| "Saturday Night Fish Fry (Part 1)" | ||||
|---|---|---|---|---|
| Single by Louis Jordan & His Tympany Five | ||||
| B-side | "Saturday Night Fish Fry" (Concluded) | |||
| Released | 1949 | |||
| Recorded | August 9, 1949 | |||
| Genre | Jump blues [1] | |||
| Length |
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| Label | Decca | |||
| Songwriter(s) | Louis Jordan, Ellis Walsh | |||
| Louis Jordan & His Tympany Five singles chronology | ||||
| ||||
"Saturday Night Fish Fry" is a jump blues song written by Louis Jordan and Ellis Lawrence Walsh, [2] best known through the version recorded by Louis Jordan and His Tympany Five. [3] The recording is considered to be one of the "excellent and commercially successful" examples of the jump blues genre. [4]
While the origins of rock and roll are disputed, some have also suggested that the song may be the first rock 'n' roll record. [5] The song contains elements later common in rock 'n' roll such as electric guitar, a brisk tempo and "a mix of the bass," and the singer begins each chorus with the catchphrase, "It was rockin'," repeating it several times. [1] [6]
The single was a big hit, [3] topping the R&B chart for twelve non-consecutive weeks in late 1949. It also reached number 21 on the national chart, [7] a rare accomplishment for a "race record" at that time (although Jordan had already had earlier crossover hits). Jordan's jump blues combo was one of the most successful acts of its time, and its loose and streamlined style of play was highly influential.
"Saturday Night Fish Fry" was first recorded by Eddie Williams and His Brown Buddies with spoken vocals by the song's composer, Ellis Walsh. Williams had a number 2 R&B hit with the song "Broken Hearted". "Saturday Night Fish Fry" was intended to be the band's next single, but the acetate found its way to Louis Jordan's agent instead. As Williams recalled, "They got theirs out there first." [8]
Jordan changed the song. One source provides this summary: he took "the song’s ‘hook’ and [sang] it twice after every other verse. The arrangement was also more propulsive, too; Williams’ shuffle was replaced by a raucous, rowdy jump Boogie-woogie". [8] The expression "it was rockin'" appears four times in the chorus, which is sung seven times. [6] His version was produced by Milt Gabler. [9]
At 5:21, the recording ran longer than a standard side of a 78 record, so it was broken into two halves, one on each side of the disc. The song's lyrics are in the first person and describe two itinerant musicians going to a fish fry on Rampart Street in New Orleans, Louisiana. The party turns wild and is raided by the police; the narrator subsequently spends the night in jail. [10]
Jordan's "Saturday Night Fish Fry" has been called an example of jump blues [1] because "it literally made its listeners jump to its pulsing beat", according to NPR, which points out the use of the word "rockin'" in the chorus. [11] The Acoustic Music organization states that the recording marked "the end of the jump blues dominance of the '40s". [12]
One reviewer offered this comment in 2016 on the Jordan version: "Jordan’s pithy, witty vocal style, bumping jump-blues rhythms, and taste for lyrics that both wag their tongue and bite are as plainly irresistible as pop music gets". [13]
Some sources also consider it as a precursor to rock and roll, or perhaps, one of the first rock and roll records. The Rock and Roll Hall of Fame stated that the recording was "an early example of rap and possibly the first rock and roll recording". [5] Another source went a step further in 2013 with this comment: "Jordan’s rapid-fire, talky delivery presaged another musical style that in 1950 was barely on the horizon—rap". [14]
The song had a "lively jump rhythm, call-and response chorus and double-string electric guitar riffs that Chuck Berry would later admit to copying", according to one source. [15] In fact, Chuck Berry was quoted as saying, "To my recollection, Louis Jordan was the first [person] that I heard play rock and roll." [16]
The guitar work, brisk tempo, "and emphasis in the recording mix of punctuating each beat" certainly influenced later artists and the recording's style went on to "characterize 1950s rock and roll". [17] Jordan re-recorded the song in 1973 for an album titled I Believe in Music. [18]
Rock and roll is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African American music such as jazz, rhythm and blues, boogie-woogie, electric blues, gospel, and jump blues, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until 1954.
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.
Ruth Alston Brown was an American singer-songwriter and actress, sometimes referred to as the "Queen of R&B". She was noted for bringing a pop music style to R&B music in a series of hit songs for Atlantic Records in the 1950s, such as "So Long", "Teardrops from My Eyes" and "(Mama) He Treats Your Daughter Mean". For these contributions, Atlantic became known as "the house that Ruth built". Brown was a 1993 inductee into the Rock and Roll Hall of Fame.
Louis Thomas Jordan was an American saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "the King of the Jukebox", he earned his highest profile towards the end of the swing era. He was inducted into the Rock and Roll Hall of Fame as an "early influence" in 1987.
Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South. As a genre it blends the sound of Western musical styles such as country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" and "hillbilly", the latter a reference to the country music that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues.
Jump blues is an up-tempo style of blues, jazz, and boogie woogie usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as part of the swing revival.
The origins of rock and roll are complex. Rock and roll emerged as a defined musical style in the United States in the early to mid-1950s. It derived most directly from the rhythm and blues music of the 1940s, which itself developed from earlier blues, the beat-heavy jump blues, boogie woogie, up-tempo jazz, and swing music. It was also influenced by gospel, country and western, and traditional folk music. Rock and roll in turn provided the main basis for the music that, since the mid-1960s, has been generally known simply as rock music.
"I Hear You Knocking" is a rhythm and blues song written by American musician Dave Bartholomew. New Orleans rhythm and blues singer Smiley Lewis first recorded the song in 1955. The lyrics tell of the return of a former lover who is rebuffed.
"Good Rocking Tonight" is a jump blues song originally released in 1947 by its writer, Roy Brown and was covered by many recording artists. The song includes the memorable refrain, "Well I heard the news, there's good rocking tonight!" The song anticipated elements of rock and roll music.
"Caldonia" is a jump blues song, first recorded in 1945 by Louis Jordan and his Tympany Five. Although credited to Fleecie Moore, his wife at the time, Jordan is the actual songwriter. The song was a hit for Jordan as well as several other musicians.
"Choo Choo Ch'Boogie" is a popular song written by Vaughn Horton, Denver Darling, and Milt Gabler.
"Come On" is a song written by New Orleans rhythm and blues artist Earl King. He first recorded the song as "Darling Honey Angel Child" in 1960 for the Ace Records subsidiary Rex. Later that year, he recorded it as a two-part song for Imperial Records using some new lyrics. Retitled "Come On", it was released in 1960 with "Come On – Part I” as the A-side backed with “Come On – Part II”.
Tympany Five was a successful and influential American rhythm and blues and jazz dance band founded by Louis Jordan in 1938. The group was composed of a horn section of three to five different pieces and also drums, double bass, guitar and piano.
Boogie rock is a style of blues rock music that developed in the late 1960s. Its key feature is a repetitive driving rhythm, which emphasizes the groove. Although inspired by earlier musical styles such as piano-based boogie-woogie, boogie rock has been described as "heavier" or "harder-edged" in its instrumental approach.
"Let the Good Times Roll" is a jump blues song recorded in 1946 by Louis Jordan and his Tympany Five. A mid-tempo twelve-bar blues, the song became a blues standard and one of Jordan's best-known songs.
"Baby What You Want Me to Do" is a blues song that was written and recorded by Jimmy Reed in 1959. It was a record chart hit for Reed and, as with several of his songs, it has appeal across popular music genres, with numerous recordings by a variety of musical artists.
"Early in the Mornin'" or "'Early in the Morning" is a song that was recorded by Louis Jordan and His Tympany Five in 1947. It is an early example of a blues which incorporates Afro-Cuban rhythms and percussive instruments. "Early in the Mornin'" became a hit, reaching number three in Billboard magazine's race records chart.
Carl D. Hogan was an American jazz and rhythm and blues guitarist and bassist. He is known for playing the lead guitar riff on Louis Jordan's "Ain't That Just Like a Woman " which was later imitated by Chuck Berry for his hit "Johnny B. Goode".
Samuel F. Theard was an American singer, songwriter, actor and comedian. He performed under the names Lovin' Sam F. Theard, Spo-Dee-O-Dee and others.
It was rockin', it was rockin' You never seen such scufflin'
