Green Onions

Last updated
"Green Onions"
Green Onions Single.jpg
Cover of the 1962 US single
Single by Booker T. & the M.G.'s
from the album Green Onions
B-side "Behave Yourself"
ReleasedJuly 1962
RecordedJune 1962,
Memphis, Tennessee
Genre
Length2:52
Label Stax
Songwriter(s)
Producer(s)
  • Booker T. Jones
  • Steve Cropper
  • Lewie Steinberg
  • Al Jackson Jr.
Booker T. & the M.G.'s singles chronology
"Green Onions"
(1962)
"Jellybread"
(1962)
Official audio
"Green Onions" on YouTube

"Green Onions" is an instrumental composition recorded in 1962 by Booker T. & the M.G.'s. Described as "one of the most popular instrumental rock and soul songs ever" [1] and as one of "the most popular R&B instrumentals of its era", [2] it utilizes a twelve-bar blues progression and features a rippling Hammond M3 organ line played by frontman Booker T. Jones, who wrote it when he was 17. However, the actual recording was largely improvised in the studio. [3]

Contents

The track was originally issued on the Volt label (a subsidiary of Stax Records) as the B-side of "Behave Yourself" on Volt 102; it was quickly reissued in August 1962 as the A-side of Stax 127, and it also appeared on the album of the same name that same year. [4] The organ sound of the song became a feature of the "Memphis soul sound". [5]

Background

Booker T. Jones was the keyboard player for the house band of Stax Records with Al Jackson on drums, Lewie Steinberg on bass, and Steve Cropper on guitar. They started jamming in the studio one Sunday when a recording session with another singer, Billy Lee Riley, failed to take place. They played around with a piano groove that Jones had performed in clubs before, although Jones decided to use a Hammond organ because he thought it sounded better on the tune. The owner of Stax, Jim Stewart, became interested in recording the resulting tune, "Behave Yourself". However, the band needed a B-side for this song. Using a riff with a 12-bar blues bassline that Jones had, the band came up with a song that became "Green Onions". [5] The guitarist Steve Cropper used a Fender Telecaster on "Green Onions", as he did on all of the M.G.'s instrumentals. [6]

After recording, Cropper contacted Scotty Moore at Sun Records to cut a record. He then took the record to a DJ on the Memphis station WLOK, who played "Green Onions" on air. Due to positive reaction of the public to the song, it was quickly re-released as an A-side. [5]

According to Booker T. Jones, the composition was originally to be called "Funky Onions", but the sister of Jim Stewart thought it "sounded like a cuss word"; it was therefore renamed "Green Onions". [5] According to Cropper, the title is not a marijuana reference; rather, the track is named after the Green Badger's[ who? ] cat, Green Onions, whose way of walking inspired the riff. [7] On a broadcast of the radio program Wait Wait... Don't Tell Me! on June 24, 2013, Jones was asked about the title and said, "The bass player thought it was so funky, he wanted to call it 'Funky Onions', but they thought that was too low-class, so we used 'Green Onions' instead." [8]

Personnel

Single track listings

NameLocationFormatRecord labelRelease date
"Behave Yourself" b/w "Green Onions" US/UK 7" 45 rpm Volt Records (US)May 1962
"Green Onions" b/w "Behave Yourself"US/UK7" 45 rpm Stax Records (US)/London Records (UK)September 1962
"Green Onions" b/w "Boot-Leg"United Kingdom7" 45 rpm Atlantic Records March 1967

Chart performance

"Green Onions" entered the Billboard Hot 100 the week ending August 11, 1962, and peaked at No. 3 the week ending September 29, 1962. The single also made it to No. 1 on the R&B singles chart, for four non-consecutive weeks, an unusual occurrence in that it fell in and out of top spot three times. [9] It first appeared on the UK Singles Chart on December 15, 1979, following its use in the film Quadrophenia ; it peaked at No. 7 on January 26, 1980, and stayed on the chart for 12 weeks. [10]

Certifications

Certifications for "Green Onions"
RegionCertification Certified units/sales
United Kingdom (BPI) [18] Gold400,000
United States (RIAA) [19] Gold1,000,000^

^ Shipments figures based on certification alone.
Sales+streaming figures based on certification alone.

Other recordings

The Surfaris recorded a version in 1963 on their album Wipe Out (Dot DLP 3535 and DLP 25535). Harry James recorded a version in 1965 on his album Harry James Plays Green Onions & Other Great Hits (Dot DLP 3634 and DLP 25634). [20] In 1969, "Green Onions" was covered by Dick Hyman; his version peaked at No. 87 on the Canadian singles charts. [21] During the 1968 jam concerts at the Fillmore West in San Francisco that produced The Live Adventures of Mike Bloomfield and Al Kooper , guitarist Mike Bloomfield and organist Al Kooper performed a jam of "Green Onions" that was included on the album.[ citation needed ]

The song was sampled for Maxi Priest and Shaggy's 1996 recording of "That Girl". [22] Rock band Deep Purple covered part of the song for their 2021 album "Turning to Crime" as part of the song "Caught in the Act", [23] the band had also performed the song live in previous years. [24] Tom Petty and the Heartbreakers occasionally played it in concert, and a 1997 performance recorded at The Fillmore in San Francisco was released on The Live Anthology . [25]

Similar recordings

Booker T. & the M.G.'s released a follow-up to "Green Onions", titled "Mo' Onions", on the album Green Onions in November 1962 and as a single in February 1964. It reached No. 97 on both the R&B singles and Billboard Hot 100 charts. [13]

Sonny Boy Williamson's 1963 recording "Help Me" was based on "Green Onions" and features Willie Dixon performing an upright bass riff very similar to the riff in "Green Onions" performed by Lewie Steinberg. [26]

Legacy

"Green Onions" was ranked No. 181 by Rolling Stone in its original list of the 500 greatest songs of all time; [27] it was the only instrumental in the list. When the magazine released a 2021 revision of the list, the song was repositioned to number 418, and was no longer the list's sole instrumental song. [28]

In 1999, "Green Onions" was given a Grammy Hall of Fame Award. [29]

It was voted number 5 in the All-Time Top 100 Singles from Colin Larkin's All Time Top 1000 Albums . [30] Larkin states 'an incredible, unrepeatable piece of music, copied by millions but never remotely challenged'. [30]

In 2012, it was added to the National Recording Registry of the Library of Congress, a list of "culturally, historically, or aesthetically important" American sound recordings. [31]

"Green Onions" was inducted into the Blues Hall of Fame in 2018, as one of the five new entrants in the "Classic of Blues Recording (Song)" category. [32]

See also

Related Research Articles

<span class="mw-page-title-main">Booker T. & the M.G.'s</span> American R&B/funk band

Booker T. & the M.G.'s were an American instrumental, R&B, and funk band formed in Memphis, Tennessee, in 1962. The band is considered influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor, and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.

<span class="mw-page-title-main">Sam & Dave</span> American soul and R&B duo

Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore and the baritone/tenor (lower) voice was Dave Prater (1937–1988).

<i>Green Onions</i> (album) 1962 studio album by Booker T. & the M.G.s

Green Onions is the debut album by Booker T. & the M.G.'s, released on Stax Records in October 1962. It reached number 33 on the pop album chart in the month of its release. The title single was a worldwide hit and has been covered by dozens of artists, including the Blues Brothers and Roy Buchanan, as well as The Ventures, Al Kooper, The Shadows, Mongo Santamaría, Deep Purple and Count Basie.

<span class="mw-page-title-main">Booker T. Jones</span> American musician

Booker Taliaferro Jones Jr. is an American musician, songwriter, record producer and arranger, best known as the frontman of the band Booker T. & the M.G.’s. He has also worked in the studios with many well-known artists of the 20th and 21st centuries, earning him a Grammy Award for Lifetime Achievement.

Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in September 1961. It also shared its operations with sister label Volt Records.

Memphis soul, also known as the Memphis sound, is the most prominent strain of Southern soul. It is a shimmering, sultry style produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee, featuring melodic unison horn lines, organ, guitar, bass, and a driving beat on the drums.

<span class="mw-page-title-main">Steve Cropper</span> American guitarist, songwriter, and record producer (born 1941)

Steven Lee Cropper, sometimes known as "The Colonel", is an American guitarist, songwriter and record producer. He is the guitarist of the Stax Records house band, Booker T. & the M.G.'s, which backed artists such as Otis Redding, Wilson Pickett, Sam & Dave, Carla Thomas, Rufus Thomas and Johnnie Taylor. He also acted as the producer of many of these records. He was later a member of the Blues Brothers band. Rolling Stone magazine ranked him 36th on its list of the 100 greatest guitarists of all time, while he has won two Grammy Awards from his seven nominations.

<span class="mw-page-title-main">Donald "Duck" Dunn</span> American bass guitarist

Donald "Duck" Dunn was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.'s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Bill Withers, Elvis Presley, and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s. In 2017, he was ranked 40th on Bass Player magazine's list of "The 100 Greatest Bass Players of All Time".

<span class="mw-page-title-main">The Mar-Keys</span> American studio session band

The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.

<span class="mw-page-title-main">Eddie Floyd</span> American soul-R&B singer and songwriter (born 1937)

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<i>Born Under a Bad Sign</i> 1967 compilation album by Albert King

Born Under a Bad Sign is the second compilation album by American blues musician Albert King, released in August 1967 by Stax Records. It features eleven electric blues songs that were recorded from March 1966 to June 1967, throughout five different sessions. King played with two in-house bands: Booker T. & the M.G.'s and the Memphis Horns. Although the album failed to reach any music chart, it did receive positive reviews from music critics and is often cited as one of the greatest blues albums ever made. Born Under a Bad Sign influenced many guitarists, including Eric Clapton, Mike Bloomfield, Jimi Hendrix, and Stevie Ray Vaughan. Born Under a Bad Sign has been recognized by several music institutions, and has been inducted into the Blues Foundation Hall of Fame, the Grammy Hall of Fame, and the National Recording Registry.

<i>Pain in My Heart</i> 1964 studio album by Otis Redding

Pain in My Heart is the debut album of soul singer-songwriter Otis Redding. Redding recorded for Volt Records, a subsidiary of Stax Records, based in Memphis, Tennessee. Volt LPs were initially issued on the Atco label, which released this album. The title song was written and arranged by Allen Toussaint, under the pseudonym Naomi Neville.

<i>The Great Otis Redding Sings Soul Ballads</i> 1965 studio album by Otis Redding

The Great Otis Redding Sings Soul Ballads, simply referred to as Soul Ballads or Sings Soul Ballads, is the second studio album by American soul singer-songwriter Otis Redding, released in 1965. The album was one of the first issued by Volt Records, a sub-label of Stax Records, and Redding's first on the new label. Like Redding's debut Pain in My Heart (1964), Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mix made by engineer Tom Dowd, replacing the early mono mix.

<span class="mw-page-title-main">Soul Man (song)</span> 1967 hit single

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<i>Hip Hug-Her</i> 1967 studio album by Booker T. & the M.G.s

Hip Hug-Her is the fifth studio album by the Southern soul band Booker T. & the M.G.'s, released on Stax Records in June 1967. The title track was the band's most successful single since their debut, "Green Onions" while their cover of the Young Rascals song "Groovin'" was also a hit. The album was their last to be produced by Stax co-founder Jim Stewart, because the band started to produce themselves starting with Doin' Our Thing. The title track Hip Hug-Her is featured during the opening credits of the feature film Barfly (1987) with Mickey Rourke and Faye Dunaway.

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<i>Melting Pot</i> (Booker T album) 1971 studio album by Booker T. & the M.G.s

Melting Pot is a 1971 studio album recorded by Booker T. & the M.G.'s for Stax Records. It is the last album to feature the group's classic lineup of Jones, Cropper, Dunn, and Jackson and the first of their albums to contain longer, jam-oriented compositions.

<i>Universal Language</i> (Booker T. & the M.G.s album) 1977 studio album by Booker T. & the M.G.s

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<i>The Memphis Tour</i> 2008 live album by Guy Sebastian

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<i>Hold On, Im Comin</i> (Sam & Dave album) 1966 studio album by Sam and Dave

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References

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