Born Under a Bad Sign | ||||
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Compilation album by | ||||
Released | August 1967 | |||
Recorded | March 1966 – June 1967 | |||
Studio | Stax, Memphis, Tennessee | |||
Genre | Electric blues | |||
Length | 34:19 | |||
Label | Stax | |||
Producer | Jim Stewart | |||
Albert King chronology | ||||
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Born Under a Bad Sign is the second compilation album by American blues musician Albert King, released in August 1967 by Stax Records. It features eleven electric blues songs that were recorded from March 1966 to June 1967, throughout five different sessions. King played with two in-house bands: Booker T. & the M.G.'s and the Memphis Horns. Although the album failed to reach any music chart, it did receive positive reviews from music critics and is often cited as one of the greatest blues albums ever made. Born Under a Bad Sign influenced many guitarists, including Eric Clapton, Mike Bloomfield, Jimi Hendrix, and Stevie Ray Vaughan. Born Under a Bad Sign has been recognized by several music institutions, and has been inducted into the Blues Foundation Hall of Fame, the Grammy Hall of Fame, and the National Recording Registry.
In 1966, King signed with the Memphis-based label Stax Records. The 43-year-old musician had already recorded music for other labels, but outside of his 1961 song "Don't Throw Your Love on Me So Strong", [lower-alpha 1] he had yet to find any commercial success. [2] Throughout five sessions from March 1966 to June 1967, King recorded several songs at Stax Studios with two in-house bands: Booker T. & the M.G.'s and the Memphis Horns. [3] [lower-alpha 2] Although Jim Stewart is credited as the producer, trumpeter Wayne Jackson said Steve Cropper and Al Jackson Jr. ran the recording sessions. [5] Many of the songs recorded during these sessions were released as singles, and in August 1967, the singles were compiled and released as King's debut album with Stax, titled Born Under a Bad Sign. [6]
Born Under a Bad Sign is an electric blues album, with influences of soul and funk. [3] [6] The album's music comprises simple chord progressions, which Jackson noted was due to inexperience. "We didn't know how to play it any better!" said Jackson. [5] King played primarily on the three highest guitar strings and only used a select few phrases throughout the album. [2] In the liner notes for the 2002 reissue of Born Under a Bad Sign, critic Michael Point wrote how King was able to distinguish his guitar play despite only using a few phrases: "His simple but subtle reconfigurations were accomplished through inflections, emphasis, and timing, not via sprinting through scales." [2]
The sharp guitar sound heard throughout the album can be partially attributed to King's unorthodox style of play. [2] King was left-handed, but chose to play a right-handed Gibson Flying V and not restring it. [3] King pulled strings from above instead of pushing from below, the standard string bending technique. [3] As a result, he was able to bend several strings simultaneously, which allowed for multi-timbral phrasing. [3] When asked about King's style of play, Jackson said: "Albert's guitar was always out of tune with everything else, but he was such a strong man he would just bend the notes back in!" [5]
Side one of Born Under a Bad Sign features six short songs, which are all under three minutes long. [2] Side two features longer, more ballad-like songs. "Personal Manager" in particular contains one of the few guitar solos on the album. [5] Arguably the most famous song from Born Under a Bad Sign is the album's title track, which was written by William Bell and Booker T. Jones. Bell wanted to write a song about astrology and came up with an unconventional ten-bar guitar line (as opposed to eight-bar and twelve-bar blues) during a jam session. [5] [7] Music historian Rob Bowman called "Born Under a Bad Sign" "one of the most smokingly intense blues recordings of the modern era". [7]
Born Under a Bad Sign was released in August 1967 by Stax Records. [8] It failed to reach any music chart, [7] although three songs from the album—"Laundromat Blues" (1966), "Born Under a Bad Sign", and "Crosscut Saw" (both 1967)—did reach the Hot Rhythm & Blues Singles chart. [9] Rob Bowman believes this was because the rhythm and blues market emphasized 45 rpm singles as opposed to albums. [7] A critic from Billboard magazine awarded the album a "Special Merit Pick" label, and wrote: "Albert King has a way with the blues, a realistic, soulful style which hits the mark as all 11 cuts in his latest Stax album demonstrate." [10]
Born Under a Bad Sign was reissued in 2013 by Stax and Concord Records. [11] The reissue features remastered versions of every song from the original release, as well as four alternative versions, one untitled instrumental piece, and additional liner notes. [11] [12] Neil Kelly of PopMatters felt the additional song was enough to warrant a repurchase, and highlighted the instrumental piece. Kelly said: "Booker T and the MG's never sounded better, even on a one-off jam that was never supposed to be issued." [12]
The album was reissued on April 21, 2023, remastered for new formats. [13]
Review scores | |
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Source | Rating |
AllMusic | [6] |
MusicHound Blues | [14] |
PopMatters | [12] |
The Rolling Stone Jazz & Blues Album Guide | [15] |
The Penguin Guide to Blues Recordings | [16] |
Decades after its release, Born Under a Bad Sign's status continues to grow, and it is now considered one of the greatest blues albums ever made. [6] [11] The Rolling Stone Jazz & Blues Album Guide gave Born Under a Bad Sign a perfect score, where author David McGee described it as "a blues monument". [15] Leland Rucker echoed McGee's remark in the MusicHound Blues: The Essential Album Guide book, writing "King's Stax debut Born Under a Bad Sign is an undisputed classic." [14] Stephen Thomas Erlewine of AllMusic highlighted the musicianship between King and the M.G.'s, and wrote: "it's astounding how strong this catalog of songs is". [6]
Erlwine noted how influential the guitar play on the album was. "[King] unleashed a torrent of blistering guitar runs that were profoundly influential, not just in blues, but in rock & roll". [6] Journalist Sean McDevitt agreed with this statement, and wrote "Born Under a Bad Sign directly influenced legions of guitar players who studied its every subtlety and nuance". [2] Among these guitarists are Eric Clapton, Mike Bloomfield, Jimi Hendrix, and Stevie Ray Vaughan, most of whom covered songs from Born Under a Bad Sign. [2] Clapton copied the guitar solo from "Oh, Pretty Woman" for his band Cream's song "Strange Brew", and Cream covered "Born Under a Bad Sign" for their 1968 album Wheels of Fire . [17] The Paul Butterfield Blues Band also covered "Born Under a Bad Sign" for the 1967 album The Resurrection of Pigboy Crabshaw . [2]
Born Under a Bad Sign has been recognized by several music institutions as an influential album. It has been inducted into the Blues Foundation Hall of Fame and the Grammy Hall of Fame, and the National Recording Registry. [18] [19] [20] The 2002 reissue received a Blues Music Award for "Historical Blues Album of the Year". [18] In 2012, Rolling Stone ranked Born Under a Bad Sign at number 491 on its list of the 500 greatest albums of all time. The list states: "King's first album for the Stax label combines his hard, unflashy guitar playing with the sleek sound of the label's house band, Booker T. and the MG's." [21]
Michael Point believes Born Under a Bad Sign was critical to the modernization of blues music, and catapulted King into mainstream popularity. [2] King went from playing on the Chitlin' Circuit as a relatively unknown musician, to large rock arenas such as the Fillmore and Fillmore East. [4] These performances attracted both black and white audience members, including a large following of hippie fans. [4]
Track listing taken from the 1967 vinyl release of Born Under a Bad Sign. [4]
No. | Title | Writer(s) | Length |
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1. | "Born Under a Bad Sign" | William Bell, Booker T. Jones | 2:47 |
2. | "Crosscut Saw" | R.G. Ford | 2:35 |
3. | "Kansas City" | Jerry Leiber, Mike Stoller | 2:33 |
4. | "Oh, Pretty Woman" | A.C. Williams | 2:48 |
5. | "Down Don't Bother Me" | Albert King | 2:10 |
6. | "The Hunter" | Booker T. Jones, Carl Wells, Steve Cropper, Donald Dunn, Al Jackson, Jr. | 2:45 |
No. | Title | Writer(s) | Length |
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7. | "I Almost Lost My Mind" | Ivory Joe Hunter | 3:30 |
8. | "Personal Manager" | Albert King, David Porter | 4:31 |
9. | "Laundromat Blues" | Sandy Jones | 3:21 |
10. | "As the Years Go Passing By" | Deadric Malone | 3:48 |
11. | "The Very Thought of You" | Ray Noble | 3:46 |
No. | Title | Length |
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12. | "Born Under a Bad Sign" (Take 1 - Alternate) | 2:52 |
13. | "Crosscut Saw" (Take 1 - Alternate) | 3:01 |
14. | "The Hunter" (Take 1 - Alternate) | 2:48 |
15. | "Personal Manager" (Take 15 - Alternate) | 3:21 |
16. | "Untitled Instrumental" | 2:06 |
Credits adapted from the liner notes of Born Under a Bad Sign. [4]
Booker T. & the M.G.'s were an American instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Booker Taliaferro Jones Jr. is an American musician, songwriter, record producer and arranger, best known as the frontman of the band Booker T. & the M.G.'s. He has also worked in the studios with many well-known artists of the 20th and 21st centuries, earning him a Grammy Award for Lifetime Achievement.
Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in 1961. It also shared its operations with sister label Volt Records.
Steven Lee Cropper, sometimes known as "The Colonel", is an American guitarist, songwriter and record producer. He is the guitarist of the Stax Records house band, Booker T. & the M.G.'s, which backed artists such as Otis Redding, Wilson Pickett, Sam & Dave, Carla Thomas, Rufus Thomas and Johnnie Taylor. He also acted as the producer of many of these records. He was later a member of the Blues Brothers band. Rolling Stone magazine ranked him 36th on its list of the 100 greatest guitarists of all time, while he has won two Grammy Awards from his seven nominations.
Albert Nelson, known by his stage name Albert King, was an American guitarist and singer who is often regarded as one of the greatest and most influential blues guitarists of all time. He is perhaps best known for his popular and influential album Born Under a Bad Sign (1967) and its title track. He, B.B. King, and Freddie King, all unrelated, were known as the "Kings of the Blues". The left-handed Albert King was known for his "deep, dramatic sound that was widely imitated by both blues and rock guitarists".
Albert J. Jackson Jr. was an American drummer, producer, and songwriter. He was a founding member of Booker T. & the M.G.'s, a group of session musicians who worked for Stax Records and produced their own instrumentals. Jackson was affectionately dubbed "The Human Timekeeper" for his drumming ability. He was inducted into the Memphis Music Hall of Fame in 2015, and the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s in 1992.
Donald "Duck" Dunn was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.'s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Bill Withers, Elvis Presley, and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s. In 2017, he was ranked 40th on Bass Player magazine's list of "The 100 Greatest Bass Players of All Time".
Robert Stanley Whitlock is an American singer, songwriter and musician. He is best known as a member of the blues-rock band Derek and the Dominos, with Eric Clapton, in 1970–71. Whitlock's musical career began with Memphis soul acts such as Sam & Dave and Booker T. & the M.G.'s before he joined Delaney & Bonnie and Friends in 1968. His association with Delaney & Bonnie bandmate Clapton led to Whitlock's participation in sessions for George Harrison's 1970 triple album All Things Must Pass, in London, and the formation of Derek and the Dominos that year. On the band's sole studio album, the critically acclaimed Layla and Other Assorted Love Songs, Whitlock wrote or co-wrote seven of the album's fourteen tracks, including "Tell the Truth", "Bell Bottom Blues" and "Why Does Love Got to Be So Sad?"
Delaney & Bonnie were an American duo of singer-songwriters Delaney Bramlett and Bonnie Bramlett. In 1969 and 1970, they fronted a rock/soul ensemble, Delaney & Bonnie and Friends, whose members at different times included Duane Allman, Gregg Allman, Eric Clapton, George Harrison, Leon Russell, Bobby Whitlock, Dave Mason, Steve Howe, Rita Coolidge, and King Curtis.
William Bell is an American soul singer and songwriter. As a performer, he is probably best known for his debut single, 1961's "You Don't Miss Your Water"; 1968's top 10 hit in the UK "Private Number", a duet with Judy Clay; and his only US top 40 hit, 1976's "Tryin' to Love Two", which also hit No. 1 on the R&B chart. Upon the death of Otis Redding, Bell released the well-received memorial song "A Tribute to a King".
The Great Otis Redding Sings Soul Ballads, simply referred to as Soul Ballads or Sings Soul Ballads, is the second studio album by American soul singer-songwriter Otis Redding, released in 1965. The album was one of the first issued by Volt Records, a sub-label of Stax Records, and Redding's first on the new label. Like Redding's debut Pain in My Heart (1964), Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mix made by engineer Tom Dowd, replacing the early mono mix.
King & Queen is a studio album by American recording artists Otis Redding and Carla Thomas. It is Thomas' fourth album and Redding's sixth and the final studio album before his death on December 10, 1967. Influenced by Marvin Gaye's duets, the album features ten covers of soul classics and the eleventh finishing song co-written by Redding.
What's Shakin' is a compilation album released by Elektra Records in May 1966. It features the earliest studio recordings by the Lovin' Spoonful and the Paul Butterfield Blues Band, as well as the only released recordings by the ad hoc studio group Eric Clapton and the Powerhouse, until they were reissued years later.
"Born Under a Bad Sign" is a blues song recorded by American blues singer and guitarist Albert King in 1967. Called "a timeless staple of the blues", the song also had strong crossover appeal to the rock audience with its synchronous bass and guitar lines and topical astrology reference. "Born Under a Bad Sign" appeared on the R&B chart and became a blues standard.
Hold On, I'm Comin' is the 1966 debut album by Atlantic Records soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
In Session is a blues album by Albert King with Stevie Ray Vaughan recorded live for television on December 6, 1983, at CHCH-TV studios in Hamilton, Ontario, when Vaughan was 29 and King was 60. It was released as an album on August 17, 1999, and re-released with a supplemental video recording on DVD on September 28, 2010. It has also been released on CD and SACD.
"Crosscut Saw", or "Cross Cut Saw Blues" as it was first called, is a hokum-style song "that must have belonged to the general repertoire of the Delta blues". Mississippi bluesman Tommy McClennan's recording of the song was released in 1941 and has since been interpreted by many blues artists. "Crosscut Saw" became an early R&B chart hit for Albert King, "who made it one of the necessary pieces of modern blues".
Albert King (1923–1992) was an American blues guitarist and singer who was active from the late 1940s to 1992. During the earlier part of his career, he recorded several singles for smaller record labels. In 1966, he began an association with Stax Records, where he enjoyed his greatest commercial success with both singles and albums. His 1967 album, Born Under a Bad Sign, has been acknowledged as one of the most important blues albums.
"The Hunter" is a blues song first recorded by Albert King in 1967 for his landmark album Born Under a Bad Sign. It was written by Stax Records' house band, Booker T. and the MGs, and Carl Wells. Along with "Born Under a Bad Sign" and "Crosscut Saw", "The Hunter" is one of King's best-known and most-recorded songs. In 1969, Ike & Tina Turner's version reached the singles charts in the U.S.
King of the Blues Guitar is a compilation album by American blues guitarist and singer Albert King, released by Atlantic Records in 1969. The album contains songs that Stax Records originally released on singles, including five that were also included on King's 1967 compilation, Born Under a Bad Sign. It reached number 194 on the Billboard 200 album chart in 1969.