna Jean Thatcher Godchaux-MacKay is an American singer best known as a member of the rock band the Grateful Dead from 1972 to 1979. In addition to the Dead, she performed with the Jerry Garcia Band and the short-lived Heart of Gold Band, all alongside her first husband, Keith Godchaux. She formed the Donna Jean Godchaux Band in 2006.
"I Never Loved a Man (The Way I Love You)" is a 1967 single released by American soul singer Aretha Franklin. Released on Atlantic Records as the first big hit of her career and the lead single from her tenth studio album of the same name, it became a defining song for Franklin, peaking at number one on the rhythm and blues charts and number nine on the pop charts. The B-side was "Do Right Woman, Do Right Man". Before this Franklin had placed only two Top 40 singles on the pop chart during her modest tenure with Columbia Records.
Malaco Records is an American independent record label based in Jackson, Mississippi, United States, that has been the home of various major blues and gospel acts, such as Johnnie Taylor, Bobby Bland, Mel Waiters, Z. Z. Hill, Denise LaSalle, Latimore, Dorothy Moore, Little Milton, Shirley Brown, Tyrone Davis, Marvin Sease, and the Mississippi Mass Choir. It has received an historic marker issued by the Mississippi Blues Commission to commemorate its important place on the Mississippi Blues Trail.
Dewey "Spooner" Lindon Oldham Jr. is an American songwriter and session musician. An organist, he recorded in Muscle Shoals, Alabama, at FAME Studios as part of the Muscle Shoals Rhythm Section on such hit R&B songs as Percy Sledge's "When a Man Loves a Woman", Wilson Pickett's "Mustang Sally", and Aretha Franklin's "I Never Loved a Man ". As a songwriter, Oldham teamed with Dan Penn to write such hits as "Cry Like a Baby", "I'm Your Puppet", and "A Woman Left Lonely" and "It Tears Me Up".
The Muscle Shoals Rhythm Section is a group of American session musicians based in the northern Alabama town of Muscle Shoals. One of the most prominent American studio house bands from the 1960s to the 1980s, these musicians, individually or as a group, have been associated with more than 500 recordings, including 75 gold and platinum hits. They were masters at creating a southern combination of R&B, soul and country music known as the "Muscle Shoals sound" to back up black artists, who were often in disbelief to learn that the studio musicians were white. Over the years from 1962 to 1969, there have been two successive groups under the name "Muscle Shoals Rhythm Section" and the common factor in the two was an association with Rick Hall at FAME Studios in Muscle Shoals.
Boz Scaggs is the second studio album by American musician Boz Scaggs, released in 1969 by Atlantic Records. A stylistically diverse album, Boz Scaggs incorporates several genres, including Americana, blue-eyed soul, country, and rhythm and blues. The lyrics are about typical themes found in blues songs, such as love, regret, guilt, and loss. Scaggs recorded the album at Muscle Shoals Sound Studio with producer Jann Wenner, the co-founder of Rolling Stone magazine. The Muscle Shoals Rhythm Section heavily contributed to the album, which included a young Duane Allman, before his rise to fame with the Allman Brothers Band.
Memphis Underground is a 1969 album by jazz flutist Herbie Mann, that fuses the genres of jazz and rhythm and blues (R&B). While Mann and the other principal soloists were leading jazz musicians, the album was recorded in Chips Moman's American Sound Studio in Memphis, a studio used by many well-known R&B and pop artists. The rhythm section was the house band at American Studios. The recording was engineered and produced by Tom Dowd.
Roger G. Hawkins was an American drummer best known for playing as part of the studio backing band known as the Muscle Shoals Rhythm Section of Alabama. Rolling Stone ranked Hawkins number 31 on its list of greatest drummers.
FAME Studios is a recording studio located at 603 East Avalon Avenue in Muscle Shoals, Alabama, an area of northern Alabama known as the Shoals. Though small and distant from the main recording locations of the American music industry, FAME has produced many hit records and was instrumental in what came to be known as the Muscle Shoals sound. It was started in the 1950s by Rick Hall, known as the Founder of Muscle Shoals Music. The studio, owned by Hall until his death in 2018, is still actively operating. It was added to the Alabama Register of Landmarks and Heritage on December 15, 1997, and was listed on the National Register of Historic Places in 2016. The 2013 award-winning documentary Muscle Shoals features Rick Hall, the Muscle Shoals Rhythm Section, and the Muscle Shoals sound originally popularized by FAME.
Barry Edward Beckett was an American keyboardist, session musician, record producer, and studio founder. He is best known for his work with David Hood, Jimmy Johnson, and Roger Hawkins, his bandmates in the Muscle Shoals Rhythm Section, which performed with numerous notable artists on their studio albums and helped define the "Muscle Shoals sound".
Roe Erister "Rick" Hall was an American record producer, songwriter, and musician who became known as the owner of FAME Studios in Muscle Shoals, Alabama. As the "Father of Muscle Shoals Music", he was influential in recording and promoting both country and soul music, and in helping develop the careers of such musicians as Aretha Franklin, Otis Redding, Duane Allman and Etta James.
Jesse Willard "Pete" Carr was an American guitarist. Carr contributed to successful recordings by Joan Baez, Luther Ingram, Bob Seger, Paul Simon, Willie Nelson, Joe Cocker, Boz Scaggs, Percy Sledge, The Staple Singers, Rod Stewart, Barbra Streisand, Wilson Pickett, Hank Williams, Jr., and many others, from the 1970s onward.
George Henry Jackson was an American blues, rhythm and blues, rock and roll/rock and soul singer-songwriter. His prominence was as a prolific and skilled songwriter: he wrote or co-wrote many hit songs for other musicians, including "Down Home Blues", "One Bad Apple", "Old Time Rock and Roll" and "The Only Way Is Up". As a southern soul singer he recorded fifteen singles between 1963 and 1985, with some success.
often affectionately called "the Swampers" are widely regarded as one of the most important American recording studio "house bands" emerging in the golden age of rock and soul.
At its heart is Rick Hall who founded FAME Studios. Overcoming crushing poverty and staggering tragedies, he brought black and white musicians together to create music that would last for generations while also giving birth to the unique 'Muscle Shoals sound' and the rhythm section 'The Swampers'.
In 1969 Rick Hall's house band, the Muscle Shoals Rhythm Section, left FAME and partnered with Jerry Wexler to found Muscle Shoals Sound Studio at 3614 Jackson Highway in Sheffield..
they called Noel Webster and blocked off two weeks at Muscle Shoals Sound Studios, arriving with a truckload of Neill's gear in August.
Rolling Stones arrived for an impromptu three-day session in December and proceeded to put the renegade studio on the map.
the last four years saw a sharp decline in outside projects. When computer and hard-disk recording really got cheap and better at the same time, it just knocked the socks off a lot of studios, [Muscle Shoals] included," he says. It was just a very difficult thing to compete with.
they called Noel Webster and blocked off two weeks at Muscle Shoals Sound Studios, arriving with a truckload of Neill's gear in August.
Muscle Shoals Sounds moved from it's[ sic ] original location in 1978, converting this former Naval Reserve building on the Tennessee River to a multi-studio complex. Many internationally known artists recorded gold and platinum records here. The building now houses a film production company with the historic recording studio still in use.
truckload of period gear culled from Neill's personnel collection
Noel Webster, who has owned the property the last 10 to 15 years
Reference number06000437
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has generic name (help)has been revamped with a 1970s feel that includes bright colors, retro chairs and a metal ashtray; the sign over the front door is once again bright blue. Vintage recording equipment fills the production booth.
When we were closed down during renovations, people would just show up from all over the world.
Recording at the studio will be offered on a limited basis