Jimmy Cliff | |
---|---|
Background information | |
Birth name | James Chambers |
Born | [1] St. James, Colony of Jamaica | 30 July 1944
Genres | Ska, rocksteady, reggae, soul |
Occupation(s) | Musician, singer, actor |
Instruments | |
Years active | 1962–present |
Labels | [2] |
Website | jimmycliff |
James Chambers, OM (born 30 July 1944), known professionally as Jimmy Cliff, is a Jamaican ska, rocksteady, reggae and soul musician, multi-instrumentalist, singer, and actor. He is the only living reggae musician to hold the Order of Merit, the highest honour that can be granted by the Jamaican government for achievements in the arts and sciences.
Cliff is best known among mainstream audiences for songs such as "Many Rivers to Cross", "You Can Get It If You Really Want", "The Harder They Come", "Reggae Night", and "Hakuna Matata", and his covers of Cat Stevens's "Wild World" and Johnny Nash's "I Can See Clearly Now" from the film Cool Runnings . He starred in the film The Harder They Come , which helped popularize reggae around the world, [3] and Club Paradise . Cliff was one of five performers inducted into the Rock and Roll Hall of Fame in 2010.
Jimmy Cliff was born James Chambers on 30 July 1944 in Saint James, Colony of Jamaica. [4] He began writing songs while still at primary school in St. James, listening to a neighbour's sound system. When Chambers was 14, his father took him to Kingston, where he would take up the stage name Jimmy Cliff. [5]
Cliff sought out many producers while still going to school, trying to get his songs recorded without success. He also entered talent contests. "One night I was walking past a record store and restaurant as they were closing, pushed myself in and convinced one of them, Leslie Kong, to go into the recording business, starting with me," he writes in his own website biography. [3] After two singles that failed to make much impression, his career took off when "Hurricane Hattie" became a hit while he was aged 17. [6] It was produced by Kong, with whom Cliff remained until Kong's death from a heart attack in 1971.[ citation needed ]
Cliff's later local hit singles included "King of Kings", "Dearest Beverley", "Miss Jamaica", and "Pride and Passion". In 1964, Cliff was chosen as one of Jamaica's representatives at the World's Fair in New York; and in the same year Cliff was featured in a program called "This is Ska!" alongside Prince Buster, Toots and the Maytals, and Byron Lee and the Dragonaires. [7]
He soon signed to Island Records and moved to the United Kingdom. [6] Island Records initially (and unsuccessfully) tried to sell Cliff to the rock audience, but his career took off in the late 1960s. [8] His international debut album was Hard Road to Travel, released in 1967. It received excellent reviews and included "Waterfall" (composed by Nirvana's Alex Spyropoulos and Patrick Campbell-Lyons), which became a hit in Brazil and won the International Song Festival. [6]
"Waterfall" was followed in 1969 by "Wonderful World, Beautiful People" and "Vietnam" in 1970, both popular throughout most of the world. Bob Dylan called "Vietnam" the best protest song he had ever heard. [3] Also during this period, Cliff released a cover of Cat Stevens' "Wild World" as a single, but it was not included on his Wonderful World, Beautiful People album.[ citation needed ]
In 1972, Cliff starred as Ivanhoe "Ivan" Martin in the classic reggae film, The Harder They Come , directed by Perry Henzell. [9] As the film tells Martin's story, he is a young man without funds. Arriving in Kingston from the country, he tries to make it in the recording business, but without success. Eventually, he turns to a life of crime. The soundtrack album of the film was a huge success that sold well around the world, bringing reggae to an international audience for the first time. It remains one of the most internationally significant films to have come out of Jamaica since independence. The film made its debut at London's Gaumont cinema in Notting Hill on 1 September 1972. [10]
In 1975, Cliff sang on the first season of Saturday Night Live , episode 12, hosted by Dick Cavett. After a series of albums, Cliff took a break and traveled to Africa (the Nigeria-based Jamaican writer Lindsay Barrett was instrumental in Cliff's first trip there), [11] and subsequently converted to Islam, taking the name of El Hadj Naïm Bachir. [12] [13] In a 2021 interview, Cliff expressed a strong affinity with the religious and intellectual knowledge of ancient Egypt, scepticism of government handling of the COVID-19 pandemic, and denied his earlier conversion to Islam, claiming it "didn't satisfy my soul." [14]
Cliff quickly returned to music, touring for several years before he recorded with Kool & the Gang. In 1984, Cliff appeared at the Pinkpop Festival in Landgraaf, Netherlands. During The River Tour, Bruce Springsteen and the E Street Band added Cliff's previously little-known song "Trapped" to their live set; it achieved great prominence when included on 1985's We Are the World benefit album. The follow-up, Cliff Hanger (1985), won a Grammy Award for Best Reggae Album, though it was his last major success in the United States until 1993. Also in 1985, Cliff contributed to the song "Sun City", a protest song written and composed by Steven Van Zandt and recorded by Artists United Against Apartheid to convey opposition to the South African policy of apartheid. [15]
Cliff then provided backing vocals on The Rolling Stones' 1986 album Dirty Work , and appeared in the comedy Club Paradise , co-starring with Robin Williams and Peter O'Toole, [16] and contributed several songs to the soundtrack, including "Seven Day Weekend", which he sang with Elvis Costello. In 1988, his song "Shelter of Your Love" was featured in the 1988 film Cocktail .[ citation needed ]
Cliff appeared in the film Marked for Death in 1990, performing "John Crow" with the Jimmy Cliff Band. [17] His recording of "You Can Get It If You Really Want" was used as a campaign anthem by the Sandinista National Liberation Front in the 1990 election in Nicaragua. [18] In 1991, he performed at the second Rock in Rio festival in Estádio do Maracanã in Rio de Janeiro, Brazil. He continued to sell well in Jamaica and, to a lesser extent, the UK, returning to the mainstream pop charts in the U.S. and elsewhere (#1 in France) with a version of Johnny Nash's "I Can See Clearly Now" on the Cool Runnings film soundtrack in 1993. In 1995, Cliff released the single "Hakuna Matata", a collaboration with Lebo M, a song from the soundtrack of the film The Lion King . In 1997, Cliff was a guest star in an episode of the Cartoon Network talk show Space Ghost Coast to Coast .[ citation needed ]
In 2001, Cliff became an inaugural member of the Independent Music Awards' judging panel to support independent artists. [19] In 2002, Cliff released the album Fantastic Plastic People in Europe, after first providing free downloads using p2p software. This album featured collaborations with Joe Strummer, Annie Lennox, and Sting as well as new songs that were very reminiscent of Cliff's original hits. In 2004, Cliff completely reworked the songs, dropping the traditional reggae in favour of an electronic sound, for inclusion in Black Magic. The album also included a recording of "Over the Border" with Joe Strummer. Cliff performed at the closing ceremony to the 2002 Commonwealth Games and in 2003, his song "You Can Get It If You Really Want" was included in the soundtrack to the film, Something's Gotta Give . He also appeared in July 2003 at the Paléo Festival in Nyon, Switzerland. The Jamaican government under P. J. Patterson honoured Cliff on 20 October 2003, by awarding him The Order of Merit, the nation's fourth-highest honour, in recognition of his contributions to the film and music of Jamaica. Cliff and Mervyn Morris are the only currently living figures from the arts to hold this distinction and Cliff is the only living musician to do so.[ citation needed ]
In 2007, Cliff performed at the opening ceremony at cricket's World Cup. In the spring and summer of 2010, Cliff embarked on an extensive tour of the U.S. and Canada. In 2007, "You Can Get It If You Really Want" was adopted by the British Conservative Party during their annual conference. [18] He was quoted in The Independent as saying, "One of my band mates called me this morning to tell me the news. I can't stop them using the song, but I'm not a supporter of politics. I have heard of Cameron, but I'm not a supporter. I don't support any politician. I just believe in right or wrong." [20]
In September 2009, he was nominated for induction into the Rock and Roll Hall of Fame, following a campaign on his behalf by the American Charles Earle. [21] Cliff reacted to the news by saying, "This is good for Cliff, good for Jamaican music and good for my country." On 15 December 2009, he was officially announced as an inductee and was inducted on 15 March 2010 by Wyclef Jean. [22]
Cliff appeared in the 2011 documentary Reggae Got Soul: The Story of Toots and the Maytals which was featured on BBC and described as "The untold story of one of the most influential artists ever to come out of Jamaica". [23] [24]
In 2011, Cliff worked with producer Tim Armstrong, lead singer of American punk band Rancid, on the EP The Sacred Fire [25] and the full-length album Rebirth . [26] Rebirth won a Grammy Award for Best Reggae Album. [27] The album was listed at #12 on Rolling Stone's list of the top 50 albums of 2012, saying "There's ska, rock steady, roots reggae, a revelatory cover of The Clash's "Guns of Brixton" delivered in Cliff's trademark soulful tenor, grittier but still lovely more than 40 years after his debut." [28]
In December 2012, Cliff was named Artist of the Year by digital newspaper the Caribbean Journal, citing his work on Rebirth. [29]
In August 2022, Cliff released the album Refugees. [30]
Cliff was briefly a member of the Rastafari movement before converting to Islam from Christianity. [31] He now describes himself as having a "universal outlook on life", and does not align himself with any particular movement or religion, [31] [32] saying, "now I believe in science". [31] He is married and has a daughter, Lilty Cliff, and a son, Aken Cliff. [33] [34] He is also the father of the actress/singer Nabiyah Be. [35]
Year | Title | Peak positions | Certification | |||||||
---|---|---|---|---|---|---|---|---|---|---|
FRA [36] | NLD [37] | NZ [38] | SWE [39] | SWI [40] | UK [41] | US [42] | US Reggae [42] | |||
1967 | Hard Road to Travel [A] | — | — | — | — | — | — | — | — | |
1968 | Jimmy Cliff in Brazil [B] | — | — | — | — | — | — | — | — | |
1969 | Jimmy Cliff [C] | — | — | — | — | — | — | — | — | |
1971 | Wild World | — | — | — | — | — | — | — | — | |
Goodbye Yesterday [D] | — | — | — | — | — | — | — | — | ||
Another Cycle | — | — | — | — | — | — | — | — | ||
1972 | The Harder They Come | — | — | — | 5 | — | — | 140 | — | |
1973 | Unlimited [E] | — | — | — | — | — | — | — | — | |
Struggling Man [F] | — | — | — | — | — | — | — | — | ||
1974 | Music Maker [G] | — | — | — | — | — | — | — | — | |
1975 | Brave Warrior | — | — | — | — | — | — | — | — | |
Follow My Mind | — | — | — | — | — | — | 195 | — | ||
1978 | Give Thankx | — | — | — | — | — | — | — | — | |
1980 | I Am the Living | — | — | — | — | — | — | — | — | |
1981 | Give the People What They Want | — | — | — | — | — | — | — | — | |
1982 | Special | — | 29 | — | — | — | — | 186 | — | |
1983 | The Power and the Glory | 17 | 29 | 25 | — | — | — | — | — |
|
1985 | Cliff Hanger | — | — | — | — | — | — | — | — | |
1986 | Club Paradise | — | — | — | — | — | — | — | — | |
1987 | Hanging Fire | — | — | — | — | — | — | — | — | |
Shout for Freedom | — | — | — | — | — | — | — | — | ||
1989 | Images | — | — | — | — | — | — | — | — | |
Save Our Planet Earth | — | — | — | — | — | — | — | — | ||
1992 | Breakout [H] | — | — | — | — | — | — | — | — | |
1996 | Higher & Higher [I] | 8 | — | — | — | — | — | — | — |
|
1998 | Journey of a Lifetime | — | — | — | — | — | — | — | — | |
1999 | Humanitarian | — | — | — | — | — | — | — | — | |
2002 | Fantastic Plastic People | — | — | — | — | — | — | — | — | |
We All Are One: The Best of Jimmy Cliff | — | — | — | — | 57 | — | — | — | ||
2004 | Black Magic | 139 | — | — | — | — | — | — | 11 | |
2011 | Sacred Fire EP | — | — | — | — | — | — | — | 1 | |
2012 | Rebirth | — | — | — | — | 71 | 83 | 76 | 1 | |
2022 | Refugees | — | — | — | — | — | — | — | — |
Notes
Year | Title | Peak positions | Certification | ||||
---|---|---|---|---|---|---|---|
BEL (Wa) [44] | FRA [36] | GER [45] | SWE [39] | US Reggae [42] | |||
1975 | The Best of Jimmy Cliff | — | — | — | — | — | |
Pop Chronik | — | — | — | — | — | ||
1976 | In Concert: The Best of Jimmy Cliff | — | — | — | 21 | — | |
1978 | Many Rivers to Cross | — | — | — | — | — | |
1979 | Oh Jamaica | — | — | — | — | — | |
1981 | Collection | — | — | — | — | — | |
1982 | Reggae Nights: The Best of Jimmy Cliff | — | — | — | — | — | |
1984 | Many Rivers to Cross | — | — | — | — | — | |
1985 | Reggae Greats | — | — | — | — | — | |
1987 | Fundamental Reggay | — | — | — | — | — | |
1993 | The Best Of | — | 7 | — | — | — |
|
1994 | Live | — | — | — | — | — | |
Many Rivers to Cross | — | — | — | — | — | ||
Gold Collection | — | — | — | — | — | ||
Reggae Classics: The Very Best of Jimmy Cliff | 47 | — | 57 | — | — | ||
1995 | Definitive Collection | — | — | — | — | — | |
Reggae Man | — | — | — | — | — | ||
Vol. 2 | — | — | — | — | — | ||
1996 | Best of Jimmy Cliff [J] | — | — | — | — | — |
|
1997 | Super Hits | — | — | — | — | — | |
Jimmy Cliff | — | — | — | — | — | ||
100% Pure Reggae | — | — | — | — | — | ||
1999 | Ultimate Collection | — | — | — | — | 8 | |
Millenium Collection | — | — | — | — | — | ||
Wonderful World Beautiful People | — | — | — | — | — | ||
2000 | Simply the Best | — | — | — | — | — | |
Super Best | — | — | — | — | — | ||
Wanted | — | — | — | — | — | ||
The Messenger: The Very Best of Reggae's Original Soul Star | — | — | — | — | — | ||
Wonderful World | — | — | — | — | — | ||
Live and in the Studio | — | — | — | — | — | ||
2001 | Les Indispensables de Jimmy Cliff | — | — | — | — | — | |
2002 | We All Are One: The Best of Jimmy Cliff | — | — | — | — | — | |
2003 | Many Rivers to Cross: The Best of Jimmy Cliff | — | — | — | — | — | |
Anthology | — | — | — | — | — | ||
Island Reggae Classics | — | — | — | — | — | ||
2004 | 20th Century Masters | — | — | — | — | — | |
Reggae Night | — | — | — | — | — | ||
This Is Crucial Reggae | — | — | — | — | — | ||
The EMI Years 1973–1975 | — | — | — | — | — | ||
Timeless Hits | — | — | — | — | — | ||
2005 | The Harder They Come: The Definitive Collection | — | — | — | — | — | |
2006 | The Essential Jimmy Cliff | — | — | — | — | — | |
The Very Best of Jimmy Cliff & Peter Tosh [J] | — | — | — | — | — | ||
The Harder They Come: The Early Years 1962–1972 | — | — | — | — | — | ||
Better Days Are Coming: The A&M Years 1969–1971 | — | — | — | — | — | ||
2008 | King of Kings: The Very Best of Jimmy Cliff | — | — | — | — | — | |
Reggae Legends | — | — | — | — | — | ||
2010 | Harder Road to Travel: The Collection | — | — | — | — | — | |
2013 | Jimmy Cliff | — | — | — | — | — | |
The KCRW Session | — | — | — | — | 4 | ||
Icon | — | — | — | — | 15 | ||
Year | Title | Peak positions | Album | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
AUS [46] [47] | AUT [48] | BEL (Vl) [49] | BEL (Wa) [44] | FRA [50] [51] | GER [45] | IRE [52] | ITA | NLD [37] | NZ [38] | SWI [40] | UK [41] | US [42] | |||
1962 | "Hurricane Hatty" | — | — | — | — | — | — | — | — | — | — | — | — | — | single only |
"Miss Jamaica" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"Since Lately" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1963 | "King of Kings" | — | — | — | — | — | — | — | — | — | — | — | — | — | |
"My Lucky Day" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"The Man" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1966 | "Pride and Passion" | — | — | — | — | — | — | — | — | — | — | — | — | — | Hard Road to Travel |
1967 | "Give and Take" | — | — | — | — | — | — | — | — | — | — | — | — | — | |
"I Got a Feeling" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"That's the Way Life Goes" | — | — | — | — | — | — | — | — | — | — | — | — | — | Jimmy Cliff | |
1968 | "Vietnam" | — | — | — | — | — | 15 | — | — | 26 | — | — | 46 | — | |
1969 | "Waterfall" | — | — | — | — | — | — | — | — | — | — | — | — | — | single only |
"Many Rivers to Cross" | — | — | — | — | 37 | — | — | — | — | — | — | — | — | Jimmy Cliff | |
"Wonderful World, Beautiful People" | 30 | — | 13 | — | — | — | 17 | — | 12 | — | — | 6 | 25 | ||
"Come into My Life" | — | — | — | — | — | — | — | 21 | — | — | — | — | 89 | ||
1970 | "Sufferin' in the Land" | — | — | — | — | — | — | — | — | 26 | — | — | — | — | |
"Where Did It Go" | — | — | — | — | — | — | — | — | — | — | — | — | — | single only | |
"Wild World" | 31 | 20 | 7 | — | 51 | — | 11 | 17 | 3 | — | 2 | 8 | — | Wild World | |
"You Can Get It If You Really Want" | — | — | — | — | — | — | — | — | — | — | — | — | — | single only | |
"Synthetic World" | — | — | — | — | — | — | — | — | — | — | — | — | — | Goodbye Yesterday | |
1971 | "Goodbye Yesterday" | — | — | 30 | — | — | — | — | — | 25 | — | — | — | — | |
"Those Good Good Old Days" | — | — | — | — | — | — | — | — | — | — | — | — | — | Struggling Man | |
"Sitting in Limbo" | — | — | — | — | — | — | — | — | — | — | — | — | — | Another Cycle | |
1972 | "The Harder They Come" | — | — | — | — | 32 | — | — | — | — | — | — | — | — | The Harder They Come |
"Struggling Man" | — | — | — | — | — | — | — | — | — | — | — | — | — | Struggling Man | |
1973 | "Let's Seize the Time" | — | — | — | — | — | — | — | — | — | — | — | — | — | |
"On My Life" | — | — | — | — | — | — | — | — | — | — | — | — | — | Unlimited | |
"Fundamental Reggay" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"Oh Jamaica" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1974 | "Music Maker" | — | — | — | — | — | — | — | — | — | — | — | — | — | Music Maker |
"Look What You Done to My Life, Devil Woman" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"Money Won't Save You" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"Don't Let It Die" | — | — | — | — | — | — | — | — | — | — | — | — | — | Brave Warrior | |
1975 | "Every Tub" | — | — | — | — | — | — | — | — | — | — | — | — | — | |
"If I Follow My Mind" | — | — | — | — | — | — | — | — | — | — | — | — | — | Follow My Mind | |
1976 | "Look at the Mountains" | — | — | — | — | — | — | — | — | — | — | — | — | — | |
"Dear Mother" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1977 | "Material World" | — | — | — | — | — | — | — | — | — | — | — | — | — | Give the People What They Want |
"Deal with Life" | — | — | — | — | — | — | — | — | — | — | — | — | — | single only | |
1978 | "Treat the Youths Right" | — | — | 22 | — | — | — | — | — | 13 | — | — | — | — | Special |
"Bongo Man" | — | — | — | — | — | — | — | — | — | — | — | — | — | Give Thankx | |
"Stand Up and Fight Back" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1979 | "Love I Need" | — | — | — | — | — | — | — | — | — | — | — | — | — | |
1980 | "All the Strength We Got" | — | — | — | — | — | — | — | — | — | — | — | — | — | I Am the Living |
"Another Summer" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"I Am the Living" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1981 | "Son of Man" | — | — | — | — | — | — | — | — | — | — | — | — | — | Give the People What They Want |
"Shelter of Your Love" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"My Philosophy" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1982 | "Rub-A-Dub Partner" | — | — | — | — | — | — | — | — | — | — | — | — | — | Special |
"Love Is All" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"Special" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"Roots Radical" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"Peace Officer" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"Love Heights" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1983 | "Reggae Night" | 55 | — | 5 | — | 2 | 35 | — | 8 | 6 | 1 | — | 91 | — | The Power and the Glory |
"We All Are One" | — | — | 24 | — | 15 | — | — | — | 33 | 48 | — | 93 | — | ||
"Sunshine in the Music" | — | — | 28 | — | — | — | — | — | 13 | — | — | — | — | ||
1984 | "Reggae Movement" | — | — | — | — | — | — | — | — | — | — | — | — | — | single only |
"Black Bess" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"De Youths Dem a Bawl" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1985 | "Hot Shot" | — | — | — | — | 24 | — | — | 42 | — | — | — | — | — | Cliff Hanger |
"American Sweet" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"Reggae Street" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1986 | "Seven-Day Weekend" (with Elvis Costello) | — | — | — | — | — | — | — | — | — | — | — | — | — | Club Paradise |
"Club Paradise" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1987 | "Roots Girl (Step Aside)" | — | — | — | — | — | — | — | — | — | — | — | — | — | single only |
"Rebel in Me" | — | — | — | — | — | — | — | — | — | — | — | — | — | Images | |
"Hanging Fire" | — | — | — | — | — | — | — | — | — | — | — | — | — | Hanging Fire | |
"Reggae Down Babylon" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"Soar Like an Eagle" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1988 | "Love Me Love Me" | — | — | — | — | — | — | — | — | — | — | — | — | — | |
1989 | "Pressure on Botha" (with Josey Wales) | — | — | — | — | — | — | — | — | — | — | — | — | — | Images |
"Trapped" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"Dance Reggae Dance" | — | — | — | — | — | — | — | — | — | — | — | — | — | Save Our Planet Earth | |
"Save Our Planet Earth" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1992 | "Breakout" | — | — | — | — | — | — | — | 18 | — | — | — | — | — | Breakout |
"I'm a Winner" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
"Peace" | — | — | — | — | — | — | — | — | — | — | — | — | — | ||
1993 | "Samba Reggae" | — | — | — | — | — | — | — | — | — | — | — | — | — | |
"I Can See Clearly Now" | 17 | — | 32 | — | 1 | 52 | — | — | 39 | 1 | — | 23 | 18 | Cool Runnings | |
1994 | "(Your Love Keeps Lifting Me) Higher and Higher" | — | — | — | — | — | 52 | — | — | — | 31 | — | — | 117 | Higher & Higher |
1995 | "Hakuna Matata" (with Lebo M) | — | — | 46 | 6 | 7 | 77 | — | — | 10 | — | 32 | — | 105 | Rhythm of the Pride Lands |
"Melody Tempo Harmony" (with Bernard Lavilliers) | — | — | — | 22 | 6 | — | — | — | — | — | — | — | — | single only | |
1999 | "Ob-La-Di, Ob-La-Da" | — | — | — | — | — | — | — | — | — | — | — | — | — | Humanitarian |
2002 | "Fantastic Plastic People" | — | — | — | — | — | — | — | — | — | — | — | — | — | Fantastic Plastic People |
2004 | "Jamaica Time" (with David A. Stewart) | — | — | — | — | — | — | — | — | — | — | — | — | — | Black Magic |
2011 | "Guns of Brixton" | — | — | — | — | — | — | — | — | — | — | — | — | — | Sacred Fire EP |
2012 | "One More" | — | — | — | — | — | — | — | — | — | — | — | — | — | Rebirth |
2013 | "C'mon Get Happy" | — | — | — | — | — | — | — | — | — | — | — | — | — | single only |
Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience. Reggae is rooted out from traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Island Records is a Jamaican multinational record label owned by Universal Music Group. It was founded in 1959 by Chris Blackwell, Graeme Goodall, and Leslie Kong in Jamaica, and was eventually sold to PolyGram in 1989. Island and A&M Records, another label recently acquired by PolyGram, were both at the time the largest independent record labels in history, with Island having exerted a major influence on the progressive music scene in the United Kingdom in the early 1970s. Island Records operates four international divisions: Island US, Island UK, Island Australia, and Island France. Current key people include Island US president Darcus Beese, and MD Jon Turner. Partially due to its significant legacy, Island remains one of UMG's pre-eminent record labels.
The Maytals, known from 1972 to 2020 as Toots and the Maytals, are a Jamaican musical group, one of the best known ska and rocksteady vocal groups. The Maytals were formed in the early 1960s and were key figures in popularizing reggae music.
Desmond Dekker was a Jamaican ska, rocksteady and reggae singer-songwriter and musician. Together with his backing group the Aces, he had one of the earliest international reggae hits with "Israelites" (1968). Other hits include "007 " (1967), "It Mek" (1969) and "You Can Get It If You Really Want" (1970).
"54-46 " is a song by Fred "Toots" Hibbert, recorded by Toots and the Maytals, originally released on the Beverley's label in Jamaica and the Pyramid label in the UK. A follow-up version released a year later, "54-46 Was My Number", was one of the first reggae songs to receive widespread popularity outside Jamaica, and is seen as being one of the defining songs of the genre. It has been anthologised repeatedly and the titles of several reggae anthologies include "54-46" in their title.
Leslie Kong was a Jamaican reggae producer.
Christopher Percy Gordon Blackwell OJ is a Jamaican-British former record producer and the founder of Island Records, which has been called "one of Britain's great independent labels." According to the Rock and Roll Hall of Fame, to which Blackwell was inducted in 2001, he is "the single person most responsible for turning the world on to reggae music." Variety describes him as "indisputably one of the greatest record executives in history," while Barron's has described him as "a contender for most interesting man in the world."
Frederick Nathaniel "Toots" Hibbert, was a Jamaican singer and songwriter who was the lead vocalist for the reggae and ska band Toots and the Maytals. A reggae pioneer, he performed for six decades and helped establish some of the fundamentals of reggae music. Hibbert's 1968 song "Do the Reggay" is widely credited as the genesis of the genre name reggae. His band's album True Love won a Grammy Award in 2005.
Tilmann Otto, better known by his stage name Gentleman, is a German reggae musician.
Marcia Llyneth Griffiths is a Jamaican singer best known for the 1989 remix of her single "Electric Boogie", which serves as the music for the four-wall "Electric Slide" line dance. It is the best-selling single of all time by a female reggae singer.
Byron Lee and the Dragonaires are a Jamaican ska, calypso and soca band. The band played a crucial pioneering role in bringing Caribbean music to the world. Byron Lee died on 4 November 2008, after suffering from cancer for a sustained period.
Beverley's was a Jamaican record label active between 1961 and 1971, owned by the record producer Leslie Kong. Beverley's was essential to the development of ska and rocksteady into reggae. The label launched the careers of Jimmy Cliff and Bob Marley, having released Cliff's first recording "Dearest Beverley" in 1961 and Marley's early singles "Judge Not" and "One Cup of Coffee" in 1962.
"Mother and Child Reunion" is a song by the American singer-songwriter Paul Simon. It was the lead single from his second studio album, Paul Simon (1972), released on Columbia Records. The song reached No. 4 on the Billboard Hot 100 chart in March 1972.
Winston Grennan was a Jamaican drummer, famous for session work from 1962 to 1973 in Jamaica as well as later in New York City through the 1970s and 1980s.
The Skatalites are a ska band from Jamaica. They played initially between 1963 and 1965, and recorded many of their best known songs in the period, including "Guns of Navarone." They also played on records by Prince Buster and backed many other Jamaican artists who recorded during that period, including Bob Marley & The Wailers, on their first single "Simmer Down." They reformed in 1983 and have played together ever since.
Funky Kingston is the name of two albums by Jamaican reggae group Toots and the Maytals. The first was issued in Jamaica and the United Kingdom in 1973 on Dragon Records, a subsidiary label of Island Records, owned by Chris Blackwell. A different album, with the same cover and title, was issued in the United States in 1975 on Mango Records. That album was compiled from three previous Maytals albums by Island Records employee Danny Holloway and peaked at #164 on the Billboard 200. It was also voted the eleventh best album of 1975 in the annual Jazz & Pop poll. In 2003, the American version was placed at number 378 on Rolling Stone's list of The 500 Greatest Albums of All Time, 380 in a 2012 revised list and 344 in a 2020 revised list.
The Harder They Come is a 1972 Jamaican crime film directed by Perry Henzell and co-written by Trevor D. Rhone, and starring Jimmy Cliff. The film is most famous for its reggae soundtrack that is said to have "brought reggae to the world".
Paul Douglas is a Jamaican musician, best known for his work as the drummer, percussionist and bandleader of Toots and the Maytals. His career spans more than five decades as one of reggae's most recorded drummers. Music journalist and reggae historian David Katz wrote, "dependable drummer Paul Douglas played on countless reggae hits."
This Is Reggae Music: The Golden Era 1960–1975 is a reggae retrospective anthology issued as a 4-CD box set in 2004 by Trojan Records. The anthology, which was compiled by Colin Escott and Bas Hartong, is arranged in chronological order and features tracks by various artists, starting with mento and ska from the first half of the 1960s, then progressing to the slower rhythms of rocksteady and reggae, which both emerged later in the decade, continuing into the 1970s. Several of the acts featured are Derrick Morgan, Desmond Decker & the Aces, Toots & the Maytals, Jimmy Cliff, and Bob Marley and the Wailers.
Clifton "Jackie" Jackson is a Jamaican bass player, who was an important and prolific session musician and bassist on ska, rocksteady, reggae, dub and discomix records throughout the 1960s and 1970s, and was later a member of Toots and the Maytals.
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