This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Malaco Records | |
---|---|
Parent company | Malaco Music Group |
Founded | 1962 |
Founder | Tommy Couch Mitchell Malouf |
Distributor(s) | Malaco Music Group |
Genre | Gospel, R&B, soul, southern soul, blues, funk, roots music |
Country of origin | U.S. |
Official website | www |
Malaco Records is an American independent record label based in Jackson, Mississippi, United States, [1] that has been the home of various major blues and gospel acts, such as Johnnie Taylor, Bobby Bland, Latimore, Z. Z. Hill, Denise LaSalle, Dorothy Moore, Little Milton, Shirley Brown, Tyrone Davis, Marvin Sease, and the Mississippi Mass Choir. It has received an historic marker issued by the Mississippi Blues Commission to commemorate its important place on the Mississippi Blues Trail. [2]
A tornado on April 15, 2011, destroyed much of the company's main building and studio at 3023 West Northside Drive in Jackson, Mississippi, which have since been re-built. [3]
Malaco ( /ˈmæləkoʊ/ MAL-ə-koh) Inc. was founded in 1962 by Tommy Couch and Mitchell Malouf, [1] initially as a booking agency. [4] In 1967, the company opened a recording studio in a building that remains the home of Malaco. Experimenting with local songwriters and artists, the company began producing master recordings. Malaco needed to license their early recordings with established labels for national distribution. Between 1968 and 1970, Capitol Records released six singles and a Grammy Award-nominated album by Mississippi Fred McDowell. Revenue from record releases was minimal, however, and Malaco survived doing jingles, booking bands, promoting concerts, and renting the studio for custom projects. [4]
In May 1970, a bespectacled producer-arranger changed the struggling company's fortune. Wardell Quezergue made his mark with New Orleans stalwarts Fats Domino and Professor Longhair, among others. Quezergue offered to supply Malaco with artists in return for studio time and session musicians. [4] Quezergue brought five artists to Jackson in a borrowed school bus for a marathon session that yielded two hits – King Floyd's "Groove Me" and Jean Knight's "Mr. Big Stuff." But the tracks met rejection when submitted to Stax and Atlantic Records for distribution. Frustrated, Malaco released the King Floyd tracks on its own Chimneyville label. When "Groove Me" started radio play and sales, Atlantic picked the record up for distribution after all, giving Malaco a label deal for future Chimneyville product. [4] "Groove Me" entered the national charts in October, going to No. 1 on the US Billboard R&B chart and No. 6 on the Billboard Hot 100. In 1971, Chimneyville scored again with King Floyd's "Baby Let Me Kiss You" (No. 5 R&B and No. 29 Pop). Meanwhile, Stax decided to take a chance on "Mr. Big Stuff", selling over two million copies on the way to No. 1 on the R&B chart and No. 2 pop. [4]
Malaco's studio and session musicians were now in demand. Drummer James Stroud, bassist Vernie Robbins and guitarist Jerry Puckett were the nucleus of the Malaco Rhythm Section, later joined by keyboardist Carson Whitsett. Atlantic sent the Pointer Sisters among others for the Malaco touch; Stax sent Rufus Thomas and others. In January 1973, Paul Simon recorded "Learn How to Fall" for his There Goes Rhymin' Simon album. Later that year, Malaco released its first gospel record, "Gospel Train" by the Golden Nuggets on Atlantic's Cotillion label. Also in 1973, King Floyd's "Woman Don't Go Astray" made No. 5 R&B. [4]
When Dorothy Moore recorded "Misty Blue" in 1973, Malaco got rejection slips trying to shop the master to other labels. Two years later, Malaco was just about broke and desperate for something to sell. With just enough cash to press and mail out the record, "Misty Blue" was released on the Malaco label just before Thanksgiving. [4] [1]
Dorothy Moore's "Misty Blue" earned gold records around the world, peaking at No. 2 R&B and No. 3 pop in the US, and No. 5 in the UK Singles Chart in 1976. [4] This was followed by thirteen chart records. Moore got four Grammy Award nominations in her career. Other signings to the label included funk bands such as Freedom, Natural High, Power, and Sho-Nuff. [5]
Another Malaco gamble in the late 1970s was targeting the gospel market again with the Jackson Southernaires. The gamble paid off, and other premium gospel artists signed on, including the Soul Stirrers, The Sensational Nightingales, The Williams Brothers, The Truthettes, Willie Banks and the Messengers and the Angelic Gospel Singers. [1] The Southernaires's Frank Williams became Malaco's Director of Gospel Operations, producing virtually every Malaco gospel release until his death in 1993. By 1977, songwriters, artists, and producers from the defunct Stax Records were knocking on Malaco's doors, including Eddie Floyd, Frederick Knight, The Fiestas, and David Porter. [4]
By this time, Malaco had stopped trying to compete with mainstream labels. However, Malaco could make a tidy profit selling between 25,000 and 50,000 units. [4] Starting with Z. Z. Hill, Malaco became the center for old-time blues and soul artists. [1] Hill released the single "Cheating in the Next Room", which reached R&B No. 19 in 1982. [6] Hill's album, Down Home Blues, sold over 500,000 copies, before he suddenly died in 1984. [1] Hearing Johnnie Taylor sing at the funeral service, Tommy Couch invited Taylor to become Malaco's new flagship artist. [4]
Denise LaSalle charted fourteen times in the 1970s. After 29 chart entries for other labels, blues guitarist Little Milton signed with Malaco in 1984. [4] Little Milton's first Malaco single "The Blues is Alright" re-established his presence as a major blues artist, and solidified Malaco's reputation as the contemporary southern blues company.[ citation needed ] In 1985, Malaco signed Bobby Bland. He had notched up 62 Billboard R&B chart records in 25 years.
In 1985, the principals at Malaco, Tommy Couch, Wolf Stephenson and Stewart Madison bought Muscle Shoals Sound Studios which, by that time, was located at 1000 Alabama Avenue in Sheffield, Alabama. [4]
Bobby Bland had a hit album, Midnight Run, on the US soul album chart in 1989. Johnnie Taylor had his final hit on the Billboard Hot Black Singles chart in 1990. In 1996, the label signed the Chicago-based soul singer, Tyrone Davis to the label, almost 30 years after his first major hit "Can I Change My Mind", an R&B No. 1. [4]
In 2005, the owners decided to sell the studio in Sheffield because they were having difficulty keeping it booked. The building was bought by a film and television production company. [7]
On April 15, 2011, the company's Jackson studio and offices were hit by a tornado that caused major damage and destruction. Thousands of master tapes from recording sessions survived intact in a separate concrete vault. The company decided to re-build the damaged offices and recording studio on the same site and the new buildings were opened in the fall of 2012. [8] This storm came six years after Hurricane Katrina also hit the area, causing some damage to the Malaco premises.
Clearly the dominant contemporary southern blues label, Malaco purchased the gospel division of Savoy Records in 1986. Now, Malaco was also the preeminent black gospel company in North America. The Savoy acquisition brought a vast catalog of recordings, including albums by Shirley Caesar, Rev. James Cleveland, Albertina Walker, The Caravans, and Inez Andrews. In further expansion moves that year, Malaco entered the world of telemarketing. Malaco's gospel labels under Jerry Mannery, and Savoy Records under Milton Biggham, earned multiple honors, including Billboard designations as Top Gospel Label and Top Gospel Distributor.[ citation needed ] The company also dominated Billboard Gospel charts, achieving No. 1 rankings by Keith Pringle, Walter Hawkins, Rev. James Moore, The Mississippi Mass Choir, and Dorothy Norwood.
Malaco's market focus widened dramatically in 1995. Songwriter/producer Rich Cason cut "Good Love" with Johnnie Taylor. In 1996, Taylor's eighth album for Malaco, Good Love!, reached number one on the Billboard Top Blues Albums chart (No. 15 R&B), and was the most commercially successful album in Malaco's history.[ citation needed ]
In 1997, Malaco was without a distribution deal and formed Malaco Music Group, which consists of Malaco Records and its subsidiaries. The company continued its steady, prudent expansion, purchasing half of the Memphis-based distributor Select-O-Hits and also making inroads into the urban contemporary, hip hop, and contemporary Christian markets.[ citation needed ]
Malaco Records has been designated as a marker on the Mississippi Blues Trail. [9] The company continue to release records in the 21st century.
This section needs additional citations for verification .(March 2020) |
Johnnie Harrison Taylor was an American recording artist and songwriter who performed a wide variety of genres, from blues, rhythm and blues, soul, and gospel to pop, doo-wop, and disco. He was initially successful at Stax Records with the number-one R&B hits "Who's Making Love" (1968), "Jody's Got Your Girl and Gone" (1971) and "I Believe in You " (1973), and reached number one on the US pop charts with "Disco Lady" in 1976.
Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in 1961. It also shared its operations with sister label Volt Records.
Arzell J. "Z. Z." Hill was an American blues singer best known for his recordings in the 1970s and early 1980s, including his 1982 album for Malaco Records, Down Home, which stayed on the Billboard soul album chart for nearly two years. The track "Down Home Blues" has been called the best-known blues song of the 1980s. According to the Texas State Historical Association, Hill "devised a combination of blues and contemporary soul styling and helped to restore the blues to modern black consciousness."
Southern soul, also called Country Soul is a type of Soul and Country Music that emerged from the Southern United States. The music originated from a combination of styles, including blues, country, early R&B, and a strong gospel influence that emanated from the sounds of Southern black churches. Bass guitar, drums, horn section, and gospel roots vocal are important to soul groove. This rhythmic force made it a strong influence in the rise of funk music. The terms "deep soul", "country soul", "downhome soul" and "hard soul" have been used synonymously with "Southern soul".p. 18
James Carson Whitsett was an American keyboardist, songwriter, and record producer.
Jean Audrey Knight was an American R&B and soul singer from New Orleans, Louisiana. Launching her professional career in the mid-1960s, Knight was best known for her 1971 hit single "Mr. Big Stuff", released by Stax Records.
Dorothy Moore is an American blues, gospel, and R&B singer best known for her 1976 hit song, "Misty Blue".
Eddie Lee Floyd is an American R&B and soul singer and songwriter, best known for his work on the Stax record label in the 1960s and 1970s, including the No. 1 R&B hit song "Knock on Wood".
Shirley Brown is an American R&B singer, best known for her million-selling single "Woman to Woman", which was nominated for a Grammy Award in 1975.
"Misty Blue" is a song written by Bob Montgomery that has been recorded and made commercially successful by several music artists. Although Montgomery wrote the song for a different artist in mind, it was brought first to the attention of Wilma Burgess in 1966. It was recorded by Eddy Arnold the following year, both versions were top 5 Country Hits. A decade later, blues artist Dorothy Moore released the highest-charting version of the song and it reached the top ten in several different radio formats. Following Moore's revival of the track, numerous artists re-covered the tune, including country artist Billie Jo Spears. Spears's version would also go on to become a successful single release. Numerous other artists and musicians of different genres have recorded their own versions of "Misty Blue". The song is now considered both a country music and blues standard.
Pain in My Heart is the debut album of soul singer-songwriter Otis Redding. Redding recorded for Volt Records, a subsidiary of Stax Records, based in Memphis, Tennessee. Volt LPs were initially issued on the Atco label, which released this album. The title song was written and arranged by Allen Toussaint, under the pseudonym Naomi Neville.
"Mr. Big Stuff" is a song by American singer Jean Knight. The song was released in 1971 on the Stax label as a single from Knight's debut album of the same title, and became a big hit in the US, reaching No. 2 on Billboard Hot 100. The song was certified double platinum and was the No. 1 Soul Single of the year.
King Floyd was a New Orleans soul singer, best known for his top 10 hit from 1970, "Groove Me".
Wardell Joseph Quezergue was an American composer, arranger, record producer and bandleader, known among New Orleans musicians as the "Creole Beethoven". Steeped in jazz, he was an influential musician whose work shaped the sound of New Orleans rhythm and blues, funk and pop music. His role as an arranger and producer kept him out of the spotlight and enabled him to enhance the careers of many. He was a staple of the New Orleans music scene and the recipient of an honorary doctorate in music.
Ora D. Allen, known by the stage name Denise LaSalle, was an American blues, R&B and soul singer, songwriter, and record producer who, since the death of Koko Taylor, had been recognized as the "Queen of the Blues". Her husband was rapper Super Wolf.
"Groove Me" is a song recorded by R&B singer King Floyd. Released from his eponymous album in late 1970, it was a crossover hit, spending four non-consecutive weeks at number-one on Billboard Soul chart and peaking at No. 6 on the Billboard Hot 100. In Canada the song reached No. 11.
Hold On, I'm Comin' is the 1966 debut album by Atlantic Records soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The first side of the album mainly contains cover versions, and the second songs mainly written by Redding.
George Henry Jackson was an American blues, rhythm and blues, rock and roll/rock and soul singer-songwriter. His prominence was as a prolific and skilled songwriter: he wrote or co-wrote many hit songs for other musicians, including "Down Home Blues", "One Bad Apple", "Old Time Rock and Roll" and "The Only Way Is Up". As a southern soul singer he recorded fifteen singles between 1963 and 1985, with some success.
Thomas Lee Tate, known as Tommy Tate, was an American soul singer and songwriter, who had three hits on the R&B chart in the 1970s.
the last four years saw a sharp decline in outside projects. When computer and hard-disk recording really got cheap and better at the same time, it just knocked the socks off a lot of studios, [Muscle Shoals] included," he says. It was just a very difficult thing to compete with.