"My Babe" | ||||
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Single by Little Walter | ||||
B-side | "Thunder Bird" | |||
Released | February 1955 | |||
Recorded | January 25, 1955 | |||
Genre | R&B, Chicago blues | |||
Length | 2:44 | |||
Label | Checker | |||
Songwriter(s) | Willie Dixon | |||
Producer(s) | Leonard Chess, Phil Chess | |||
Little Walter singles chronology | ||||
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"My Babe" is a Chicago blues song and a blues standard written by Willie Dixon for Little Walter. [1] Released in 1955 on Checker Records, a subsidiary of Chess Records, the song was the only Dixon composition ever to become a number one R&B single and it was one of the biggest hits of either of their careers. [1]
Dixon based "My Babe" on the traditional gospel song "This Train (Is Bound For Glory)", recorded by Sister Rosetta Tharpe as "This Train". [2] He reworked the arrangement and lyrics from the sacred (the procession of saints into Heaven) into the secular (a story about a woman that won't stand for her man's cheating): "My baby, she don't stand no cheating, my babe, she don't stand none of that midnight creeping." [3]
In his autobiography, Dixon recalled:
I felt Little Walter had the feeling for this "My Babe" song. He was the type of fellow who wanted to brag about some chick, somebody he loved, something he was doing or getting away with. He fought it for two long years and I wasn't going to give the song to nobody but him. He said many times he just didn't like it but, by 1955, the Chess people had gained confidence enough in me that they felt if I wanted him to do it, it must be his type of thing. The minute he did it, BOOM! she went right to the top of the charts. [4]
Little Walter recorded the song on January 25, 1955. [2] Accompanying his vocal and harmonica were Robert Lockwood, Jr. and Leonard Caston on guitars, Willie Dixon on double-bass, and Fred Below on drums. [5] Guitarist Luther Tucker, then a member of Walter's band, was absent from the recording session that day. "My Babe" was re-issued in 1961 with an overdubbed female vocal backing chorus and briefly crossed over to the pop charts. [1]
Ray Charles had famously, and controversially, pioneered the gospel-song-to-secular-song approach with his reworking of the gospel hymn "It Must Be Jesus" into "I Got a Woman," which hit the Billboard R&B charts on January 22, 1955, later climbing to the number one position for one week. Within days of the appearance of Charles's song on the national charts, Little Walter recorded "My Babe" and Checker released it while "I've Got a Woman" was still on the charts. The single eclipsed Charles's record by spending 19 weeks on the Billboard R&B charts beginning on March 12, 1955, including five weeks at the top position, making it one of the biggest R&B hits of 1955. [6] The B-side of "My Babe" was the harmonica instrumental "Thunderbird," following the pattern established by the release of Little Walter's number one hit single from 1952, "Juke," of featuring a vocal performance one side and a harmonica instrumental on the flip side.
In 2008, "My Babe" was inducted into the Blues Foundation Hall of Fame in the "Classic of Blues Recording – Singles or Album Tracks" category. [7] The song has been recorded by artists with a variety of backgrounds, including rock, R&B, country, and jazz. [4]
William James Dixon was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.
Marion Walter Jacobs, known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica had a strong impact on succeeding generations, earning him comparisons to such seminal artists as Django Reinhardt, Charlie Parker and Jimi Hendrix. His virtuosity and musical innovations fundamentally altered many listeners' expectations of what was possible on blues harmonica. He was inducted into The Rock and Roll Hall of Fame in 2008, the first and, to date, only artist to be inducted specifically as a harmonica player.
"Mannish Boy" is a blues standard written by Muddy Waters, Mel London, and Bo Diddley. First recorded in 1955 by Waters, it serves as an "answer song" to Bo Diddley's "I'm a Man", which was in turn inspired by Waters' and Willie Dixon's "Hoochie Coochie Man". "Mannish Boy" features a repeating stop-time figure on one chord throughout the song.
James Milton Campbell Jr., better known as Little Milton, was an American blues singer and guitarist, best known for his number-one R&B single "We're Gonna Make It". His other hits include "Baby, I Love You", "Who's Cheating Who?", and "Grits Ain't Groceries ".
"Juke" is a harmonica instrumental recorded by the Chicago bluesman Little Walter Jacobs in 1952. Although Little Walter had been recording sporadically for small Chicago labels over the previous five years, and had appeared on Muddy Waters' records for Chess Records since 1950, "Juke" was Little Walter's first hit, and it was the most important of his career. Due to the influence of Little Walter on blues harmonica, "Juke" is now considered a blues harmonica standard.
The Anthology: 1947–1972 is a double compilation album by Chicago blues singer and guitarist Muddy Waters. It contains many of his best-known songs, including his R&B single chart hits "I'm Your Hoochie Coochie Man", "Just Make Love to Me ", and "I'm Ready". Chess and MCA Records released the set on August 28, 2001.
"Goin' Down Slow" or "Going Down Slow" is a blues song composed by American blues singer St. Louis Jimmy Oden. It is considered a blues standard and "one of the most famous blues of all".
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955. Inspired by an earlier blues song, it was one of his first hits. "I'm a Man" has been recorded by a variety of artists, including the Yardbirds, who adapted it in an upbeat rock style.
"Hoochie Coochie Man" is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter.
"Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat. It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. In 1965, Dixon and Leonard Chess persuaded Koko Taylor to record it for Checker Records, a Chess subsidiary. Taylor's rendition quickly became a hit, reaching number thirteen on the Billboard R&B chart and number 58 on the pop chart. "Wang Dang Doodle" became a blues standard and has been recorded by various artists. Taylor's version was added to the United States National Recording Registry in 2023.
The Best of Little Walter is the first LP record by American blues performer Little Walter. First released in 1958, the compilation album contains ten Little Walter songs that appeared in the Top 10 of the Billboard R&B chart from 1952 to 1955, plus two B-sides. The album was first released by Checker Records as LP-1428, which was the first LP record released by Checker, and then released on Chess Records with the same catalog number.
"I'm Ready" is a blues song written by Willie Dixon and first recorded by Muddy Waters in 1954. It was a hit, spending nine weeks on the Billboard R&B chart where it reached number four. The song became a blues standard and has been compared to "Hoochie Coochie Man", the standard also written by Dixon that Waters recorded earlier in 1954.
"Just Your Fool" is a rhythm and blues-style song written and recorded by the American jazz and jump blues bandleader/pianist Buddy Johnson and His Orchestra in 1953. Called an "R&B anthem", the song has a big-band arrangement and his sister Ella Johnson on vocals—her "delicate and deceptively sweet phrasing was ideally suited to ballads such as this". "I'm Just Your Fool" became a Billboard R&B chart record hit, reaching number six in 1954.
"Blues with a Feeling" is a blues song written and first recorded by Rabon Tarrant with Jack McVea and His All Stars in 1947, as the B-side of "Slowly Goin' Crazy Blues". Although the original release was commercially unsuccessful, the song later became an important hit for Little Walter, with whom it is usually identified.
"Pretty Thing" is a 1955 song written by Bo Diddley and Willie Dixon and performed by Bo Diddley. The song was Diddley's third single release through Checker Records after "Diddley Daddy". In 1963, the song was released in the United Kingdom where it became Diddley's first of only two songs appearing on the UK Singles Chart, the other single being "Hey Good Lookin'".
His Best is a greatest hits album by Chicago blues harmonica player Little Walter, released on June 17, 1997 by MCA and Chess Records as a part of The Chess 50th Anniversary Collection. The album is seen as the CD successor to the 1958 The Best of Little Walter and features ten of the songs from that album.
Super Blues is a 1967 studio album by a blues supergroup consisting of Bo Diddley, Muddy Waters, and Little Walter. The album was released in both mono and stereo formats by Checker Records in June 1967. A follow-up album The Super Super Blues Band was released later that year and featured Howlin' Wolf replacing Little Walter.
Down and Out Blues is the first LP record by American blues musician Sonny Boy Williamson. The album was released in 1959 by Checker Records.
"Hate to See You Go" is a blues song written and recorded by Chicago blues artist Little Walter. In 1955, Checker Records released it as one of three singles by Walter that year. The song, a one chord modal blues, is a reworking of "You Don't Love Me", written by Bo Diddley and recorded one month prior.
Little Walter (1930–1968) was an American blues artist who is generally regarded as the most influential blues harmonica player of his era. Most of his earliest recordings were as a sideman, when he contributed harmonica to songs by Chicago blues musicians such as Jimmy Rogers and Muddy Waters. As the featured artist, he recorded the instrumental "Juke" in 1952. The single reached number one on the Billboard Rhythm and Blues chart and launched his career as a solo artist.