"Young Blood" | ||||
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Single by The Coasters | ||||
B-side | "Searchin'" | |||
Released | March 1957 | |||
Recorded | February 15, 1957 | |||
Genre | Rhythm and blues | |||
Length | 2:15 | |||
Label | Atco 6087 | |||
Songwriter(s) | Jerry Leiber and Mike Stoller, Doc Pomus | |||
Producer(s) | Jerry Leiber and Mike Stoller | |||
The Coasters singles chronology | ||||
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"Young Blood" is a song written by Doc Pomus along with the songwriting team Jerry Leiber and Mike Stoller that first became a hit by The Coasters in 1957.
Musically, the song follows a minor blues structure, built mostly around three chords (i7, iv7, V7) except for the bridge (IV, VI, III, V). The lyrical theme is one typical of early rock and roll: boy meets girl, then meets girl's father, who does not approve of boy; so the boy departs, but cannot stop thinking about the girl, declaring "You're the one, you're the one, you're the one."
"Young Blood" was originally recorded by The Coasters [1] and released as a single together with "Searchin'" in March 1957 by Atco Records (#6087). This song is compared to the cleaner cut song "Standing on the Corner" from the musical The Most Happy Fella. Their version can also be heard on The Very Best of the Coasters album. It topped Billboard's R&B chart and reached #8 on the Billboard Hot 100. [2]
The Coasters' version is ranked #414 on Rolling Stone's list of the 500 Greatest Songs of All Time, the group's only song on the list. [3]
The song was included in the musical revue Smokey Joe's Cafe .
"Young Blood" | |
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Song by the Beatles | |
from the album Live at the BBC | |
Released | 30 November 1994 |
Recorded | 1 June 1963 |
Genre | Rock and roll, R&B |
Length | 1:56 |
Label | Apple Records |
Songwriter(s) | Leiber/Stoller/Pomus |
Producer(s) | Terry Henebery |
The Beatles played "Young Blood" in their Cavern Club repertoire. It is one of twelve songs recorded by them in July 1962 on a tape, which was re-purchased by Paul McCartney at a Sotheby's auction in 1985. [9] [10]
A previously unreleased version performed by The Beatles (for the BBC radio show Pop Go the Beatles broadcast on June 11, 1963) is included on their album Live at the BBC , released in 1994. It was recorded at the BBC Paris Studio, London on June 1, 1963, and George Harrison is the lead vocalist on this recording; the tempo is moderately fast, considerably faster than in the original. [11] [12]
Personnel per The Beatles Bible [13]
"Young Blood" | ||||
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Single by Bad Company | ||||
from the album Run with the Pack | ||||
B-side | "Do Right by Your Woman" | |||
Released | March 1976 | |||
Recorded | 1975 | |||
Genre | Rock | |||
Length | 2:37 | |||
Label | Swan Song | |||
Songwriter(s) | Leiber/Stoller/Pomus | |||
Producer(s) | Bad Company | |||
Bad Company singles chronology | ||||
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Bad Company recorded the song on their 1976 LP Run with the Pack . It was released as a single, reaching the Top 20 in the United States and the Top 10 in Canada. [14]
Cash Box called it "a straight ahead rock -out version of a great song." [15] Record World said that "The group recaptures the flippant attitude of the original with Paul Rodgers providing the dynamic tension." [16]
"Young Blood" has been covered by several other artists, including a live performance by Leon Russell at the 1971 Concert for Bangla Desh, who was accompanied by a stageful of world-class musicians including George Harrison, Eric Clapton and Ringo Starr; another performance was included in Russell's three disk set Leon Live; a 1983 version by Beach Boys guitarist Carl Wilson that served as the title track to Youngblood (his second solo album); and a version by Bruce Willis in The Return of Bruno (1987). The Grateful Dead are known to have soundchecked the song. "Young Blood" was performed by Flash Cadillac and the Continental Kids (as "Johnny Fish and the Fins") in a Season Two episode of Happy Days . The song appeared on Jerry Lee Lewis's 1995 album of the same name. For the 1995 Doc Pomus tribute album Till The Night Is Gone - A Tribute To Doc Pomus released by Rhino Records, The Band also recorded a cover, which later appeared on the re-release of their 1996 album High on the Hog .
The song was sung by season 10 American Idol contestant Scotty McCreery during the Leiber & Stoller week of the competition.
"Too Busy Thinking About My Baby" is a Motown song written by Norman Whitfield, Barrett Strong, and Janie Bradford. The song was first recorded by The Temptations as a track on their 1966 album Gettin' Ready. Eddie Kendricks sings lead on the recording, which was produced by Whitfield. Jimmy Ruffin also recorded a version with The Temptations providing background vocals in 1966. It remained unreleased until 1997.
"I'm Happy Just to Dance with You" is a song written by John Lennon and Paul McCartney and recorded in 1964 by the English rock band the Beatles for the film soundtrack to A Hard Day's Night. Lead vocals are by George Harrison, whose performance in the film marked the first mass media depiction of Harrison singing lead.
"I Can Hear Music" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector for American girl group the Ronettes in 1966. This version spent one week on the Billboard Pop chart at number 100. In early 1969, the Beach Boys released a cover version as a single from their album 20/20 (1969), peaking at number 24 in the US.
"Chapel of Love" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector, and made famous by The Dixie Cups in 1964, spending three weeks at number one on the Billboard Hot 100. The song tells of the happiness and excitement the narrator feels on her wedding day, for she and her love are going to the "chapel of love", and "[they'll] never be lonely anymore." Many other artists have recorded the song.
"Save the Last Dance for Me" is a song written by Doc Pomus and Mort Shuman, first recorded in 1960 by American musical group the Drifters with Ben E. King on lead vocals. It has since been covered by several artists, including Dalida, the DeFranco Family, Emmylou Harris, Dolly Parton, and Michael Bublé.
"Oh Girl" is a song written by Eugene Record and recorded by American soul vocal group the Chi-Lites, with Record on vocals and also producing. It was released as a single on Brunswick Records in 1972. Included on the group's 1972 album A Lonely Man, "Oh Girl" centers on a relationship on the verge of break-up.
"Another Saturday Night" is a 1963 hit single by Sam Cooke from the album Ain't That Good News. The song was written by Cooke while touring in England when staying in a hotel where no female guests were allowed. It reached No. 10 on the Billboard Hot 100 and was No. 1 on the R&B chart for a single week. In the UK, the song peaked at No. 23 on the UK Singles Chart.
"This Magic Moment" is a song composed by lyricist Doc Pomus and pianist Mort Shuman. It was first recorded by The Drifters, with Ben E. King singing lead.
"Is That All There Is?" is a song written by American songwriting team Jerry Leiber and Mike Stoller. It became a hit for American singer Peggy Lee in 1969. The song was originally performed by Georgia Brown in May 1967 for a television special. It was first recorded by disc jockey Dan Daniel in March 1968, but this was an unauthorized recording that went unissued at the songwriters' request. The first authorized recording was by Leslie Uggams in August 1968.
"This Masquerade" is a song written by American singer and musician Leon Russell. It was originally recorded in 1972 by Russell for his album Carney and as a B-side for the album's hit single "Tight Rope". The song was then covered on Helen Reddy's 1972 album, I Am Woman. It was then recorded by American vocal duo, the Carpenters, for their 1973 album Now & Then and as the B-side of the Carpenters's single "Please Mr. Postman". Three years later, "This Masquerade" was recorded by American singer and guitarist George Benson, who released it on his 1976 album, Breezin'. Benson's version, featuring Jorge Dalto on piano, was released as a single and became the first big hit of his career.
The song "I'm a Woman" was written by famed songwriting duo Jerry Leiber and Mike Stoller, and was first recorded in 1962 by Christine Kittrell.
"Who Loves You" is the title song of a 1975 album by The Four Seasons. It was composed by Bob Gaudio and Judy Parker and produced by Gaudio. It reached number 3 on the Billboard Hot 100 in November 1975.
"I Keep Forgettin' (Every Time You're Near)" (also known as "I Keep Forgettin'") is a 1982 song by American singer-songwriter Michael McDonald, from his debut album If That's What It Takes (1982). It was written by McDonald and Ed Sanford. Released as a single, it peaked at No. 4 on the U.S. Billboard Pop Singles charts, #7 R&B and #8 on the Adult Contemporary chart.
"Love Ballad" is a song by R&B/Funk band L.T.D. Jeffrey Osborne is the lead singer.
"I Believe You" is a love ballad composed by Don and Dick Addrisi which was a 1977 single for Dorothy Moore; taken from her self-titled Dorothy Moore album. "I Believe You" reached #5 R&B and crossed over to the US Pop Top 30 at number 27. The track also reached number 20 in the UK.
"D.W. Washburn" is a song written by Jerry Leiber and Mike Stoller, recorded by both the Coasters and the Monkees. It was also included in the musical Smokey Joe's Cafe (revue).
"Cupid" is a song by American singer Sam Cooke, released on May 16, 1961. It charted at number 17 on the Billboard Hot 100 and number 20 on the Hot R&B Sides chart; the track performed best in the United Kingdom, peaking at number seven on the UK Singles Chart. The song is featured on Cooke's greatest hits album, The Best of Sam Cooke (1962). Cooke's producers had asked him to write a song for a girl they had seen on a Perry Como TV show—but once they heard her sing, they kept "Cupid" for Cooke himself.
"Real Love" is a hit song by The Doobie Brothers, the first of three singles from their 1980 LP, One Step Closer.
"Chains Of Love", a 12-bar blues, was written by Doc Pomus.
"Keep Your Eye on the Sparrow", also known as "Baretta's Theme", is a song written by Morgan Ames and Dave Grusin, recorded by multiple artists during the summer of 1975. Merry Clayton's version was the first to chart, reaching #45 on the U.S. Billboard Hot 100.